Connect with us

Movie Reviews

The Stew Review: The Top 10 Movies of 2022

Published

on

The Stew Review: The Top 10 Movies of 2022

TYLER, Texas (KLTV) – I wouldn’t have guessed it initially, however 2022 turned out to be a stellar 12 months for cinema. A lot in order that it was wrenching to try to maintain this at a prime 10. Regardless, among the finest blockbusters of all time have been unleashed and among the most affecting dramas and smaller movies I’ve seen in years graced the screens. There was one thing for everybody, the epitome of what a fantastic film 12 months needs to be. So with that, right here’s a take a look at my prime 10 favorites of the 12 months.

10. Turning Pink – Few issues have been extra irritating this 12 months (when it comes to films, at the least) than not with the ability to see one in all Pixar’s finest films on an enormous film display screen. This follows heartily within the footsteps of 2021′s Luca (one other Pixar that was robbed of the glory of theatrical presentation) because the studio’s fantastic, boisterously colourful new home type is put entrance and middle in service of a hilarious and touching story about generational expectations amid the sound, fury and unbridled emotion that comes with attempting to determine who you’re going to be in your teenagers.

9. The Menu – A scrumptious, darkly hilarious social satire that’s possible what we’d get if David Fincher ever made a film on the identical thematic wavelength as Ratatouille. This was one of many largest surprises of the 12 months for me and I can’t wait to style it once more. Full evaluation right here.

8. The Banshees of Inisherin – As quietly devastating a film as I’ve seen in a very long time, Martin McDonagh delivers a considerate and heartbreaking examination on growing old and friendship. A film about two feuding former associates, The Banshees of Inisherin offered an odd consolation to know that others wrestle in the identical method as me with relationships, with id, with unmet need and the inherent unhappiness that may usually sweep its method by a life. Melancholic and elegiac, but additionally surprisingly humorous and sometimes touching. Colin Farrell’s eyebrows alone deserve an Oscar nomination.

7. Prey – It took 30 years, however we lastly obtained a Predator sequel that feels wholly able to standing toe-to-toe with the unique movie. Full evaluation right here.

Advertisement

6. Three Thousand Years of Longing – One of many biggest strengths of George Miller as a director is his skill to effortlessly hop between genres and tones. Certain, he directed one of many all-time biggest motion film spectacles with 2015′s Mad Max: Fury Street, however he additionally gave us Babe: Pig within the Metropolis, Glad Ft and now Three Thousand Years of Longing, some of the visually beautiful, achingly stunning films I’ve seen in years. It’s a fantastical however honest examination on the character of need, contentment, love and life itself.

5. High Gun: Maverick – A High Gun sequel has no enterprise being this good. And but it seems that High Gun: Maverick is definitely probably the greatest summer time blockbusters ever conjured. That is every little thing I need out of a summer time film and joins the ranks of films like Blade Runner 2049 and Creed as proof of learn how to do legacy sequels completely. That is every little thing I need out of massive funds filmmaking. Full evaluation right here.

4. Athena – This one got here out of nowhere and I used to be solely made conscious of it due to Bilge Ebiri, one in all my favourite movie critics working right this moment. Romain Gavras’ Athena is a fully beautiful movie concerning the seduction, value, necessity and roots of violence and social upheaval. I’ve by no means seen something fairly prefer it. It feels speedy and of the second in a method few films do. It’s nuanced and but unfurls itself with some breathtakingly operatic sequences which might be directly thrilling and harrowing in equal measure. It’s against the law that this film is relegated to Netflix and may’t be seen in a theater.

3. All the things All over the place All At As soon as – Fairly presumably the 12 months’s most audacious film. On the very least it has two of my favourite performances due to the outstanding work by Michelle Yeoh and Ke Huy Quan (in his first main function in a long time). The multiverse insanity makes for an awesome spectacle, however the emotional coronary heart at its core is just enhanced by the wacky chaos due to the dynamic route by Daniels Scheinert and Kwan.

2. The Fabelmans – The Fabelmans is Steven Spielberg at his most sentimental in a method that we haven’t seen in a long time. A film that’s half biopic, half confessional, half heart-on-its-sleeve love letter to creating, watching and sharing cinema. I really feel actually fortunate to have the ability to watch a grasp’s work because it comes out in theaters. What a present. Full evaluation right here.

Advertisement

1. RRR – That is the fictional story of two real-life Indian revolutionaries who meet and instantly develop into brothers for all times and I’ll by no means cease kicking myself for not making time to go see RRR when it performed in a Tyler movie show for just a few weeks early within the 12 months. Whereas I’m admittedly woefully not well-versed in Indian cinema, I can confidently say that I’ve by no means seen something like this megaton bomb of a film. Is it an action-packed historic epic? A romantic comedy? Often a musical? A touching bromance? Some of the bombastic, energetic, exhilarating authentic blockbusters I’ve ever seen? Sure. I misplaced rely of what number of occasions I yelled at my TV as a result of one thing delightfully outrageous occurred. All I can hope is that Western filmmakers take pages of notes from RRR. When you’ve obtained Netflix, you gained’t need to miss this.

Runners up: The Batman, Glass Onion, Guillermo del Toro’s Pinocchio, Physician Unusual within the Multiverse of Insanity, Elvis, The Black Telephone, The Lady King, Ambulance, The Insufferable Weight of Huge Expertise, Moonfall.

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Movie Reviews

'Bhaiyya Ji' movie review: Bajpayee’s 100th film fails to deliver

Published

on

'Bhaiyya Ji' movie review: Bajpayee’s 100th film fails to deliver

A Manoj Bajpayee film sets the bar high with expectations of a power-packed performance. The expectation is even higher when it’s his 100th movie. While the stalwart does justice to his role, the story feels jaded.
‘Bhaiyya Ji’ is the story of sibling love and vengeance. Bajpayee plays a reformed Robin Hood, who comes out of ‘retirement’ to avenge the death of his brother. His backstory is something we have seen on screen multiple times – this Robin Hood holds the power to change lives in his village. He doesn’t even hesitate to kill people to protect the ones he cares about.

One might think it a remake of a south Indian film. The similarities are many.

A larger-than-life character single-handedly destroying an evil villain and his army of henchmen.

This one line sums up the entire movie, with the only saving grace being Bhaiyya Ji, Bajpayee himself. When his younger brother is killed by a ruthless politician’s son, it is up to Bhaiyya Ji to break the promise he made to his father and get back to business, to avenge the family’s loss. 

The actors playing antagonists do hold their own. But the direction fails to impress, and the action scenes are run of the mill.

Advertisement

A few scenes will make you chuckle but those expecting an out-and-out mass entertainer will be disappointed.

A personal milestone always needs to be appreciated. While Bajpayee hits a century, his team ends up on the losing side with this revenge drama. 

Published 24 May 2024, 23:28 IST

Continue Reading

Movie Reviews

Review: How online platform Letterboxd unifies all film lovers

Published

on

Review: How online platform Letterboxd unifies all film lovers

Letterboxd made its first appearance in 2011 by co-founders Matthew Buchanan and Karl von Randow. Together with an eye-catching UI design, the ability to browse, review, and keep track of various films has attracted many users to the platform for years.

There are plenty of options displayed with one simple click into the app. Similar to a majority of social media websites, Letterboxd contains a home, search, activity, and profile tab, all of which are easily accessible. Most notable of these features would be the search tab; users are able to browse through a category of their liking, whether it be by the ‘most popular’ or ‘highest rated’ films. The various and endless amount of cinema these categories expose to its users has expanded, as well as refined, the tastes of many.

Of course, the ever-changing opinions of audiences bring us to an exciting aspect of the platform: reviews. Each film showcases its overall rating from its viewers along with a count of how many reviews have been made so far. People who are curious about the public opinion are given the opportunity to read an abundance of honest reviews and, additionally, make one of their own. Leaning into its social media traits, Letterboxd has also made it possible to engage and develop a bond with others by liking or replying to their reviews.

In my personal experience, Letterboxd has been an entertaining platform for all things cinema-related. Adding films to my watchlist and browsing through reviews during my moments of free time have deepened my connection to–and interest for–the film industry.

Letterboxd has steadily developed a unique community on its platform while simultaneously expanding the tastes and critic reception of its users overtime. If you’re looking for something to watch, people to engage with, or a place to let out your feelings on a movie, I highly recommend this app!

Advertisement

Continue Reading

Movie Reviews

'Thalavan': A well-crafted investigative thriller with strong performances from Biju Menon, Asif Ali | Movie Review

Published

on

'Thalavan': A well-crafted investigative thriller with strong performances from Biju Menon, Asif Ali | Movie Review

‘Thalavan’, directed by Jis Joy and starring Biju Menon and Asif Ali, has hit theatres today, delivering an entertaining investigative thriller. Recently, Malayalam cinema has seen an influx of police-themed movies, raising the question of what ‘Thalavan’ has to offer. Biju Menon’s last release, ‘Thundu’, another police movie, received a lukewarm response at the box office, so audiences were curious about ‘Thalavan’. This film is well-crafted and contains enough substance to be considered a solid investigative story.

The story revolves around two police officers, Jayashankar (Biju Menon) and Karthik (Asif Ali), and how one becomes a suspect in a murder case. While the movie may not be excessively gripping, it certainly manages to capture your attention. From the outset, the film dives into the investigative phase, immediately hooking you to the story. There is also an ongoing ego clash between the two officers, though this subplot doesn’t significantly impact the main story.

Continue Reading

Trending