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Review: 'Catching Fire: The Story of Anita Pallenberg' supplies belated respect for a rock muse

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Review: 'Catching Fire: The Story of Anita Pallenberg' supplies belated respect for a rock muse

The most epic era of influential rock girlfriends was surely the late ’60s. When viewed from a perspective that kicks off the sexist dust — as done in the propulsive new documentary “Catching Fire: The Story of Anita Pallenberg” — it becomes possible to think of the Rolling Stones as the ones living in her glamorous orbit of abandon, creativity and style, not the other way around.

An icon in her own right, the German-Italian wild child took everyone on a ride as a fashionista, actor and muse to the world’s hottest band. Pallenberg was arguably both their OG pirate spirit and guide to wider cultural sophistication. But as Keith Richards’ partner and mother to their kids, she found life in the maelstrom impossible to manage. This profile from Alexis Bloom and Svetlana Zill is a bid to reclaim the valuable heat of Pallenberg’s incandescence, while never shielding viewers from her life’s lasting burn marks.

For the record:

11:19 a.m. May 11, 2024An earlier version of this review said Anita Pallenberg was Keith Richards’ wife. The couple never married.

Bloom and Zill draw their narrative from untapped sources: Pallenberg’s never-published autobiography and a treasure trove of vibrant Super 8 home movies. (Access to both comes from her son, Marlon Richards, also an executive producer and interviewee; Pallenberg herself died in 2017.) There’s no mistaking “Catching Fire” for image-burnishing hagiography, however. What comes through are highs and valleys seen from the inside, a clarifying memoir from an unsentimental woman who endured being called every shaming name, with powerful grace notes of understanding from a son whose eyes betray a tough childhood. Pallenberg’s own words are read by Scarlett Johansson, albeit — perhaps to avoid undue scrutiny — without Pallenberg’s Mitteleuropa accent.

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Pallenberg’s life really is something to behold. From a bohemian lineage of music and art, she drove her rebellious allure straight into the Stones’ ascendancy, conferring on the band a chic clout. She vibed first with shy, insecure founder Brian Jones, who drafted off her model‘s cool and art-scene dazzle until drug-addled sociopathy made him an outcast. Pallenberg then found something deeper with guitarist Richards. Of her anarchic energy, he admits, “She scared me.”

When an affair started with Mick Jagger when filming “Performance,” Richards knew to stay away, retreating to write “Gimme Shelter” to address his jealousy. Later, when she stuck with Richards, Jagger returned the feelings with “You Can’t Always Get What You Want.” Muse-ing doesn’t get much more canonical than that one-two shot, on top of the fact that her clothes on Richards’ frame secured him fashion status, too.

When she and Richards became junkie parents on the run, flitting from Britain to France to the Swiss Alps, Pallenberg ran up against the limits of freedom as a rock girlfriend and mom. The hardest-to-fathom section of the documentary follows, marked by a pair of tragedies that put the darkest colors on this portrait of reckless, kaleidoscopic adventure. Again, Marlon’s face and measured words are what stay with you, no truer proof that being a rock god and goddess’ son was no lottery won.

A recovering Pallenberg found a measure of late-in-life solace, getting a college degree, becoming a mentor to Kate Moss (also interviewed) and appearing in the occasional offbeat film. It may seem shallow to call her last piece of rebellion refusing to get plastic surgery, but as presented in “Catching Fire,” that’s the sense, whenever her well-lived-and-lined face beams out of the clips from her final decades. There’s nothing smooth or neatly tucked about being a trailblazer.

‘Catching Fire: The Story of Anita Pallenberg’

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Not rated

Running time: 1 hour, 50 minutes

Playing: Landmark Nuart, West Los Angeles; Laemmle NoHo 7

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

The DC universe is going full on body horror.

DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.

Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.

The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.

According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”

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“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.

Who is Clayface?

Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”

Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.

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Other versions of Clayface have been introduced in various media since.

Who is in ‘Clayface’?

The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.

Who are the ‘Clayface’ filmmakers?

Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).

The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.

As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.

During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.

Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.

“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.

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“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”

As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.

Shigeru Miyamoto says he was surprised by Mario Galaxy Movie reviews.

While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.

The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.

Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.

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“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.

“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.

“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”