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Tosca Musk, Elon’s sister, has a business venture of her own — and it’s all about romance and female sexuality | CNN

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Tosca Musk, Elon’s sister, has a business venture of her own — and it’s all about romance and female sexuality | CNN


Atlanta, Georgia
CNN
 — 

Tosca Musk strides onto the purple carpet at a Regal Cinemas, statuesque in a white pant go well with and glistening burgundy silk prime.

A hush comes over a bunch gathered exterior the theater’s doorways. Some whip out cell telephones and begin recording her each transfer.

It’s a cold October night time in Atlanta, and the followers are right here for the premiere of “Torn,” the second in a trilogy of romantic fantasy films primarily based on books by writer Jennifer Armentrout. The group of largely feminine followers vary in age from their twenties to their seventies, and a few flew in from Boston, Detroit and different cities.

This can be a large night time for Musk and her five-year-old streaming service Passionflix, the backer of the film. It’s their first public movie premiere for the reason that pandemic began.

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She floats from one group to a different, chatting effortlessly with Passionflix’s superfans, referred to as Passionistas. Her older brother, Elon Musk, could be the most well-known sibling within the household, however he’s not the one one who’s based an organization.

Musk, 48, is the drive behind Passionflix, which adapts romance novels into films and streams them to a loyal area of interest viewers. Romance novels are the preferred style of books in the US, and Musk is tapping into that market with tales about sultry, highly effective feminine leads and good-looking males with chiseled abs. She directs a number of the movies herself.

“Passionflix focuses on adapting romance novels precisely because the fan and the writer envision it,” Musk says in a separate CNN interview. “We concentrate on connection, communication and compromise – and take away the disgrace from sexuality, particularly for girls, as a result of it empowers girls to each acknowledge and ask for pleasure.”

Days earlier, on the set of a Passionflix film, “The Secret Lifetime of Amy Bensen,” Musk offers a couple of glimpses into life along with her well-known household.

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Perched on a navy blue sofa in a room tucked inside a warehouse in suburban Atlanta, she chooses her phrases rigorously when requested about her older brother, who was on the verge of his Twitter acquisition.

The Musk youngsters – Elon, Tosca and one other brother, center little one Kimbal – have been born in South Africa and hung out in Canada earlier than coming to the US. Their father, Errol, is an engineer and property developer, whereas their glamorous mom, Maye, is a mannequin.

From left to right: Tosca Musk, Kimbal Musk, mother Maye Musk and Elon Musk at Maye's 50th birthday party in 1998.

Tosca Musk attended movie faculty on the College of British Columbia in Vancouver and moved to California after commencement. For 3 months, she labored for certainly one of Elon Musk’s firms, Zip2.

“I noticed each time I stepped out of the movie world, I used to be simply not comfortable,” she says. “It simply wasn’t my factor.”

After a short stint on the Los Angeles workplace of Canadian media firm Alliance Atlantis, she started directing and producing movies whereas nonetheless in her twenties.

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Musk produced romance movies for the Lifetime and Hallmark channels and in 2005 launched a comic book net collection, Tiki Bar TV, which was hailed by Apple CEO Steve Jobs as forward of its time within the rising area of vodcasts – or video podcasting.

Then got here Passionflix. Its origin story is a basic story of when one door closes, one other one opens.

About 5 years in the past, Musk bought an electronic mail from a lady who needed her to show her script right into a film. Musk cherished the script, however there wasn’t a lot curiosity from manufacturing firms.

“Individuals weren’t actually that as a result of it was too risque … It was an grownup film with a bit of little bit of reincarnation, issues like that,” she says. “It simply wasn’t a type of issues that common community tv needed to do.”

However Musk met the lady, Joany Kane, in Los Angeles, and so they bonded over their shared ardour for love novels. Throughout that dialog, Kane introduced up the concept of turning romance novels into films and making a streaming platform for them.

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And with that, Passionflix was born – with Musk on the helm and Kane as a co-founder.

“We had no traders. We needed to exit and discover each investor. So it was a matter of going out and pitching each single individual,” Musk says. “We pitched each good friend, each member of the family, all people only for that small little bit of angel funding. It was arduous. The primary cash in is all the time the toughest cash.”

Kevin Joy on the red carpet at the premiere of Passionflix's

Musk declines to say whether or not her brother Elon was certainly one of her unique traders. However she says she will all the time rely on her two brothers, together with restaurateur Kimbal Musk, to offer her recommendation on her enterprise ventures. She tries to not ask until she actually must.

“I get recommendation from them to a sure diploma once I ask for it. However no unsolicited recommendation,” she says. “If I ask for recommendation, I’ve little doubt that he (Elon) will give it to me. After which I’ve to take it, as a result of he’s going to be proper. So it’s a must to actually need to know what you need to ask. However more often than not once I’m with my household, we speak about household issues.”

So what does she take into consideration her brother’s new function as CEO of Twitter – and the flurry of headlines surrounding it?

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No remark.

Passionflix’s first movie was “Hollywood Dust,” primarily based on a best-selling novel by Alessandra Torre a couple of Southern girl who finds romance with a Hollywood star when he involves her small city to movie a film.

“Throughout that taking pictures of that film, we have been struggling,” Musk says. “Are we going to get cash? Are we going to have the ability to end it? We have been not likely certain. We mainly have been simply type of piecing the {dollars} collectively.”

In Could 2017, Musk performed a trailer of the film at a romance novel conference and requested attendees to prepay $100, as founding members, for a two-year Passionflix subscription. About 4,000 folks signed up, Musk says, and she or he and Kane used that to indicate potential traders they have been onto one thing.

“Making an attempt to boost cash for a female-driven platform on romance was simply not excessive on anyone’s precedence checklist on the time,” she says. “However as quickly as we confirmed there was that many individuals that will come on board, the traders simply began flying in.”

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Fans take photos of people on the red carpet at the premiere of Passionflix's

Passionflix has since produced greater than two dozen feature-length and brief movies, based on the Web Film Database.

The corporate stays lean – it has a core group of seven individuals who every put on numerous hats. Along with producing its personal content material, Passionflix additionally licenses movies for its platform.

“I believe the most important problem for Passionflix is we are able to’t produce sufficient content material to satiate the followers,” Musk says. “It’s a wrestle with so many streaming platforms, when folks need unique content material on a regular basis.”

With greater than 200 streaming companies now competing for viewers, such area of interest markets face a myriad of challenges, says Dan Rayburn, a streaming media knowledgeable and marketing consultant.

Creating, licensing and advertising content material may be very expensive, he stated. And whereas romance is the biggest-selling style of books within the US, that doesn’t essentially imply its reputation interprets to films.

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“That’s evaluating apples to oranges. Books are completely different,” Rayburn says. “This enterprise is past robust. It’s extremely aggressive and requires an absolute massive sum of cash.”

Passionflix prices a subscription payment of $5.99 a month. The corporate doesn’t disclose its subscriber numbers. Musk says subscribers are within the “six figures,” however declines to supply specifics.

Rayburn says it’s arduous to find out the corporate’s profitability with out understanding its bills, together with manufacturing and licensing prices.

“OK, if you happen to don’t have subscriber numbers, what’s the utilization? What number of hours per 30 days do folks watch it? How a lot are you spending on content material licensing?”

A deep dive into Passionflix’s on-line film catalog reveals a mixture of modern romance, fantasy romance, paranormal romance, erotic fan fiction and associated sub-genres.

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The movies, which stream on the Passionflix web site and on Amazon Prime Video, are rated on an escalating steaminess scale Musk calls a “barometer of naughtiness.”

The 5 classes: Oh So Vanilla, for healthful romcoms; Mildly Titillating; Ardour and Romance; Toe Curling Yumminess; and NSFW (Not Secure for Work). The latter class has risque plot strains and extra intercourse – suppose “Fifty Shades of Gray.”

However Musk says that even the naughtiest Passionflix films don’t attain the soft-core porn threshold.

“After we first began Passionflix, someone requested us if we’re going to fee utilizing MPAA,” she says, referring to the Movement Image Affiliation of America’s film rankings reminiscent of PG-13, R, and so on. “I don’t really like all of these rankings. They’re not particular to girls. I needed one thing that would fee our exhibits and create extra of a tongue-in-cheek dialog.”

Attendees watch the premiere of Passionflix's

Musk says she’s a romantic at coronary heart and is an enormous fan of the style.

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“Love is superb, it’s extremely highly effective. I like to inform tales of affection, all types of affection,” she says. “So parental love, good friend love, household love, and love between any type of couple.”

That broad vary of romantic genres, and its attractive content material, are what units Passionflix other than channels reminiscent of Hallmark and Lifetime Film Community, says romance novelist Tamara Lush. She believes the romance style has been particularly standard through the pandemic as a result of folks search consolation in tales with happy-ever-after endings.

“Hallmark is romance-centered however the tales are very, very candy. Passionflix tells a wider vary of tales, and those romance readers need to watch,” Lush says.

“The recognition of ‘Bridgerton,’ ‘After’ and ’365 Days’ on Netflix ought to inform streaming companies all they should know: that romance is a profitable and certain guess for viewers.”

Passionflix’s unique subscribers, referred to as founding members, get entry to film premieres and filming units.

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Final month in Atlanta, about 4 dozen of them piled into the Regal theater for the premiere of “Torn.” Following the film, Musk hosted a question-and-answer session with the lead actors, adopted by an after-party at a bar throughout the road. Followers and actors mingled over drinks.

Debbie Parziale, 67, says she flew in from Boston for the occasion. One of many founding members, she says she spent the pandemic years curled up on her sofa, watching Passionflix films.

“I like Tosca’s premise of empowering girls and making intercourse not such a taboo topic,” she says. “She’s so true to the romance novels. While you learn a ebook and watch certainly one of her films, it’s the ebook you learn.”

Debbie Parziale, Deborah Thornton and Amanda Cromer, from left, at the premiere of

Amanda Cromer, 32, says she signed up for Passionflix at a romance ebook conference. She loves the camaraderie that comes with being a part of the Passionistas. The group has a digital ebook membership, referred to as Ardour Squad.

As one of many unique members, Cromer can go to units and work together with the actors. Cromer, who lives in a suburb of Atlanta, says that in a go to to the set of “Torn” she turned an additional in a restaurant scene.

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“I like the empowerment the flicks deliver,” says Cromer, who attended final month’s “Torn” premiere along with her mom.

“They select books with robust feminine leads. They’ve completed such an excellent job of portraying the feminine persona as a powerful impartial feminine, and never a timid individual.”

Again on the set of her newest romance film, Tosca Musk strikes from one sparsely furnished room to a different.

Musk lives in suburban Atlanta along with her two youngsters, 9-year-old twins who have been conceived by way of in vitro fertilization utilizing an nameless sperm donor.

She’s on the point of fly to Italy with the twins to movie “Gabriel’s Redemption,” the third ebook in a collection by Sylvain Reynard a couple of Dante scholar and his passionate affair with a youthful graduate pupil. She says they plan to take pleasure in numerous gelato in Florence and go to Oxford, England, so the youngsters can see a number of the areas the place the Harry Potter films have been filmed.

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As a single mom, Musk says she marvels on the path that led her to a job she loves.

Tosca Musk poses for a portrait in Fairburn, Georgia, on October 11, 2022.

She hopes Passionflix will assist persuade the movie business’s large names that adopting romance novels into films is a worthy funding.

“The leisure world is managed largely by males. On the finish of the day, the selections are likely to sway towards the male viewers versus the feminine viewers,” she says. “In addition they are usually extra concerning the victimization of girls than they’re about sexually free or sexually empowered tales about girls.”

And for Musk, there’s additionally a less complicated purpose for her filmmaking ventures.

“I’m a storyteller at coronary heart,” she says. “I simply need to have the ability to inform tales.”

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Movie Reviews

Mohanlal L2 Empuraan Movie Review, Prithviraj, L2E Ratings

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Mohanlal L2 Empuraan Movie Review, Prithviraj, L2E Ratings

Movie Name : L2: Empuraan
Release Date : March 27 2025
123telugu.com Rating : 2.75/5
Starring : Mohanlal, Prithviraj Sukumaran, Abhimanyu Singh, Tovino Thomas, Manju Warrier
Director : Prithviraj Sukumaran
Producers : Antony Perumbavoor,Gokulam Gopalan,Subaskaran Allirajah
Music Director : Deepak Dev
Cinematographer : Sujith Vaassudev
Editors : Akhilesh Mohan

Related Links : Trailer

Mohanlal’s L2: Empuraan, the eagerly awaited sequel to Lucifer (2019), has finally graced the big screens. Directed by Prithviraj Sukumaran, this political action drama has arrived amid immense expectations. Check out the review to see how it turned out.

Story:

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Kerala Chief Minister Jathin Ramdas (Tovino Thomas) boldly decides to break away from his party and form a new one, aligning himself with Baba Bajrangi (Abhimanyu Singh), also known as Balaraj. His sister, Priyadarshini Ramdas (Manju Warrier), strongly opposes this move. Meanwhile, Khureshi Ab’raam, also known as Stephen Nedumpally (Mohanlal), returns to set things right. However, his other issues are his involvement in global affairs and his conflict with the drug cartel Kabooga. How does Stephen’s return impact Kerala’s political landscape? What is his rivalry with Balaraj? How is Balaraj connected to Zayed Masood (Prithviraj Sukumaran)? The film unravels these questions.

Plus Points:

Prithviraj Sukumaran presents L2: Empuraan on an ambitious scale, exceeding expectations in terms of grandeur and execution. The film’s strongest aspects are its visual appeal, large-scale action sequences, and Mohanlal’s commanding screen presence.

Mohanlal once again delivers a powerful performance. His silent yet authoritative portrayal and small yet impactful dialogues will delight his fans. His character is nice, and the forest fight sequence in the second half is a definite highlight.

Manju Warrier impresses with her performance, standing out among the supporting cast. While Tovino Thomas plays his part adequately, his character lacks decisive moments. Prithviraj Sukumaran has limited screen time but is okay in his role.

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The film is a spectacle visually. The church fight sequence, Mohanlal’s grand entry, and several other moments are executed with a Hollywood-style richness, making for a visually immersive experience.

Minus Points:

While Empuraan has moments of brilliance, the overall story lacks substance. The film focuses heavily on character elevations rather than a gripping narrative. Murali Gopy’s writing falls short, failing to provide the depth expected from a sequel of Lucifer’s scale.

The slow pacing and excessive runtime work against the film. Even well-crafted scenes lose their impact due to prolonged storytelling. While Mohanlal’s presence adds weight, the lack of a tightly woven plot makes the film feel stretched.

One of the major issues is the inclusion of too many characters, most of whom are underdeveloped. Tovino Thomas’s character does not fit seamlessly into the narrative, and his role is not fleshed out properly. Similarly, Indrajith Sukumaran and several others suffer from inadequate screen presence and development.

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The multiple subplots contribute to confusion rather than intrigue. The film’s slow pace, coupled with these scattered storylines, makes it difficult for audiences to stay fully engaged. The transition from the pre-climax to the climax is predictable and lacks the necessary impact, making it enjoyable only to a niche audience.

Technical Aspects:

Prithviraj Sukumaran’s direction is decent, but his focus on elevating characters, especially Mohanlal, comes at the expense of a strong and engaging narrative. The screenplay needed more refinement to keep the audience invested.

Sujith Vaassudev’s cinematography is outstanding, capturing the film’s grand visuals with finesse. Deepak Dev’s background score is passable, adding energy to some scenes but failing to create an unforgettable impact.

Editing is a significant drawback—had the film been trimmed, the overall experience would have been much more substantial. The production values are excellent, reflecting the film’s high-budget execution. The Telugu dubbing is fine.

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Verdict:

On the whole, L2: Empuraan has stunning visuals and a few elevations, but it lacks the depth and gripping storytelling that made the prequel Lucifer a success. Mohanlal’s presence is a highlight, but the slow pace, underdeveloped characters, and lengthy runtime weigh the film down. Unless you are a die-hard Mohanlal fan, the experience may not fully satisfy you. If you choose to watch it, keep your expectations in check.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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As Lady Gaga announces Mayhem Ball tour, surf company says she lifted its Mayhem trademark

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As Lady Gaga announces Mayhem Ball tour, surf company says she lifted its Mayhem trademark

Lady Gaga was all about the Mayhem Ball on Wednesday, making the tour announcement a day after she was sued for allegedly infringing on a surf company’s “Mayhem” logo.

“I wasn’t planning to tour this year after my shows in Singapore but the incredible response to the new album inspired me to keep things going,” the singer said on social media. “It came together super quickly … and honestly, I can’t wait. This show is designed to be the kind of theatrical and electrifying experience that brings MAYHEM to life exactly how I envision it.”

The Mayhem Ball, which Gaga said was planned with Live Nation in “just a few weeks,” will hit arenas instead of stadiums. That’s because she wanted “to control the details of the show in a way you simply can’t in stadiums.” Intriguing.

The tour will hit only major cities, and at the moment, there are no Los Angeles shows on the docket — perhaps because the “Joker: Folie à Deux” actor is already playing two headliner dates in April at the Coachella Valley Music and Arts Festival in Indio.

Planned stops include Las Vegas, Seattle, New York City, Miami, Toronto, Chicago, London and Manchester in England, Stockholm, Milan, Barcelona, Berlin, Amsterdam, Antwerp, and Lyon and Paris in France. The Mayhem Ball part of the tour begins July 16 in Vegas and closes with three shows in Paris between Nov. 16 and Nov. 20.

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Regarding the legal mayhem, Lost International LLC filed a lawsuit Tuesday against Stefani Germanotta in U.S. District Court for the Central District of California. The nine allegations include, among other things, trademark infringement, false advertising, trademark dilution and unfair business practices.

Team Gaga attorney Orin Snyder seemed to take the lawsuit in stride. “Lady Gaga’s MAYHEM soared to No. 1 and shattered records, a testament to her unmatched talent and global impact,” he said in a statement Wednesday. “It’s disappointing — but hardly surprising — that someone is now attempting to capitalize on her success with a baseless lawsuit over the name MAYHEM. This is nothing more than an opportunistic and meritless abuse of the legal system.”

Lost’s “Mayhem” logo, like the logo on Gaga’s “Mayhem” album and other merchandise, arcs slightly, and both feature a scruffy, irregular font suggesting, well, mayhem. The lawsuit alleges Gaga’s logo is “a nearly identical design as used by Lost on its own products.”

“Lost began using the [logo] in 1986, and in January 1992 in interstate commerce. Since then, Lost has used the [logo] in connection with surfboards, surf equipment, clothing, accessories, and surf videos, in over 30 countries worldwide,” the lawsuit says. Lost says it registered the trademark “Mayhem” in the U.S. in 2015.

Mayhem is also the nickname of Lost co-founder Matt Biolos.

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“Lady Gaga’s actions are likely to mislead the public into concluding that her goods originate with or are authorized by Lost, which will damage both Lost and the public,” the lawsuit says. “Lost has no control over the quality of goods sold by Lady Gaga and because of the source of confusion caused by Lady Gaga, Lost has lost control over its valuable goodwill.”

That said, tickets for the Mayhem Ball tour come available April 3 through AXS, with several presale options — think fan club, Citi cardholders, luxury seating and more — going live for before that general on-sale date hits.

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Movie review: 'Working Man' is no 'Beekeeper' but still fun – UPI.com

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Movie review: 'Working Man' is no 'Beekeeper' but still fun – UPI.com

1 of 5 | Jason Statham is “A Working Man,” in theaters Friday. Photo courtesy of Amazon Content Services LLC

LOS ANGELES, March 25 (UPI) — A Working Man, in theaters Friday, never quite reaches the magnificent heights of last year’s Jason Statham vehicle, The Beekeeper. Nevertheless, it delivers a satisfying action movie with Statham as a new hero.

Statham portrays Levon, a former Royal Marine now working for Joe (Michael Peña) and Carla Garcia’s (Noemi Gonzalez) Chicago construction company. When the Garcias’ daughter, Jenny (Arianna Rivas) is kidnapped, the desperate parents hire Levon to find her.

Adapted from Chuck Dixon’s novel Levon’s Trade by Sylvester Stallone and director David Ayer, the story has familiar but reliable tropes. Levon’s set of skills are as particular as those of Liam Neeson’s character in Taken, enabling him to succeed where basic law enforcement fails, and no matter how many enemies attack him.

The Beekeeper elevated the genre with its cryptic explanations of covert agents and the flamboyant villains Statham’s Beekeeper faced. The baddies ranged from cyber scammers to outrageously high levels of authority, which made it even more fun.

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The kidnappers in A Working Man are basic human traffickers funded by the Russian mob. They do their best to add flourishes in costume and demeanor, but no generic Russian villain is as memorable as the rogue Beekeepers who came after one of their own.

Human trafficking is also a much more real and unsettling crime. While cyber scams are real and devastating, The Beekeeper took it to a wonderfully absurd degree.

Still, it is undeniably satisfying to watch Levon shoot rapists and send them flying to the back wall of the room. He employs extraordinary interrogation on equally deserving targets, especially when he scolds them for unrelated but equally unsavory offenses.

There are fewer fights in A Working Man. Levon rescues one of his crew from gangsters as an appetizer, but the plot does not lead to as many scuffles. It still has a big finale with Levon taking on the mob and a biker gang at once.

The supporting characters exhibit maybe 1% more color than their plot functions require. Levon is fighting his late wife’s father (Richard Heap) for custody of his daughter (Isla Gie), so it’s nice to see Levon prove his worth to his father-in-law later in the film.

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Jenny misses a piano recital when she’s kidnapped, so when she finds a piano in captivity and plays, it has earned that poignancy. In addition, Levon’s war buddy Gunny (David Harbour) is so lovable as a blind marksman that it is a shame he only babysits, rather than joining in the action.

Even though he’s a working man, the film does get Levon in a suit for one scene. Levon cleans up as well as Statham in The Transporter.

It is clear A Working Man was made by people who know what fans come to see in a Statham movie. Both Ayer and Stallone are frequent collaborators.

Perhaps the source material kept Working Man more grounded, or maybe adding the Statham elements made it far more outrageous than Dixon’s version. Though it’s not the best, it is the Statham movie that’s in theaters right now, and that’s not a bad thing.

Fred Topel, who attended film school at Ithaca College, is a UPI entertainment writer based in Los Angeles. He has been a professional film critic since 1999, a Rotten Tomatoes critic since 2001, and a member of the Television Critics Association since 2012 and the Critics Choice Association since 2023. Read more of his work in Entertainment.

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