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At Jazz at Lincoln Center, Dave Chappelle Rallies to Keep ‘Tradition Alive’

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At Jazz at Lincoln Center, Dave Chappelle Rallies to Keep ‘Tradition Alive’

Outside the Rose Theater at Jazz at Lincoln Center on Wednesday night, hundreds of people in shimmering gowns and velvet tuxes waited for the program to begin. They snacked on popcorn from gold pinstriped bags and sipped cocktails in front of a wall lined with giant black-and-white photos of the jazz pianist and composer Duke Ellington.

“I love coming here,” said Alec Baldwin, as he posed with his wife, Hilaria Baldwin, who was wearing a plunging lilac gown and a cross necklace, on the red carpet at Jazz at Lincoln Center’s annual fund-raising gala, which celebrated Ellington’s 125th birthday.

The couple, who married in 2012, star in a TLC reality TV show, “The Baldwins.” Filmed as Mr. Baldwin faced trial for involuntary manslaughter, it focuses on their hectic family life with seven children, all age 11 and under, and eight pets. A judge dismissed the case in July.

“The kids aren’t necessarily into the music I appreciate,” said Mr. Baldwin, 67, who wore a navy suit and a burgundy button-down. “I like a lot of classical. I love Japanese jazz, too.” (Ms. Baldwin, 41, a fitness expert and podcast host, said she played a lot of Billie Eilish.)

Another jazz fan in the crowd was Michael Imperioli, the “Sopranos” star who recently played Dom Di Grasso, a smooth Hollywood producer, in the second season of “The White Lotus.”

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He has not seen the new season yet, he said, but he plans to soon.

“I’m going to sit down and watch the whole thing in two days or something,” he said. “I’ve been binging British detective shows.”

The Baldwins and Mr. Imperioli were among a smattering of celebrities from the film, music and media worlds, including the journalist Joy Reid and Ellington’s granddaughter, Mercedes Ellington. The evening, which was hosted by the actor and comedian Dave Chappelle, honored the philanthropist H.E. Huda Alkhamis-Kanoo and the jazz pianist and composer Toshiko Akiyoshi.

Around 6:45 p.m., attendees began funneling into the theater. In front of the stage were two rows of table seating, topped with bags of popcorn and bottles of wine. The Baldwins shared a table with Chloe Breyer, the executive director of the Interfaith Center of New York, and Greg Scholl, the executive director of Jazz at Lincoln Center.

As they waited for the concert to begin, which featured the Jazz at Lincoln Center Orchestra with Wynton Marsalis, Ms. Baldwin sipped a glass of red wine, while Mr. Baldwin munched on a bag of popcorn and scrolled through his phone.

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Around 7:15 p.m., Mr. Chappelle took the stage.

“Man, you would’ve never thought you’d see me at an event like this, would you?” said Mr. Chappelle, the famously firebrand comedian.

“Don’t worry, no bad words,” he joked. “Just here to help out.”

He then shared a lesser-known part of his biography: Before he was in the stand-up comedy scene, he attended Duke Ellington School of the Arts in Washington, D.C., a public high school with a focus on arts education.

“That school profoundly, profoundly, profoundly changed my life,” said Mr. Chappelle, who is an amateur jazz pianist. “Duke Ellington was a guy who traveled all around the world just based off his talent. And as kids, we knew that it was possible, just because his energy was in the air.”

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Though he mostly stuck to the teleprompter, Mr. Chappelle did throw in a few ad-libs. (“You can’t get one of the greatest comedians in the world to just read a teleprompter,” he said.)

He took light aim at President Trump.

“It’s up to us. We got to keep this tradition alive. This is one of the best things we got going in America,” he said. “You see what Trump did at the Kennedy Center? You’re next. He’ll come here, ‘I got to make jazz great again.’ Oh, no! Oh, no!”

Around 9:15 p.m., the members of the orchestra led a second-line procession that snaked through the atrium, as a dozen trumpeters, drummers and saxophonists played “When the Saints Go Marching In.” Afterward, a few hundred dinner guests tucked into plates of roasted branzino, chatting at tables with views of Columbus Circle.

Around 10 p.m., they began filtering down a hallway lined with a metallic gold curtain into Dizzy’s Club, an intimate space with bamboo walls and windows overlooking Central Park.

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They danced until after midnight, as the Norman Edwards Jr. Excitement Band played swing standards like “Take the ‘A’ Train,” and the lights of Manhattan twinkled behind them.

“It’s heartening to see so many different generations here,” Ms. Ellington said. “Music is the only thing that’s going to really keep us going. We need it now more than ever.”

Lifestyle

‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour

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‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour

Neve Campbell in Scream 7.

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The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.

Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture

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Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA

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Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA

Abriana Vicioso is the host of the Flower Hour, which takes place monthly.

(Jennifer McCord / For The Times)

Each flower carries a personal history. For Abriana Vicioso, the calla lily was her parents’ wedding flower — a symbol of her mother’s beauty. “She had this big, beautiful white calla lily in her hair,” Vicioso says. “I love my parents. They’re the reason I’m here. I’ll never forget where I came from.”

The Flower Hour begins with Vicioso announcing, with a warm smile: “Today is about touching grass.” The florist-by-trade gestures behind her to hundreds of flowers contained in buckets — blue thistles, ivory anemones and calla lilies painted silver — all twisted and unfurling into the air. “Tonight is going to be so sweet and intimate,” Vicioso says, eyeing the beautiful chaos at her feet. A grin buds across her face.

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Moments before the workshop, participants sit at candlelit tables exchanging horoscopes and comparing their favorite flowers. A mention of the illustrious bird-of-paradise flower elicits coos and awe from the women. Izamar Vazquez, who is from Jalisco, Mexico, reveals her fondness for roses, which make her feel connected to her Mexican roots.

Vicioso hosts her flower-themed wellness workshop near the iconic Original Los Angeles Flower Market in downtown L.A. In January, the first Flower Hour event sold out, prompting her to make it a monthly series. Vicioso describes the event as a “three-part journey” where participants are invited to drink herbal tea, smoke rose-petal-rolled cannabis joints and create a floral arrangement. “The guide is to connect with the medicine of flowers,” Vicioso says.

Rose petal joints, tea and flower arranging are all part of The Flower Hour event's offerings.
Herbal tea is part of the event's offerings.
Floral arranging is the main activity.

Rose petal joints, tea and flower arranging are all part of The Flower Hour event’s offerings.

The event is hosted at the Art Club, a membership-based co-working space. “The Flower Hour is really beautiful. Everyone gets to explore their creativity while meeting new people,” says Lindsay Williams, the co-owner of the Art Club.

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The idea for Flower Hour came to Vicioso during a conversation with her mother. “We joke all the time that flowers were destined to make their way into my life,” she says. She works as a florist and models on the side, even appearing in the pages of Vogue. Vicioso grew up in a Caribbean household, where flowers and offerings were part of daily life. “In my culture and religion, a lot of my family practices — an Afro-Caribbean religion — we build altars.”

Like many cultures, flowers carry sentimental value in her religion. “I’m Caribbean, so a lot of my family practices a Yoruba religion, which comes from Africa. In the Caribbean, it’s well known as Santería.”

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After a difficult year and a breakup, Vicioso wanted to marry her love of flowers with community building. Because Vicioso uses cannabis medicinally, the workshop naturally includes a smoking component. “My family has smoked cannabis for a lot of reasons for a long time. It’s a really healing plant,” she explains.

In the workshop, even the cannabis gets the floral treatment. Vicioso presents her rose-petal-wrapped joints on a silver platter at each table. She rolled each by hand. “If you’ve never smoked a rose-petal-rolled joint, the difference with this is it’s going to have roses that have a slight tobacco effect,” she announces.

During the workshop, Vicioso stresses the importance of buying cannabis from local vendors. The cannabis provided was purchased from a Northern Californian vendor. The wellness workshop aims to reclaim the healing ritual of smoking cannabis. “This is a plant that has been commercialized,” Vicioso says. “There’s a lot of Black and Brown people who are in jail for this plant.”

The resulting workshop is what Vicioso describes as “an immersive wellness experience that is the intersection of wellness, creativity, community and an appreciation of flowers.” The workshop serves as a reminder to enjoy Earth’s innate beauty in the form of flowers — including cannabis. “It’s this gift that the universe gave us for free and that I have this deep connection with,” Vicioso says.

Conversation cards to generate discussion among participants (left). The workshop serves as a "third space" for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.
LOS ANGELES, CA -- FEBRUARY 22, 2026: Participants smoke marijuana during The Flower Hour, a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)

Conversation cards to generate discussion among participants (top, letf). The workshop serves as a “third space” for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.

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After enjoying lavender chamomile tea and smoking a joint, Vicioso introduces the flowers to the group before inviting them to pick their own. She emphasizes each flower’s personality traits, describing green dianthus as a “Dr. Seuss” plant. Then, there are calla lilies with their “main character moment.” It gets personal. “Start thinking of a flower in your life that you can discover,” she says. “If you’re feeling like you need inspiration, you can always remember that these flowers have stories.”

Vicioso infuses wisdom into her instruction on floral arrangements: There are no mistakes. Let the flowers tell you where they want to go, she urges. Intuition will be your guide — the wilder, the better.

“Hecho in Mexico” reads a sticker on a bunch of green stems. “Like me,” says Vazquez with a laugh. “They’re all doing their own thing. Like a family,” she says later, arranging stems.

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The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements.

The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements at the sold-out event.

Two participants — Vazquez and Rebeca Alvarado — are friends who run a floral design company together called Izza Rose. Like Vicioso, the friends have a connection to flowers through their Latin American culture. They met Vicioso in the floral industry and were overjoyed to discover her workshop.

“This is a great way to connect with other people,” says Vazquez.

Alvarado agrees, adding: “You’re getting to know people outside of going to bars. You can connect in different ways when there’s an activity.”

Vazquez uses flowers to stay connected to her Mexican heritage, adding that she prefers to support Mexican vendors. In recent months, the downtown L.A. flower market has struggled to recover from ongoing ICE raids. “Some are scared to come back,” says Vazquez.

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Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)

Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.

Another participant, Barbara Rios, was attracted to the workshop for stress relief. “You can hang out with your friends, but it’s nice to do things with your hands,” she says. “I work a stressful job, and it’s nice to have that third space that we’re all craving.”

On this February night, the participants were predominantly women, save for one man. In the future, Vicioso hopes that more men learn to engage with flowers. “There’s a statistic about men receiving flowers for the first time at their funerals, and I think we have changed that,” she says.

To conclude the workshop, Vicioso encourages participants to build lasting friendships and incorporate flower arranging into their daily practice — even if it’s just with a small, inexpensive bouquet.

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“Get some flowers together, go to the park, hang out with each other and hang out with me,” she says. Participants leave with flower arrangements in hand. In the darkness of the night air, it briefly looks as though the women carry silver calla lilies that are blooming from their palms.

A finished floral arrangement.

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‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!

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‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!

An underwater view shows US’ Lilly King competing in a heat of the women’s 200m breaststroke swimming event during the Paris 2024 Olympic Games at the Paris La Defense Arena in Nanterre, west of Paris, on July 31, 2024. (Photo by François-Xavier MARIT / AFP) (Photo by FRANCOIS-XAVIER MARIT/AFP via Getty Images)

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This week’s show was recorded in Bloomington, Indiana with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Lilly King and panelists Alonzo Bodden, Josh Gondelman, and Faith Salie. Click the audio link above to hear the whole show.

Who’s Bill This Time

State of the Union is Hot; The Tribal Council Convenes Again; A Glow Up In the Doll Aisle

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Panel Questions

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Bluff The Listener

Our panelists tell three stories about a travel hack in the news, only one of which is true.

Not My Job: Olympic Swimmer Lilly King answers our questions about Lil’ Kings

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Olympic Swimmer Lilly King plays our game called, “Lilly King meet these Lil’ Kings” Three questions about short kings.

Panel Questions

Cleaning Out The Cabinet; Bedtime Stacking

Limericks

Bill Kurtis reads three news-related limericks: Getting Cozy With Cross Country Skiing; Pickleball’s New Competition; Bees Get Freaky

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Lightning Fill In The Blank

All the news we couldn’t fit anywhere else

Predictions

Our panelists predict, after American Girls, what’ll be the next toy to get an update.

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