Business
‘Moana’ debuted just 10 years ago. Why Disney is remaking it as a live-action movie
In 2016, Walt Disney Co.’s “Moana” became a box office hit, captivating audiences with catchy earworms from Lin-Manuel Miranda and a spunky young heroine who rejected the label of princess.
Now, just 10 years later, it’s the latest Disney animated film to be given the live-action treatment.
Burbank-based Disney has long reached into its vault in search of animated classics to redo in a live-action format. But a decade is the shortest time between one of the company’s original animated movies and the reimagined film. (2025’s “Lilo & Stitch,” which originally debuted in 2002, is the next closest with a gap of 23 years.)
Why go back to “Moana” so soon? The Polynesian wayfarer is extremely popular.
The 2016 animated film grossed more than $643 million at the global box office, then spawned a 2024 sequel that made more than $1 billion worldwide. The original is the most-watched movie in Disney+ history with more than 1.5 billion hours of viewing.
“Every once in a while in Hollywood, we make a film that is more than a film,” actor Dwayne Johnson, who reprises his role as the demigod Maui, said onstage during the movie’s premiere Tuesday at the Hollywood Bowl after a Polynesian dance performance. “I think you could feel it already tonight, with our culture and with what we have represented. But also not only our Polynesian culture … it’s also a shared culture around the world.”
The latest “Moana,” out this weekend, will join a cadre of family films at the multiplex.
That includes Disney and Pixar’s “Toy Story 5,” which has now racked up more than $774 million worldwide, and Universal Pictures and Illumination’s “Minions & Monsters,” which debuted domestically last week to a softer-than-expected opening of $62 million for the five-day Fourth of July holiday weekend.
The weaker haul for “Minions & Monsters” has led to questions about whether there are too many family films in theaters, which could affect the reception for the latest iteration of “Moana.” But as the last of this summer’s trio of major animated films, the runway could be clear for the film to build steam.
“I don’t think two movies make saturation,” said Andrew Cripps, head of theatrical distribution for Walt Disney Studios. “There’s a huge fanbase for the ‘Moana’ franchise.”
But with two “Moana” movies in the last decade, will audiences flock to another film? Analysts are expecting an opening weekend haul of $75 million, though studio estimates are closer to $60 million to $65 million. The film’s production budget is about $250 million.
“When you look at these massive movies that were just incredible — ‘The Lion King,’ ‘Aladdin,’ ‘Beauty and the Beast’ — they were brought back after years and years,” said David A. Gross, who writes the industry newsletter FranchiseRe. “I think there’s an argument that says absence makes the heart grow fonder with some of these. We’ll see.”
Early reviews of the film have been mixed, and “Moana” has so far notched a 37% rating on aggregator Rotten Tomatoes. The movie is a nearly frame-by-frame re-creation of the original.
Disney’s live-action remakes have largely been box-office boons for the company, with a few exceptions.
In the last 16 years, five films have grossed more than $1 billion globally, including 2017’s “Beauty and the Beast” and 2019’s “The Lion King” and “Aladdin.” (Other live-action spin-offs based on classic animated movies, such as 2024’s “Mufasa: The Lion King” and 2014’s “Maleficent,” also had solid performances.)
“It goes back to the original [intellectual property] of these movies,” Cripps said of the importance of live-action films for Disney’s slate. “People grow up with it, they become fans of it, they live with it. When you’ve got IP that resonates so well literally around the world with fans, I just think it’s a clever extension.”
There have been some notable misfires, including last year’s “Snow White,” which cratered at the box office amid a myriad of controversies, including racist backlash to the casting of Rachel Zegler, who is of Colombian descent, as the titular princess, its depiction of little people and its lead actors’ views on the Israel-Hamas war.
In general, live-action retellings have also typically performed well overseas — a marketplace that isn’t always reliable these days.
Across 13 recent live-action films from Disney and other studios, all made more than 60% of their global box office revenue in international markets, Gross said.
By comparison, films across all genres typically bring in about half of their revenue overseas, he said.
“When these movies connect,” Gross said, “they work everywhere.”
Business
Insurance commissioner candidates split key endorsements
State Sen. Ben Allen and former San Francisco Supervisor Jane Kim have split key endorsements, setting up a tight race for California’s next insurance commissioner.
Allen (D-Santa Monica), who represents the Pacific Palisades neighborhood severely damaged in the January 2025 firestorm, received the coveted endorsement last weekend of the California Democratic Party.
Kim, who led the field in June’s crowded primary, was endorsed Tuesday by the California Federation of Labor Unions, an affiliate of the AFL-CIO that represents more than 1,300 state labor unions.
Parke Skelton, a retired veteran Democratic political consultant, said that he expects the slate mailers, field volunteers and other support that each organization can provide their endorsed candidate will wash out.
“I think it’s going to be very, very close,” he said.
Two Democrats are facing off for the first time in the general election for insurance commissioner due to the open primary system instituted in 2011, in which the two top vote-getters advance regardless of party affiliation.
Kim bested Allen in the primary with 27.4% of the vote to his 19.4%, with an online campaign poll conducted for Allen in July showing that likely voters still prefer Kim by 7 points. But it also found that the general election on Nov. 3 is wide open, with most voters undecided.
Allen secured his endorsement after getting at least 60% of the vote of the party’s executive board at its meeting in San Diego. Kim needed at least two thirds of the 1,000 delegates attending the labor federation’s Oakland convention.
The campaign to succeed outgoing Insurance Commissioner Ricardo Lara has drawn more attention than usual as insurers have withdrawn from the market and raised rates for several years. There also has been widespread dissatisfaction over how some insurers have handled January 2025 fire claims.
Allen, 48, who has served over a decade in the Legislature, has campaigned on a platform that blends cracking down on insurer wrongdoing — citing his legislative record — while trying to fix the market so that more carriers will write policies.
He said his endorsement is a “reflection of the really substantive work that I’ve been doing for years to stand up for consumers and take on tough issues and standing by the fire survivors in my district.”
Allen also is backed by California’s two U.S. senators and the leaders of the state Senate and Assembly.
Kim, 49, a member of San Francisco’s board of supervisors from 2011 to 2019, has touted her advocacy for California’s first $15 minimum wage and making the city’s community college tuition free, among other progressive causes.
The centerpiece of her campaign is a plan to create a state-backed risk pool to handle disaster claims, while making insurance more affordable and available.
“We’ll be able to tell the voters of California that 2.3 million workers are behind this campaign — working Californians that get up every morning, every day, and work really hard,” she said of the endorsement.
Allen is not without labor support, including from the State Building and Construction Trades Council of California and the California Professional Firefighters.
Lorena Gonzalez, president of the labor federation, said that several unions endorsed both candidates but Kim had lot of backing from San Francisco Bay Area unions that knew her through her work on progressive issues in San Francisco.
She is backed by Bernie Sanders, the Vermont senator and progressive leader.
“I would say there was a lot of discussion about trust. I think our members and our unions trust her, and so I thought that was important,” said Gonzalez, a former Assembly member from San Diego.
Although the California Democratic Party has 10 million members, Skelton said that Kim’s support from labor, including the large Service Employees International Union and California Teachers Assn., could be more substantive.
“The Democratic Party doesn’t spend tons of money disseminating their endorsements,” he said, adding that neither candidate is likely to draw much support from Republicans.
Both candidates said they are campaigning up and down California, but Skelton said neither has enough money to mount a statewide campaign that would substantially raise their name awareness.
Allen raised $295,041 from May 17 to June 30, with $326,573 in cash on hand as of June 30, according to state records. Kim raised $260,852 over the same period with $198,925 in cash on hand as of June 30.
Although Allen can highlight that he is the party nominee in the official state voter guide, Skelton said most voters will walk into the polls not knowing either candidate.
“It’s a down-ticket race in a high turnout election,” he said, with the governor’s race and billionaire tax measure on the ballot.
That means voters could place a high regard on each candidate’s ballot designation, he said. In the primary, Kim was listed as “Attorney/Consumer Advocate,” while Allen was identified as “California State Senator.”
“If someone put a gun to my head and then said, ‘Who’s going to win?’ I think my guess is that Jane has a slight advantage,” Skelton said.
Business
Is social media addiction real? Law and science collide in blockbuster federal suit
A blockbuster battle in federal court is set to open in Oakland this month, pitting Silicon Valley against attorneys for the state of California in a $1.4-trillion contest with existential stakes and potentially eye-watering payouts.
In true Hollywood fashion, the record-smashing, celebrity-studded legal drama is also a sequel.
At the heart of the fight is an essential, hotly contested question: Is social media addiction even real?
Meta’s answer, articulated across years of filings and months of litigation, is a resounding “no.”
Earlier this year, Meta lost two groundbreaking civil suits in state courts, with juries in Santa Fe, N.M., and Los Angeles concluding its products were harmful to children in verdicts rendered just hours apart. The company is appealing both cases.
The damages were relatively small: $375 million to New Mexico for enabling child predators and $4.2 million to Kaley Glenn-Mills in Los Angeles for designing features to hook kids, figures well below Sandoz’s generic drug price-fixing settlement and L.A.’s most recent dog-bite payout, respectively.
But their impact was seismic.
On Thursday, a New Mexico judge ordered Meta to pay an additional $567 million on top of the earlier damage judgment, ruling the company was a “public nuisance.” In a July 29 earnings report, Meta said that the 2026 trials could “significantly impact” its bottom line.
Now, attorneys general in California and three other states are hoping to parlay that success into an unprecedented verdict in federal court, one that could prove far more significant — and orders of magnitude more costly — than any civil suit before.
The states allege Meta intentionally designed its products to addict kids and repeatedly lied to the public about it, telling parents and politicians its apps were safe for children while mining underage users for valuable data. The lawsuit seeks a whopping $1.4 trillion in damages from the company.
The company’s lawyers have filed a motion to block the “staggering figure” from reaching jurors when the trial opens on Aug. 18, arguing it is unprecedented.
Meta argues it can’t keep very young kids off its apps, and that there’s equal evidence showing its products are good for older adolescents as to suggest they might be harmful.
To cast doubt on the existence of social media addiction, Meta’s lawyers have zeroed in on the absence of a formal diagnosis in the Diagnostic and Statistical Manual of Mental Disorders, often called the bible of psychiatry, or the DSM.
“Courts — including the U.S. Supreme Court and the Ninth Circuit — routinely refer to the DSM as an authority to inform the definition and diagnosis of mental disorders,” attorneys for Meta wrote in a motion for summary judgment in April.
“The fact that neither of the two definitive authorities for diagnosing mental disorders recognizes the existence of social media addiction — after having studied the issue and the literature — is fatal to the AGs’ core claims, especially given the lack of admissible evidence to the contrary,” the filing said.
But the relationship between the manual and the courtroom is rarely so straightforward, experts argue.
“The DSM is medical in nature … so the language is typically medical,” said Dr. Michael MacIntyre, a forensic psychologist. “The law has a very different language, so anytime the DSM is used in court that has to be translated.”
Even disorders such as schizophrenia — one of the earliest identified forms of madness, with descriptions dating back to ancient Egypt — cannot in and of themselves meet the legal criteria for insanity, which is concerned with culpability, not suffering, the expert said.
Making the legal leap without a DSM diagnosis is even harder.
“The DSM is always catching up to the times,” said Carrie Goldberg, a plaintiff’s lawyer who helped pioneer the current style of social media litigation.
At the Glenn-Mills trial in Los Angeles, Meta attorneys repeatedly hammered witnesses about the lack of a listing — at times appearing to annoy jurors and test the patience of the court.
Despite losing that bellwether, Meta continued to press the DSM argument in its filings in federal court.
Then, in late June, U.S. District Judge Yvonne Gonzalez struck a major blow to the company’s strategy, saying the term’s absence from the manual was “not dispositive” and could not settle the legal question of whether the ailment exists, or if ongoing scientific debate indemnifies statements about the apps’ safety.
“The scientific literature, and defendants’ own documents use a variety of terms interchangeably, referring to ‘addictive’, ‘excessive’, ‘problematic’, or ‘compulsive’ use,” she wrote in her June order. “The Court declines to draw lines between these terms.”
The existence of social media addiction is a “material dispute of fact” — one a jury should settle, not a judge, Gonzalez wrote.
As the judge noted in her ruling, the ongoing controversy has as much to do with when and how the diagnostic gospels were compiled as the scientific validity of the ailment.
That’s because social media apps and the latest version of the DSM are almost exactly the same age. When the manual hit shelves in May 2013, only about half of Americans had a smartphone. Facebook had just acquired Instagram, Snapchat was barely two and TikTok was years in the future.
Today, more than 95% of kids ages 13 to 17 are on the apps — about a third of them “almost constantly” — according to studies by the Pew Research Center and the National Institutes of Health.
A 2025 literature review in the medical journal Current Pediatric Reports showed almost two-thirds of 11 and 12-year-olds have social media accounts — a violation of the apps’ terms of service, which Meta and others argue they are all but powerless to prevent.
Science is still catching up to the shift, experts said.
“It’s not surprising that social media addiction is not in the DSM yet,” said Dr. Jason Nagata, a professor of pediatrics at UCSF who has published extensively on behavioral problems associated with children’s use of the platforms . “The process of developing diagnoses is not a fast one.”
Compared with chemical dependencies, which have been well understood since before the first DSM was compiled in 1952, the framework for describing so-called behavioral addictions is extremely new, he and others said.
Gambling is the only behavioral addiction currently listed in the DSM. Though it first appeared in the manual’s 1980 edition as “pathological gambling,” it was only classified as a form of addiction in 2013, despite having been observed and described that way for centuries — most famously by Fyodor Dostoevsky.
Dr. Lara Ray, a professor of psychology who runs an addiction lab at UCLA, contrasted the way scholars were able to identify and address addiction to new street drugs by building on centuries of scientific knowledge about older chemical dependencies.
Alcoholism has been formally studied for generations, as have opioid-use disorder and cigarette smoking, Ray explained. But no comparable infrastructure exists to probe whether social media is addictive and how that addiction might be identified and treated, nor is there government funding to support it.
“A lot of this has yet to be systematically studied and documented,” the professor said. “The science is a little behind what’s really happening.”
Meanwhile, children increasingly describe their own experience of the apps in diagnostic terms.
“It’s relatively common for teenagers to be reporting symptoms of social media addiction whether or not you believe it’s a formal diagnosis,” Nagata said. “It’s important we make it a formal entry. If a diagnosis doesn’t exist, people can’t get treated for it.”
While they wait for the next edition of psychiatry’s bible, Nagata and others support many of the structural changes sought by the states’ lawsuit, separate from money damages. The state attorneys general have called for stricter age gates to keep out preteen users, stringent caps on the time that can be spent on the apps, notification and privacy limits for adolescent accounts, and stronger safeguards to stop the exploitation of children by adult users.
Many of those same changes were ordered by Judge Bryan Biedscheid in New Mexico on Thursday.
“People see these companies as nuisances that they tolerate,” Goldberg said. “What is scary to these companies is that juries have a lot of power.”
Business
California’s instant EV rebates are now available for these three brands
First time electric vehicle buyers in California can now snag a $3,500 instant rebate on new EVs made by Tesla, Hyundai or Lucid.
Gov. Gavin Newsom announced Friday that funds are available for the state’s EV incentive program, dubbed MyFirstEV, which he finalized in his state budget last month.
The program allocates $135 million to provide incentives, with participating automakers matching the funds. Used EV’s come with a $1,750 discount for first time buyers.
“This is about giving people of our state a choice, but also giving them a head start by giving them this $3,500 incentive for new cars,” Newsom said during a press conference Friday. “It’s about economic competition… It’s about investing in our future, and it’s about continuing to maintain our lead.”
The rebates will mean that most eligible buyers will effectively get between 4% and 7% of their money back.
The rebates are only available to first time EV buyers, who can apply for the discount by filling out an online attestation form once they have begun their purchasing process.
Vehicles purchased before a participating automaker has launched its incentive will not be eligible for the discount. Plug-in hybrid vehicles are not eligible.
Additional automakers are preparing to launch discounts soon, including Ford, Rivian, Chevrolet and Kia later this month; Toyota, Honda and Subaru in September; and Mitsubishi in November. Nissan and Volvo are still determining their rebate timelines.
The rebates come about a year after President Trump eliminated a $7,500 federal tax incentive for new EVs. The EV market has slowed down as Trump has taken aim at several incentives and requirements, with multiple major automakers paring back their EV offerings.
California’s new incentives can’t be used on all electric vehicles — they apply only to new EVs with a manufacturer’s suggested retail price of $50,000 or less, and used EVs with a sale price of $25,000 or less.
The $50,000 maximum rules out many options on the market, but legislation outlining the incentive program makes a special exception for California-based companies. Buyers purchasing a new or used EV from a company with headquarters in California can claim the discount regardless of the vehicle price.
The incentives are intended to help California reach its electric vehicle and air quality goals.
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