Entertainment
The week’s bestselling books, Jan. 28
Hardcover fiction
1. The Fury by Alex Michaelides (Celadon Books: $29) A murder upends a reclusive ex-movie star’s trip to a private Greek island.
2. The Heaven & Earth Grocery Store by James McBride (Riverhead: $28) The discovery of a skeleton in Pottstown, Pa., opens out to a story of integration and community.
3. North Woods by Daniel Mason (Random House: $28) A sweeping historical tale focused on a single house in the New England woods.
4. The Bee Sting by Paul Murray (Farrar, Straus & Giroux: $30) A family comes apart, financially and otherwise, in post-crash Ireland.
5. Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin (Knopf: $28) Lifelong BFFs collaborate on a wildly successful video game.
6. Iron Flame by Rebecca Yarros (Entangled: Red Tower Books: $30) In the sequel to the bestselling “Fourth Wing,” the dragon-rider faces even greater tests.
7. Demon Copperhead by Barbara Kingsolver (Harper: $32) The story of a boy born into poverty to a teenage single mother in Appalachia.
8. Fourth Wing by Rebecca Yarros (Entangled: Red Tower Books: $30) A young woman reluctantly enters a brutal dragon-riding war college in this YA fantasy.
9. Remarkably Bright Creatures by Shelby Van Pelt (Ecco: $30) A giant Pacific octopus bonds with a widowed worker at a Washington state aquarium and tries to help her solve the mystery of her long-missing son.
10. Emily Wilde’s Map of the Otherlands by Heather Fawcett (Del Rey: $28) The second installment of the faerie-drenched Emily Wilde series.
…
Hardcover nonfiction
1. The Creative Act by Rick Rubin (Penguin: $32) The music producer’s guidance on how to be a creative person.
2. Atomic Habits by James Clear (Avery: $27) The self-help expert’s guide to building good habits and breaking bad ones via tiny changes in behavior.
3. How to Know a Person by David Brooks (Random House: $30) The New York Times columnist explores the power of seeing and being seen.
4. The Art Thief by Michael Finkel (Knopf: $28) The true-crime tale of a genius art thief who kept all the spoils for himself.
5. Prequel by Rachel Maddow (Crown: $32) The MSNBC anchor chronicles the fight against a pro-Nazi American group during World War II.
6. The Wager by David Grann (Doubleday: $30) The story of the shipwreck of an 18th century British warship and a mutiny among the survivors.
7. My Name Is Barbra by Barbra Streisand (Viking: $47) The multi-hyphenate icon dishes on her career.
8. Tripping on Utopia by Benjamin Breen (Grand Central: $30) A revisionist’s take on the history of psychedelics in the 20th century.
9. The Amen Effect by Sharon Brous (Avery: $29) The power of community, from one of the country’s most prominent rabbis.
10. Oath and Honor by Liz Cheney (Little, Brown: $32) The former GOP representative recounts her fight to impeach and investigate Donald Trump.
…
Paperback fiction
1. A Court of Thorns and Roses by Sarah J. Maas (Bloomsbury: $19)
2. Trust by Hernan Diaz (Riverhead: $17)
3. The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (Atria: $17)
4. The Midnight Library by Matt Haig (Penguin: $18)
5. A Little Life by Hanya Yanagihara (Anchor: $18)
6. All the Light We Cannot See by Anthony Doerr (Scribner: $19)
7. Horse by Geraldine Brooks (Penguin: $19)
8. The Idiot by Elif Batuman (Penguin: $18)
9. The Alchemist by Paulo Coelho (HarperOne: $18)
10. Never Whistle at Night Shane Hawk (Ed.), Theodore C. Van Alst Jr. (Ed.) (Vintage: $17)
…
Paperback nonfiction
1. All About Love by bell hooks (Morrow: $17)
2. The Artist’s Way by Julia Cameron (TarcherPerigee: $19)
3. Crying in H Mart by Michelle Zauner (Vintage: $17)
4. The Hundred Years’ War on Palestine by Rashid Khalidi (Picador: $20)
5. The Boys in the Boat by Daniel James Brown (Penguin: $19)
6. Killers of the Flower Moon by David Grann (Vintage: $18)
7. The Four Agreements by Don Miguel Ruiz (Amber-Allen: $13)
8. Starry Messenger by Neil deGrasse Tyson (Holt Paperbacks: $19)
9. Think Again by Adam Grant (Penguin: $20)
10. The Body Keeps the Score by Bessel van der Kolk (Penguin: $19)
Movie Reviews
Movie Review: ‘The SpongeBob Movie: Search for SquarePants’ – Catholic Review
NEW YORK (OSV News) – Cartoon characters can devolve into dullards over time. But some are more enduringly appealing than others, as the adventure “The SpongeBob Movie: Search for SquarePants” (Paramount) proves.
Yellow, absorbent and porous on the outside, unflaggingly upbeat SpongeBob (voice of Tom Kenny) is childlike and anxious to please within. He also displays the kind of eagerness for grown-up experiences that is often found in real-life youngsters but that gets him into trouble in this fourth big-screen outing for his character.
Initially, his yearning for maturity takes a relatively harmless form. Having learned that he is now exactly 36 clams tall, the requisite height to ride the immense roller coaster at Captain Booty Beard’s Fun Park, he determines to do so.
Predictably, perhaps, he finds the ride too scary for him. This prompts Mr. Krabs (voice of Clancy Brown), the owner of the Krusty Krab — the fast-food restaurant where SpongeBob works as a cook — to inform his chef that he is still an immature bubble-blowing boy who needs to be tested as a swashbuckling adventurer.
The opportunity for such a trial soon arises with the appearance of the ghostly green Flying Dutchman (voice of Mark Hamill), a pirate whose elaborately spooky lair, the Underworld, is adjacent to SpongeBob’s friendly neighborhood, Bikini Bottom. Subject to a curse, the Dutchman longs to lift it and return to human status.
To do so, he needs to find someone both innocent and gullible to whom he can transfer the spell. SpongeBob, of course, fits the bill.
So the buccaneer lures SpongeBob, accompanied by his naive starfish pal Patrick (voice of Bill Fagerbakke), into a series of challenges designed to prove that the lad has what it takes. Mr. Krabs, the restaurateur’s ill-tempered other employee, Squidward (voice of Rodger Bumpass), and SpongeBob’s pet snail, Gary, all follow in pursuit.
Along the way, SpongeBob and Patrick’s ingenuity and love of carefree play usually succeed in thwarting the Dutchman’s plans.
As with most episodes of the TV series, which premiered on Nickelodeon in 1999, there are sight gags intended either for adults or savvy older children. This time out, though, director Derek Drymon and screenwriters Pam Brady and Matt Lieberman produce mostly misfires.
These include an elaborate gag about Davy Jones’ legendary locker — which, after much buildup, turns out to be an ordinary gym locker. Additionally, in moments of high stress, SpongeBob expels what he calls “my lucky brick.” As euphemistic poop gags go, it’s more peculiar than naughty.
True to form, SpongeBob emerges from his latest escapades smarter, wiser, pleased with his newly acquired skills and with increased loyalty to his friends. So, although the script’s humor may often fall short, the franchise’s beguiling charm remains.
The film contains characters in cartoonish peril and occasional scatological humor. The OSV News classification is A-I – general patronage. The Motion Picture Association rating is PG — parental guidance suggested. Some material may not be suitable for children.
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Entertainment
Reiner family tragedy sheds light on pain of families grappling with addiction
When Greg heard about the deaths of Rob and Michele Reiner, and the alleged involvement of their son Nick, the news struck a painfully familiar chord.
It wasn’t the violence that resonated, but rather the heartache and desperation that comes with loving a family member who suffers from an illness that the best efforts and intentions alone can’t cure.
Greg has an adult child who, like Nick Reiner, has had a long and difficult struggle with addiction.
“It just rings close to home,” said Greg, chair of Families Anonymous, a national support program for friends and family members of people with addiction. (In keeping with the organization’s policy of anonymity for members, The Times is withholding Greg’s last name.)
“It’s just so horrible to be the parent or a loved one of somebody that struggles with [addiction], because you can’t make any sense of this,” he said. “You can’t find a way to help them.”
Every family’s experience is different, and the full picture is almost always more complicated than it appears from the outside. Public details about the Reiner family’s private struggles are relatively few.
But some parts of their story are likely recognizable to the millions of U.S. families affected by addiction.
“This is really bringing to light something that’s going on in homes across the country,” said Emily Feinstein, executive vice president of the nonprofit Partnership to End Addiction.
Over the years, Nick Reiner, 32, and his parents publicly discussed his years-long struggle with drug use, which included periods of homelessness and multiple rehab stints.
Most recently, he was living in a guesthouse on his parents’ Brentwood property. Family friends told The Times that Michele Singer Reiner had become increasingly concerned about Nick’s mental health in recent weeks.
The couple were found dead in their home Sunday afternoon. Los Angeles police officers arrested Nick hours later. On Tuesday, he was charged with their murder. He is currently being held without bail and has been placed under special supervision due to potential suicide risk, a law enforcement official told The Times.
Experts in substance use cautioned against drawing a direct line between addiction and violence.
“Addiction or mental health issues never excuse a horrific act of violence like this, and these sort of acts are not a direct result or a trait of addiction in general,” said Zac Jones, executive director of Beit T’Shuvah, a nonprofit Los Angeles-based addiction treatment center.
The circumstances around the Reiners’ highly publicized deaths are far from ordinary. The fact that addiction touched their family is not.
Nearly 1 in 5 people in the U.S. has personally experienced addiction, a 2023 poll from the Kaiser Family Foundation found.
Two-thirds of Americans have a family member with the disease, a proportion that is similar across rural, urban and suburban dwellers, and across Black, Latino and white respondents.
“Substance use disorders, addiction, do not discriminate,” Jones said. “It affects everyone from the highest of the high [socioeconomic status] to people that are experiencing homelessness on Skid Row. … There is no solution that can be bought.”
During interviews for the 2015 film “Becoming Charlie,” a semi-autobiographical film directed by Rob Reiner and co-written by Nick Reiner, the family told journalists that Nick, then in his early 20s, had been to rehab an estimated 18 times since his early teens. Nick Reiner has also spoken publicly about his use of heroin as a teenager.
Such cycles of rehab and relapse are common, experts said. One 2019 study found that it took an average of five recovery attempts to effectively stop using and maintain sobriety, though the authors noted that many respondents reported 10 or more attempts.
Many families empty their savings in search of a cure, Feinstein said. Even those with abundant resources often end up in a similarly despairing cycle.
“Unfortunately, the system that is set up to treat people is not addressing the complexity or the intensity of the illness, and in most cases, it’s very hard to find effective evidence-based treatment,” Feinstein said. “No matter how much money you have, it doesn’t guarantee a better outcome.”
Addiction is a complex disorder with intermingled roots in genetics, biology and environmental triggers.
Repeated drug use, particularly in adolescence and early adulthood when the brain is still developing, physically alters the circuitry that governs reward and motivation.
On top of that, co-occurring mental health conditions, traumas and other factors mean that no two cases of substance abuse disorders are exactly the same.
There are not enough quality rehabilitation programs to begin with, experts said, and even an effective program that one patient responds to successfully may not work at all for someone else.
“There is always the risk of relapse. That can be hard to process,” Greg said.
Families Anonymous counsels members to accept the “Three Cs” of a loved one’s addiction, Greg said: you didn’t cause it, you can’t cure it and you can’t control it.
“Good, loving families, people that care, deal with this problem just as much,” he said. “This is just so common out there, but people don’t really talk about it. Especially parents, for fear of being judged.”
After the killings, a family friend told The Times that they had “never known a family so dedicated to a child” as Rob and Michele Reiner, and that the couple “did everything for Nick. Every treatment program, therapy sessions and put aside their lives to save Nick’s repeatedly.”
But the painful fact is that devotion alone cannot cure a complex, chronic disease.
“If you could love someone into sobriety, into recovery, into remission from their psychiatric issues, then we’d have a lot fewer clients here,” Jones said. “Unfortunately, love isn’t enough. It’s certainly a part of the solution, but it isn’t enough.”
If you or someone you know is experiencing a mental health crisis, help is available. Call 988 to connect to trained mental health counselors or text “HOME” to 741741 in the U.S. and Canada to reach the Crisis Text Line.
Jake Reiner, Nick Reiner, Romy Reiner, Michele Singer Reiner and Rob Reiner attend Four Sixes Ranch Steakhouse’s pop-up grand opening at Wynn Las Vegas on Sept. 14, 2024.
(Denise Truscello / Getty Images for Wynn Las Vegas)
Movie Reviews
The Housemaid
Too good to be true? Yep, that’s just what Millie’s new job as a housemaid is—and everyone in the audience knows it. What they might not expect, though, is the amount of nudity, profanity and blood The Housemaid comes with. And this content can’t be scrubbed away.
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