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A completely subjective ranking of Los Angeles neighborhoods by walkability

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A completely subjective ranking of Los Angeles neighborhoods by walkability

Admit it, you’re here because you want to see how walkable your favorite (or least favorite, I suppose) L.A. neighborhood is. You want bragging rights, you want your biases confirmed, you want a totally unscientific, more than a little opinionated ranking of Los Angeles neighborhoods by walkability. And we’re here to give it to you.

L.A. really is a walking city.
Explore our ground-level guide to the people and places keeping our sidewalks alive.

Why unscientific? For starters because those kinds of number-crunching rankings already exist in urban planning master’s degree projects and on apartment-rental websites such as walkscore.com. And let’s face it, while data tells a story, it doesn’t tell the whole story.

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That’s why I put together this list: to highlight the things that make walking in a neighborhood, and in our dear city, especially unique. Those include celebrity adjacency (Will I see someone famous?), L.A.-ness (Is there an instantly-recognizable palm-tree dotted backdrop?), pedestrian density (If I saw someone walking here, would I immediately suspect something’s amok?). I also consulted many a friend and colleague — folks who’ve actually lived in these neighborhoods.

Finally, as an Angeleno who’s lived here for 27 years and likes to explore the city on foot after a few drinks (or a puff or two of the herb), I took a few — how shall I put it? — personal liberties. In short, this is my highly particular list. Perhaps you have one of your own?

Be forewarned: This is not an exhaustive overview (L.A. is big! And many neighborhoods are mostly residential.) but one that touches on the four least- and most-walkable neighborhoods (at the top and bottom of the list, respectively), along with some handpicked in-betweens you’re probably familiar with.

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Swan Lake at the entrance to the Hotel Bel-Air located at 701 Stone Canyon Road in Los Angeles.

(Al Seib / Los Angeles Times)

18. Bel-Air
It’s a fact: L.A.’s wealthiest neighborhoods are, for the most part, the least pedestrian-friendly, more concerned with privacy hedges than the safe passage of foot traffic. Exhibit A: this sidewalk-free enclave where people once, presumably, moved about without vehicular assistance, but no longer seem to. I’ve never once seen a pedestrian here. Nor have I met anyone who has. Are there celebrities to be found on these icy manicured streets? Undoubtedly, but chances are you won’t have the opportunity to lay eyes on the likes of Rupert Murdoch (who recently tied the knot at his winery here), Joni Mitchell or Jennifer Lopez. Unless, that is, you’re a paparazzo who’s specifically called on to do so. Oh, and don’t bother looking for the original “Fresh Prince” house either. That’s actually in Brentwood.

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A hiker at Inspiration Point in Will Rogers State Historic Park in Pacific Palisades.

(Brian van der Brug / Los Angeles Times)

17. Pacific Palisades
No one walks to — or from — anywhere in the Palisades. And, if anybody looks like they’re walking, it’s probably because they’ve just parked the car or are popping from one store to the next at Rick Caruso’s Palisades Village. I walked here — just once — and felt like I was sporting the scarlet letter (“P” for pedestrian, naturally) the entire time. And what good is a stretch of coastline if you can’t walk there without taking your life in your hands? Even so, the neighborhood has plenty of idyllic, Californian backdrops and its fair share of celebrity residents. You could easily find yourself next to a soup-slurping Cheech Marin at Casa Nostra Ristorante or crossing paths with Tom Hanks and Rita Wilson, who have a house here.

Drone view overlooking the Hollywood sign in Griffith Park in Los Angeles.

(Brian van der Brug / Los Angeles Times)

16. Hollywood Hills
A rabbit warren of steep, narrow, twisty streets and near-total lack of sidewalks make foot traffic in most of this hilly neighborhood not just challenging but downright dangerous. And, since it’s overwhelmingly residential, places — other than hillside homes — to walk to and from are all but nonexistent. While plenty of celebs call the hills home, your best bet at laying eyes on a star is to find a spot where you can gaze out at the Hollywood sign on nearby Mt. Lee in Beachwood Canyon. (P.S.: No one likes to admit it, but there’s also a serious rat problem in them there hills. And the last thing I want to worry about if I’m trying to outrun a rapacious rodent is dodging traffic.)

A couple walking in Elysian Park

(Myung J. Chun / Los Angeles Times)

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15. Elysian Park
Notably home to two things: Dodger Stadium — itself so inaccessible on foot that there has been a years-long effort to build a gondola to ferry people there from Union Station — as well as the neighborhood’s namesake 600-acre park, which may put it toward the top of a strollability index. But as far as access to shopping and dining options, not so much (the seasonal Dodger Dog notwithstanding).

Rodeo Drive shopping mall

(Al Seib / Los Angeles Times)

14. Beverly Hills
A dense concentration of high-profile places to go and things to do in the Golden Triangle certainly make this swanky slice of Greater L.A. seem walkable. Which it is — up to a point. But most of Beverly Hills is, well, hills. North of Sunset Boulevard and the part known as “the flats” are mostly residential, so neither really lend themselves to robust pedestrian traffic. The only thing that keeps it from ranking worse on the list is that you’d be hard-pressed to find a better backdrop for the socials than the shops of Rodeo Drive. Case in point: I recently watched a a young influencer-type stick her smartphone to the front window of the Gucci boutique— literally, using some sort of suction cup phone case — so she could step back and beam her whereabouts to TikTok.

A view of Sua in the neighborhood of Larchmont in Los Angeles

(Shelby Moore / For The Times)

13. Larchmont/Hancock Park
It pains me to give one of my favorite neighborhoods in the entire city a sub-par rank but the delightful meander that is two bustling blocks of Larchmont Boulevard isn’t enough to offset the quick transition into full residential territory just a block in either direction. But if you are strolling that one lovely thoroughfare, be on the lookout for Kiernan Shipka, who likes to grab her coffee at Go Get Em Tiger, or Emma Roberts, who stocks up on periodicals at the newstand there. The farmers market, held on Wednesdays and Sundays, isn’t bad either.

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Fountains in Grand Park in Los Angeles

(Myung J. Chun / Los Angeles Times)

12. Downtown L.A.
I have a theory: Downtown L.A. ranks near the top of a lot of walkability rankings because it’s just expected that a dense urban core that serves as a major transit hub would, by default, be a great place for people to live their best car-free lives. But here we’re grading on a curve — and factoring in the reality that the same place where we can easily dash out on foot to grab a French dip sandwich or take in the symphony is also a place filled with enough dark alleys, vacant storefronts and litter-strewn sidewalks to make the on-foot feel on guard after dark.

Street scene on Western Avenue in Koreatown

(Brian van der Brug / Los Angeles Times)

11. Koreatown
This is a neighborhood that ticks all the boxes for walkability — it’s densely packed with shopping and dining options (like a lot of delicious dining options), it’s easily navigable on foot, and parking is so scarce, having a car is more a liability than an asset. But it’s densely populated too, and that combination of pedestrian traffic and the cars zooming along the main arteries of Wilshire and Olympic boulevards and Third Street, take a little bloom off the rose.

Edo by Edoardo Baldi at The Grove in Los Angeles

(Allen J. Schaben / Los Angeles Times)

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10. Beverly Grove/Fairfax
The Grove shopping center, the Original Farmers Market, LACMA and the Academy Museum combine to give this part of Mid-City a solid score. The biggest hurdle here — literally in some cases — are the handful of root-busted, near impassable sidewalks. The only thing more quintessentially L.A. than posing for a photo in front of Chris Burden’s “Urban Light” installation (in front of LACMA) is doing it in a room full of Oscar statuettes at the Academy Museum next door. This is also where you’ll be able to amble through the grassy greenspace around the La Brea Tar Pits (super fun when you’re a little baked, BTW) where gooey asphalt can be seen bubbling up and oozing out of the ground, thick and smelling like a freshly resurfaced roadway. An alluring, distinctly Angeleno perfume, if I’ve ever smelled one.

Tourists checking out the stars on the Hollywood Walk of Fame

(Allen J. Schaben / Los Angeles Times)

9. Hollywood
Out of necessity — and opportunity — there’s a direct correlation between tourist popularity and walkability in L.A. neighborhoods. That puts Hollywood in the top half of this list — but just barely. It’s pedestrian-heavy and mass-transit-accessible with something to eat, buy or take a photo of at nearly every turn. Though A-list celebs are usually in short supply (but for the occasional movie premiere or awards show), there are legions of spider-folk, Jack Sparrows and other costumed characters along Hollywood Boulevard who will gladly play the part (for a “donation,” of course). And, no matter how skilled a driver you are, you’ll never be able to explore the Hollywood Walk of Fame from behind the wheel.

Unfortunately, the same draws that make it a walkable gawk for touristas of every stripe makes it a frustrating exercise in perambulation for locals — kind of like New York’s Times Square with balmier weather. A lot of the shops traffic in tacky souvenirs and most of the eateries are of the soggy pizza sort (beloved old-school Musso & Frank’s the rare exception). And, statistically, when you get that many people prowling the sidewalks, the chances for shenanigans are high. That’s how I found myself (in a somewhat altered state, I’ll admit) being screamed at — and I mean screamed at — by a ghoulish-looking clown in full face paint as we passed each other in a Hollywood Boulevard crosswalk.

The Culver City EverWalk Walking Club

(Christina House / Los Angeles Times)

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8. Culver City
If you don’t immediately think of Culver City as walkable, it’s probably because you’ve only driven through it on the way to somewhere else. In addition to myriad dining and shopping options that are thickest where Washington, Culver and Venice boulevards intersect, there are also a few pieces of walk-by Hollywood history. One is the wedge-shaped Culver Hotel — where the actors who played the Munchkins stayed during the filming of “The Wizard of Oz,” and the Washington Boulevard entrance to Culver Studios, which can be seen in the opening titles of “Gone With the Wind.” A cliché photo op? Perhaps. But frankly, I don’t give a damn.

Hungry customers in line at Villa's Tacos in Highland Park

(Mariah Tauger / Los Angeles Times)

7. Highland Park
There’s a reason why L.A.’s legendary Bob Baker’s Marionette Theater decamped to Highland Park in 2019. Not only does it sit on York Street across from a children’s playground with a rattlesnake slide, but it’s also on the edge of a bustling commercial stretch where you can find gourmet bagels, lengua tacos at low prices and delightful trinkets for nearly every person in your life. The flow of pedestrian traffic is strong day and night both here and on Figueroa Street (where you can also access the Metro A Line). If you hang around enough, you might even pass by an NELA-dwelling celebrity or two (my colleagues have spotted the likes of John C. Reilly and Eric Warheim in these parts).

People walking around Echo Park Lake in Los Angeles

(Dania Maxwell / Los Angeles Times)

6. Echo Park
The crown jewel of this neighborhood — and the big pedestrian draw — is Echo Park Lake, where walking one loop will get you about a mile closer to your step goal (and it’s especially beautiful during lotus season). But that’s not all that makes this a good place to forgo your four-wheeled transportation; there’s also the vibrant, explorable bend in Sunset Boulevard that runs from Taix to to Quarter Sheets (past El Prado and the Time Travel Mart) and the stretch of Echo Park Avenue just north of Sunset (look for the mural-covered buildings at the corner) that takes you toward the Echo Park outpost of Jon & Vinny’s Cookbook market.

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You might think that bordering the not-so-walkable Elysian Park (see above) would negatively impact Echo Park’s walkability, but several of my colleagues assure me it’s actually the opposite — using it as a kind of pedestrian base camp for a 20-minute walk to Dodger Stadium (gondola plans be damned). The one thing that does cut into the walkability (or at least some of the enjoyment of walking) around these parts are the steepness of some of the streets as they rise toward the hills north of Sunset.

The Swan Stairs zig-zag up the hillside from Westerly Terrace to Swan Place in Silver Lake.

(Myung J. Chun / Los Angeles Times)

5. Silver Lake
The meat in Silver Lake’s walkabilty sandwich is Sunset Junction, where Santa Monica and Sunset boulevards converge and there’s plenty for pedestrians to peruse, including Mohawk General Store and Taiwanese noodle shop Pine & Crane, a twice-weekly farmers market and one of the best Erewhons to people-watch in. Bonus: There’s also the Silver Lake Reservoir — for that kind of walking — and some serious cardio-elevating staircases in the mix, including the historic Music Box Steps, made famous by the silent-film comedy duo Laurel and Hardy in the 1930s.

The Los Feliz Theatre

(Glenn Koenig / Los Angeles Times)

4. Los Feliz
What gives this neighborhood the walkability edge over its seemingly similar neighbors? Two retail- and restaurant-heavy streets for starters — Hillhurst and Vermont Avenues, home to a pedestrian-pleasing assortment of restaurants, (Little Dom’s), bars (Ye Rustic for some of the best chicken wings in the city, the so-hip-it-hurts Dresden Room bar and lounge for martinis and some live music) and shops (Skylight Books for the printed word). Keep your eyes peeled because you could easily find yourself downward dogging next to Sandra Oh in a Pilates class or bump into Aaron Paul at Albertsons. This urban walker’s paradise also gets extra points because of its location — right at the base of Griffith Park — making it a gateway, nay a biped’s launchpad, into one of the largest urban parks in North America.

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People are entertained by a magician as they enjoy a sunny day at the Santa Monica Pier.

(Jason Armond / Los Angeles Times)

3. Santa Monica
Thank the 10 million tourists that trek to the pier here for helping make the city — particularly the stretch along Ocean Avenue and the three car-free blocks of the Third Street Promenade — among the Southland’s most walkable. It gets extra points for the pedestrian bridges over the bustling Pacific Coast Highway that help folks get safely from the shops-and-restaurants part of town to the beach. Pro tip: Leave the pier and its immediate surroundings to the out-of-towners and channel your pedestrian energy on the less-trafficked, local parts of town. (There are plenty — Wilshire and Pico boulevards east of Lincoln Boulevard and stretches of Montana Avenue for starters.) Grab dinner at nearby old-school haunt Chez Jay or head a little farther afield for a knee-wobbling mai tai at the Galley. When you leave you’ll be happy you arrived on foot.

A surfer walking on the Venice Beach Boardwalk

(Luis Sinco / Los Angeles Times)

2. Venice
Another tourist-heavy, pedestrian-friendly part of town — with a view of the Pacific Ocean thrown in for good measure. You might need to get here by car, but the sooner you ditch it in a (probably overpriced) parking spot the better. That frees you up to dip into the human soup of the boardwalk for people-watching at its finest: pigeon-training, python-handling carnies, vendors who can write your name on a grain of rice or balance your chakras. (During one visit, I spent the better part of a half-hour doing nothing but watching a guy dressed like an escapee from a “Where’s Waldo?” book — bold-red-and-white-striped shirt, black knit cap, skinny-leg jeans — popping in and out of shops.) Who knows, you might even glimpse Arnold Schwarzenegger or Owen Wilson pedal past you on a bike.

From the strand it’s a win-win for the walking class no matter the direction, thanks to a wide swath of sandy beach and the mighty Pacific on one side and quaint, artsy neighborhoods with mural-covered walls and funky yarn art trees on the other. Another short stroll to the Venice Canals can transport you seemingly worlds away to a network of European-style canals and past a magical, people-powered carousel for kids — neither of which are accessible by car.

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A couple holding hands in West Hollywood

(Mel Melcon / Los Angeles Times)

1. West Hollywood
I’ll admit it — I’m wildly biased about WeHo’s walkability for a couple of reasons. It was the the first place I lived when I moved to town more than a quarter-century ago and it was here — in a liquor store at the corner of Sunset Boulevard and Larrabee Street — that I had my very first celebrity sighting (“Goodfellas” actor Paul Sorvino eating a powdered donut). That felt like peak walkability — the original Spago, Tower Records, the Viper Room and Whiskey a Go Go all within walking (and occasionally stumbling) distance of each other. And the assortment of walkable wonderment has only increased in the years since. In addition to the dense concentration of places to eat and drink (heavily clustered along Sunset and Santa Monica boulevards) that make this a pedestrian-friendly destination any time of day and late into the night, this compact neighborhood/city , is home to five of the county’s six open cannabis consumption lounges — most clustered along a two-mile stretch of Santa Monica Boulevard. Being able to light up a joint at a place like the leafy jungle oasis that is the Woods (the dispensary and weed lounge co-owned by Woody Harrelson) or grab dinner and a bong hit at the sex-shop-adjacent PleasureMed and not have to climb behind the wheel makes West Hollywood the unbeatable holy grail of L.A. neighborhood walkability — and the recipient of the most vaunted honor of this unscientific endeavor: a pair of golden sneakers.

Standalone illustration of a person walking

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Doctors says ‘The Pitt’ reflects the gritty realities of medicine today

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Doctors says ‘The Pitt’ reflects the gritty realities of medicine today

From left: Noah Wyle plays Dr. Michael “Robby” Robinavitch, the senior attending physician, and Fiona Dourif plays Dr. Cassie McKay, a third-year resident, in a fictional Pittsburgh emergency department in the HBO Max series The Pitt.

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The first five minutes of the new season of The Pitt instantly capture the state of medicine in the mid-2020s: a hectic emergency department waiting room; a sign warning that aggressive behavior will not be tolerated; a memorial plaque for victims of a mass shooting; and a patient with large Ziploc bags filled to the brink with various supplements and homeopathic remedies.

Scenes from the new installment feel almost too recognizable to many doctors.

The return of the critically acclaimed medical drama streaming on HBO Max offers viewers a surprisingly realistic view of how doctors practice medicine in an age of political division, institutional mistrust and the corporatization of health care.

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Each season covers one day in the kinetic, understaffed emergency department of a fictional Pittsburgh hospital, with each episode spanning a single hour of a 15-hour shift. That means there’s no time for romantic plots or far-fetched storylines that typically dominate medical dramas.

Instead, the fast-paced show takes viewers into the real world of the ER, complete with a firehose of medical jargon and the day-to-day struggles of those on the frontlines of the American health care system. It’s a microcosm of medicine — and of a fragmented United States.

Many doctors and health professionals praised season one of the series, and ER docs even invited the show’s star Noah Wyle to their annual conference in September.

So what do doctors think of the new season? As a medical student myself, I appreciated the dig at the “July effect” — the long-held belief that the quality of care decreases in July when newbie doctors start residency — rebranded “first week in July syndrome” by one of the characters.

That insider wink sets the tone for a season that Dr. Alok Patel, a pediatrician at Stanford Medicine Children’s Health, says is on point. Patel, who co-hosts the show’s companion podcast, watched the first nine episodes of the new installment and spoke to NPR about his first impressions.

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To me, as a medical student, the first few scenes of the new season are pretty striking, and they resemble what modern-day emergency medicine looks and sounds like. From your point of view, how accurate is it?

I’ll say off the bat, when it comes to capturing the full essence of practicing health care — the highs, the lows and the frustrations — The Pitt is by far the most medically accurate show that I think has ever been created. And I’m not the only one to share that opinion. I hear that a lot from my colleagues.

OK, but is every shift really that chaotic?

I mean, obviously, it’s television. And I know a lot of ER doctors who watch the show and are like, “Hey, it’s really good, but not every shift is that crazy.” I’m like, “Come on, relax. It’s TV. You’ve got to take a little bit of liberties.”

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As in its last season, The Pitt sheds light on the real — sometimes boring — bureaucratic burdens doctors deal with that often get in the way of good medicine. How does that resonate with real doctors?

There are so many topics that affect patient care that are not glorified. And so The Pitt did this really artful job of inserting these topics with the right characters and the right relatable scenarios. I don’t want to give anything away, but there’s a pretty relatable issue in season two with medical bills.

Right. Insurance seems to take center stage at times this season — almost as a character itself — which seems apt for this moment when many Americans are facing a sharp rise in costs. But these mundane — yet heartbreaking — moments don’t usually make their way into medical dramas, right?

I guarantee when people see this, they’re going to nod their head because they know someone who has been affected by a huge hospital bill.

If you’re going to tell a story about an emergency department that is being led by these compassionate health care workers doing everything they can for patients, you’ve got to make sure you insert all of health care into it.

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As the characters juggle multiple patients each hour, a familiar motif returns: medical providers grappling with some heavy burdens outside of work.

Yeah, the reality is that if you’re working a busy shift and you have things happening in your personal life, the line between personal life and professional life gets blurred and people have moments.

The Pitt highlights that and it shows that doctors are real people. Nurses are actual human beings. And sometimes things happen, and it spills out into the workplace. It’s time we take a step back and not only recognize it, but also appreciate what people are dealing with.

2025 was another tough year for doctors. Many had to continue to battle misinformation while simultaneously practicing medicine. How does medical misinformation fit into season two?

I wouldn’t say it’s just mistrust of medicine. I mean that theme definitely shows up in The Pitt, but people are also just confused. They don’t know where to get their information from. They don’t know who to trust. They don’t know what the right decision is.

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There’s one specific scene in season two that, again, no spoilers here, but involves somebody getting their information from social media. And that again is a very real theme.

In recent years, physical and verbal abuse of healthcare workers has risen, fueling mental health struggles among providers. The Pitt was praised for diving into this reality. Does it return this season?

The new season of The Pitt still has some of that tension between patients and health care professionals — and sometimes it’s completely projected or misdirected. People are frustrated, they get pissed off when they can’t see a doctor in time and they may act out.

The characters who get physically attacked in The Pitt just brush it off. That whole concept of having to suppress this aggression and then the frustration that there’s not enough protection for health care workers, that’s a very real issue.

A new attending physician, Dr. Baran Al-Hashimi, joins the cast this season. Sepideh Moafi plays her, and she works closely with the veteran attending physician, Dr. Michael “Robby” Robinavitch, played by Noah Wyle. What are your — and Robby’s — first impressions of her?

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Right off the bat in the first episode, people get to meet this brilliant firecracker. Dr. Al-Hashimi, versus Dr. Robby, almost represents two generations of attending physicians. They’re almost on two sides of this coin, and there’s a little bit of clashing.

Sepideh Moafi, fourth from left, as Dr. Baran Al-Hashimi, the new attending physician, huddles with her team around a patient in a fictional Pittsburgh teaching hospital in the HBO Max series The Pitt.

Sepideh Moafi, fourth from left, as Dr. Baran Al-Hashimi, the new attending physician, huddles with her team around a patient in a fictional Pittsburgh teaching hospital in the HBO Max series The Pitt.

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Part of that clash is her clear-eyed take on artificial intelligence and its role in medicine. And she thinks AI can help doctors document what’s happening with patients — also called charting — right?

Yep, Dr. Al-Hashimi is an advocate for AI tools in the ER because, I swear to God, they make health care workers’ lives more efficient. They make things such as charting faster, which is a theme that shows up in season two.

But then Dr. Robby gives a very interesting rebuttal to the widespread use of AI. The worry is that if we put AI tools everywhere, then all of a sudden, the financial arm of health care would say, “Cool, now you can double how many patients you see. We will not give you any more resources, but with these AI tools, you can generate more money for the system.”

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The new installment also continues to touch on the growing corporatization of medicine. In season one we saw how Dr. Robby and his staff were being pushed to see more patients.

Yes, it really helps the audience understand the kind of stressors that people are dealing with while they’re just trying to take care of patients.

In the first season, when Dr. Robby kind of had that back and forth with the hospital administrator, doctors were immediately won over because that is such a big point of frustration — such a massive barrier.

There are so many more themes explored this season. What else should viewers look forward to?

I’m really excited for viewers to dive into the character development. It’s so reflective of how it really goes in residency. So much happens between your first year and second year of residency — not only in terms of your medical skill, but also in terms of your development as a person.

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I think what’s also really fascinating is that The Pitt has life lessons buried in every episode. Sometimes you catch it immediately, sometimes it’s at the end, sometimes you catch it when you watch it again.

But it represents so much of humanity because humanity doesn’t get put on hold when you get sick — you just go to the hospital with your full self. And so every episode — every patient scenario — there is a lesson to learn.

Michal Ruprecht is a Stanford Global Health Media Fellow and a fourth-year medical student.

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In Beauty, Private Equity Is Hot Again

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In Beauty, Private Equity Is Hot Again
As strategic firms slow down their shopping sprees and venture capital dollars dry up, PE firms’ reputation for asset stripping is a thing of the past. Founders are now often hoping for private equity buyouts, but want to be sure there can be a true partnership.
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10 books we’re looking forward to in early 2026

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10 books we’re looking forward to in early 2026

Two fiction books about good friends coming from different circumstances. Two biographies of people whose influence on American culture is, arguably, still underrated. One Liza Minnelli memoir. These are just a handful of books coming out in the first few months of 2026 that we’ve got our eye on.

Fiction

Autobiography of Cotton, by Cristina Rivera Garza

Autobiography of Cotton, by Cristina Rivera Garza, Feb. 3

Garza, who won a Pulitzer in 2024 for memoir/autobiography, actually first published Autobiography of Cotton back in 2020, but it’s only now getting an English translation. The book blends fiction with the author’s own familial history to tell the story of cotton cultivation along the U.S.-Mexico border.

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Crux, by Gabriel Tallent

Crux, by Gabriel Tallent, Jan. 20

Tallent’s last novel, My Absolute Darling, was a harrowing coming of age story about a teenage girl surviving her abusive survivalist father. But it did find pockets of beauty in the outdoors. Tallent’s follow up looks to be similarly awestruck by nature. It’s about two young friends, separated by class and opportunity, but bound together by a love of rock climbing.

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Half His Age, by Jennette McCurdy

Half His Age, by Jennette McCurdy, Jan. 20

The former iCarly actress’ bracing and brutally honest memoir, I’m Glad My Mom Died, was a huge hit. It spent weeks on bestseller’s lists, and is being adapted into a series for Apple TV+. Now McCurdy’s set to come out with her fiction debut, about a teenage girl who falls for her high school creative writing teacher.

Kin, by Tayari Jones

Kin, by Tayari Jones, Feb. 24

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Similarly to Crux, Kin also follows two friends across the years as options and opportunities pull them apart. The friends at the center of this book are two women who grew up without moms. Jones’ last novel, 2018’s An American Marriage, was a huge hit with critics.

Seasons of Glass & Iron, by Amal El-Mohtar

Seasons of Glass & Iron: Stories, by Amal El-Mohtar, March 24

El-Mohtar is an acclaimed science-fiction writer, and this book is a collection of previously published short stories and poetry. Many of the works here have been honored by the big science-fiction/fantasy awards, including the titular story, which is a feminist re-telling of two fairy tales.

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Nonfiction

A Hymn to Life: Shame Has to Change Sides, by Gisèle Pelicot

A Hymn to Life: Shame Has to Change Sides, by Gisèle Pelicot, Feb. 17

Pelicot’s story of rape and sexual assault – and her decision to wave anonymity in the trial – turned her into a galvanizing figure for women across the world. Her writing her own story of everything that happened is also a call to action for others to do the same.

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Cosmic Music: The Life, Art, and Transcendence of Alice Coltrane, by Andy Beta

Cosmic Music: The Life, Art, and Transcendence of Alice Coltrane, by Andy Beta, March 3

For decades, the life and work of Alice Coltrane has lived in the shadow of her husband, John Coltrane. This deeply researched biography hopes to properly contextualize her as one of the most visionary and influential musicians of her time.

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Football, by Chuck Klosterman

Football, by Chuck Klosterman, Jan. 20

One of our great essaysists and (over?) thinkers turns his sights onto one of the last bits of monoculture we’ve got. But in one of the pieces in this collection, Klosterman wonders, how long until football is no longer the summation of American culture? But until that time comes, there’s plenty to dig into from gambling to debates over the true goat.

Kids, Wait Till You Hear This! by Liza Minnelli

Kids, Wait Till You Hear This! by Liza Minnelli, with Michael Feinstein, March 20

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Minnelli told People that previous attempts at telling her story “didn’t get it right,” so she’s doing it herself. This new memoir promises to get into her childhood, her marriages, and her struggles with substance abuse.

Tom Paine’s War: The Words that Rallied a Nation and the Founder of Our Time, by Jack Kelly

Tom Paine’s War: The Words that Rallied a Nation and the Founder of Our Time, by Jack Kelly, Jan. 6

If you haven’t heard, it’s a big birthday year for America. And it’s a birthday that might not have happened if not for the words of Thomas Paine. This new book from historian Jack Kelly makes the argument that Paine’s words are just as important and relevant to us today.

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