Lifestyle
A completely subjective ranking of Los Angeles neighborhoods by walkability
Admit it, you’re here because you want to see how walkable your favorite (or least favorite, I suppose) L.A. neighborhood is. You want bragging rights, you want your biases confirmed, you want a totally unscientific, more than a little opinionated ranking of Los Angeles neighborhoods by walkability. And we’re here to give it to you.
L.A. really is a walking city.
Explore our ground-level guide to the people and places keeping our sidewalks alive.
Why unscientific? For starters because those kinds of number-crunching rankings already exist in urban planning master’s degree projects and on apartment-rental websites such as walkscore.com. And let’s face it, while data tells a story, it doesn’t tell the whole story.
That’s why I put together this list: to highlight the things that make walking in a neighborhood, and in our dear city, especially unique. Those include celebrity adjacency (Will I see someone famous?), L.A.-ness (Is there an instantly-recognizable palm-tree dotted backdrop?), pedestrian density (If I saw someone walking here, would I immediately suspect something’s amok?). I also consulted many a friend and colleague — folks who’ve actually lived in these neighborhoods.
Finally, as an Angeleno who’s lived here for 27 years and likes to explore the city on foot after a few drinks (or a puff or two of the herb), I took a few — how shall I put it? — personal liberties. In short, this is my highly particular list. Perhaps you have one of your own?
Be forewarned: This is not an exhaustive overview (L.A. is big! And many neighborhoods are mostly residential.) but one that touches on the four least- and most-walkable neighborhoods (at the top and bottom of the list, respectively), along with some handpicked in-betweens you’re probably familiar with.
(Al Seib / Los Angeles Times)
18. Bel-Air
It’s a fact: L.A.’s wealthiest neighborhoods are, for the most part, the least pedestrian-friendly, more concerned with privacy hedges than the safe passage of foot traffic. Exhibit A: this sidewalk-free enclave where people once, presumably, moved about without vehicular assistance, but no longer seem to. I’ve never once seen a pedestrian here. Nor have I met anyone who has. Are there celebrities to be found on these icy manicured streets? Undoubtedly, but chances are you won’t have the opportunity to lay eyes on the likes of Rupert Murdoch (who recently tied the knot at his winery here), Joni Mitchell or Jennifer Lopez. Unless, that is, you’re a paparazzo who’s specifically called on to do so. Oh, and don’t bother looking for the original “Fresh Prince” house either. That’s actually in Brentwood.
(Brian van der Brug / Los Angeles Times)
17. Pacific Palisades
No one walks to — or from — anywhere in the Palisades. And, if anybody looks like they’re walking, it’s probably because they’ve just parked the car or are popping from one store to the next at Rick Caruso’s Palisades Village. I walked here — just once — and felt like I was sporting the scarlet letter (“P” for pedestrian, naturally) the entire time. And what good is a stretch of coastline if you can’t walk there without taking your life in your hands? Even so, the neighborhood has plenty of idyllic, Californian backdrops and its fair share of celebrity residents. You could easily find yourself next to a soup-slurping Cheech Marin at Casa Nostra Ristorante or crossing paths with Tom Hanks and Rita Wilson, who have a house here.
(Brian van der Brug / Los Angeles Times)
16. Hollywood Hills
A rabbit warren of steep, narrow, twisty streets and near-total lack of sidewalks make foot traffic in most of this hilly neighborhood not just challenging but downright dangerous. And, since it’s overwhelmingly residential, places — other than hillside homes — to walk to and from are all but nonexistent. While plenty of celebs call the hills home, your best bet at laying eyes on a star is to find a spot where you can gaze out at the Hollywood sign on nearby Mt. Lee in Beachwood Canyon. (P.S.: No one likes to admit it, but there’s also a serious rat problem in them there hills. And the last thing I want to worry about if I’m trying to outrun a rapacious rodent is dodging traffic.)
(Myung J. Chun / Los Angeles Times)
15. Elysian Park
Notably home to two things: Dodger Stadium — itself so inaccessible on foot that there has been a years-long effort to build a gondola to ferry people there from Union Station — as well as the neighborhood’s namesake 600-acre park, which may put it toward the top of a strollability index. But as far as access to shopping and dining options, not so much (the seasonal Dodger Dog notwithstanding).
(Al Seib / Los Angeles Times)
14. Beverly Hills
A dense concentration of high-profile places to go and things to do in the Golden Triangle certainly make this swanky slice of Greater L.A. seem walkable. Which it is — up to a point. But most of Beverly Hills is, well, hills. North of Sunset Boulevard and the part known as “the flats” are mostly residential, so neither really lend themselves to robust pedestrian traffic. The only thing that keeps it from ranking worse on the list is that you’d be hard-pressed to find a better backdrop for the socials than the shops of Rodeo Drive. Case in point: I recently watched a a young influencer-type stick her smartphone to the front window of the Gucci boutique— literally, using some sort of suction cup phone case — so she could step back and beam her whereabouts to TikTok.
(Shelby Moore / For The Times)
13. Larchmont/Hancock Park
It pains me to give one of my favorite neighborhoods in the entire city a sub-par rank but the delightful meander that is two bustling blocks of Larchmont Boulevard isn’t enough to offset the quick transition into full residential territory just a block in either direction. But if you are strolling that one lovely thoroughfare, be on the lookout for Kiernan Shipka, who likes to grab her coffee at Go Get Em Tiger, or Emma Roberts, who stocks up on periodicals at the newstand there. The farmers market, held on Wednesdays and Sundays, isn’t bad either.
(Myung J. Chun / Los Angeles Times)
12. Downtown L.A.
I have a theory: Downtown L.A. ranks near the top of a lot of walkability rankings because it’s just expected that a dense urban core that serves as a major transit hub would, by default, be a great place for people to live their best car-free lives. But here we’re grading on a curve — and factoring in the reality that the same place where we can easily dash out on foot to grab a French dip sandwich or take in the symphony is also a place filled with enough dark alleys, vacant storefronts and litter-strewn sidewalks to make the on-foot feel on guard after dark.
(Brian van der Brug / Los Angeles Times)
11. Koreatown
This is a neighborhood that ticks all the boxes for walkability — it’s densely packed with shopping and dining options (like a lot of delicious dining options), it’s easily navigable on foot, and parking is so scarce, having a car is more a liability than an asset. But it’s densely populated too, and that combination of pedestrian traffic and the cars zooming along the main arteries of Wilshire and Olympic boulevards and Third Street, take a little bloom off the rose.
(Allen J. Schaben / Los Angeles Times)
10. Beverly Grove/Fairfax
The Grove shopping center, the Original Farmers Market, LACMA and the Academy Museum combine to give this part of Mid-City a solid score. The biggest hurdle here — literally in some cases — are the handful of root-busted, near impassable sidewalks. The only thing more quintessentially L.A. than posing for a photo in front of Chris Burden’s “Urban Light” installation (in front of LACMA) is doing it in a room full of Oscar statuettes at the Academy Museum next door. This is also where you’ll be able to amble through the grassy greenspace around the La Brea Tar Pits (super fun when you’re a little baked, BTW) where gooey asphalt can be seen bubbling up and oozing out of the ground, thick and smelling like a freshly resurfaced roadway. An alluring, distinctly Angeleno perfume, if I’ve ever smelled one.
(Allen J. Schaben / Los Angeles Times)
9. Hollywood
Out of necessity — and opportunity — there’s a direct correlation between tourist popularity and walkability in L.A. neighborhoods. That puts Hollywood in the top half of this list — but just barely. It’s pedestrian-heavy and mass-transit-accessible with something to eat, buy or take a photo of at nearly every turn. Though A-list celebs are usually in short supply (but for the occasional movie premiere or awards show), there are legions of spider-folk, Jack Sparrows and other costumed characters along Hollywood Boulevard who will gladly play the part (for a “donation,” of course). And, no matter how skilled a driver you are, you’ll never be able to explore the Hollywood Walk of Fame from behind the wheel.
Unfortunately, the same draws that make it a walkable gawk for touristas of every stripe makes it a frustrating exercise in perambulation for locals — kind of like New York’s Times Square with balmier weather. A lot of the shops traffic in tacky souvenirs and most of the eateries are of the soggy pizza sort (beloved old-school Musso & Frank’s the rare exception). And, statistically, when you get that many people prowling the sidewalks, the chances for shenanigans are high. That’s how I found myself (in a somewhat altered state, I’ll admit) being screamed at — and I mean screamed at — by a ghoulish-looking clown in full face paint as we passed each other in a Hollywood Boulevard crosswalk.
(Christina House / Los Angeles Times)
8. Culver City
If you don’t immediately think of Culver City as walkable, it’s probably because you’ve only driven through it on the way to somewhere else. In addition to myriad dining and shopping options that are thickest where Washington, Culver and Venice boulevards intersect, there are also a few pieces of walk-by Hollywood history. One is the wedge-shaped Culver Hotel — where the actors who played the Munchkins stayed during the filming of “The Wizard of Oz,” and the Washington Boulevard entrance to Culver Studios, which can be seen in the opening titles of “Gone With the Wind.” A cliché photo op? Perhaps. But frankly, I don’t give a damn.
(Mariah Tauger / Los Angeles Times)
7. Highland Park
There’s a reason why L.A.’s legendary Bob Baker’s Marionette Theater decamped to Highland Park in 2019. Not only does it sit on York Street across from a children’s playground with a rattlesnake slide, but it’s also on the edge of a bustling commercial stretch where you can find gourmet bagels, lengua tacos at low prices and delightful trinkets for nearly every person in your life. The flow of pedestrian traffic is strong day and night both here and on Figueroa Street (where you can also access the Metro A Line). If you hang around enough, you might even pass by an NELA-dwelling celebrity or two (my colleagues have spotted the likes of John C. Reilly and Eric Warheim in these parts).
(Dania Maxwell / Los Angeles Times)
6. Echo Park
The crown jewel of this neighborhood — and the big pedestrian draw — is Echo Park Lake, where walking one loop will get you about a mile closer to your step goal (and it’s especially beautiful during lotus season). But that’s not all that makes this a good place to forgo your four-wheeled transportation; there’s also the vibrant, explorable bend in Sunset Boulevard that runs from Taix to to Quarter Sheets (past El Prado and the Time Travel Mart) and the stretch of Echo Park Avenue just north of Sunset (look for the mural-covered buildings at the corner) that takes you toward the Echo Park outpost of Jon & Vinny’s Cookbook market.
You might think that bordering the not-so-walkable Elysian Park (see above) would negatively impact Echo Park’s walkability, but several of my colleagues assure me it’s actually the opposite — using it as a kind of pedestrian base camp for a 20-minute walk to Dodger Stadium (gondola plans be damned). The one thing that does cut into the walkability (or at least some of the enjoyment of walking) around these parts are the steepness of some of the streets as they rise toward the hills north of Sunset.
(Myung J. Chun / Los Angeles Times)
5. Silver Lake
The meat in Silver Lake’s walkabilty sandwich is Sunset Junction, where Santa Monica and Sunset boulevards converge and there’s plenty for pedestrians to peruse, including Mohawk General Store and Taiwanese noodle shop Pine & Crane, a twice-weekly farmers market and one of the best Erewhons to people-watch in. Bonus: There’s also the Silver Lake Reservoir — for that kind of walking — and some serious cardio-elevating staircases in the mix, including the historic Music Box Steps, made famous by the silent-film comedy duo Laurel and Hardy in the 1930s.
(Glenn Koenig / Los Angeles Times)
4. Los Feliz
What gives this neighborhood the walkability edge over its seemingly similar neighbors? Two retail- and restaurant-heavy streets for starters — Hillhurst and Vermont Avenues, home to a pedestrian-pleasing assortment of restaurants, (Little Dom’s), bars (Ye Rustic for some of the best chicken wings in the city, the so-hip-it-hurts Dresden Room bar and lounge for martinis and some live music) and shops (Skylight Books for the printed word). Keep your eyes peeled because you could easily find yourself downward dogging next to Sandra Oh in a Pilates class or bump into Aaron Paul at Albertsons. This urban walker’s paradise also gets extra points because of its location — right at the base of Griffith Park — making it a gateway, nay a biped’s launchpad, into one of the largest urban parks in North America.
(Jason Armond / Los Angeles Times)
3. Santa Monica
Thank the 10 million tourists that trek to the pier here for helping make the city — particularly the stretch along Ocean Avenue and the three car-free blocks of the Third Street Promenade — among the Southland’s most walkable. It gets extra points for the pedestrian bridges over the bustling Pacific Coast Highway that help folks get safely from the shops-and-restaurants part of town to the beach. Pro tip: Leave the pier and its immediate surroundings to the out-of-towners and channel your pedestrian energy on the less-trafficked, local parts of town. (There are plenty — Wilshire and Pico boulevards east of Lincoln Boulevard and stretches of Montana Avenue for starters.) Grab dinner at nearby old-school haunt Chez Jay or head a little farther afield for a knee-wobbling mai tai at the Galley. When you leave you’ll be happy you arrived on foot.
(Luis Sinco / Los Angeles Times)
2. Venice
Another tourist-heavy, pedestrian-friendly part of town — with a view of the Pacific Ocean thrown in for good measure. You might need to get here by car, but the sooner you ditch it in a (probably overpriced) parking spot the better. That frees you up to dip into the human soup of the boardwalk for people-watching at its finest: pigeon-training, python-handling carnies, vendors who can write your name on a grain of rice or balance your chakras. (During one visit, I spent the better part of a half-hour doing nothing but watching a guy dressed like an escapee from a “Where’s Waldo?” book — bold-red-and-white-striped shirt, black knit cap, skinny-leg jeans — popping in and out of shops.) Who knows, you might even glimpse Arnold Schwarzenegger or Owen Wilson pedal past you on a bike.
From the strand it’s a win-win for the walking class no matter the direction, thanks to a wide swath of sandy beach and the mighty Pacific on one side and quaint, artsy neighborhoods with mural-covered walls and funky yarn art trees on the other. Another short stroll to the Venice Canals can transport you seemingly worlds away to a network of European-style canals and past a magical, people-powered carousel for kids — neither of which are accessible by car.
(Mel Melcon / Los Angeles Times)
1. West Hollywood
I’ll admit it — I’m wildly biased about WeHo’s walkability for a couple of reasons. It was the the first place I lived when I moved to town more than a quarter-century ago and it was here — in a liquor store at the corner of Sunset Boulevard and Larrabee Street — that I had my very first celebrity sighting (“Goodfellas” actor Paul Sorvino eating a powdered donut). That felt like peak walkability — the original Spago, Tower Records, the Viper Room and Whiskey a Go Go all within walking (and occasionally stumbling) distance of each other. And the assortment of walkable wonderment has only increased in the years since. In addition to the dense concentration of places to eat and drink (heavily clustered along Sunset and Santa Monica boulevards) that make this a pedestrian-friendly destination any time of day and late into the night, this compact neighborhood/city , is home to five of the county’s six open cannabis consumption lounges — most clustered along a two-mile stretch of Santa Monica Boulevard. Being able to light up a joint at a place like the leafy jungle oasis that is the Woods (the dispensary and weed lounge co-owned by Woody Harrelson) or grab dinner and a bong hit at the sex-shop-adjacent PleasureMed and not have to climb behind the wheel makes West Hollywood the unbeatable holy grail of L.A. neighborhood walkability — and the recipient of the most vaunted honor of this unscientific endeavor: a pair of golden sneakers.
Lifestyle
‘American Classic’ is a hidden gem that gets even better as it goes
Kevin Kline plays actor Richard Bean, and Laura Linney is his sister-in-law Kristen, in American Classic.
David Giesbrecht/MGM+
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David Giesbrecht/MGM+
American Classic is a hidden gem, in more ways than one. It’s hidden because it’s on MGM+, a stand-alone streaming service that, let’s face it, most people don’t have. But MGM+ is available without subscription for a seven-day free trial, on its website or through Prime Video and Roku. And you should find and watch American Classic, because it’s an absolutely charming and wonderful TV jewel.
Charming, in the way it brings small towns and ordinary people to life, as in Northern Exposure. Wonderful, in the way it reflects the joys of local theater productions, as in Slings & Arrows, and the American Playhouse production of Kurt Vonnegut’s Who Am I This Time?
The creators of American Classic are Michael Hoffman and Bob Martin. Martin co-wrote and co-created Slings & Arrows, so that comparison comes easily. And back in the early 1980s, Who Am I This Time? was about people who transformed onstage from ordinary citizens into extraordinary performers. It’s a conceit that works only if you have brilliant actors to bring it to life convincingly. That American Playhouse production had two young actors — Christopher Walken and Susan Sarandon — so yes, it worked. And American Classic, with its mix of veteran and young actors, does, too.

American Classic begins with Kevin Kline, as Shakespearean actor Richard Bean, confronting a New York Times drama critic about his negative opening-night review of Richard’s King Lear. The next day, Richard’s agent, played by Tony Shalhoub, calls Richard in to tell him his tantrum was captured by cellphone and went viral, and that he has to lay low for a while.
Richard returns home to the small town of Millersburg, Pa., where his parents ran a local theater. Almost everyone we meet is a treasure. His father, who has bouts of dementia, is played by Len Cariou, who starred on Broadway in Sweeney Todd. Richard’s brother, Jon, is played by Jon Tenney of The Closer, and his wife, Kristen, is played by the great Laura Linney, from Ozark and John Adams.
Things get even more complicated because the old theater is now a dinner theater, filling its schedule with performances by touring regional companies. Its survival is at risk, so Richard decides to save the theater by mounting a new production of Thornton Wilder’s Our Town, casting the local small-town residents to play … local small-town residents.
Miranda, Richard’s college-bound niece, continues the family theatrical tradition — and Nell Verlaque, the young actress who plays her, has a breakout role here. She’s terrific — funny, touching, totally natural. And when she takes the stage as Emily in Our Town, she’s heart-wrenching. Playwright Wilder is served magnificently here — and so is William Shakespeare, whose works and words Kline tackles in more than one inspirational scene in this series.
I don’t want to reveal too much about the conflicts, and surprises, in American Classic, but please trust me: The more episodes you watch, the better it gets. The characters evolve, and go in unexpected directions and pairings. Kline’s Richard starts out thinking about only himself, but ends up just the opposite. And if, as Shakespeare wrote, the play’s the thing, the thing here is, the plays we see, and the soliloquies we hear, are spellbinding.
And there’s plenty of fun to be had outside the classics in American Classic. The table reads are the most delightful since the ones in Only Murders in the Building. The dinner-table arguments are the most explosive since the ones in The Bear. Some scenes are take-your-breath-away dramatic. Others are infectiously silly, as when Richard works with a cast member forced upon him by the angel of this new Our Town production.
Take the effort to find, and watch, American Classic. It’ll remind you why, when it’s this good, it’s easy to love the theater. And television.


Lifestyle
The L.A. coffee shop is for wearing Dries Van Noten head to toe
The ritual of meeting up and hanging out at a coffee shop in L.A. is a showcase of style filled with a subtle site-specific tension. Don’t you see it? Comfort battles formality fighting to break free. Hiding out chafes against being perceived. In the end, we make ourselves at home at all costs — and pull a look while doing it.
It’s the morning after a night out. Two friends meet up at Chainsaw in Melrose Hill, the cafe with the flan lattes, crispy arepas and sorbet-colored wall everybody and their mom has been talking about.
Miraculously, the line of people that usually snakes down Melrose yearning for a slice of chef Karla Subero Pittol’s passion lime fruit icebox pie is nonexistent today. Thank God, because the party was sick last night — the DJ mixed Nelly Furtado’s “Promiscuous” into Peaches’ “F— the Pain Away” and the walls were sweating — so making it to the cafe’s front door alone is like wading through viscous, knee-high water. Senses dull and blunt in that special way where it feels like your brain is wearing a weighted vest. The sun, an oppressor. Caffeine needed via IV drip.
The mood: “Don’t look at me,” as they look around furtively, still waking up. “But wait, do. I’m wearing the new Dries Van Noten from head to toe.”
Daniel, left, wears Dries Van Noten mac, henley, pants, oxford shoes, necklace and socks. Sirena wears Dries Van Noten blouse, micro shorts, sneakers, shell charm necklace, cuff and bag and Los Angeles Apparel socks.
If a fit is fire and no one is around to see it, does it make a sound? A certain kind of L.A. coffee shop is (blessedly) one of the few everyday runways we have, followed up by the Los Feliz post office and the Alvarado Car Wash in Echo Park. We come to a coffee shop like Chainsaw for strawberry matchas the color of emeralds and rubies and crackling papas fritas that come with a tamarind barbecue sauce so good it may as well be categorized as a Schedule 1. But we stay for something else.
There is a game we play at the L.A. coffee shop. We’re all in on it — the deniers especially. It can best be summed up by that mood: “Don’t look at me. But wait, do.” Do. Do. Do. Do. We go to a coffee shop to see each other, to be seen. And we pretend we’re not doing it. How cute. Yes, I’m peering at you from behind my hoodie and my sunglasses but the hoodie is a niche L.A. brand and the glasses are vintage designer. I wore them just for you. One time I was sitting at what is to me amazing and to some an insufferable coffee shop in the Arts District where a regular was wearing a headpiece made entirely of plastic sunglasses that covered every inch of his face — at least a foot long in all directions — jangling with every movement he made. Respect, I thought.
Dries Van Noten’s spring/summer 2026 collection feels so right in a place like this. The women’s show, titled “Wavelength,” is about “balancing hard and soft, stiff and fluid, casual and refined, simple and complex,” writes designer Julian Klausner in the show notes. While for the men’s show, titled “A Perfect Day,” Klausner contextualizes: “A man in love, on a stroll at the beach at dawn, after a party. Shirt unbuttoned, sleeves rolled up, the silhouette takes on a new life. I asked myself: What is formal? What is casual? How do these feel?” What is formal or casual? How do you balance hard and soft? The L.A. coffee shop is a container for this spectrum. A dynamic that works because of the tension. A master class in this beautiful dance. There is no more fitting place to wear the SS26 Dries beige tuxedo jacket with heather gray capri sweats and pink satin boxing boots, no better audience for the floor-length striped sheer gown worn with satin sneakers — because even though no one will bat an eye, you trust that your contribution has been clocked and appreciated.
Daniel wears Dries Van Noten coat, shorts, sneakers and socks. Sirena wears Dries Van Noten jacket, micro shorts and sneakers.
Back at Chainsaw the friends drink their iced lattes, they eat their beautiful chocolate milk tres leches in a coupe. They’re revived — buzzing, even; at the glorious point in the caffeinated beverage where everything is beautiful, nothing hurts and at least one of them feels like a creative genius. The longer they stay, the more their style reveals itself. Before they were flexing in a secret way. Now they’re just flexing. Looking back at you looking at them, the contract understood. Doing it for the show. Wait, when did they change? How long have they been here? It doesn’t matter. They have all day. Time ceases to exist in a place like this.
Daniel wears Dries Van Noten tuxedo coat, pants, scarf, sneakers and necklace and Hanes tank top. Sirena wears Dries Van Noten jacket, micro shorts, sneakers and socks.
Creative direction Julissa James
Photography and video direction Alejandra Washington
Styling Keyla Marquez
Hair and makeup Jaime Diaz
Cinematographer Joshua D. Pankiw
1st AC Ruben Plascencia
Gaffer Luis Angel Herrera
Production Mere Studios
Styling assistant Ronben
Production assistant Benjamin Turner
Models Sirena Warren, Daniel Aguilera
Location Chainsaw
Special thanks Kevin Silva and Miguel Maldonado from Next Management
Lifestyle
Nature needs a little help in the inventive Pixar movie ‘Hoppers’ : Pop Culture Happy Hour
Piper Curda as Mabel in Hoppers.
Disney
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Disney
In Disney and Pixar’s delightful new film Hoppers, a young woman (Piper Curda) learns a beloved glade is under threat from the town’s slimy mayor (Jon Hamm). But luckily, she discovers that her college professor has developed technology that can let her live as one of the critters she loves – by allowing her mind to “hop” into an animatronic beaver. And it just might just allow her to help save the glade from serious risk of destruction.
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