Lifestyle
Evacuated? Hosting someone who is? Try these 9 tips for harmonious communal living
Togetherness can be a mixed blessing.
As the Palisades fire raged, every member of the Cullen family — deeply rooted in Pacific Palisades since the 1960s — found themselves displaced. 10 family members from multiple households there were forced to flee the homes they owned as the inferno swallowed up their neighborhoods.
Six of the close-knit group crowded into a Venice rental, along with their six cats, to figure out next steps. The apartment had three bedrooms, so everyone had a place to sleep, but it was still extremely challenging, says John Cullen, a 32-year-old software engineer. He and his partner, 27-year-old Weinkei Li, a medical assistant, suddenly found themselves living with John’s parents, both in their 70s, as well as his younger sister and her fiancee. The six cats who had come from three different homes had to be kept separately so as to avoid fights. One even briefly escaped before being found in a neighboring yard.
“There was definitely a lot to keep track of and that creates a chaotic environment — more stressors are introduced at a time that’s already so difficult and stressful,” John says. “We were all in so much shock. We were all dealing with grief in different ways and by the end of the week, we were definitely getting testy with each other. Though we were also trying our best to help each other out.”
The Cullens have since found separate places to live. But thousands of people, displaced by the wildfires, are finding themselves in communal living situations, of myriad configurations, by necessity. That might be with friends or relatives who have lent spare bedrooms or couches; it might be short-term apartment rentals with ad hoc roommates or multiple family members in a shared hotel suite. For many, the duration of these temporary living arrangements is uncertain.
“It’s an environment of intense overwhelm and nerves frayed to the edges.”
— Dr. Supatra Tovar, clinical psychologist
Communal living is challenging even in the best of times, says Dr. Supatra Tovar, a clinical psychologist and co-chair of the Los Angeles County Psychological Assn.’s Disaster Response Committee. But post-disaster, with evacuees suffering from recent trauma while also facing great uncertainty about the future, it’s especially trying for everyone involved.
“It’s an environment of intense overwhelm and nerves frayed to the edges,” Tovar says. “There’s overcrowding and privacy issues, emotional strain, managing different household norms and routines, navigating through financial pressures and, for evacuees, dealing with a feeling of lack of autonomy, which can be disempowering for them and uncomfortable for the hosts.”
Those challenges can produce complex, conflicting emotions that can be hard to understand. Evacuees may feel incredibly grateful for their hosts’ support while at the same time feeling resentful of their more stable living circumstances. Hosts may genuinely want to help and simultaneously become exhausted by their guests and the enormity of the situation. Both parties, even amid true affection for each other, may get on one another’s nerves, which is normal in any communal living situation, but especially so post-disaster.
“Emotional regulation is the most important thing you can practice,” Tovar says. “Know you will be on a roller coaster of emotions — anything is OK to feel at this time. Allow yourself to feel everything, move through it. Then see if you can find another way to think about things. Remember: you’re not your normal self right now.”
But accepting support during dire times — when society so often promotes self-sufficiency — is critical, adds Julie Cederbaum, a USC social work professor who specializes in families and trauma.
“Allowing yourself to be supported and uplifted by the people around you is critical to creating a sense of safety and healing,” she says.
Being together can even be healing. Finding ways to enjoy one another’s company — sharing conversation and laughter — can help remind you of the bond that brought you all together in the first place.
“We are inherently social creatures. Especially in times of crisis,” Tovar says. “Cultivating a sense of gratitude for being with your family and friends during this difficult time can go a long way towards navigating the stress and healing from this disaster.”
Here’s some advice for mitigating the stresses of post-fire communal living for both evacuees and those hosting them.
For everyone
1. Communicate your needs clearly from the start
Have a house meeting early on. Openly discuss needs and expectations. If your children have special needs, discuss that. If you bring pets, talk about managing their care. Get into the minutiae: what times do you typically wake up and go to bed? When do you eat meals? How can you merge these timelines or navigate them? Talk about how you plan to divvy up expenses such as groceries and utilities.
“If not addressed, it can lead to stress or resentments,” Tovar says. “Evacuees may have to adjust their routines, hosts may have to relax their rules. That first meeting is everything.”
2. Create personal spaces and manage clutter
Even if your living space is small, you can designate certain areas — a corner of the room or a patio — for individuals or families to have their own spaces. You can also set up privacy curtains, even if it’s just taping a sheet to wall. If the living space is small, manage clutter — keep things you don’t need every day, like extra clothing, books or suitcases, in your car or in hotel storage. If you have the ability, get foldable furniture and remove bedding during the day to ensure walkways are clear.
“Carving out personal space promotes a sense of agency,” Tovar says, “and provides you refuge if you need to get away from the crowd.”
3. Establish routines and cleanliness expectations
Create a schedule for when you’ll be using shared spaces, like the kitchen and bathroom, in order to prevent conflicts. Maybe that’s a rotation in the kitchen. Or using a timer with limits on how long each person’s shower should be.
“It’s a point of contention in any household: how long is the shower?,” Tovar says. “Discuss the needs of the household; use shared spaces equally.’”
If there are children in the home, adds Cederbaum, they do best with routines.“If multiple families are living together, create joint routines to support your children or merge existing ones,” she says, “so kids can transition in this new environment at a time when everything in their lives has been destabilized.”
“Allowing yourself to be supported and uplifted by the people around you is critical to creating a sense of safety and healing.”
— Julie Cederbaum, USC social work professor
For evacuees
4. Respect house rules
However you can merge with the household you’re in, within reason, will go a long way toward minimizing arguments and misunderstandings. Try to adapt to the household norms and routines. If the hosts have quiet hours, try to honor that even if it’s different from your usual lifestyle. If you feel the need to alter your living space, like rearranging furniture, ask permission.
“Any time you’re a guest, you feel like you’re tiptoeing a little,” Tovar says. “But remember: this space wouldn’t be offered to you if this person didn’t care about you and want you to be safe. So you may not need to tiptoe as much as a normal situation, because there’s a lot of grace. But also being considerate of your host can go a very long way to creating a peaceful environment.”
5. Contribute
Even though you may be quite busy filling out paperwork or replacing your belongings, contributing to the household, even in small ways, will go a long way. Offer to help with chores or groceries; cook breakfast or walk the dog. These tasks can help ease the burden on the hosts and return a sense of normalcy for evacuees.
“Talk to your hosts about incorporating routines from your own life so as to create a sense of normalcy for you,” Cederbaum says. “In a situation like this, where everything feels out of control — and you’re in someone else’s house — having a routine gives you a sense of order and control that reduces stress and anxiety.”
6. Seek external support
Taking advantage of the many resources available right now, like pro bono therapists, housing assistance — or just friends — is vital. Seeking external support can help you start to navigate your path toward more permanent housing and recover from the emotional loss.
“Some of us internalize things — we keep our feelings inside and don’t talk about it,” Cederbaum says. “Some externalize it — we talk about it all the time. If people offer help or a lending ear, you’re not burdening them by talking about your stress and worries and sadness. Taking opportunities to express how you feel is beneficial to your overall well-being.”
For hosts
7. Set boundaries early on
Be upfront about your expectations regarding shared spaces, chores and expenses. Establish a preliminary length of stay that you revisit toward the end of that time period so that it’s not open-ended. You may think you’re hosting someone for a week and it could turn into months, Tovar warns. Establish how much you can provide in terms of time and space and find out whether that aligns with your guest’s needs — and then revisit that later.
“Providing somebody a safe place after disaster is about the biggest donation you can give that person,” Tovar says. “You are doing so much for them and they’re so grateful to have this space to regroup. You shouldn’t feel like it’s an open-ended invitation for months and years. You also have to take care of your own life and routine and coming to a mutually agreed upon time to terminate the stay helps both people move forward and reclaim their lives.”
8. Practice empathy
It’s important to remember that your guests have just experienced an unimaginable loss. And while it’s important to maintain boundaries, offering emotional support by listening can help foster a more harmonious living situation. Avoid saying things that are aggressively positive like: “Perhaps this was for the best” or “Maybe this is God’s plan.” “Listening is the most important thing you can do rather than offering advice,” Tovar says.
“Recognize that even when discussions happen and routines are set up people may make mistakes and those conversations may have to happen again,” Cederbaum adds. “Be patient. It takes a minute for people to integrate and be focused, especially when their brain is overloaded.”
9. Encourage open dialogue
Consider a weekly house meeting and check in with your guests about issues like noise levels and taking time in the bathroom, rather than letting things simmer. Have an open dialogue that isn’t about finger-pointing but about finding solutions.
“Say: ‘Some people are not feeling like they have equal time in the shower. What can we do to solve this problem?’ And then open it up for everyone to discuss,” Tovar says. “Rather than saying ‘Hey, Fred, you took too long in the shower.’”
Also check in with your guests to find out what their progress is in terms of finding permanent housing. Understanding where they’re at and working with them to find the next space may also help you free up your space.
“Recognize that communication styles may differ and be adaptable,” Cederbaum says. “Remind them: We’re in this together.”
Lifestyle
Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report
Lonnie Bunch III is the 14th Secretary of the Smithsonian. He’s pictured above in September 2017.
J. Scott Applewhite/AP
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J. Scott Applewhite/AP
In a memo addressed to staffers sent Tuesday, the secretary of the Smithsonian, Lonnie G. Bunch III, defended the institution after the White House issued a 162-page report that characterizes the National Museum of American History as a place which has become “subject to institutional capture by a radical, activist ideology that is fundamentally opposed to telling the noble, honest story of the great country we know and love.”
In his email, which NPR has obtained, Bunch wrote in part: “While there will always be room for improvement, this report is not a fair characterization of the work and totality of the National Museum of American History. At the Smithsonian, our work is driven by scholarship, accuracy and an uncompromising commitment to tell the fullness of America’s story. As public servants and the keepers of this institution, we are charged with helping a nation find understanding, hope and clarity and as part of that duty, we are dedicated to excellence, reflection and growth.”

He continued: “We remain focused on what grounds us: a steadfast commitment to scholarship, nonpartisanship, independence, accuracy and integrity. For nearly 180 years, the Smithsonian has worked alongside partners across government — from the White House to Congress to our governing Board of Regents — guided by our enduring mission to increase and diffuse knowledge. That purpose remains: to pursue knowledge with rigor and to serve the American public with clarity and care.”
The White House report was issued on July 4 by the Domestic Policy Council under the title “Saving America’s Story: How Ideological Capture at the Smithsonian Institution’s National Museum of American History Erases Our Heritage.”

The council faults the National Museum of American History on a multitude of fronts, saying it underemphasized the Founding Fathers and early colonial and Revolutionary history; was not sufficiently celebratory of the country’s 250th anniversary; and that it engaged in “anti-white,” “illegal alien” and transgender activism.
It also accuses the museum of trying to “indoctrinate” teachers and students through its exhibitions, programming and teaching resources.
In the report, the council also specifically criticizes museum director Anthea Hartig, who has led the National Museum of American History since 2019 and is concurrently the president of the Organization of American Historians, calling her “an activist advancing an ideological agenda contradictory to the museum’s founding purpose of fostering patriotism.”

The Trump administration has made the Smithsonian museums one of its primary targets in its efforts to reshape cultural narratives to align with its viewpoints. In August 2025, the White House requested a “comprehensive internal review” of eight Smithsonian museums, including the National Museum of American History, following an executive order issued by President Trump in March 2025 in which he called for the removal of “improper ideology” from the Smithsonian’s offerings.
According to the Smithsonian’s charter, all of its 21 museums, 14 education and research centers, and the National Zoo are meant to be run independently of the federal government. The Smithsonian is overseen by Bunch and a board of regents, which includes Vice President Vance, Supreme Court Chief Justice John Roberts and other members appointed by Congress.
In an interview with NBC’s Meet the Press on Sunday, Bunch spoke about the Smithsonian’s 250th anniversary special exhibition at the Smithsonian Castle, which is called “American Aspirations.”
He told NBC: “It’s really important for people to understand that America is much an ideal as it is a place, that it’s a series of aspirations that have really shaped who this country is. And so for me, what is so powerful is to say, ‘Let us honor the words of Thomas Jefferson and the founders, but let us use those to challenge us to be better.’”
Jennifer Vanasco edited this story.

Lifestyle
After her son’s death, she found a new purpose. ‘He’s whispering: Mom, this is your path’
It was after the death of her son, Laith, that Esme Saleh decided to become a folk artist.
She had always been creative, experimenting with watercolors and learning to sew and embroider at a young age.
“I had a creative inkling,” she said, “but I never pursued it.”
Everything changed on Aug. 17, 2013.
In this series, we highlight independent makers and artists, from glassblowers to fiber artists, who are creating original products in and around Los Angeles.
When Saleh was nine months pregnant, she woke up with stomach pains and presumed she was in labor. She and her husband, Nasim, immediately went to the hospital, where doctors checked her and put the baby on a heart monitor. Saleh’s blood pressure was high, however, and the baby’s heart rate kept dropping. After about an hour, his heartbeat stopped. Doctors rushed her in for an emergency C-section, but it was too late. Laith did not survive.
Saleh lost a tremendous amount of blood and developed postpartum HELLP syndrome, a dangerous form of preeclampsia, but doctors were able to stabilize her.
When she woke up, the first thing she asked was, “How’s my baby?”
After losing her son in 2013, Esme Saleh left her job as a television producer. Since then, she has sold her hand-painted candles to local designers in Los Angeles and to LVMH in Paris.
“Aug. 17, 2013, was the most difficult day of my life, and Aug. 22 was the second most difficult, the day we drove home with an empty car seat,” she said of her and her husband’s new reality.
They named their son Laith Finn Saleh.
“His first name means ‘lion’ in Arabic. His middle name is an ode to Huckleberry Finn — sharp wit, kind heart, strong moral compass — all the attributes he’s imparted on us in spirit,” said Saleh, 45.
After such a devastating loss, she found it difficult to trust the world again. “It was hard to trust anything,” she said. “The medical system. Myself. It made me realize the fragility of bringing anything to life. We take so much for granted.”
So after years of working as a television producer, Saleh left broadcast journalism and leaned into her creative spirit.
She grew up in San Diego. Her mother was raised on a farm in Mexico, and her father moved from Tijuana to Los Angeles to be near her mother, who started working for a family in Sherman Oaks at 16. They eventually settled in San Diego, where Saleh’s father, now a church deacon, worked as a car salesman.
“The word Mystic has also become a driving force of what this journey means to me,” Saleh says. “A magical, otherworldly journey that has led me to some beautiful friendships, projects and unlimited well of curiosity. When I paint each pair of candles, it feels like I’m imparting a piece of that magic.”
“He always wanted to be a weatherman on TV,” she said, explaining how he hoped to get his big break on television by doing a weather report from the car lot.
Saleh wanted to be a broadcast journalist as her father had. After graduating from San Diego State, she interned in the sports department at CBS affiliate KFMB-TV although she didn’t know much about sports. She enjoyed sharing information with people, learned how to write plays of the week and felt she had found the right career.
But during a summer class at Mesa College, she started to think journalism might not be for her.
Saleh’s home is filled with her artwork. “My home expresses a lot of the things that I do,” she says. “If it works here, then I feel like I can put it out in the world.”
“I’m an empath — a sensitive soul — so when I was reading news about death and destruction, my eyes could not lie,” she said. Her professor told her, “This may not be your thing.” But when she arranged flowers on camera, she really came alive. She decided to work behind the scenes as a producer.
Her professor helped her get her first network news job in 2003, and she moved to Los Angeles, working on hard news and entertainment coverage.
After losing Laith a decade later, she couldn’t keep doing red-carpet interviews and acting like everything was fine. “It all felt so different, superficial and hard,” she said. “I felt like there was a bigger purpose out there for me. It’s in the small things that we find the big things.”
She started by painting folk art-inspired invitations for a friend’s baby shower. She painted delicate flowers, oranges and leaves on glass, leather and even lampshades. She created a logo. “I was just trying to say yes to things that were really scary,” she said. “Laith gave me the courage to do that.”
“I was just trying to get out of hole,” Saleh says of taking up painting after her son died.
Her first son, she said, became “a catalyst for painting.”
Then, at the first Thanksgiving during the COVID-19 pandemic when people could gather again, she had a light-bulb moment. “I was setting the table and didn’t have flowers or anything to add to decorate, so I thought, ‘I have these candles. I’m going to paint them and make them fancy,’ ” she said.
Her guests were impressed.
As time went on, painting taper candles helped her find joy again, and others noticed too.
“The one thing I hear when people pick up a pair of my candles is, ‘This makes me so happy. It makes me feel like there’s life here,’ ” she said.
1. Saleh sometimes leads painting workshops where participants can decorate items like ornaments and lampshades.
2. Leather napkin rings Saleh has painted for Nathan Turner. 3. Saleh’s hand-painted candles retail for approximately $42 to $50.
One of the hardest parts of losing a child “is that you’re not just grieving the person, you’re grieving the future you imagined with them,” said Chicago-based grief specialist Carla Harvey. “A lifetime of love suddenly has nowhere to go. Creating art doesn’t erase grief, but it can become a way to carry it.”
Saleh created her brand Mystic by Esme in 2021, but it took her some time before she could gather the courage to try to sell them.
When she brought a shoebox full of samples to Nickey Kehoe, the L.A. store agreed to carry her candles. “I was beside myself,” Saleh said.
“Her candles were absolutely beautiful, and she had a fantastic spirit that made selling them a no-brainer,” said interior designer Todd Nickey, co-founder of Nickey Kehoe.
Saleh gets a surprise kiss from her dog Olive while painting candles at her dining room table.
Saleh viewed her new side project as a way to earn extra money for piano lessons for her 11-year-old son Linus, who is an entrepreneur like his mother. “I felt proud painting the candles while he was in lessons in the next room,” she said. “It became this circular economy, and it led to bigger opportunities for me.”
Last year, luxury conglomerate LVMH commissioned Saleh to paint 465 pairs of candles, or 930 candles in total, for its Chaumet jewelry brand. The collection was unveiled at an elaborate event at the Abbaye des Vaux de Cernay, just outside Paris.
“It was fun,” Saleh said about the process, which took six months from conception to delivery. “I felt like I was dressing my candles up for a party.”
Always a hard worker, which she attributes to being a first-generation child of immigrant parents, Saleh has now created a candle collection for Pierce and Ward in Los Feliz, leather napkin holders for interior designer Nathan Turner and pomegranate wrapping paper for Olive Ateliers. The candles retail between $42 to $50 for a pair, and recently, she developed a handsome pewter candle shaver that will be released in the winter.
Her dining room can sometimes feel like “an assembly line,” Saleh says.
Saleh holds a pair of candles she has embellished with florals.
Occasionally, she leads painting workshops, and she loves helping others tap into their creativity. The most meaningful one for her was an ornament workshop attended by several victims of the 2025 Los Angeles wildfires. “Without saying anything, we understood each other,” she said. “I understood that they were trying to create memories.”
Saleh knows what it means for things not to last — “impermanence,” she calls it — whether it is homes, candles or life itself.
She paints every day in the art-filled dining room of her home (unless it’s Little League season), surrounded by her family, candles and her two dogs, Lennon and Olive. ”Painting is like meditation,” she said. “You can sit in your dining room and tune everything out and just be in the moment.”
Even the family’s summer bucket list receives an artistic flourish.
An arch inside Saleh’s home receives a personalized touch.
She knows painting candles isn’t new, but she believes her motivation and the care she puts into each candle makes them special beyond their looks.
She has learned to look at the world that way, that painting in her dining room has offered her healing and joy, that she can trust herself and her body, that continuing to be inspired by her two boys — “one in spirit and the other here on Earth” — means that Laith will always be with her.
Many people think healing means moving on, said grief specialist Harvey, but “it’s really about finding ways to move forward while keeping the people we love woven into our lives. That’s what I see in her candles, not an ending, but an ongoing relationship with her son.”
“I feel like my son is channeling through this medium,” Saleh said, her voice breaking as she painted a taper. “He’s whispering to me, ‘Mom, this is your path.’ That has been my driving force. We’re going to grow this together.”
Lifestyle
Terry Tempest Williams on why women with big ideas get labeled ‘crazy’ : Wild Card with Rachel Martin
A note from Wild Card host Rachel Martin: I met Terry Tempest Williams about 25 years ago at a writer’s conference in Yosemite Valley. I was a young reporter who was there to do a story about how literature was addressing climate change and she made such a huge impression on me. I had never heard someone talk about the natural world the way Terry did and she had a spiritual depth I hadn’t encountered in my life at that point.
To this day, Terry’s writing always reorients me towards what is good, what is beautiful, and what is true. Her newest book is called “The Glorians.”
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