Lifestyle
Disneyland visitor launches class-action suit over new, stricter disability passes
Last July, San Diego resident Trisha Malone applied for a disability exemption at a booth just outside the Disneyland and California Adventure theme parks.
The Disability Access Service, or DAS, pass she wanted would have allowed her to avoid waiting in time-consuming lines for popular Disney rides.
Malone met with personnel representing Disney for her DAS application interview. In that public setting, they solicited private medical information from the disabled woman.
After a short exchange, Malone was rejected, as her disability did not meet new, stricter DAS standards.
That denial was detailed in a 32-page class-action complaint Malone filed against Walt Disney Parks and Resorts along with partner Inspire Health Alliance in Orange County Superior Court on Monday.
Malone’s complaint claims Disney breached confidentiality and invaded her privacy, and violated the Unruh Civil Rights Act and several California civil rights codes.
The woman’s attorneys claim in the complaint the new DAS pass standard “unlawfully excludes individuals with other disabilities.” The complaint did not provide any details on the plaintiff’s disability.
She is asking Disney to revert to a previous, less restrictive version of DAS pass enforcement. She is also looking for statutory damages, restitution and the cost of attorney’s fees.
The Ontario-based McCune Law Group, which is representing Malone, issued a statement on her behalf, saying the case is about the people the DAS pass is meant to benefit.
“Disney has arbitrarily determined that a wide range of disabilities do not qualify as such under the ‘Disability Access Service’ program,” the emailed statement read. “The park cannot provide a ‘great experience for all’ while its DAS program continues to target and marginalize those it purports to support and protect.”
A Disney spokesperson who asked not to be named said the park strives to provide a great experience for its disabled visitors.
“Disney offers a broad range of effective disability accommodations and has worked extensively with experts to ensure that our guests’ individual needs are properly matched with the accommodation they require, and we believe the claims in this complaint are without merit,” the spokesperson said.
Disney’s DAS pass is not a license to skip waiting. Rather, it provides a pass holder a return time for an attraction, where they’ll be placed in line with those who have paid for express, or Lightning Lane, access.
In April, Disney announced it was changing the DAS qualifications. The new wording noted that the DAS program, then the most popular at the park, was “intended to accommodate those guests who, due to a developmental disability like autism or similar are unable to wait in a conventional queue for an extended period of time.”
The changes went into effect May 20 at Disney World and June 18 at Disneyland.
Older standards were much broader, for guests “who have difficulty tolerating extended waits in a conventional queue environment due to a disability.”
Disney said that as a result of that language, the program’s usage tripled between 2019 and 2024.
It’s these older standards, however, that Malone is requesting.
Malone is suing on behalf of several unnamed disabled clients denied a DAS pass since June 18. She included Inspire Health Alliance, which the lawsuit claims provided nurse practitioners who collaborated with Disney staff to determine DAS pass worthiness.
Malone’s attorneys argue in the complaint that requiring guests to undergo a screening process with eligibility criteria that disproportionately affect individuals with physical disabilities is contrary to California’s Unruh Act and the Americans With Disabilities Act, or ADA.
Unruh bans discrimination by California businesses based on age, ancestry, color, disability, national origin and a variety of other factors.
Disney has maintained in previous interviews with The Times that it offers many accommodations for its disabled guests.
Those include a sensory experience guide to indicate which parts of the park have loud noises, darkness and bumpiness, which rides are fast and which lift off the ground. Disney also offers sign language interpreters, wheelchair and scooter rentals, assistive handheld captioning and video captioning on some rides, and dialogue and narration of scripts on others.
As for ride waiting, Disney offers a “return to queue” process, which allows a party to hold a place in line for a guest with disabilities. There are a few other similar options, including a “location return time” accommodation offered to those in wheelchairs.
Malone’s attorneys said those accommodations “failed to provide equitable access and imposed undue burdens, logistical challenges, emotional distress and safety risks.”
Lifestyle
‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour
Millie Bobby Brown in the final season of Stranger Things.
Netflix
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Netflix
After five seasons and almost ten years, the saga of Netflix’s Stranger Things has reached its end. In a two-hour finale, we found out what happened to our heroes (including Millie Bobby Brown and Finn Wolfhard) when they set out to battle the forces of evil. The final season had new faces and new revelations, along with moments of friendship and conflict among the folks we’ve known and loved since the night Will Byers (Noah Schnapp) first disappeared. But did it stick the landing?
To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.
Lifestyle
JasonMartin Says Adin Ross Disrespecting Doechii Stops in 2026
JasonMartin
Adin Ross Disrespecting Doechii …
Will Not Be Tolerated!!!
Published
TMZ.com
JasonMartin is putting his foot down after hearing Adin Ross call Doechii a “bitch” one too many times … the culture’s not going for it in 2026!!!
TMZ Hip Hop caught up with JM in L.A. this week, and he says Adin being aggressively addressed is vital to preventing outsiders of Black culture from toeing the line in the future.
Adin Ross is lying about Doechii and one of the biggest Twitter Accounts is behind it… pic.twitter.com/VoAwGJefyV
— Mike Tee (@ItsMikeTee) January 5, 2026
@ItsMikeTee
Adin maintains Doechii targeted him on her new track, “Girl, Get Up,” when she blasted people labeling her “an industry plant” … and blamed Complex magazine for helping fuel the fire.
Joe Budden, Glasses Malone, Wack 100, and Top Dawg Entertainment execs have all chimed in on Adin’s comments, and Jason says it’s bigger than internet tough talk … and won’t allow Adin to hide behind religion or freedom of speech to drag Black women.
Adin went on to collaborate with Tekashi 6ix9ine and Cuff Em on an anti-Lil Tjay and Doechii song, but has since said he’ll stay out of the beef; his chat doesn’t matter to him, and it’s not that deep to him.
TMZ.com
War mongering isn’t Jason’s only goal this year. He released 5 albums — “A Hit Dog Gon Holla,“ “I Told You So,“ “Mafia Cafe,“ “O.T.,“ and “A Lonely Winter” — to close out the 4th quarter and just may be in the “Snowfall” reboot with his buddy, Buddy!!!
Lifestyle
‘Everything I knew burned down around me’: A journalist looks back on LA’s fires
A firefighter works as homes burn during the Eaton fire in the Altadena area of Los Angeles County, Calif., on Jan. 7, 2025.
Josh Edelson/AFP via Getty Images
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Josh Edelson/AFP via Getty Images
On New Year’s Eve 2024, journalist Jacob Soboroff was sitting around a campfire with a friend when he made an offhand comment that would come back to haunt him: The last thing he wanted to do in the new year, Soboroff said, was cover a story that would require donning a fire-safe yellow suit.
Just one week later, Soboroff was dressed in the yellow suit, reporting live from a street corner in Los Angeles as fire tore through the Pacific Palisades, the community where he was raised.
“This was a place that I could navigate with my eyes closed,” Soboroff says of the neighborhood. “Every hallmark of my childhood I was watching carbonize in front of me. … There were firefighters there and first responders and other journalists there, but it was an extremely lonely, isolating experience to be standing there as everything I knew burned down around me in real time.”

In his new book, Firestorm: The Great Los Angeles Fires and America’s New Age of Disaster, Soboroff offers a minute-by-minute account of the catastrophe, told through the voices of firefighters, evacuees, scientists and political leaders. He says covering the wildfires was the most important assignment he’s ever undertaken.
“The experience of doing this is something that I don’t wish on anybody, but in a way I wish everybody could experience,” he says. “It’s given me insane reverence for our colleagues in the local news community here, who, I think, definitionally were exercising a public service in the street-level journalism that they were doing and are still doing. … It was actually beautiful to watch because they are as much a first responder on a frontline as anybody else.”
Interview highlights
On the experience of reporting from the fires
You’re choking with the smoke. And I almost feel guilty describing it from my vantage point because the firefighters would say things to me like: “My eyeballs were burning. We were laying flat on our stomach in the middle of the concrete street because it was so hot, it was the only way that we could open the hoses full bore and try to save anything that we could.” …
I could feel the heat on the back of my neck as we stood in front of these houses that I remember as the houses that cars and people would line up in front of for the annual Fourth of July parade or the road race that we would run through town. Trees were on fire behind us — we were at risk of structures falling at any given minute. It was pretty surreal because this is a place I had spent so much time as a child and going back to as an adult. … I had no choice but to just open my mouth and say what I saw to the millions of people that were watching us around the country.
On undocumented immigrants being central to rebuilding the city

These types of massive both humanitarian and natural disasters give us X-ray vision for a time into sort of the fissures that are underneath the surface in our society. And Los Angeles, in addition to being one of the most unequal cities between the rich and the poor, has more undocumented people than virtually any other city in the United States of America. Governor Newsom knew that with the policies of the incoming administration, some of the very people that would be responsible for the cleanup and the rebuilding of Los Angeles may end up in the crosshairs of national immigration policy. And I think that that was an understatement. …
Pablo Alvarado in the National Day Laborer Organizing Network said to me that often the first people into a disaster — the second responders after the first — are the day laborers. They went to Florida after Hurricane Andrew, to New Orleans after Katrina, and they’d be ready to go in Los Angeles. And I went out and I cleaned up Altadena and Pasadena with some of them in real time.
And only months later did this wide-scale immigration enforcement campaign begin … on the streets of LA as sort of the Petri dish, the guinea pig for expanding this across the country. And it’s not an exaggeration to say that the parking lots of Home Depots, where workers [were] looking to get involved in the rebuilding of Los Angeles, has been ground zero for that enforcement campaign.
On efforts to rebuild
The pace is slow and it’s sort of a hopscotch of development. And I think for people who do come back, for people who can afford to come back, it’s going to be a long road ahead. You’re going to have half the houses on your street under construction for years to come. And for people that do inhabit those homes, it’s going to an isolating experience. But there’s an effort underway to rebuild. …
There’s also a lot of for-sale signs. And that’s the sad reality of this, is that there are people who, whether it’s that they can’t afford to come back … or that they just can’t stomach it, I think, sadly, a lot people are not going to be returning to their homes.
On what the Palisades and Altadena look like today

They both look like very big construction sites in a way. There are still some facades, some ruins of the more historic buildings in the Palisades. … But mostly it’s just empty lots. And in Altadena, the same thing. If you drive by the hardware store, the outside is still there. But it’s a patchwork of empty lots. Homes now under construction. And lots and lots of workers. … There are still a handful of people who are living in both the Palisades and in Altadena, but for the most part, these are communities where you’ve got workers going in during the day and coming out at night. …
We have designed this community to be one that’s in the crosshairs of a fire just like the one we experienced and that we will certainly, certainly experience again, because nobody’s packing it up and leaving Los Angeles. People may not return to their communities after they’ve lost their homes, but the ship has sailed on living in the wildland urban interface in the second largest city in the country.
On seeing this story, personally, as his “most important assignment”
Jacob Soboroff is a correspondent for MS NOW, formerly MSNBC.
Jason Frank Rothenberg/HarperCollins
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Jason Frank Rothenberg/HarperCollins
I don’t think I realized at the time how badly I needed the connections that I made in the wake of the fire, both with the people who have lost homes and the firefighters, first responders who were out there, but also honestly with my own family, my immediate family, my wife and my kids, my mom and my dad and my siblings and myself. I think that this was a really hard year in LA, and I think in the wake of the fire, I was experiencing some level of despair as well. Then the ICE raids happened here and sort of turned our city upside down. And this book for me was just this amazing cathartic blessing of an opportunity to find community with people I don’t think I ever would have otherwise spent time with, and to reconnect with people who I hadn’t seen or heard from in forever.
Anna Bauman and Nico Wisler produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

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