Lifestyle
How to have the best Sunday in L.A., according to Laufey

Icelandic Chinese vocalist and songwriter Laufey (pronounced lāy-vāy) has an appreciation for life’s many wonders. It’s apparent in her music, which fuses the sounds of jazz and classical giants past with romantic storytelling, punctuated by a deep vibrato and modern-day references. And it’s apparent in her enthusiasm for her current hometown of Los Angeles. Though the 25-year-old alto has been around the world — growing up in Reykjavik, attending cello band camp in Beijing and bopping around Boston as a Berklee College of Music student — she was still struck by L.A. when her burgeoning music career brought her to West Hollywood in the summer of 2021

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
“I was just running around enjoying the sunny weather,” she said. “I was really so enamored by L.A. and couldn’t believe it was real. I still to this day feel like that.”
The TikTok-savvy songstress has since settled in, even referencing L.A.’s “weeping” mountains, and Sunset Boulevard in a collaboration with the Icelandic Philharmonic called “California and Me.” Her career reached new heights in February when her first album, “Bewitched,” won a Grammy in the best traditional pop vocal categories. (The “Goddess Edition” of that aforementioned album is out today.)
In the midst of her whirlwind recording industry success, Laufey’s appreciation for the city’s little joys hasn’t waned. Now situated in central L.A., her perfect day involves picking up Icelandic catch from her local fishmonger, relaxing with a good book by the beach, practicing Frederic Chopin’s children’s tunes as a form of meditation and spending more time on her phone than she cares to admit.
This interview has been lightly edited and condensed for length and clarity.
8 a.m.: Rise and sip
I’m an early riser. Even on a Sunday. I love the day. I love running around and doing things and I don’t want to miss even an hour of it. So I usually wake up at around 8, maybe 9 on a Sunday. And I’ll immediately get coffee. There’s so many fun coffee shops. I love Maru, so I go to Maru a lot. I also really like Damo in K-town, they have really good matcha. [I’ll] sit and read, sit and journal, sit and call my parents. They’re in Iceland, so morning is the best time to call them.

11 a.m.: A taste of home
Then I like to go to the farmers market. I love the farmers markets in L.A. I think it’s one of the best things about L.A. And the produce is so fresh. I love the one in Larchmont because it’s just small and sweet. Larchmont Village is like my favorite place. And I love the one at Melrose Place as well. It’s a little fancier, it feels more like an event, almost. So I also like the Hollywood one, the Studio City one. I like changing it up and getting a different vibe from each neighborhood.
Jyan Issac Bread bakery has a rye bread — like a Danish rye bread — that I always have. Because it reminds me of the bread that I had in Iceland growing up. I toast it and I put butter on it.
I think the fruit and veg vendors at Larchmont are probably my favorite. And then they always have Icelandic fish, Nordic catch, at every single farmers market it seems. At least at Melrose, Hollywood and Larchmont they have Nordic catch: salmon, cod, everything. So I like to pick up fish there every Sunday as a little taste of home. Seeing that in L.A. is always so fun — these fishies were in Iceland recently. [Laughs]
1 p.m.: Little European treats
After that I like to grab a lunch, brunch. My eating is all over the place on a Sunday because I’ll basically just get little treats. Like whenever I have a coffee I’ll probably have a pastry. Or a matcha, I’ll have a pastry.
[For] lunch, Loupiotte Kitchen in Los Feliz is my favorite. It’s so cute and it feels almost like being in Paris. But it’s so fun because the weather’s really nice all year round. And the people — there’s always cute kids there. It feels very familial.
I like sitting outside. They have really good eggs. They make this egg scramble with crème fraîche that’s very French and very yummy. They have really good toasts as well. Avocado toast. They have a summer toast that has a ton of different veggies on it. They also have good pastries. And I like having a little orange juice as well.
I’ll usually be with a friend and just yap. I’ll end up talking until 3 p.m. or something. I’ve got to get it out of my system.

3 p.m.: Tuna and books pit stop
I love the Brentwood Country Mart. I stop there on the way to the beach. There’s a really nice bookstore there called Diesel that is one of my favorites in L.A..
I go to the Farm Shop, I get another coffee. I get coffee like three times a day. I like picking up there. Specifically they have a tuna salad that is so yummy, and you can put it on bread. So I’ll sometimes pick up bread, just like a loaf of bread at Farm Shop and get one of their tuna things — I’m literally making myself hungry right now — and spread it on at the beach.
3:30 p.m.: Long walks on the beach
I’ve been going to the beach. I’ll drive either to Malibu or just out to Santa Monica. And I’ll just walk on the beach.
I grew up near the ocean in Iceland. So the smell of salt, the smell of fish and ocean really reminds me of home. That’s why I love going to the beach so much. There’s something that just makes me feel like it’s all connected. It’s all the same ocean in a way. So I like that. I like looking at the birds, the scary seagulls. I just like to sit on the bench and look out, read, eat my bread and tuna.
I am reading “The Midnight Library” by Matt Haig. And I’ve also been reading “The Shards” by Bret Easton Ellis. “Midnight Library” I just started, because it’s my book club read for the month. “The Shards” I’m really excited to read because I’ve heard there’s a connection between “The Shards” and “The Secret History,” which is a book by Donna Tartt, which is my favorite book ever. I’ve heard that there’s some common threads there, so I’m excited to discover those. But I always loved some kind of dark academic thing, which “The Shards” definitely is.

6 p.m.: Cooking with Nat King Cole
After that, I’ll return back and usually cook whatever I have from the farmers market that day. It’s more often than not fish, salmon. I love picking out any veggies that I haven’t used before, and then I just challenge myself to get home and figure out a recipe, or find a recipe. But anything super colorful I’m really drawn to, so if it’s like a really purple cauliflower, I’ll be like: “I’ve gotta figure that out tonight.”
My mother, she cooks a lot. And she’s taught me a lot of recipes. She’ll teach me by FaceTiming me. I’ll FaceTime her while I’m cooking. It’s so fun, it’s like a live cooking tutorial. All my recipes are hers.
I really like just cooking for myself, honestly. I do like cooking for others but pretty much only my twin sister because I’m scared that I’m going to disgust the people I cook for. My people-pleasing can’t handle hosting too many people at once. I play music. I love playing Nat King Cole. He lived in my neighborhood, so I feel extra connected to Nat King Cole.

8 p.m.: Chopin for the soul
I’ll practice cello, piano, guitar. [On] Sundays especially I like playing classical pieces. I don’t push myself too hard to write something new or original, I just pull out sheet music to pieces I played when I was younger, classical pieces, and it just always roots me. I think it’s the best way to end the week.
[I play] these little Chopin pieces. A lot of children’s music. Classical music that kids learn first, because it’s just very simple and meditative. And it’s not hard. And it’s oftentimes really beautiful melodies that are good for the soul.
9 p.m.: TikTok time
Realistically I’ll probably stay on my phone in bed or read or watch a TV show or something until like midnight.
I’ve been seeing a lot of these TikToks of this little Chinese boy making food. Like street food kind of? He’s making these really elaborate dishes outdoors on a plate and it’s so cute. He’s so good. He’s like a 3-year-old or something. And he’s so professional when he does it. And he always hands it to his grandpa or like the old person in the village.
There’s this older Japanese couple that posts their outfits together every day. Aki and Koichi. And they’re so chic. So I’ve been following that every day. And they do live in L.A. They’re so cool.
[I scroll on TikTikTok for] longer than I care to admit. [My screen time is] not great. But, you know, a lot of my job requires being on the phone. So I see it as work.
Midnight: A strict bedtime
I have a very regulated circadian rhythm that runs from midnight to 8 a.m., and if i don’t follow it, things get thrown off, I may not fall asleep. So I try to follow it very strictly.

Lifestyle
The Merchant in Venice: Jeff Bezos’ Italian Wedding

“It’s a dream to meet him and shake his hand,” Mr. Halicilar said. “I do this as a hobby — it’s not about money. It’s not even about attention. It just happens, totally automatically.”
Lifestyle
'nWo' Logo Creator Never Saw Dime For Iconic Symbol, New Book Reveals

New World Order
‘NWO’ Logo Creator Never Saw A Dime💰
… New Book Reveals
Published
TMZSports.com
The “nWo” logo is one of the most recognizable in the world, but shockingly, the creator ain’t exactly livin’ high off the hog … ’cause they never say any money from the insanely popular symbol!
Yes, that’s right — hundreds of thousands (or more) of nWo shirts sold be damned — according to journalist Marc Raimondi, author of Say Hello To The Bad Guys, a brand new book detailing the history of one of wrestling’s most legendary factions.
Raimondi told the story during a recent interview with TMZ Sports.
“The person who actually sat down and designed the logo was unknown. No one knew who this person was for almost 30 years,” MR said of the “iconic” logo.
“It took a lot of reporting acumen on my part and a lot of cold calling folks. People think that I’m crazy. What are you even talking about in 1996? That was 30 years ago. I finally tracked her down. And she’s a real estate agent right now in Winter Park, FL. And she did the logo.”
Marc explained how it went down.
“People from WCW came in to Disney MGM Studios where she worked. And they were like, ‘we need a logo in an hour.’ And she’s like, ‘all right, yeah, cool.’ And that was really it. And then she went about her life not really having an idea of just how much impact that logo had.”
Surprisingly, Raimondi says the woman isn’t upset about how it all went down … and instead thought it was pretty cool when her son found out she was the artist behind the famed design.
“She’s not bitter about it, she’s fine. For some creatives, that’s how it goes. You do a job, you get paid your salary, and that’s it. You don’t get revenue from whatever you produce. That’s just the way it goes.”
Of course, if you’re not familiar with the New World Order … they essentially made wrestling cool.
The faction, originally consisting of Scott Hall, Kevin Nash, and Hollywood Hulk Hogan, formed in 1996 … and was an instant hit in WCW’s Monday Nitro. it marked one of the first times fans cheered for the villains — for the bad guys.

TMZSports.com
Check out the full convo with Raimondi!
Lifestyle
In Season 3, 'Squid Game' hasn't changed much — and that's the problem

Lee Jung-jae as Seong Gi-hun in Squid Game Season 3.
No Ju-han/Netflix
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After watching the third and supposedly final season of Netflix’s surprise hit South Korean drama Squid Game, it’s tough to remember why this show became such a genre-redefining hit when it first debuted in 2021.
That’s not because the show has changed. To be sure, all the elements that powered its success back then are still in place now. Most importantly, it has retained a striking visual aesthetic — one that transforms a space where people in poverty are forced to play deadly children’s games into a twisted vision of a playground-turned-nightmare.
And there’s the bonkers concept — wealthy VIPs secretly bankrolling what amounts to the most deadly reality TV competition in the world for their own amusement.
But ultimately, even as Squid Game amps up the brutality and forces characters to make even more terrible choices, we have seen versions of this story before. And that familiarity robs the narrative of its impact – particularly when the show so often telegraphs what is coming for viewers well before it finally happens.

Jo Yu-ri as Jun-hee.
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The show’s second season expanded Squid Game‘s universe by introducing us to the world of the staffers who implement these horrific games, dressed in pink jumpsuits and masks adorned with a triangle, square or circle. In this new season, we learn why one of them seems so different from the others, pursuing a personal mission that requires infiltrating the games.


The main story of this final season concludes the quest of our hero, Lee Jung-jae’s Seong Gi-hun – aka Player 456 – a father and degenerate gambler who returned to the deadly games last season after surviving in the show’s first run of episodes, hoping to find a way to dismantle them from within.
Unfortunately, the new episodes mostly confirm a sad truth he learned last season – there are just enough people here warped by greed, addiction, selfishness and desperation, that stopping this lethally exploitative game is awfully tough to do.
As the third season begins, Gi-hun is broken by his failed attempt to stop the game by leading a team of competitors with weapons to overpower the guards. It’s a constant theme in Squid Game – the heroic goals of some characters, often completely subverted or undercut by the failure of other, less heroic figures. This season reinforces that theme constantly, making it even bleaker and unpromising than earlier editions.
There are at least three stories playing out here: The efforts of the subversive staffer inside the organization, Gi-hun’s quest for renewed meaning inside the competition and, outside the game, attempts by a former police officer to find the island where it’s all going down. Turns out, the ex-cop’s brother is the organizer Front Man — played with chilling intensity by Lee Byung-hun — who always seems one step ahead of everyone trying to subvert the game.

Lee Byung-hun as the Front Man.
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There is stuff in this third season that fans may love but pulled me up short. Too many plot twists were so obvious, I was distracted waiting for characters to catch up.
The show still draws its characters with a heavy hand — making sure we know who is virtuous and who is not — foreshadowing which players are destined for an honorable death and which are likely to go down mired in their own weaknesses. There are also way too many performances — particularly the English-speaking, mostly-white VIPs who chortle over the deadly fates of the contestants — that feel overwrought or too stiff or both.

The larger ideas behind Squid Game are also spelled out in neon letters. We see a character who claims to be a shaman with special powers of perception draw in a desperate following. Surprise: it doesn’t end well – an obvious take on the dangers of blindly following deceptive blowhards. We endure moments when greed leads contestants to unspeakable acts – including a father turning his back on his child.
And we take in how the wealthy toss crumbs to desperate people, just to watch what extremes they might go through to snatch those crumbs up.
According to Netflix, Squid Game’s first season in 2021 is the streamer’s most popular original season of TV ever. There is no doubting the power and global influence of the franchise, which spawned Halloween costumes, a live experience and comedy sketches around the world – which makes me wonder if this really will be the show’s final season, particularly if the last installment proves equally popular.
Fans may disagree with my criticisms, and enjoy the heightened violence, extended world building and sobering, poignant conclusion of Squid Games‘ third season a lot more than I did. But I do salute creator/showrunner Hwang Dong-hyuk for producing a TV series that helped wake up American audiences to the power of South Korean entertainment, ending its story with as pointed a critique of capitalism as I have ever seen on television.
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