Lifestyle
9 Products for Your Home, With a Sense of Style
This article is part of our Design special section about the reverence for handmade objects.
Today, in a world overrun with technology, with artists still dealing with the isolation and preoccupations of the pandemic, we’re seeing a robust revival of handicrafts for the home. Below, some new objects from established leaders of the pack.
Step on It
Based in Philadelphia, Claudia Mills began by weaving rag rugs from recycled fabrics; today she works with new cotton so that her pieces are machine washable and colorfast. The rugs can be used for upholstery or hung as art, but all are made to be walked on. “We send every rug out of here with a nonskid pad,” she said. From $195 for a 2-foot-square to $1,360 for a 2-by 8-foot runner. Custom designs are $95 a square foot. claudiamills.com
After her self-described failure as an actress, Shelley Simpson started playing with clay in a backyard shed in Melbourne, Australia. Thirty years later, her company, Mud Australia, employs 80 people to produce handcrafted dinnerware — and now lighting. The portable and rechargeable Pop Lamp is handmade from a single piece of porcelain. Available in six colors for $520. mudaustralia.com
A Delicate Balance
Born in Japan and educated in London, Hiroko Takeda came to New York City in 2001 to work with the eminent textile artist Jack Lenor Larsen. In 2010, she opened her own studio, in Brooklyn, which creates art pieces and fabrics for interiors. (A solo exhibition of her work is on view at Hunter Dunbar Projects, in Chelsea, through April 19.) For one of her latest textiles, Macaron, thick wool slub yarns are twisted and interlaced to create airy panels. The fabric is 48 inches wide and $500 a yard. hirokotakeda.com
Fuzzy Logic
Jessica Switzer Green, a former technology marketing executive, fell in love with wool after moving to a farm in Sonoma County, Calif., in 2018, and working with the local sheep. She founded JG SWITZER to produce hand-felted fabrics, blankets and pillows using a technique she described as “painting with wool.” The Shetland Cloud reversible throw is approximately 70 by 50 inches and $895, and the Black Saffron hand-felted pillow is 36 by 28 inches and $780. jgswitzer.com
Andrew Iannazzi began blowing glass as a student in upstate New York and opened his studio in 2013 in Cambridge, Mass., but his craft is an outgrowth of European traditions, particularly the 800-year-old glass industry on the Venetian island of Murano. Mr. Iannuzzi described his Spout pouring bowls as “retro,” inspired by humble kitchen housewares from his youth. They come in three sizes and are $185 to $325. vitriccaiannazzi.com
Knots and All
The latest work of the furniture maker Chris Lehrecke, who has been in business for almost four decades, celebrates catalpa, ambrosia maple, black walnut and turkey feather ash — all types of wood from trees that surround his Hudson Valley home. He said he loved everything about those trees, including their defects: “Maybe, as I grow older, I feel more of a connection to the imperfections.” His Turkey Feather Ash Screen with handcrafted steel knuckle hinges is 60 x 72 inches and $11,000. ralphpucci.com
Cache and Carry
Inspired by French fishermen’s baskets that he saw in a Danish museum, Zach Matheson, an artist in Portland, Ore., designed baskets from upcycled materials like plastic zip ties and polyethylene fencing trimmed in leather. He began selling the baskets through Room & Board in 2020 and two years ago handed off the production to Softline, a company in Minneapolis. The baskets, called Fletcher, come in five sizes and cost $99 to $159. roomandboard.com
Opposites Attract
Working with the technique known as sgraffito, the ceramics artist Jennifer Falter, who in 1998 founded a studio in Springfield, Mo., with her husband, Nathan Falter, scrapes away the liquid clay coatings of her pieces to expose the solid layer below. ”I settled on just working in black-and-white because that made the strongest contrast,” she said. Her $425 Ginkgo vase is 10 inches high and 8 inches in diameter. springfieldpottery.com
Steel Crazy After All These Years
Founded in 1845, Shin In-Young’s ironmonger shop is the oldest in South Korea. Using metal from discarded train tracks, Master Shin, who began apprenticing in the family business in 1966 at the age of 13, makes an assortment of kitchen and gardening implements, including this carving set whose knife and fork have handles of chestnut or oak. (The carbon steel knife blade needs sharpening only every two or three years.) The set, which is packaged in a leather pouch, is $620. ameico.com
Lifestyle
They transformed a historic bar into a fantasy forest for all of L.A.’s witches
Hear the name the Witch’s Cottage and you might conjure a mystical vision. And inside the new North Hollywood space, here there be witches, yes. But that’s just the start of it.
In one area of the two-story cafe, restaurant and bar, constellations beckon. A guide to crystals calls forth in another. An azure booth is flanked by an abstracted mermaid sculpture, and elsewhere howling wolves are engraved into the bar tops.
Witch’s Cottage co-founder Celina Lee Surniak, left, with investor/partner Ana Lovelis and co-founder Danielle Ozymandias. The three envisioned a welcoming space that views the world through a magical lens.
Hidden wonders are everywhere. Circle the cottage’s hand-constructed tree trunks, and maybe, if you’re lucky, you’ll spy a tiny door hiding a little witch. Sit at one of the tables, and don’t be surprised to hear the sounds of birds chirping from the man-made trees. Branches spring forth from paintings and every nook is a nod to something born of a fable.
A decade-long vision of the founders, the Witch’s Cottage has transformed the old Federal Bar into a colorful, whimsical fairy-tale-like forest of a gathering spot. A place where one can come for the fantasy, and stay for the chicken etouffee and the Hex Breaker, a tiki-style, rum-heavy drink for grown-up sorcerers.
“I wanted this to feel lived in,” says Danielle Ozymandias, who dreamed up the space with business partner Celina Lee Surniak, a fellow creative who like Ozymandias very much identifies as a witch. “I wanted this to be a visual feast because I think maximalism is just so interesting. That may be the ADHD talking, but I knew I wanted a lot.”
The dining room of the Witch’s Cottage aims for a fantasy forest-inspired look.
While they certainly designed the Witch’s Cottage to be family-friendly, Surniak and Ozymandias say part of their creative intent was to bring joy to adults.
“Everybody tries to shame you,” Surniak says. “Like, ‘You can’t buy that coffee. Save your money.’ No, let them have the coffee they really love. Let them get that annual pass to Disneyland. Let them have a weekly night at the movies, even if they go alone. The world is so weird right now. What we can do is find joy in tiny things.
A fairy at a media preview for North Hollywood’s new Witch’s Cottage.
“Being able to give adults the opportunity to say ‘I’m a fairy,’ is the best feeling ever,” Surniak continues. “And it’s not just at Renaissance fairs. Be a fairy here.”
Or be anyone. A sign near one of the restaurant’s restrooms makes it clear it doesn’t matter which one guests use. It asks that they simply wash their hands. “You can walk in as a witch, or a dragon, or just a FedEx worker,” Ozymandias says. “There’s no judgment.”
The Witch’s Cottage had its grand opening this weekend, and the community immediately responded with lines out the door. That wasn’t entirely surprising — the project was built by a collective. More than 200 volunteers donated more than 3,000 hours to bring the space to life, and the two founders attracted more than 100 investors via an online crowd-funding campaign that raised more than $167,000.
“We’re regular people,” Surniak says. “We don’t have a lot of money. We don’t have a nest egg. We don’t own property. If we were going to do anything, we would need help.”
Surniak says within three days of creating their campaign, they found an angel investor who offered them the funds to secure the building. Other investors followed, including Ana Lovelis and her husband Kenny Enea, known in the area for the elaborate haunted houses they have hosted at their home. The two joined as creative partners and helped with construction. Lovelis says she recognized in the Witch’s Cottage a similar outlook on life as hers. She recalled once years ago dating someone who had a skeptical and practical view of the world.
“And then there was me, being like, ‘That butterfly is a sign from my grandma,’” Lovelis says. The Witch’s Cottage, she says, is reflective of viewing the world through a magical lens. At a time of much stress for many, such a place may be needed. As Lovelis says, “What’s the harm?”
The Witch’s Cottage is a two-story space that serves as a cafe during the day and a restaurant at night. Dinner service begins at 5 p.m.
Surniak still has a day job, working as a stunt and intimacy coordinator on theatrical and Hollywood productions. Ozymandias, who previously worked in the local theater world, is focusing primarily on the Witch’s Cottage at the moment, helping to devise recipes and ensure the bakery can accommodate as many dietary restrictions as possible.
Beyond new menu items, there’s more in the works, including community events like sound baths, comedy nights and classes on composting, native plants and parenting. Or even some workshops that are more lighthearted, such as a hoped-for night on how to make a broom.
Hidden behind the upstairs bar is what’s called the Tempered Flask Tavern, and it’s an elaborate tabletop role-playing game room. Here, one will find a smoke-puffing dragon, but also digital windows that game masters can use to trigger various effects. A long table sits at its center, flanked by a knight, a digital fireplace and weaponry. Not open yet, the plan is for the room to be rented out by the hour.
The Tempered Flask Tavern is a hidden room dedicated to tabletop games inside the Witch’s Cottage. It will be available soon for guests to rent out.
Though Surniak and Ozymandias say they’ve been building vision boards for more than a decade of what the spot could look like, recent cultural shifts gave them the confidence that the timing was right. They point to “Stranger Things” and how it spawned a conversation around “Dungeons & Dragons,” or the success of Disney+ series “Agatha All Along.” More locally, they watched the rise of a game-focused bar such as the Roguelike Tavern, which is relocating to Studio City, as well as the news that experiential art firm Meow Wolf would be building an exposition in the city.
Taken as a whole, they felt bolstered that North Hollywood could support a heavily themed cafe, a home for those who have rolled a 20-sided die, once looked up the meaning of the Tower card or just enjoyed a viewing of “The Lord of the Rings.”
But one need not know the inner workings of RPGs, tarot or Middle-earth to feel at home in the Witch’s Cottage. This is a space, after all, for anyone who has ever been touched by a fairy tale, dreamed of the fantastical or wanted to believe in the power of wishing upon a star.
Views from inside North Hollywood’s the Witch’s Cottage.
So spend a little time in the Witch’s Cottage, and maybe you’ll start to imagine that cocktail is a potion, and those deviled eggs did in fact hatch from a dragon. Diners may debate between the “iron forged fondue melt” (a patty melt) or the “meze heartwich” (a white bean purée on sourdough), but childlike wonder is the specialty of the house.
“Everybody is somebody’s kid,” Ozymandias says. “And I just want a safe space for people’s kids. Even if you’re 50, or 80, you’re my kid. I want you to feel loved, and to have a cup of something warm or magical. I want you to know that whatever is outside those doors, when you’re in here, I got you.”
Lifestyle
‘Wait Wait’ for March 28, 2026: Live in Savannah with D.W. Moffett
Actor, director, chair of film and television department, SCAD, D.W. Moffett speaks on stage during Rising Star Award presentation to “Star” on Day Three of aTVfest 2017 presented by SCAD at SCADshow on February 4, 2017 in Atlanta, Georgia. (Photo by Vivien Killilea/Getty Images for SCAD)
Vivien Killilea/Getty Images
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Vivien Killilea/Getty Images
This week’s show was recorded in Savannah with host Peter Sagal, judge and scorekeeper Alzo Slade, Not My Job guest D.W. Moffett and panelists Adam Burke, Shantira Jackson, and Joyelle Nicole Johnson. Click the audio link above to hear the whole show.
Who’s Alzo This Time
Flotus and Robotus, Ineligible Bachelorette, and a Change of Season
Panel Questions
Fold-out Coach
Bluff The Listener
Our panelists tell us three stories about a hot new dining destination, only one of which is true.
Not My Job: Actor, director, and chair of the film and television department at SCAD, D.W. Moffett, answers our questions about melees
Actor D.W. Moffett, part of the cast of One Battle After Another, plays a game called “Lots of Battles All At Once.”
Panel Questions
Hairless Whisper, Signing Off
Limericks
Alzo Slade reads three news-related limericks: Buns on the Runway, Constructive Play, Getting Work Done at Work.
Lightning Fill In The Blank
All the news we couldn’t fit anywhere else
Predictions
Our panelists predict, after the Bachelorette, what’ll be the next TV season to get cancelled at the last minute.
Lifestyle
Gen Z is the loneliest generation. Here’s what can help
We are more connected than ever before, with our high-speed internet, pinging smartphones and ever-updating apps and social media networks. (iPhone 17e, anyone?!)
And yet, we are also lonelier than ever, especially younger generations who are even more likely to be on their digital devices for longer periods of time. Gen Z, it turns out, is the loneliest generation of them all, according to the 2025 Cigna Group report “Loneliness in America.” It found that 67% of Gen Zers reported being lonely (65% of millennials, who also grew up with digital technologies, did as well, as compared with 60% of Gen Xers and 44% of baby boomers).
What’s more, about 1 in 5 teenagers ages 13 to 17 experiences high rates of loneliness, according to a World Health Organization’s 2025 report; and according to the Centers for Disease Control and Prevention, 40% of high school students reported “persistent feelings of sadness and hopelessness” in 2023.
Dr. Shairi Turner, chief health officer of the nonprofit Crisis Text Line — a free, 24-7 text-based mental health service — calls it “a public health crisis” that is especially affecting Gen Z for a reason.
“They’re 14-29 now, so they’re digital natives, very comfortable with being connected to people by phone,” she says. “But that connection isn’t a replacement for human connection. It gives the illusion of being close, but without real interpersonal interaction.”
That’s compounded by the COVID-19 pandemic and increased single parent households, she says.
“This is a generation that lived through the pandemic during some key developmental years — some of their formative years may have been in lockdown, using smartphones, [instead of] developing critical social skills,” Turner says. “And Gen Z is more likely to have been raised in single-parent households, and may have come home to an empty home where one parent was working or they were going back and forth between homes.”
So where to go from here? Note the warning signs, Turner says.
“Is your child spending more time with their phone than their friends?” she says. “Are your kids coming home upset about interactions at school or with their friends more times than not? And: Are they avoiding in-person extracurricular activities like sports or clubs? These are all things to look out for.”
Here are Turner’s top three tips for helping your Gen Z kids cope with loneliness.
Be present and engage in active listening
“Give them the space to share their feelings. Just be present and listen to your child — don’t put words in their mouth. Create that safe space so they know they can share with you that they’re feeling lonely. Ask open-ended questions. Instead of saying ‘did you have a good day?’ where they can say ‘yes’ or ‘no,’ ask a question that elicits more: ‘What did you do today that you enjoyed?’ Or: ‘Is there anything you found challenging today?’ Brainstorm with them options or ways that they could have handled a situation differently; or do some role playing with your child, so they feel prepared the next day.”
Plan outdoor social activities
“That can be with your child or with your child and their friends. Connect in a low-pressure way: ‘Let’s bring some kids over and go to the park.’ Plan something around a shared interest, like soccer or baseball, where they’re enjoying the sport together and they don’t have to sit and talk in a high-pressure way — they can just have fun. Our report on young people in crisis shows that outdoor third space areas — parks and recreation — help young people cope with their mental health. These same young people identified sports and opportunities for social connection as helpful to their mental health and well-being.”
Explore mental health resources
“Know what the school resources are, what’s available, before your child needs mental health support. Are there counselors, school psychologists? What’s the bevy of resources in school or in the community if my child is in need — therapists, local support groups? Our Crisis Text Line is great because it’s on the phone and most young people are comfortable with that and they can text our volunteers and it’s confidential. It’s about being prepared and aware.”
Ultimately, Turner says, young people are resilient — their brains are still growing — and intentional parenting goes a long way toward offsetting the effects of digital devices and social media.
“It’s never too late to encourage — and model — positive interpersonal skills,” Turner says. “Meaning: human to human connection.”
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