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2024 will test us. What can we learn from Strength, tarot's card of the year?

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2024 will test us. What can we learn from Strength, tarot's card of the year?

Years ago, when they were feeling lost and directionless and leaning too heavily on their vices, Edgar Fabián Frías cast a spell on themself. As part of the process, the L.A. based artist, therapist and magical practitioner decided they would pull a tarot card and get whatever they selected tattooed on their arm.

As luck (or the universe) would have it, Frías pulled the Strength card. Since then, they’ve had a line drawing of a feminine figure leaning comfortably against a large orangutan on their left bicep. “Fuerza” (Spanish for strength) is written in blue ink beneath the image. (The traditional Strength card usually depicts a lion rather than an orangutan, but in tarot, everything is open to interpretation.)

“It helped me on my healing journey, and I find the card often connects with people who are trying to recover or find themselves,” Frías said. “It’s like an angel or a guide that comes at just the right moment.”

If you too feel like you could use some Strength energy in your life, you’re in luck. Tarot practitioners say the Strength card is 2024’s card of the year. That’s because 2+0+2+4=8, and Strength is the eighth card in most modern English-language tarot decks. Just like honoring the seasonal rhythms of the year or the phases of the moon, working with the card of the year can be a way to frame and contextualize a specific period of time.

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“When we talk about the card of the year, we can think about what energies are associated with it that can help guide or support us or potentially give us some clues into the theme of the year,” said author and artist Sarah Faith Gottesdiener, who also leads tarot workshops.

For example, in 2023 — a Chariot card year — Eliza Swann, founder of the Golden Dome School, a mystery school for artists with branches in New York and L.A., moved houses four times. (The Chariot card is traditionally associated with movement and momentum).

“I never had a more insane moving moment,” Swann said. “And I thought, ‘Well, it’s a Chariot year.’ It helped me look at this crazy movement as having a mythic framework.”

For Frías, 2023’s Chariot year was an invitation to contemplate the direction of their life, where they were headed and the parts of their life where they didn’t feel empowered or in control. In this Strength year, they plan to think about ways to receive, call in and cultivate strength to make big changes happen.

“It’s about turning inward toward ourselves and opening up our hearts,” Frías said. “Some call it the conscious and unconscious coming together.”

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In the most popular and iconic tarot deck, known as the Rider-Waite-Smith and first published in 1910, the Strength card depicts a woman in a long white dress leaning over a lion with its tail between its legs. An infinity sign floats over her head, suggesting she might be a divine figure, and she seems to be using gentle pressure to close the lion’s mouth and calm it. The lion radiates a wild energy, but it looks up at her with something like trust. The woman is serene and unafraid.

The divinatory meaning of the card is “power, energy, action, courage, and magnanimity,” according to the little white book that accompanies the deck.

When the card is reversed (meaning it shows up upside down in a spread), it means “abuse of power, despotism, weakness and discord.” But most tarot readers say the imagery of the card suggests a more broad and expansive interpretation.

For Gottesdiener, the card is a reminder that strength is often soft and unforced and that we can look at our true natures with compassion. “There’s this relationship with animal nature or animalistic instinct,” she said. “She’s greeting this beast, this king of the jungle, and she’s not afraid of it. She’s greeting it for what it is.”

This could lead us to see 2024 as a year to reacquaint ourselves with desire, pleasure and play, she said. “We’re going inward to meet the beast. [In 2024,] we’ll be tasked with thinking about ‘What are our true natures?’ and ‘What do they need to flourish and grow?’”

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Swann said the Strength card is associated with Cybele, an iron meteorite that was celebrated as a mother goddess in Anatolia (the region now called Turkey). “I think of Strength as this really beautiful, divine, feminine ecstatic energy — this wildly sizzling meteorite,” Swann said. “And I think of her as the goddess of settling the score.”

On the collective level, Swann sees Strength card energy in all those who are rising up to make their voices heard. “All the labor unions striking is Strength,” they said. “The energy of organizing and making things more equitable is Strength.”

But the card also has a shadow side, Frías said. This includes feeling overwhelmed, pessimistic, letting emotions control you, self-hatred and building walls between yourself and others.

“In 2024, we need to listen with our hearts and develop practices that help us cultivate hope, eagerness, joy and pleasure,” Frías said. “Especially when it’s hard to do so.”

If you’d like to try working with the energy of the Strength card this year, there are lots of easy ways to start. Frías usually keeps the card of the year on their altar as a reminder to look for the various ways its themes might show up over the next 12 months. If you don’t have an altar, you can make the card the picture on your phone’s home screen or tape a photocopy of it on your nightstand. (An image that represents strength to you would also work.) You also can gather friends to talk about your own strengths.

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“We’re taught to be humble and not name our own strengths, so saying them out loud would be a good practice,” Swann said.

And because Cybele’s festivities occurred around the spring equinox, Swann suggests imagining planting the seeds of your desires now and watching them erupt in the spring. “On the individual level, Strength is about working with the energy of desire to achieve goals and working with your own strengths, whatever they happen to be, so you get concrete results,” they said.

Perhaps, most simply, you can just meditate on what strength means to you. “You can look at where you have to be stronger, look at the divide between what you say and what you do,” Gottesdiener said. “You can also be really mindful about where you, yourself, might be in the card with your relationships and your life.”

The ultimate goal, she said, is to take the archetype out of the deck and bring it into your life.

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‘Wait Wait’ for December 13, 2025: With Not My Job guest Lucy Dacus

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‘Wait Wait’ for December 13, 2025: With Not My Job guest Lucy Dacus

Lucy Dacus performs at Spotlight: Lucy Dacus at GRAMMY Museum L.A. Live on October 08, 2025 in Los Angeles, California. (Photo by Rebecca Sapp/Getty Images for The Recording Academy)

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This week’s show was recorded in Chicago with host Peter Sagal, guest judge and scorekeeper Alzo Slade, Not My Job guest Lucy Dacus and panelists Adam Burke, Helen Hong, and Tom Bodett. Click the audio link above to hear the whole show.

Who’s Alzo This Time

Mega Media Merger; Cars, They’re Just Like Us; The Swag Gap

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Panel Questions

An Hourly Marriage

Bluff The Listener

Our panelists tell three stories about a new TV show making headlines, only one of which is true.

Not My Job: Lucy Dacus answers our questions about boy geniuses

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Singer-songwriter Lucy Dacus, one third of the supergroup boygenius, plays our game called, “boygenius, meet Boy Geniuses” Three questions about child prodigies.

Panel Questions

Bedroom Rules; Japan Solves its Bear Problem

Limericks

Alzo Slade reads three news-related limericks: NHL Superlatives; Terrible Mouthwash; The Most Holy and Most Stylish

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Lightning Fill In The Blank

All the news we couldn’t fit anywhere else

Predictions

Our panelists predict what will be the next big merger in the news.

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L.A. Affairs: I had casually known her for 5 years. Was I finally ready to make a move?

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L.A. Affairs: I had casually known her for 5 years. Was I finally ready to make a move?

In Fairfax, nestled on Beverly Boulevard near Pan Pacific Park, I ran a modest yet beloved pan-Asian restaurant called Buddha’s Belly. More than a place to eat, it was a gathering spot where our team and loyal regulars created an atmosphere of warmth and community. Every day, we exchanged stories about our guests, the generous, the quirky and the kind souls whose smiles lit up our little corner of L.A.

For five years, one regular stood out. The Buddha’s Belly team referred to her as “Aloha.” She had a familiar and beautiful face and she adored our shao bing finger sandwiches and pad Thai. During those five years, all I ever said to her was: “How’s your pad Thai?,” “Nice to see you” and “Thanks for coming in!” Her friendly smile and presence were the highlights of our routine interactions.

Then one hectic afternoon changed everything. Rushing to a meeting and about to leap into my car, I caught a glimpse of Lynda sitting at Table 64, smiling at me through our bamboo-lined patio (a.k.a. “bamboo forest”). I went over to say a quick hi.

“How’s your pad Thai?” I asked, and then I was off.

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A couple blocks from the restaurant, I was struck by the feeling that our brief encounter was different this time. There was a spark — a look in her eye. So I did something out of character: I called the manager on duty and asked him to go to Table 64, Seat 3, and ask for her number.

The next day, I found a business card on my desk with Lynda’s cell number. It was on! That small gesture signaled the start of something extraordinary.

Eager to seize the moment, I called and invited her out for a date that same weekend. However, it was her birthday month, and that meant her calendar was booked solid for the next three to four weekends. Not wanting to let time slip away, I proposed an unconventional plan: to join me and an octogenarian friend at our annual opening night at the Hollywood Bowl. Little did I know this would turn out to be equal parts amazing and mortifying. My friend was so excited — she had no filter.

Shortly after picking up our dinner at Joan’s on Third, my friend started asking Lynda questions, first light questions like “Where are you from?” and “What do you do?” Then once seated at the Bowl, her questions continued. But now they were more pointed questions: “Have you ever been married?” and “Do you have kids?”

Amazingly, Lynda didn’t flinch, and her honesty, unfiltered yet graceful, was refreshing and alluring. She had been through life’s fires and knew that when it’s a fit, it should not be based on any false pretense. Although I did manage to get a few questions in that evening, I still chuckle at the memory of myself, sitting back, legs extended with a note pad in hand taking notes!

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After dropping her off, she didn’t know if she would hear from me, as she didn’t know anything about me. But I didn’t wait three days to contact Lynda. I called her the next day to make plans to see her again. With it still being her birthday month, I asked her to join me that night for a surf film at the Ford with my best buddy. She said yes, and there we were on another chaperoned date.

By our third date, we were finally alone. We ventured to an underground gem affectionately dubbed the “Blade Runner” restaurant. Hidden on Pico Boulevard behind no obvious sign and characterized by hood-free mesquite grills and stacked wine crates, the place exuded a secret charm. Sharing a bottle of wine with the owner, our conversation deepened, and the electricity between Lynda and me became undeniable.

Our story took another turn when I was opening a new bar named Copa d’Oro (or Cup of Gold) in Santa Monica that was similar to a bar down the street called Bar Copa. The owner of Bar Copa invited me to discuss whether the concept was going to be too like his own. While we waited in the packed room, I instinctively put my hand around the small of Lynda’s back to steady us from the ebb and flow of the crowd of people around us. The intensity of our closeness and the energy between us was palpable, and we soon found ourselves at a quieter bar called Schatzi on Main where we had our first kiss.

Our courtship continued, and it would be defined by ease and grace. There were no mind games or calculations. One of us would ask whether the other was free, and it was an easy yes. Our desire was to be together.

I fondly remember being at a Fatburger not far from where Lynda lived, and I phoned her to ask if she wanted to sit with me as I scarfed down a Double Kingburger with chili and egg (yum!), and she said yes. By the time she arrived, I was halfway through eating the sandwich. But I was practicing a new way of eating a sloppy burger that my brother taught me. Why bother to continuously wipe your mouth when you’re only going to mess it up with the next bite? To save time and energy, wipe your mouth once at the end.

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I was practicing this new technique with a smear of sauce on my face, and it didn’t faze her one bit. I could only imagine what her internal monologue was!

After six months of effortless companionship, I asked Lynda to move in, and a year later, while at Zephyr’s Bench, a serene and cherished hiking spot in the Santa Monica Mountains behind Bel-Air, I asked her to marry me.

Now, more than 17 years later, with two beautiful boys and our pandemic dog in tow, I can say I found my own aloha right here in the vibrant chaos of Los Angeles.

The author lives in Santa Monica with his wife and two children. They go to the Hollywood Bowl every chance they can. He’s also aspiring to make it into the Guinness World Records book.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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‘The Mask’ and ‘Pulp Fiction’ actor Peter Greene dies at 60

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‘The Mask’ and ‘Pulp Fiction’ actor Peter Greene dies at 60

Actor Peter Greene at a press conference in New York City in 2010.

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Actor Peter Greene, known for playing villains in movies including Pulp Fiction and The Mask, has died. Greene was found dead in his apartment in New York City on Friday, his manager and friend, Gregg Edwards, told NPR. The cause of death was not immediately provided. He was 60 years old.

The tall, angular character actor’s most famous bad guy roles were in slapstick and gritty comedies. He brought a hammy quality to his turn as Dorian Tyrell, Jim Carrey’s nemesis in the 1994 superhero movie The Mask, and, that same year, played a ruthless security guard with evil elan in the gangster movie Pulp Fiction.

“Peter was one of the most brilliant character actors on the planet,” Edwards said.

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He went on to work steadily, earning dozens of credits in movies and on TV, such as the features Judgment Night, Blue Streak and Training Day, a 2001 episode of Law & Order, and, in 2023, an episode of The Continental, the John Wick prequel series.

At the time of his death, the actor was planning to co-narrate the in-progress documentary From the American People: The Withdrawal of USAID, alongside Jason Alexander and Kathleen Turner. “He was passionate about this project,” Edwards said.

Greene was also scheduled to begin shooting Mickey Rourke’s upcoming thriller Mascots next year.

Rourke posted a close-up portrait of Greene on his Instagram account Friday night accompanied by a prayer emoji, but no words. NPR has reached out to the actor’s representatives for further comment.

Peter Greene was born in New Jersey in 1965. He started pursuing acting in his 20s, and landed his first film role in Laws of Gravity alongside Edie Falco in 1992.

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The actor battled drug addiction through much of his adult life. But according to Edwards, Greene had been sober for at least a couple of years.

Edwards added that Greene had a tendency to fall for conspiracy theories. “He had interesting opinions and we differed a lot on many things,” said Edwards. “But he was loyal to a fault and was like a brother to me.”

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