Lifestyle
How the pandemic led this documentary photographer to make her work more collaborative
Nitya Kansal (left) and her husband, Arvind Kansal (right), pose in front of their home in Cupertino, Calif.
Art inputs by Nitya Kansal/Ashima Yadava
hide caption
toggle caption
Art inputs by Nitya Kansal/Ashima Yadava
Ashima Yadava’s project Front Yard captures a moment in time where we all were seeking connection. In 2020, the pandemic gave Yadava the time to reflect, and so she looked to photography. She turned to her community, reaching out to her entire network, wanting to make portraits of them from their front yards, at a safe six-foot distance.
“I, just on a whim, sent an email to my entire network of neighbors and friends in the area, saying, ‘I want to record this time that we’re in. Can I please make a portrait of you?’ ” Yadava recalls.
“And because we had to keep a distance, I was, like, ‘I’ll do it across the street from your house, so can it be in your front yard?’ And the first set of responses were brilliant. People were, like, ‘Oh, yeah! We haven’t seen a person in a month! Please, come on over!’ “
Hamida Bano (right) and her husband, Dr. Anil Chopra (left), with their daughter, Nasreen Chopra (center), in their Orinda, Calif., home in April 2020.
Ashima Yadava
hide caption
toggle caption
Ashima Yadava
Sunitha Seshadri (left), an engineer by profession, with her daughter, Shriya, her son, Veer (right), and her husband, Harshit Chuttani (center), outside their Campbell, Calif., home.
Art inputs by Sunitha Seshadri/Ashima Yadava
hide caption
toggle caption
Art inputs by Sunitha Seshadri/Ashima Yadava
Sonya Pelia (right), her husband Mathew Lutzker (left) and their daughter Jasleen Pelia-Lutzker in Menlo Park, Calif., in May 2020.
Ashima Yadava
hide caption
toggle caption
Ashima Yadava
Yadava’s project was welcomed with enthusiasm and positivity by people who were excited to share their space with her. Families would come outside to set up. She would stand across the street with her large-format and digital cameras, ready to take their portraits.
As the project progressed, the work developed into a more personal reflection. She began to realize how this work helped her reclaim her relationship with the medium and her role as a photographer.
“I grew up in India. The one thing about documentary photography that had bothered me and that has made me feel a little weird about documentary photography [are] that power dynamics that come with photographing someone — it’s your perspective: It’s one perspective. It’s a single story,” Yadava said.
“The fact that I had this camera that was so slow, it allowed me the time to figure out my relationship with what I was doing and the people I was photographing.”
Noreen Raza (right), savors the strange spring of April 2020 with her husband, Harry Robertson (left), in their Morgan Hill, Calif., home.
Art inputs by Noreen Raza/Ashima Yadava
hide caption
toggle caption
Art inputs by Noreen Raza/Ashima Yadava
Nitya and Arvind Kansal pose with their dog, Kuku, in front of their Cupertino, Calif., home in April 2020.
Ashima Yadava
hide caption
toggle caption
Ashima Yadava
Shriya Manchanda (center left), who is a rising senior, with her sister Sanvitti (right), and parents Shruti (center right) and Alok Manchanda (left) in front of their home in Sunnyvale, Calif.
Art inputs by Shriya Manchanda/Ashima Yadava
hide caption
toggle caption
Art inputs by Shriya Manchanda/Ashima Yadava
“I would get the negative back and I started printing just to see and study if I’m doing it right, getting the colors right, and somewhere in that moment, I thought, ‘Wait. What if I give this back to the people and continue this conversation about how they want to be seen? This is how I saw them, this is what it is, but how do they want to be seen and what do they have to say?’ “
Thus began this collaboration of allowing those she’d photographed to become a part of the process. These black and white prints were suddenly brought to life by colors and drawings that these families would work on together.
“They would work on it as families — they would fight about it, they would talk about it, they would text me back and forth, ‘Do you think we can do this?’ It was truly a collaboration. It was something that saved all of us at that time, because I would enjoy that. I would be, like, ‘Yes, do whatever you want!’ “
Each family would contribute a unique perspective to their portraits and what emerged was a beautiful vignette of the different ethnicities that make up the Bay Area.
Manju Ramachandran stands in the front yard of her Sunnyvale, Calif., home with her son, Varun.
Art inputs by Manju Ramachandran/Ashima Yadava
hide caption
toggle caption
Art inputs by Manju Ramachandran/Ashima Yadava
Weeks into the pandemic, Aishwarya Ramaswamy (left) and Mukundan Swaminathan worked to juggle their careers and parenthood out of their Union City, Calif., home in April 2020, as they tried to keep their kids, Krish and Mayura, entertained.
Ashima Yadava
hide caption
toggle caption
Ashima Yadava
Sonya Pelia (right) and her husband, Matthew Lutzker (left), with their daughter, Jasleen Pelia-Lutzker, outside their home in Menlo Park, Calif.
Art inputs by Sonya Pelia and Jasleen Pelia-Lutzker/Ashima Yadava
hide caption
toggle caption
Art inputs by Sonya Pelia and Jasleen Pelia-Lutzker/Ashima Yadava
Yadava called it “inverting the process,” where she, as the photographer, documented her observation and returned black and white prints to the families so that they could share their feelings through how they decided to fill in the image. Each family had a different perspective: Some filled their images with flowers on branches, and others covered their walls with spiders. The results that emerged were always a joy for Yadava to discover.
Our homes were a sacred place during the pandemic, and these families welcomed Yadava to capture a glimpse into their realities. It was created during a time of tragedy and disconnect, but lives on as a record of time.
Since then, Yadava has continued the series and plans to release a book. Her decision to expand the project in a post-COVID world was ignited by the joyful exchange with families and how barriers between neighbors can come down. With this collaboration, Yadava hopes that people are reminded of the resilience in humanity and that we can find connections between us all if we open our worlds up to it.
Smita Rao (left) and Manoj Mhapankar (right) with their daughter, Aria, outside of their Milpitas, Calif., home.
Art inputs by Smita Rao and Manoj Mhapankar/Ashima Yadava
hide caption
toggle caption
Art inputs by Smita Rao and Manoj Mhapankar/Ashima Yadava
Ashima Yadava is a conceptual documentary photographer and printmaker. She in based San Francisco, where she works in digital and analog methods. See more of Ashima’s work on her website, AshimaYadava.com.
Photo edit by Grace Widyatmadja. Text edit by Zach Thompson.
Lifestyle
For U.S. figure skating, grief over the D.C. crash makes for a bittersweet Olympics
Maxim Naumov performs in exhibition after being named to the 2026 U.S. Olympic Figure Skating Team at the Enterprise Center in St. Louis on Jan. 11.
Brian Munoz/St. Louis Public Radio
hide caption
toggle caption
Brian Munoz/St. Louis Public Radio
Want more Olympics updates? Get our behind-the-scenes newsletter for what it’s like to be at these Games.
At the U.S. Figure Skating Championships in January, almost exactly a year after he lost his parents — who were also his coaches — Max Naumov won a bronze medal and a spot on the Olympic team.
“Fulfilling the dream that we collectively had as a family since I first was on the ice at five years old … It means absolutely everything,” Naumov, now 24, said from nationals in St. Louis. “And I know they’re looking down, smiling, and proud.”

Last January, when Naumov placed fourth at nationals for the third year in a row, he joined his parents, Vadim Naumov and Evgenia Shishkova, for a heart-to-heart in their hotel room in Wichita, Kan. to talk strategy. He remembers not being able to hug his mom. She was sick and did not want him to fall ill so close to his next competition.
“It was a very productive, emotional and just inspiring conversation,” said Naumov. “My dad said that we have to change our mindset, we have to get more consistent in the areas that we talked about and just overall have a resilient attitude to the entire approach of the season.”
That was one of the last times they spoke.
Naumov flew home to Massachusetts after the event ended. His parents — renowned Russian-born pairs skaters who coached at the Skating Club of Boston — stayed a few extra days in Wichita for an invitation-only development camp for promising young skaters and their support systems.

Many of those skaters, relatives and coaches, including Naumov’s parents, were among the 67 people who died on Jan. 29, 2025, when a U.S. Army Black Hawk helicopter collided with an American Airlines regional jet on its landing at the Ronald Reagan Washington National Airport. The tragedy killed 28 members of the tight-knit figure skating community, many of them based in the Boston and D.C. areas.
The loss of the rising skating stars, beloved parent volunteers and longtime coaches is felt acutely at their home rinks and throughout the entire skating world, especially as the anniversary of the crash approaches. It comes just a week before the start of the Winter Olympics, when Naumov’s story — and the sport itself — will come under an even brighter spotlight.
Maxim Naumov holds a photo of his parents while he waits for his scores after competing in the men’s short program competition during the 2026 U.S. Figure Skating Championships in St. Louis on Jan. 8. His parents were killed last year when an American Airlines regional jet collided with a U.S. Army Blackhawk helicopter over the Potomac River, near Washington, D.C.
Brian Munoz/St. Louis Public Radio
hide caption
toggle caption
Brian Munoz/St. Louis Public Radio
“They were truly just really good people that we respect, family of choice,” said Doug Zeghibe, the CEO of the Skating Club of Boston, which lost two teenage skaters and their moms, in addition to Naumov’s parents. “And I think we’re at the point now where missing them is turning into: what can we do to honor them and remember them and make sure we carry them forward.”
Many in the skating community told NPR that, a year on, there is a continued focus on honoring the victims’ legacies both on and off the ice. Tributes include makeshift memorials and poignant performances, as well as financial and mental health resources for other young skaters — many of whom have Olympic dreams of their own.
“We’re all feeling a greater sense of purpose,” Zeghibe said.
How skaters are channeling their grief
Those interviewed recalled the days after the crash as a painful blur.
“We were all just in shock and nobody knew what to do,” said Heather Nemier, president of the Washington Figure Skating Club, which has some 1,400 members at roughly half a dozen rinks across the D.C. area. “A lot of kids came to the rink and left because they just felt like they couldn’t skate.”
Heather Nemier, president of the Washington Figure Skating Club at the Ashburn Ice House in Ashburn, Va., where a number of the figure skaters trained who were victims in the air crash last January.
Tyrone Turner for NPR
hide caption
toggle caption
Tyrone Turner for NPR
The Washington Figure Skating Club lost seven members: three skaters — Franco Aparicio and sisters Everly (Evy) and Alydia (Liddy) Livingston — their coach, and three of their parents. Nemier said the unofficial spots at the Virginia rink where those skaters usually left their stuff sat empty for weeks, since no one wanted to occupy them.
But over the course of the year, she said, their fellow skaters have found ways to process that grief, with help from mental health counselors, therapy dogs, friendship bracelets, letter writing, public memorials and quiet spaces for reflection.
And many have returned to the ice with a newfound motivation. (That was also the case for Naumov, who was unsure if he would skate again until he returned to competition in the summer.)
“I’ve heard a number of [D.C.-area skaters] say, ‘You know, Evy can’t skate anymore but I can, and I’m going to get out there and do my best,’” Nemier said.
At the Ashburn Ice House, a memorial was created with photos and information honoring a coach, three skaters and their parents who died in the crash.
Tyrone Turner for NPR
hide caption
toggle caption
Tyrone Turner for NPR
Sofia Bezkorovainaya, now 15, did just that. The Virginia-based skater moved the crowd — and the internet — at January’s U.S. Figure Skating Championships in St. Louis with her “Over the Rainbow” short program, a tribute to Everly Livingston, her best friend of nearly a decade.
“If there were flies on the ice, she’d pick them up and bring them to the heater so that they could come back to life,” Bezkorovainaya told NPR after competing in St. Louis. “She always cared about everybody, and she was such an amazing skater.”
For months after the crash, Bezkorovainaya said she was “sad all the time” and feared she would never feel better. She even switched to another Virginia rink because of how empty her old one felt without the familiar faces.
Then she decided to learn Livingston’s choreography and compete with it in her memory.
In the opening and closing moments of the program, Bezkorovainaya said, “I look up to the bright lights up there and I hug myself and I imagine her hugging me.” Her long program is dedicated to her late longtime coach, Inna Volyanskaya, whose distinctive corrections she says she can still hear in her head while practicing.
“Doing these programs was like having them with me this season,” she said. “And before I got on the ice, I could always pray to Inna and Evy and everyone else who I was friends with on that plane … like, ‘Please help me do a clean program today.’”
Bezkorovainaya was one of three skaters at nationals whose program explicitly paid tribute to loved ones lost in the crash. Others, including Naumov, held up photos as they waited for their scores.
Sofia Bezkorovainaya skates during the “Legacy On Ice” U.S. Figure Skating Benefit at Capital One Arena in Washington, D.C., on March 2, 2025. She one of three skaters at nationals whose program explicitly paid tribute to loved ones lost in the crash.
Scott Taetsch/Getty Images
hide caption
toggle caption
Scott Taetsch/Getty Images
“I think it’s admirable that they’ve come up with ways of coping with such a terrible loss that is meaningful to them and is meaningful to other people, too,” Nemier said. “And to be able to share that with the public and with the skating community, I think is really important.”
Boston-based Patrick Blackwell, 17, skated to honor his friend Spencer Lane, even including a clip of the music Lane had planned to compete with this season. Blackwell ultimately won gold at the junior level, which he said was “not just for me but the ones who passed a year ago.”
“It’s kind of my gift to Spencer, his dad and every other family member, being able to bring gold home to a place where a lot of lives were lost,” he said.
Clubs look to keep legacies alive
Local and national figure skating organizations are working on more permanent ways to honor the victims’ memories.
And in early March, the U.S. figure skating community came together in Washington, D.C. for “Legacy on Ice,” a benefit show that raised $1.2 million for first responders and victims’ loved ones. It featured moving performances by a huge roster of Olympians, past and present, as well as several young skaters directly affected by the crash, including Naumov.
More recently, the focus has shifted to the next generation of skaters: making sure they remember those who were lost, and making it easier for them to pursue the dreams they shared.
The Skating Club of Boston, for example, has created the “Always Champions Campaign” to fund two permanent scholarships, one in honor of each of the two skaters it lost, with criteria set by their families.
The campaign also aims to rename one of the rinks in Boston and create a memorial wall in honor of the six victims.
Flowers and remembrances are displayed for the six athletes, coaches and family members who perished in a plane crash, at The Skating Club of Boston in Norwood, Mass., on March 25, 2025.
Charles Krupa/AP
hide caption
toggle caption
Charles Krupa/AP
“They were all examples — the skaters, the parents, the coaches — of people who we saw, if not six, seven days out of the week,” said club director Mia Corsini Bailey. “Their commitment to the sport on multiple levels is something that we’re carrying forward.”
In the D.C. area, the Washington Figure Skating Club has endowed trophies in memory of the three skaters it lost, with plans to add the winners’ names to a ringside plaque updated every year.
The club is also using its existing foundation to support young figure skaters through the “Livingston Family Dream Fund,” which was set up by relatives of the family of four. The club used the money to give $1,000 grants to the skaters who participated in this year’s national development camp, according to Nemier. There were eight of them, she said, compared to about a dozen last year.
Another painful dimension of the tragedy, one increasingly top of mind in an Olympic year, is where the skaters returning from last year’s development camp were in their careers: right on the brink of making it to nationals, and beyond.
“Those were some of the kids that could have made it to the next Olympics or the Olympics after that,” said Bezkorovainaya, the junior skater.
Corsini Bailey, of Boston, recalls sitting down with 16-year-old Spencer Lane and his parents to talk about that very prospect just before the national development camp last year, and said she saw a similarly bright future for 13-year-old Jinna Han.
“The talent was there, the star power was there, and they truly were that next generation,” she said. “And now we look to: how are their legacies inspiring that next generation … whether they were their peers or they were the younger skaters who were looking up to them. Again, we carry them with us every single day.”
Lifestyle
How Jewellery Houses Aim to Stay Ahead In 2026
Lifestyle
More staff shakeups at the Kennedy Center
A recently installed sign at the Kennedy Center in Washington, D.C., as photographed on Jan. 10. The center’s name change has not been approved by Congress.
Mandel Ngan/AFP via Getty Images
hide caption
toggle caption
Mandel Ngan/AFP via Getty Images
Two senior staffers have departed the John F. Kennedy Center for the Performing Arts in Washington, D.C. — one of whom was officially on the job for less than two weeks.
Kevin Couch had been announced as the Kennedy Center’s new senior vice president of artistic planning on Jan. 16, at which point he was hailed as a “visionary entertainment leader” with “over two decades of experience in artist management, global booking and high-level brand partnerships,” including booking live events in San Antonio, Tulsa, Little Rock and Springfield, Mo.

Couch, who is a drummer, confirmed to NPR on Wednesday evening that he had resigned from the federally funded center, but declined to share any details.
Meanwhile, the Kennedy Center’s senior director of artistic operations, Sarah Kramer, confirmed to NPR on Wednesday evening that she had been fired after a decade working there.
The Kennedy Center did not respond to NPR’s multiple requests for comment.
Since President Trump became chair of the performing arts complex and later moved to change its name to the Trump Kennedy Center, several prominent artists have canceled their planned performances and presentations of their work. Cancellations announced this month include the composer Philip Glass, opera star Renée Fleming, the banjo player Bela Fleck and the Seattle Children’s Theatre. The Kennedy Center has told NPR in prior statements that the artists cancelling have been doing so under pressure from “leftist activists.”
The center’s name change did not receive the required approval from Congress. Last month, Rep. Joyce Beatty (D-Ohio), an ex-officio member of the Kennedy Center’s board, filed a lawsuit against President Trump, the center’s president Richard Grenell, and others over the name change.
Jennifer Vanasco edited this story.
-
Illinois1 week agoIllinois school closings tomorrow: How to check if your school is closed due to extreme cold
-
Pennsylvania4 days agoRare ‘avalanche’ blocks Pennsylvania road during major snowstorm
-
Science1 week agoContributor: New food pyramid is a recipe for health disasters
-
Technology1 week agoRing claims it’s not giving ICE access to its cameras
-
Science1 week agoFed up with perimenopause or menopause? The We Do Not Care Club is here for you
-
Movie Reviews1 week ago
Movie Review: In ‘Mercy,’ Chris Pratt is on trial with an artificial intelligence judge
-
Politics1 week agoSupreme Court appears ready to keep Lisa Cook on Federal Reserve board despite Trump efforts to fire her
-
News1 week agoVideo: Jack Smith Defends His Trump Indictments During House Hearing