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Patrick Haggerty, trailblazing gay country star, dies at 78 | CNN

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Patrick Haggerty, trailblazing gay country star, dies at 78 | CNN



CNN
 — 

When Patrick Haggerty was gearing as much as file his very first nation music album, he had a option to make.

He might be the industry-friendly nation star and stay within the closet, or he may use music to make an announcement about what it was like being a homosexual man in a deeply discriminatory world.

He selected the latter, and 1973’s “Lavender Nation,” Haggerty’s first album recorded beneath the identical identify, is now extensively thought-about the primary nation album recorded by an out homosexual musician.

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Haggerty, an unflappable activist for LGBTQ and socialist causes and married father of two, for years was persona non grata within the music enterprise. “Lavender Nation” was a defiantly queer file, with songs like “Cryin’ These C**ksuckin’ Tears,” throughout a time when few musicians in any style have been snug popping out as homosexual.

So it was stunning, most of all to Haggerty, when he received his probability in 2014 to re-release that historic album and file one other one, performing with different LGBTQ nation musicians and sharing his story with tens of millions. He grew to become a rustic music star in any case.

“The very factor that sank me within the first place is the very factor that jettisoned me into this place,” he advised CNN earlier this 12 months.

Haggerty, the pioneering septuagenarian nation crooner, died Monday, a number of weeks after he’d had a stroke, mentioned Brendan Greaves, a detailed pal and file label government. Haggerty was 78.

Haggerty by no means tried to tamp down or conceal his queerness. He was kicked out of the Peace Corps within the ’60s for being homosexual, he advised CNN earlier this 12 months. He discovered household in Seattle’s LGBTQ group, members of which helped persuade Haggerty, a self-proclaimed “stage hog,” to file an album. He advised Pitchfork in 2014 that his homosexual buddies in Seattle have been “who we made it for, and that’s who we performed it to.”

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Haggerty wrote “Lavender Nation” as an announcement to the music {industry} – he’d refuse to bend to the heteronormative requirements of the instances, and he actually wouldn’t try and masks his queerness. “Lavender Nation” was a protest file. He assumed it could be his final.

“Once we made ‘Lavender Nation,’ we weren’t silly,” he advised CNN. “No style was going to take inventory of something that I needed to say.”

Within the many years between his first and second albums, Haggerty devoted his life to activism. A staunch socialist – he typically known as himself a “screaming Marxist b*tch” – he advocated for HIV/AIDS consciousness, LGBTQ causes and the civil rights of Black Individuals. He had two youngsters together with his husband and retired to a city throughout the Puget Sound, his musical goals lengthy dashed.

“I stuffed up my life with all types of attention-grabbing and interesting issues that have been significant to me that didn’t have something to do with music,” he advised CNN in March.

However in 2013, a file collector bought Haggerty’s file on eBay and shared it with Greaves, who “cold-called” Haggerty and mentioned re-releasing the album on his label, Paradise of Bachelors. Haggerty was suspicious, Greaves remembered – Haggerty, as he advised CNN earlier this 12 months, was largely performing for nursing dwelling crowds without cost at the moment.

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That decision with Greaves was step one to reintroducing Haggerty and Lavender Nation to new listeners, a lot of whom had been hungry for an out homosexual nation star. Paradise of Bachelors would go on to re-release Lavender Nation’s eponymous first album, which was as soon as solely accessible by mail order at the back of another newspaper in Seattle.

Inside a matter of months, Haggerty was thrust into an {industry} he lengthy believed had shut him out.

“Lastly, like 35 years of repressed grief about ‘Lavender Nation’ burst ahead and I’m similar to in a puddle of tears,” he advised CNN in regards to the day he received the decision from Greaves. “My life modified utterly and ceaselessly that day.”

As extra individuals heard “Lavender Nation” and realized Haggerty’s story, his contributions to nation music have been acknowledged and appreciated extra extensively. He even starred in a 2016 documentary quick about his life and legacy, and his music soundtracked an unique ballet carried out by an organization in San Francisco.

He carried out the songs he’d written greater than 40 years earlier with new homosexual nation stars like Orville Peck and Trixie Mattel, who’ve each discovered appreciable success for integrating their identities into their acts.

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Peck remembered Haggerty because the “grandfather of queer nation” in an Instagram publish.

“One of many funniest, bravest and kindest souls I’ve ever identified, he pioneered a motion and a message in Nation that was virtually exceptional,” wrote Peck, together with images of the 2 performing collectively. “A real singular legend.”

Over the past 12 months, Lavender Nation performed exhibits throughout the US in help of its second file, “Blackberry Rose,” performing with different LGBTQ nation acts like Paisley Fields, who remembered Haggerty as a “trailblazer, fearless and outspoken.”

Understanding Haggerty modified Greaves’ life, he wrote on the social accounts of his label, and leagues of others. Much more than his music, Greaves advised CNN, the reminiscences of Haggerty rehearsing in his lounge, taking part in with Greaves’ son and educating him the best way to make banana cream pie are valuable to him.

“He taught me the best way to be a greater father and a greater particular person,” Greaves advised CNN. “As outspoken and loud as he was, and for all of his diva conduct, which was form of legendary and tough at instances, he was additionally a really mild, type household man and pal and mentor.”

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Haggerty by no means aspired to nation stardom within the conventional sense and had no regrets in regards to the winding street it take to get him there. He nonetheless expressed disbelief that he may stay his dream – performing music with a message – and do it his means.

“In secret, I needed to be a hambone all alongside, I admit it,” he beforehand advised CNN. “However now I get to make use of my hambone-edness to foment social change and wrestle for a greater world.”

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Movie Reviews

The Last Republican movie review (2024) | Roger Ebert

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The Last Republican movie review (2024) | Roger Ebert

The documentary “The Last Republican” follows the final months in office of Congressman Adam Kinzinger, who represented two districts in Illinois over the span of 12 years. Kinzinger was one of a handful of Republicans who stood against President Donald Trump, refusing to support him in 2016, then going after him more straightforwardly after Trump lost the election of 2020 and tried to overturn the results by inciting a mob that stormed the Capitol on January 6, 2021, causing multiple deaths. Unlike other Republicans, including then-Senate minority leader Mitch McConnell and then-Speaker of the House of Representatives Kevin McCarthy, Kinzinger never walked back or even softened his position on Trump’s role in Jan. 6 in order to help position Trump for re-election and stay close to the party’s power center. Kinzinger instead made his opposition to Trump the defining part of his identity.

He started a podcast titled “Country First Conversations”” and a political action committee to fund anti-Trump candidates and later supported President Joe Biden and then Vice President Kamala Harris for president and spoke at the Democratic convention. After voting against Trump’s first impeachment, Kinzinger voted for his second impeachment and later said he regretted not voting for the first one.

He also became one of 35 Republicans to support the formation of a committee to investigate the attacks on the Capitol and served on the committee himself. There’s grimly funny segment showing House speaker Nancy Pelosi, a Democrat, announcing that Kinzinger was going to serve on the Jan. 6 committee before actually asking him, and a snippet of McCarthy casually referring to Kinzinger and another Trump critic, Wyoming Republican senator Liz Cheney, as “Pelosi Republicans.” When Cheney lost her primary in Wyoming to her former advisor Harriet Hageman—who briefly opposed Trump, then supported him again—Kinzinger accused conservative pastors of “failing their congregations” by encouraging support for Trump. He is now a CNN commentator.

The title telegraphs the point-of-view of the movie’s director, Steve Pink (“Gross Pointe Blank”). Pink is progressive who disagrees with most of what Kinzinger stands for politically (the movie opens with Kinzinger baiting Pink by calling him a “communist”). Pink positions Kinzinger as one of the last true or real Republicans, primarily because Kinzinger consistently advocated for the rule of law where Trump was concerned and, in Kinzinger’s words, put “country over party.”

This is, of course, a questionable framing, good for branding and sparking arguments on podcasts but not much else. There are plenty other examples of Republicans positioning themselves above the law at various points in the last 50 years, and it’s not as if Democrats have a spotless record in that regard either. In any given era of American history, the “true” Republicans are whichever ones define the identity of the party, and at this particular juncture, it’s not people like Kinzinger.

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“The Last Republican” also mostly elides Kinzinger’s positions on various issues, seemingly to make him more palatable here as a Capra-esque hero who is exclusively defined by standing up to corruption, and against a politician that the filmmaker also opposes. (Kinzinger had a much more progressive record on anti-discrimination legislation than most Republicans, but still voted with Trump 90% of the time, blamed China for spreading COVID, and voted in 2017 to repeal parts of the Affordable Care Act.)

This is not to say that Kinzinger’s opposition to Trump isn’t evidence of integrity and a willingness to sacrifice power for principle. That’s plainly the case, and it’s driven home in a scene where Kinzinger and his wife Sofia Boza-Holman sit on a couch in their house cradling their newborn son while watching the House vote to censure Kinzinger and Cheney for serving on the Jan. 6 committee. But there’s a more nuanced movie that could’ve been made covering the same period in Kinzinger’s life, one that took fuller measure of the ancient proverb “the enemy of my enemy is my friend”—though, to be fair, the very end of the movie humorously acknowledges what strange allies Pink and Kinzinger are, at least as far as this project is concerned.

The movie also gives a strong sense of Kinzinger as a person walking against the winds of change and dealing with tendencies in the American character that elude party definitions. “Everybody’s self-centered,” he tells Pink. “That’s the fight now of my next part of life, fighting against that cynicism.”

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Jonathan Majors’ ex-girlfriend Grace Jabbari drops defamation lawsuit against the actor

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Jonathan Majors’ ex-girlfriend Grace Jabbari drops defamation lawsuit against the actor

Jonathan Majors and ex-girlfriend Grace Jabbari are moving forward from yet another legal battle, nearly a year after the former Marvel star’s high-profile assault and harassment criminal trial last winter.

“Creed III” actor Majors and movement coach Jabbari mutually agreed Thursday to dismiss the latter’s civil lawsuit that accuses her ex-boyfriend of battery, assault and defamation. According to court documents reviewed by The Times, the two parties entered a “stipulation of voluntary dismissal” that did away with Jabbari’s suit with prejudice — meaning that she cannot refile the same complaint in New York federal court.

Jabbari filed her lawsuit in March. The complaint had also accused Majors of intentional infliction of emotional distress and malicious prosecution. Jabbari’s lawsuit was a result of Majors’ alleged “pattern of pervasive domestic abuse that began in 2021 and extended through 2023,” legal documents said. The lawsuit echoed allegations that were central to the “Ant-Man & the Wasp: Quantumania” star’s domestic violence criminal case.

Majors was convicted last December of assault and harassment but also acquitted of an additional assault charge and aggravated harassment. Moments after the verdict, Marvel swiftly fired the “Last Black Man in San Francisco” breakout — another major blow to his professional career.

Majors’ then-attorney Priya Chaudhry, in response to Jabbari’s civil suit, told The Times in March that the complaint came as “no surprise.” In April, a New York judge decided that Majors would not serve jail time and ordered the actor to complete a 52-week in-person batterer’s intervention program and continue with his mental health therapy.

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Jabbari’s attorney Brittany Howard on Friday praised her client for her “tremendous courage,” adding in a statement to The Times that the case “has been favorably settled.”

“We hope that [Jabbari] can finally put this chapter behind her and move forward with her head held high,” Howard added.

A legal representative for Majors did not immediately respond to The Times’ request for comment.

Since his sentencing, Majors has kept a relatively low public profile — weighing in on Marvel’s newest chapter in brief paparazzi exchanges and occasionally appearing alongside actor Meagan Good at Hollywood events.

Days before agreeing with Jabbari to dismiss her civil case, Majors and Good revealed they are engaged. They announced their betrothal Sunday at Ebony’s Power 100 Gala. “We met here two years ago,” Majors told E! News.

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Good, the “Divorce in the Black” star who accompanied Majors during his New York trial last year, said he made two proposals and she was “very shocked and it was wonderful.”

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Wicked movie review: Cynthia Erivo and Ariana Grande waltz into our hearts in this gravity-defying extravaganza 

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Wicked movie review: Cynthia Erivo and Ariana Grande waltz into our hearts in this gravity-defying extravaganza 

Cynthia Erivo, left, and Ariana Grande in a scene from the film ‘Wicked’
| Photo Credit: UNIVERSAL PICTURES

She did not eat grass as a child nor is she seasick, insists the green-skinned Elphaba (Cynthia Erivo) in Wicked, the movie adaptation of the Broadway musical which in turn was inspired by Gregory Maguire’s 1995 novel, ‘Wicked: The Life and Times of the Wicked Witch of the West’.

After Maleficent, which looked at the Sleeping Beauty story from the antagonist’s point of view, here is another revisionist look at the famous wicked witch from the other side of L. Frank Baum’s 1900 novel ‘The Wonderful Wizard of Oz’.

For those who came in late (like in all those Phantom comics), director Jon M. Chu (Crazy Rich Asians) provides a précis of events where Dorothy liquefied the Wicked Witch of the West and went home to Kansas down the Yellow Brick Road with her dog Toto, The Cowardly Lion, The Tin Man and The Scarecrow. As the people of Oz celebrate the death of the Wicked Witch, the Good Witch, Glinda (Ariana Grande), joins in.

When one of the good people of Oz asks her about the Wicked Witch, Glinda admits to knowing her and it is time for a flashback. Elphaba was the daughter of the Governor of Munchkinland, Thropp (Andy Nyman). The colour of her skin, thanks to her naughty mum (Courtney-Mae Briggs), meant Elphaba was always rejected and made fun of by those around her.

Wicked 

Director: Jon M. Chu

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Cast: Cynthia Erivo, Ariana Grande, Jonathan Bailey, Peter Dinklage, Michelle Yeoh, Jeff Goldblum

Runtime: 160 minutes

Storyline: The story of how a misunderstood little green girl became the all-powerful Wicked Witch of the West

She feels responsible for her paraplegic younger sister, Nessarose’s (Marissa Bode) condition too. When she comes with her father to drop Nessarose at the stately Shiz University in Oz, her father insists she stay to see Nessarose is properly settled in. The Dean of Sorcery, Madame Morrible (Michelle Yeoh), sees Elphaba’s power and proposes to teach her to control her magic. Glinda or Galinda as she is known then, is pretty, pink and popular. While she wants to study sorcery under Madame Morrible, she is not prepared to have Elphaba as a roommate as suggested by Morrible.

Despite the initial hiccups, the two very different girls become friends, bonding over a wild party at the Ozdust Ballroom. Elphaba is sensitive to the undercurrents at Oz including the fact that animals are being excluded and losing their voice as the history professor, a goat named Doctor Dillamond (Peter Dinklage) reveals. The campus is in a tizzy when the handsome and determinedly shallow Winkie prince, Fiyero Tigelaar (Jonathan Bailey) joins Shiz. Though Elphaba dreams of meeting and impressing The Wonderful Wizard of Oz (Jeff Goldblum), so that she can ask him to change her skin colour when she finally does meet him, that is not what she asks for.

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Cynthia Erivo, left, and Ariana Grande in a scene from the film ‘Wicked’

Cynthia Erivo, left, and Ariana Grande in a scene from the film ‘Wicked’
| Photo Credit:
GILES KEYTE

Wicked works wonderfully well on so many levels. It is a study of what makes people do the things they do, or think the way they do. It is a look at what is considered normal and what creates a villain, all the while celebrating the joys and tears of being different.

Wicked is a musical, with gloriously choreographed songs and an action film with breathtaking stunts. The sets, physical and CGI, are eye-popping, especially the library with its books (rare and medium rare as Glinda helpfully points out) stacked in gigantic wheels — wish Fiyero did not step on books though. The girls’ room, the Ozdust Ballroom, the Emerald City, the weird and wonderful train that takes Glinda and Elphaba to Emerald City, and many more, are all glorious sonnets to the imagination.

Erivo and Grande own their roles, singing, dancing and dueling with gusto while Bailey is delightful as the callow, charming Prince. Yeoh is grandly inscrutable and there is special joy in watching Goldblum do a jig. The 160 minutes of Wicked slip by in a Technicolor flash and the fact that there is Part II, coming out in 2025 puts a jolly song in one’s heart.

Wicked is currently running in theatres

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