Lifestyle
A slime museum is coming to L.A. — and it’s bringing the healing power of play
When it comes to healing from grief, there’s often not a simple answer, but there are some recommended standbys. Therapy, of course, is essential, and maintaining close contact with a community also is often recommended.
And maybe, perhaps, a bit of slime?
Such was the case for Karen Robinovitz, one of the co-founders of the Sloomoo Institute, a playful palace dedicated to all things gooey and goopy, where guests can toss slime, mold it, walk on it, get drenched by it and even experience the ASMR benefits of it. Los Angeles soon will be home to the fifth Sloomoo Institute in the U.S. — an outpost on Fairfax Avenue across from the Original Farmers Market opens this summer.
Kids play with slime at Sloomoo Institute’s Atlanta location.
(Sloomoo Institute)
Before the interactive, make-a-mess emporiums became a reality, Robinovitz was struggling to simply get through the day. A survivor of multiple tragedies, Robinovitz seven years ago lost her husband. Months later, a cousin was killed in the 2018 high school shooting in Parkland, Fla. She was living, she says, with “a very deep and dark depression,” talking to someone — a therapist or various support groups — five days a week.
“I was really struggling,” Robinovitz says. “You’re talking about it all the time. In my home, I’m reminded of it in every corner of my house. In my neighborhood, everything reminds you of the person that you lost.”
Healing came in an unexpected place — and a surprising substance. A friend visited with her then-10-year-old daughter, who brought some slime with her for solo playtime while the adults talked. Robinovitz, however, found herself transfixed by the ooze.
Sloomoo Institute guests in Chicago get drenched with slime.
(Grace Pisula)
“I sat on the floor with her, and four hours later I realized I was in a complete state of joy,” Robinovitz says. “I had unleashed a part of myself that I never thought I’d see again, which was the inner child. I was happy playing. When they were leaving, I said that this did more for me than all the therapy, all the experts and all the support groups I had been seeing. I said I need to keep this. I became what is known affectionately as an ‘adult slimer.’”
Robinovitz and her longtime friend Sara Schiller created the Sloomoo Institute. The first location launched in late 2019 in New York, and Sloomoo Institutes in Atlanta, Chicago and Houston followed.
This is no mere immersive “pop-up,” says Robinovitz, as the two have signed a long-term lease with the intention of being in L.A. to stay — perhaps even tapping into the city’s creative class to expand their slimy mascots and creatures into other media. But for now, their mission is to merge silly with a bit of science, and to explore the importance of play for play’s sake.
A visit to a Sloomoo Institute takes guests through various slime stations, some that are very hands-on and others that resemble a light obstacle course. Some are just goofy, such as a slime slingshot, which allows participants to catapult slime at someone else. (Don’t worry, they’re tucked safely behind plexiglass.) Stations may focus on touch, such as a blindfolded journey through various gloppy textures, while others are directed toward more aural sensations. New for Los Angeles is a sound bath, with art from Randy Polumbo — think reflective surfaces, amorphic shapes and synchronized sound.
Karen Robinovitz, left, and Sara Schiller founded the Sloomoo Institute to celebrate the power of play.
(Lanna Apisukh)
Built into the room will be bowls and meditation-ready balls, which guests will be able to strike to create their own personal symphonies. One can imagine a cacophony of noise on a crowded day, but Robinovitz and Schiller also speak of it as an event space, a potential home for yoga or more relaxing, psychedelic-inspired sound baths. It taps into the Sloomoo Institute’s underlying mission, as the firm collaborates with psychiatrists such as Dr. Judith Joseph to better understand the importance of sensory play.
“Adults, we need this,” says Robinovitz. “I started to talk to a psychiatrist friend of mine because I wanted to understand what was happening. At once, you’re tapping into three or four of your five senses. It’s tactile. It makes sounds when you touch it. All the slimes we make are scented, so they smell really yummy, and scent is the sense that’s most closely tied to memory.”
L.A. ticket prices haven’t been announced yet, but based on admission in other cities, expect to spend around $40 for a general admission Sloomoo Institute ticket. Those who want to get rained on by slime — an experienced dubbed Sloomoo Falls — will need to pay for an “enhanced experience,” which can double the ticket price. Important to note: One shouldn’t come wearing a favorite outfit to the Sloomoo Institute, even though ponchos will be provided for the slime showers.
A shop inside Sloomoo Institute.
(Sloomoo Institute)
Schiller had her own personal connection to slime, noticing that play allows participants to get out of their head. Vulnerability, for instance, can come naturally in a state of play. Schiller’s eldest daughter has Angelman syndrome, a genetic disorder that can leave children unable to communicate via speech or writing, and her husband has survived multiple bilateral strokes. Slime, she says, has helped foster connections, helping her family better deal with disabilities and stressful moments.
“The great thing that I say about slime is that when you’re playing with slime, you can have difficult conversations or meaningful conversations without them being awkward,” Schiller says, theorizing that when we are in a relaxed, playful state — and focused on a group activity — we feel more at ease. “But you’re not on your device. You’re not distracted. You’re connected to yourself and you’re connected to the other person.”
The two founders are eager to talk about their history, noting they don’t want their personal stories divorced from the Sloomoo Institute. Longtime friends, Robinovitz and Schiller have entrepreneurial backgrounds. Robinovitz, for instance, launched a talent firm dedicated to digital influencers, while Schiller has an extensive history in the hospitality and art worlds. Together, they’re proud to note that the Sloomoo Institute workforce is about 10% neurodivergent, as they wanted the spaces to be inclusive and accessible (there are scent blockers available, for instance, for those sensitive to Sloomoo Institute’s smell-heavy focus).
While they are still places full of picture-friendly moments ripe for social media — one area is filled with gargantuan-sized slime-inspired chairs — the two clearly are wary of their slime boutiques going the way of so many so-called “Instagram museums,” spaces that used “immersive” as a buzzword for little more than photo opportunities. The centerpiece of the Sloomoo Institute, perhaps, is a do-it-yourself “slime bar,” where guests can explore 40 colors of slime, 60 fragrances and dozens of textures to build their own take-home creation.
“I know when I was going through my own personal grief, talking to other women who lost their husbands at young ages was really powerful to me,” Robinovitz says. “I had people going through the same kind of grief, and I could see there was potentially a way to live a life when you’re not in pain 24/7. It makes our brand important. This brand wouldn’t mean anything without the hardship. It’s not just a fun candy-colored universe with cute things.”
Sensory play is at the heart of the museum.
(Sloomoo Institute)
That’s not to say Sloomoo Institutes are purely mindful places for serious play, though there are references to the science of slime and what chemical mixtures may result in a substance that’s more sticky or more bubbly. With a contemporary, space-age sheen — Robinovitz and Schiller stress they designed the spaces to be inviting to adults — Sloomoo Institutes allow for unexpected moments to occur: the sensation, for instance, of walking barefoot on slime, or ASMR-focused installations that allow guests to experience the pleasing, tingling sound sensations of slime.
Well, mostly pleasing. One of the ASMR sounds asks guests to imagine what it sounds like when slime farts.
“It’s a whole fart soundtrack,” says Schiller. “It’s loved by kids and adults.”
Play may have rejuvenating powers, but no one said it need always be sophisticated. Sometimes the best healing prescription may be to simply giggle like an 8-year-old.
Lifestyle
‘Hamnet’ star Jessie Buckley looks for the ‘shadowy bits’ of her characters
Jessie Buckley has been nominated for an Academy Award for best actress for her portrayal of William Shakespeare’s wife in Hamnet.
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Kate Green/Getty Images
Actor Jessie Buckley says she’s always been drawn to the “shadowy bits” of her characters — aspects that are disobedient, or “too much.” Perhaps that’s what led her to play Agnes, the wife of William Shakespeare, in Hamnet.
Buckley says the film, which is based on Maggie O’Farrell’s 2020 novel, offered a chance to counter a common narrative about the playwright’s wife: that she “had kept him back from his genius,” Buckley says.

But, she adds, “What Maggie O’Farrell so brilliantly did, not just with Agnes and Shakespeare’s wife, but also with Hamnet, their son, was to bring these people … and give them status beside this great man. … [And] give the full landscape of what it is to be a woman.”
The film is nominated for eight Academy Awards, including best actress for Buckley. In it, she plays a woman deeply connected to nature, who faces conflicts in her marriage, as well as the death of their son Hamnet.
Buckley found out she was pregnant a week after the film wrapped. She’s since given birth to her first child, a daughter.

“The thing that this story offered me, that brought me into this next chapter of my life as a mother was tenderness,” she says. “A mother’s tenderness is ferocious. To love, to birth is no joke. To be born is no joke. And the minute something’s born into the world, you’re always in the precipice of life and death. That’s our path. … I wanted to be a mother so much that that overrode the thought of being afraid of it.”
Jessie Buckley stars as Agnes and Joe Alwyn plays her brother Bartholomew in Hamnet.
Courtesy of Focus Features/Courtesy of Focus Features
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Courtesy of Focus Features/Courtesy of Focus Features
Interview highlights
On filming the scene where she howls in grief when her son dies
I didn’t know that that was going to happen or come out, it wasn’t in the script. I think really [director] Chloé [Zhao] asked all of us to dare to be as present as possible. Of course, leading up to it, you’re aware this scene is coming, but that scene doesn’t stand on its own. By the time I’d met that scene, I had developed such a deep bond with Jacobi Jupe, who plays Hamnet, and [co-stars] Paul [Mescal] and Emily Watson, and all the children and we really were a family. And Jacobi Jupe who plays Hamnet is such an incredible little actor and an incredible soul, and we really were a team. …

The death of a child is unfathomable. I don’t know where it begins and ends. Out of utter respect, I tried to touch an imaginary truth of it in our story as best I could, but there’s no way to define that kind of grief. I’m sure it’s different for so many people. And in that moment, all I had was my imagination but also this relationship that was right in front of me with this little boy and that’s what came out of that.
On what inspired her to pursue singing growing up
I grew up around a lot of music. My mom is a harpist and a singer and my dad has always been passionate about music, so it was always something in our house and always something that was encouraged. … Early on, I have very strong memories of seeing and hearing my mom sing in church and this quite intense mercurial conversation that would happen between her, the story and the people that would listen to her. And at the end of it, something had been cracked between them and these strangers would come up with tears in their eyes. And I guess I saw the power of storytelling through my mom’s singing at a very young age, and that was definitely something that made me think I want to do that.
On her first big break performing as a teen on the BBC singing competition I’d Do Anything — and being criticized by judges about her physical appearance
I was raw. I hadn’t trained. I had a lot to learn and to grow in. I was only 17. I think there was part of their criticism which I think was destructive and unfair when it became about my awkwardness, or they would say I was masculine and send me to kind of a femininity school. … They sent me to [the musical production of] Chicago to put heels on and a leotard and learn how to walk in high heels, which was pretty humiliating, to be honest, and I’m sad about that because I think I was discovering myself as a young woman in the world and wasn’t fully formed. … I was different. I was wild, I had a lot of feeling inside me. I could hardly keep my hands beside myself and I think to kind of criticize a body of a young woman at that time and to make her feel conscious of that was lazy and, I think, boring.
On filming parts of the 2026 film The Bride! while pregnant
I really loved working when I was pregnant. I thought it was a pretty wild experience, especially because I was playing Mary Shelley and I was talking about [this] monstrosity, and here I was with two heartbeats inside me. Becoming a mom and being pregnant did something, I think, for me. My experience of it, it’s so real that it really focuses [me to be] allergic to fake or to disconnection.
Since my daughter has come and I know what that connection is and the real feeling of being in a relationship with somebody … as an actress, it’s very exciting to recognize that in yourself and really take ownership of yourself.
I’m excited to go back and work on this other side of becoming a mother in so many ways, because I’ve shed 10 layers of skin by loving more and experiencing life in such a new way with my daughter. I’m also scared to work again because it’s hard to be a mother and to work. That’s like a constant tug because I love what I do and I’m passionate and I want to continue to grow and learn and fill those spaces that are yet to be filled — and also be a mother. And I think every mother can recognize that tug.
On the possibility of bringing her daughter to travel with her as she works
I haven’t filmed for nearly a year and I cannot wait. I’m hungry to create again. And my daughter will come with me. She’s seven months, so at the moment she can travel with us and it’s a beautiful life. And she meets all these amazing people and I have a feeling that she loves life and that’s a great thing to see in a child. And I hope that’s something that I’ve imparted to her in the short time that she’s been on this earth is that life is beautiful and great and complex and alive and there’s no part of you that needs to be less in your life. You might have to work it out, but it’s worth it.
Lauren Krenzel and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.
Lifestyle
‘Evil Dead’ Star Bruce Campbell Reveals He Has Cancer
Bruce Campbell
I’m Battling Cancer
Published
Bruce Campbell has revealed he has cancer, but says it’s a type that’s treatable, though not curable.
“The Evil Dead” actor shared the news Monday in a message to fans, writing, “Hi folks, these days, when someone is having a health issue, it’s referred to as an ‘opportunity,’ so let’s go with that — I’m having one of those.” He continued, “It’s also called a type of cancer that’s ‘treatable’ not ‘curable.’ I apologize if that’s a shock — it was to me too.”
Campbell said he wouldn’t go into further detail about his diagnosis, but explained his work schedule will be changing. “Appearances and cons and work in general need to take back seat to treatment,” he wrote, adding he plans to focus on getting “as well as I possibly can over the summer.”
As a result, Campbell says he has to cancel several convention appearances this summer, noting, “Treatment needs and professional obligations don’t always go hand-in-hand.”
He says his plan is to tour this fall in support of his new film, “Ernie & Emma,” which he stars in and directs.
Ending on a determined note, Campbell told fans, “I am a tough old son-of-a-bitch … and I expect to be around a while.”
Lifestyle
‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour
Neve Campbell in Scream 7.
Paramount Pictures
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Paramount Pictures
The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.
Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture
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