Entertainment
Nothing’s funny about scared immigrants, unless it comes from Ramy Youssef
What happens when the political satire of “South Park” collides with a Muslim kid’s coming-of-age story in post-9/11 New Jersey? You get the animated sitcom “#1 Happy Family USA.”
Cocreated and coshowrun by Ramy Youssef and Pam Brady, the A24 production, which premieres Thursday on Prime Video, follows Rumi Hussein (voiced by Youssef) and his family as they navigate the “see something, say something” paranoia of the early 2000s.
The semi-autobiographical story of Egyptian American comedian, actor and director Youssef is at the center of this period comedy where Michael Jordan, music piracy and Britney Spears still dominate the news. Everything is normal in 12-year-old Rumi’s world on Sept. 10. He’s crushing on his teacher Mrs. Malcolm (voiced by Mandy Moore — who happened to rise to fame in the 2000s). He’s tolerating the cluelessness of his Egyptian immigrant parents, father Hussein (also voiced by Youssef) and mother Sharia (Salma Hindy). He’s fighting with his oh-so-perfect/closeted sister, Mona (Alia Shawkat). His devout grandparents also live at home, always on hand to make whatever Rumi’s doing feel haram.
But within 24 hours, the Al Qaeda attacks turn the Husseins from an average dysfunctional family with unfortunate names into a suspected terror cell.
“#1 Happy Family USA” follows a Muslim boy’s coming-of-age story.
(Prime Video)
Rumi’s father, a doctor turned halal cart owner, goes into assimilation overdrive to prove his family is 110% American and absolutely not associated with anyone named Osama. Old Glory, Christmas decor and Easter trimmings suddenly pop up in their front yard. He shaves his beard off. He insists that his wife stop wearing her hijab, which makes Sharia, who is a receptionist for an eccentric dentist (Kieran Culkin), all the more determined to don her headscarf.
Meanwhile, Rumi’s classmates now eye him suspiciously despite his attempts to fit in with the other boys by wearing his new basketball jersey. But the bootleg “Bulls” shirt reads “Balls” instead. It’s also three sizes too big and looks like a dress. Clearly he’s not like the others.
Elements of the storyline mirror Youssef’s childhood montages in his Hulu series “Ramy,” but the medium of adult animation allowed him to “go wild” with the story and characters. He also got to work with Brady, an authority on pushing animated satire to hilarious extremes.
“Animation became the vehicle for how this idea should live. I wanted to look at a wholly unexplored period outside of the lens of a cop drama or the news … and go to the wildest extremes with premises,” said Youssef. “I definitely had the desire to make something stupid in a really great, sophisticated and almost Commedia dell’arte way. Just dumb and loud [laughs]. You can put ‘Ramy’ in a dramedy category and you could, to an extent, put ‘Mo’ there, but here it’s really bursting open in a medium with no limits. Then Pam’s name came up and it was a no-brainer.”
Brady collaborated with Trey Parker and Matt Stone on “South Park” from the show’s start, going on to cowrite with them the film “Team America: World Police” and cocreating the Netflix comedy series “Lady Dynamite.” “As soon as I saw ‘Ramy’ and I saw his stand-up, I was a fan,” said Brady. “I kept begging my manager: ‘Please, can I meet Ramy?’ So I came at it honestly as a fan, knowing that this guy’s doing some next-level stuff. I keep joking with my friends that Ramy’s a real writer. He explores characters. That’s why this experience has been so amazing because it’s pushed me. It’s like, ‘Oh, this is how you do it.’”
Mona Chalabi, Ramy Youssef and Pam Brady are the creative forces behind “#1 Happy Family USA.”
(Christina House / Los Angeles Times)
Illustrator and executive producer Mona Chalabi designed the characters, each harkening back to animation styles of the late ’90s and early 2000s shows like “Futurama” or “Daria.”
“I wanted it to feel like a found tape,” said Youssef. “You pop it in and it looks like it could have been on Comedy Central or MTV [back then]. It’s hand-drawn animation and we made it with an animation studio in Malaysia [called Animasia]. It’s an all-Muslim animation house, which is so crazy. They were so happy to draw hijabs and all these characters. They were like, ‘We relate to it!’ But we even downgraded our computers here in order to make it like it would have been made. Whatever we did took a while and it was like the opposite of AI.”
Adds Brady, “We wanted to make sure, especially with the visuals and the direction and the pacing, that the show felt familiar. That you’d seen a show like this before. We didn’t want to reinvent the form, but we also didn’t want to make it look like ‘Family Guy.’ So it’s like, ‘Oh, this show existed in 1998. You remember it, right?’”
Though the show takes place some 25 years ago, it’s not hard to see the plot’s resonance today in the wake of the deportations and roundups of immigrants and students. The Husseins are up against a wave of Islamophobia, triggered by the 9/11 attacks. They embody the very real fear of being profiled by the outside world, including FBI agent Dan Daniels (voiced by Timothy Olyphant), who happens to live across the street. A dark period, to be sure, but also one rich in comedic value if you’re willing to go there as “#1 Happy Family USA” does. Its characters break out into song while on the verge of being swept up by Homeland Security, or inadvertently cause a widespread panic by dropping on the carpet at the airport to pray when they learn of the terror attacks.
“We were trying to kind of create this time capsule, like around the old DHS of this moment,” said Youssef. “But right now is a time when an immigrant family, and surely a Muslim family, would feel the need to shout, ‘We’re No. 1! Happy Family USA!’ Pam and Mona and I have all been looking at each other with like, ‘Whoa.’ Of all the times this thing could have dropped, it’s dropping right now, when [it’s hard] to joke about this stuff in any other medium.”
At a time when everything feels like a cruel joke, “#1 Happy Family USA” bites back with the satire we need.
Movie Reviews
Movie Review – Desert Warrior (2026)
Desert Warrior, 2026.
Directed by Rupert Wyatt.
Starring Anthony Mackie, Aiysha Hart, Ben Kingsley, Ghassan Massoud, Sharlto Copley, Sami Bouajila, Lamis Ammar, Géza Röhrig, Numan Acar, Nabil Elouahabi, Hakeem Jomah, Ramsey Faragallah, Saïd Boumazoughe, and Soheil Bostani.
SYNOPSIS:
An honorable and mysterious rogue, known as Hanzala, makes himself an enemy of the Emperor Kisra after he helps a fugitive king and princess in the desert.
With aspirations of being a historical epic harkening back to the sword and sandal blockbusters of yesteryear, Rupert Wyatt’s seventeenth-century Arabia tale is about as generic and epically dull as one would expect from a film plainly titled Desert Warrior. Yes, there appear to be real locations here, and there are some admittedly sweeping shots of various tribes storming into battle on horseback and camels, but it’s all in service of a mess that is both miscast and questionable as the work of a filmmaking team of mostly white creatives.
The story of Emperor Kisraa (Ben Kingsley, a distracting presence even with only one or two scenes) rounding up women from other tribes to be his concubines, which inevitably became the catalyst for a revolution led by Princess Hind (Aiysha Hart), uniting all the divided clans and strategizing battle plans for flanking and poisoning, is undeniably ripe for cinematic treatment. The problem is that what’s here from Rupert Wyatt (and screenwriters Erica Beeney, Gary Ross, and David Self) is less than nothing in the primary creative process; no one seems to have a connection to Arabic heritage or culture, but they have made a flat-out boring film that is often narratively incoherent.
Following the death of her father and escaping the clutches of oppression, the honorable Princess Hind joins forces with a troubled, nameless bandit played by Anthony Mackie (he totally belongs here…), who seems to be here solely to give the movie some star power boost without running the risk of white savior accusations. Whatever the case may be, it’s jarring, but not quite as disorienting as how little screen time he has despite being billed as the lead and how little characterization he has. It is, however, equally disorienting as some of the other names that show up along the way.
As for the other factions, Princess Hind talks to them one by one, giving the film an adventure feel that fails to capitalize on using beautiful scenery in striking or visually poignant ways at almost every turn; the leaders of these tribes also often have no character. There also isn’t much of an understanding of why these tribes are at odds with one another. This movie is filled with dialogue that consistently and shockingly amounts to vague nothingness. Nevertheless, each tribe doesn’t take much convincing to begin with, meaning that not only is the film repetitive, but it’s also lifeless when characters are in conversation.
That Desert Warrior does occasionally spring to life, and a bloated 2+ running time is a small miracle. This is typically accomplished through the occasional fight scene between factions that also serves to demonstrate Princess Hind coming into her own as a warrior. When the tribes are united in a massive-scale battle, and that plan is unfolding step by step, one certainly sees why someone would want to tell this story and pull it off with such spectacle. However, this film is as dry as the desert itself.
Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★
Robert Kojder
https://www.youtube.com/watch?v=embed/playlist
Entertainment
Eddie Murphy’s son and Martin Lawrence’s daughter welcome first child: ‘That baby gonna be funny!’
Eddie Murphy is celebrating not just his lifetime achievement award, but also the arrival of his third granddaughter, perhaps the funniest baby alive.
Murphy’s son Eric and Martin Lawrence’s daughter Jasmin have welcomed their first child together, baby Ari Skye.
On Saturday, Murphy was honored with the 51st AFI Life Achievement Award at a gala in Hollywood and told reporters that he had recently celebrated back-to-back milestones.
“I just had my first grandson two months ago, and I had my third granddaughter two weeks ago. And I turned 65 a month ago,” he told “Entertainment Tonight” ahead of the gala. “It’s raining blessings on me.”
The ceremony celebrated his storied career across comedy and film, and featured tributes from fellow funnyman Dave Chappelle and “Shrek” co-star Mike Myers. The special will premiere May 31 on Netflix.
The “Dr. Dolittle” star also gushed about his new grandbaby to E! News, and told the outlet that being honored for his work was “a wonderful thing” but that his legacy wasn’t his work.
“My legacy to me is my children,” he said.
Asked whether he or Lawrence offered their kids any parenting advice as they prepared to welcome Ari Skye, Murphy said he’s more of a lead-by-example kind of dad.
“You don’t give advice like that,” he told the outlet. “Your kids don’t go by your advice. Your kids go by the example you set. They watch you. Stuff you be saying, they don’t even pay that no mind. They watch and see what you do.”
In March, Jasmin and Eric posted photos from their lavish baby shower on social media. The shindig included a three-tiered pink cake, pink cocktails garnished with meringue that looked like clouds and balloons galore. “The most beautiful and special celebration for our baby girl,” the couple captioned the post. “Thank you to our parents and everyone that made this day so magical! Ari Skye Murphy, you are SO loved already!!”
Excitement around Ari Skye’s arrival had been brewing in the media long before the couple even announced they were expecting. Murphy joked about a potential grandbaby when Jasmin and Eric were dating back in 2024, during an interview with Gayle King.
“They’re both beautiful,” he said. “They look amazing together. And it’s funny — everybody’s like, ‘That baby gonna be funny!’ Like our gene pool is just going to make this funny baby.”
Murphy agreed, saying: “If they ever get married and have a child, I’m expecting the child to be funny.”
Movie Reviews
Movie Review: ‘Agon’ is a Somber Meditation on the Athletic Grind
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