Entertainment
That time Meryl Streep reached out and said she wanted to work with me
“Hey, we just got this email — Meryl Streep wants to Zoom with us about working together. Should we tell her, ‘Well, you know, we do have this TV show’?”
“Um, yes, sure, absolutely, yes, of course??!”
This was an exchange between Steve Martin, Martin Short and me. A few days later came the text: “Hey, we just Zoomed with Meryl. She’s in. Do you have something good for her?”
I really hope Meryl knows what can happen to people when she says she wants to do your project. For me, it was a thunderbolt of thrill followed by pure abject terror that we might disappoint or “not have something good for her.”
The thing I clung to was that a few days before that first reach-out from Meryl, I’d spent a day with [executive producers] Dan Fogelman and Jess Rosenthal brainstorming big-picture ideas for Season 3. We talked about opening it all on a new character, a potential love interest for Oliver Putnam, and how we could show the life of a New York City actress who is so talented but spent decades hoping for something that never came — a career-changing break. I remember saying to Dan and Jess, “Well, you know who the perfect person to cast here is, right? The most celebrated actress of our time playing this part. I mean … right?” The guys looked at me, “Yeah, John, that’s right. Let me know how that works out.”
Meryl Streep plays Loretta Durkin, an actress who finds a career boost and a love interest in Martin Short’s Oliver Putnam in Season 3 of “Only Murders in the Building.”
(Patrick Harbron / Hulu)
Like most of us who’ve worked in this business (and like Loretta Durkin, this new character we were now going to tailor for Meryl), I’ve had a career of many whopper disappointments. Getting close after years — writing, researching, pouring my heart into a screenplay or pilot — only to have it end with a “Nope, not gonna happen.” I’m not in any way “pie in the sky” about these realities, but I also recognize and actually trust in a belief that sometimes good things happen in ways that feel predetermined and fateful. With this third season of our half-hour comedy, that seemed to keep happening over and over and over again. No matter how many times we pushed — OK, maybe I pushed — toward the potential, it could also all go careening off the cliff.
We were given the gift of a dream cast for a half-hour television comedy with mysterious twists and turns, and we decided that if Oliver Putnam’s character was steering the ship — as he had to be in this season, to save his beloved return to Broadway — we had to swing like Oliver would, by turning his shot into a musical. We decided to triple down on the shot we were given.
With “Only Murders in the Building’s” all-star cast, how can you not take a big swing? says showrunner John Hoffman.
(Evelyn Freja / For The Times)
“Yes, you’re going to sing too, Meryl. And Steve. And Marty. And Selena [Gomez], you’re not getting out of this; we have a fantasy number for Mabel. And Paul Rudd.” I remember Paul’s face when I told him he’s going to have a big, climactic duet with Meryl even though his character is dead. “Does that sound too crazy?” I held my breath, hoping he wouldn’t run out of the room. Instead, he got that glint we all love in his eye: “I’m going to sing with Meryl Streep? That may be the best sentence I’ve ever said out loud.”
By another twist of fate, Sas Goldberg, with whom I would co-write our first episode of the season, was close friends with my big-wish pick for composers of the musical within our show, Benj Pasek and Justin Paul. They hopped aboard via one text from Sas. Then they brought along their own murderers’ row of Broadway friends to help, in Marc Shaiman and Scott Wittman, Michael R. Jackson and Sara Bareilles. Are you kidding me?
At some point while filming in the stunning United Palace theater New York’s Washington Heights, I was sitting in the middle of the orchestra when Meryl came by in a preposterously delightful small chapeau (her nanny costume for the musical), and she sat down beside me and said, “Boy, you really like a big swing, don’t you?” I think I laughed, and then I said what feels maybe like the point of this essay: “Well, what’s the point of having you and this bonkers group of super-talents all in one season if you’re only gonna go for a base hit?”
Buoyed by a strong touch of the fates and a colossal collection of madly talented support, we all took a swing together — and that “something good for her” became “something we’ll all never forget and loved making so damn much as we made it sing.”
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‘Clayface’ trailer teases DC Studios’ first proper horror movie
The DC universe is going full on body horror.
DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.
Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.
The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.
According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”
“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.
Who is Clayface?
Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”
Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.
Other versions of Clayface have been introduced in various media since.
Who is in ‘Clayface’?
The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.
Who are the ‘Clayface’ filmmakers?
Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).
The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.
Movie Reviews
Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC
Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.
As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.
During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.
Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.
“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.
“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”
As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.
While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.
The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.
Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.
“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.
“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.
“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”
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