Watch Psycho Killer on VOD now

Psycho Killer was directed by Gavin Polone, who has produced a lot of amazing genre movies. These include Stephen King‘s Secret Window (2004), Cold Storage, and Zombieland: Double Tap, while also having produced projects in various other genres. As a director, this is his feature film debut, and I’m sorry to say I think this is the main issue of the finished product.

I say this because the screenplay was written by Andrew Kevin Walker, who also wrote Se7en. Much of what I liked initially about Psycho Killer feels like classic Andrew Kevin Walker, so I’m hesitant to truly believe the story is bad. After all, the iconic Seven could also have been a very strange experience if not directed by David Fincher.

For the record, Seven is far from the only successful script by Andrew Kevin Walker. He also wrote Brainscan (1994), Hideaway (1995), 8MM (1999), Sleepy Hollow (1999), The Wolfman (2010), Windfall (2022), and The Killer (2023). In other words, he is very far from being a one-hit wonder.

I don’t want to recommend that you skip this movie, because the first half of Psycho Killer shows what a brilliant serial killer horror slasher this could have been. So watch it, and try to prepare yourself for an ending that does not live up to that strong opening.

Psycho Killer is out on digital from April 7, 2026.

On August 13, 1982, Universal released teen comedy Fast Times at Ridgemont High in theaters, marking the directorial debut of Amy Heckerling from a screenplay by Cameron Crowe. The film, featuring a breakout performance from Sean Penn, would go on to become a cult classic. The Hollywood Reporter’s original review is below:

Fast Times at Ridgemont High has it all Pac-Man, pizza, cruising, cursing, rockin’, rollin’ enough to keep even the most “totally awesome” teen tuned in all the way. And, given the recent success of almost every zany adolescent film, Fast Times should easily pull in its share of youngsters. What separates this Universal release from the pack, however, is its warmth. It may be a film about kids, but it’s for adults who have not forgotten what it’s like to be a kid.

Fast Times follows six teenagers through one year at Ridgemont High, clocking every escapade, from ordering a pizza for arrival during U.S. History to boyfriends and unwanted pregnancies. Screenwriter Cameron Crowe has adapted his bestselling book quite well, keeping a very personal perspective (Crowe actually went back to high school before writing the book, posing as a student for a year as research). Amy Heckerling, in her feature debut, has proven herself to be a truly gifted director, able to tickle the ribs with one hand while the other tugs at the heartstrings.

Although the high school setting might at first brand Fast Times as another Porky’s spin-off, the film stands on its own. If comparisons are to be made, they might better link Fast Times with the intimate portrayal of ’50s teens in American Graffiti. Both Graffiti and Times delve beneath the surface of their characters, showing in the process that teenagers haven’t changed all that much. They just quit cruising the main drag with Elvis. Now they “check out” the mall to the beat of the Go Go’s.

The cast approaches the picture with a delightfully devil-may-care sincerity, playing off of one another with a simple ease. It is these characterizations, as written by Crowe and under the skillful eye of Heckerling, that give the film its charm. The most flamboyant in his characterization is Sean Penn as Spicoli, the bleached-out surfer with the permanently blood-shot eyes and a half-smile pinned to his cheeks. Penn provides the wilder moments at Ridgemont High, and to his credit, never dropped the reality of his character in going for a madcap laugh.

Judge Reinhold’s Brad also adds consistent comic edge to the picture with his sad eyes and fast food attitude. Robert Romanus, as Damone, would scalp Ozzy Osbourne tickets to his grandmother, and yet deftly treads the tightrope between cockiness and desperation. Phoebe Cates play the nymphette Linda to the hilt, showing only now and again the lost little girl inside. Jennifer Jason Leigh, as the freshman with a lot to learn, proaches her Stacy with the most even of keels. Her performance, although quite natural, tends toward the monochromatic. Brian Hecker, as the would-be beau, has little to do other than proffer an embarrassed smile. Veteran actor Ray Walston, as the history teacher, plays a sour-pussed straight man to the constant shenanigans of Spicoli.

Music plays an important role in Fast Times, offering an ambience that varies from “Oingo Boingo” to Jackson Browne. Although the likes of the Go Go’s and the Cars are present at times, the soundtrack as a whole seems too staid to provide a backdrop for ’80s kids kicking around in the heyday of punk. Other technical credits include the fine work of Dan Lomin whose art direction gives the Sherman Oaks Galleria an intimacy it has never known. — Gina Friedlande, originally published on Aug. 11, 1982.

Super Duperr is a riot in all senses of the word. A wild ride filled with laughter and emotion it presents an unusual matchup of traditional and modern values.Rohit (Lalit Prabhakar) and Isha (Vidula Chougule) are a young couple trying to make their mark in the entertainment industry. They take their relationship to the next level and purchase a flat in Mumbai with their savings. It is here that they realise that they have fallen for a scam when the same house is sold to and currently occupied by a rural family. What follows is a series of clashes and learning moments that test the morality of both parties. The story is a fun take on a series of real world scams and as such has a very interesting premise. The Sameer Asha Patil film however chooses to take a detour in favour of certain stretched out gags and slow motion shots. What could have been a deep exploration of the two worlds colliding, ends up being a formulaic checklist of a wedding song, an action sequence and a few slapstick gags. These are passable of course, but the ho-hum nature of the story’s progression feels under utilized. Super Duperr does offer impactful emotional sequences, notably the equation between the parents (Shashank Shende and Nirmiti Sawant) and his eldest son (Hrishikesh Joshi). The music and cinematography are well executed and add abundantly to the viewing experience. Super Duperr set a rich tapestry only to ultimately doodle in a corner. While it could have benefitted from adding more inter-family interactions, it remains a good watch for this weekend.