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The Parenting: A Flat Horror Comedy (Early Review)

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The Parenting: A Flat Horror Comedy (Early Review)

The Parenting follows young couple Rohan (Dodani) and Josh (Flynn) as they plan a perfect weekend getaway in the country to introduce their parents for the first time. As tensions begin to flare between the more traditional Sharon (Edie Falco) and Frank (Cox) and the laid-back Liddy (Lisa Kudrow) and Cliff (Dean Norris), the families soon realize that their rental, managed by the eccentric Brenda (Parker Posey), is haunted by the presence of a 400-year-old poltergeist. However, when one of the parents becomes possessed, it’s up to the families to come together and stop the evil entity once and for all before its too late. Essentially Meet the Parents as a horror comedy set in a haunted house, it is an absolutely brilliant idea on paper and a perfect sell to audiences. That being said, the final product unfortunately squanders that potential, making for a disappointing film as a whole.

While not without issues, there is a lot to like about the film, and the best part is easily the cast. They are clearly having a blast together and that shows in the great chemistry they have with one another. Dodani and Flynn make for solid leads, playing characters worth caring about, in spite of their flaws. Meanwhile, the more seasoned cast are also great, including the likes of Cox and Falco who get the best moments, and Dean Norris and Lisa Kudrow who provide the biggest laughs. Never meant to have a major role, the film desperately needed more Posey, who is great and definitely understood the assignment better than the rest. In the end, the cast hold it together and are the sole reason to check this one out. Setting them up through a strong opening act, it establishes a connection with the characters as they found themselves in the middle of a haunted house mystery.

But from that point on, everything that followed simply falls flat, losing steam with each passing minute. A big reason as to why that is the case is the fact that it’s just not funny, as its humor mostly lands with a thud. Going for the most silly, juvenile, and obvious jokes, that choice would have been fine if this was a film targeting kids and families. Being an R-rated comedy, it is clearly targeting adult audiences, however, it is hard to imagine any who would consider any of the humor funny. On the other hand, the horror elements are as disappointing, as if they were handled by a director without a horror background. Though the film, never really tries to be overly scary, its horror elements aren’t effective and also play it incredibly safe. While there is technically a mystery to solve at the center of it all, there is little reason to truly care about it or its eventual outcome, but for those who do, the closure the film does provide is not only derivative, it is also predictable, and as a result, unsatisfying.

At the end of the day, The Parenting isn’t an awful film by any stretch of the imagination and might make for a good gateway film for audiences wanting to get more into horror but for a horror comedy, the film is not all that funny, scary, or remotely intense. Despite its many flaws, the cast help to elevate it considerably, to the point of watchability, but it’s not a surprise that this sat on the shelf after being filmed nearly a full 3-years ago, sitting in a sort of theatrical/streaming limbo.

still courtesy of Max

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Primate

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Primate
Every horror fan deserves the occasional (decent) fix, andin the midst of one of the bleakest movie months of the year, Primatedelivers. There’s nothing terribly original about Johannes Roberts’ rabidchimpanzee tale, but that’s kind of the …
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1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

A still from ‘Song Sung Blue’.
| Photo Credit: Focus Features/YouTube

There is something unputdownable about Mike Sardina (Hugh Jackman) from the first moment one sees him at an Alcoholics Anonymous meeting celebrating his 20th sober birthday. He encourages the group to sing the famous Neil Diamond number, ‘Song Sung Blue,’ with him, and we are carried along on a wave of his enthusiasm.

Song Sung Blue (English)

Director: Craig Brewer

Cast: Hugh Jackman, Kate Hudson, Michael Imperioli, Ella Anderson, Mustafa Shakir, Fisher Stevens, Jim Belushi

Runtime: 132 minutes

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Storyline: Mike and Claire find and rescue each other from the slings and arrows of mediocrity when they form a Neil Diamond tribute band

We learn that Mike is a music impersonator who refuses to come on stage as anyone but himself, Lightning, at the Wisconsin State Fair. At the fair, he meets Claire (Kate Hudson), who is performing as Patsy Cline. Sparks fly between the two, and Claire suggests Mike perform a Neil Diamond tribute.

Claire and Mike start a relationship and a Neil Diamond tribute band, called Lightning and Thunder. They marry and after some initial hesitation, Claire’s children from her first marriage, Rachel (Ella Anderson) and Dayna (Hudson Hensley), and Mike’s daughter from an earlier marriage, Angelina (King Princess), become friends. 

Members from Mike’s old band join the group, including Mark Shurilla (Michael Imperioli), a Buddy Holly impersonator and Sex Machine (Mustafa Shakir), who sings as James Brown. His dentist/manager, Dave Watson (Fisher Stevens), believes in him, even fixing his tooth with a little lightning bolt!

The tribute band meets with success, including opening for Pearl Jam, with the front man for the grunge band, Eddie Vedder (John Beckwith), joining Lightning and Thunder for a rendition of ‘Forever in Blue Jeans’ at the 1995 Pearl Jam concert in Milwaukee.

There is heartbreak, anger, addiction, and the rise again before the final tragedy. Song Sung Blue, based on Greg Kohs’ eponymous documentary, is a gentle look into a musician’s life. When Mike says, “I’m not a songwriter. I’m not a sex symbol. But I am an entertainer,” he shows that dreams do not have to die. Mike and Claire reveal that even if you do not conquer the world like a rock god, you can achieve success doing what makes you happy.

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ALSO READ: ‘Run Away’ series review: Perfect pulp to kick off the New Year

Song Sung Blue is a validation for all the regular folk with modest dreams, but dreams nevertheless. As the poet said, “there’s no success like failure, and failure’s no success at all.” Hudson and Jackman power through the songs and tears like champs, leaving us laughing, tapping our feet, and wiping away the errant tears all at once.

The period detail is spot on (never mind the distracting wigs). The chance to hear a generous catalogue of Diamond’s music in arena-quality sound is not to be missed, in a movie that offers a satisfying catharsis. Music is most definitely the food of love, so may we all please have a second and third helping?

Song Sung Blue is currently running in theatres 

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