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The Parenting: A Flat Horror Comedy (Early Review)

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The Parenting: A Flat Horror Comedy (Early Review)

The Parenting follows young couple Rohan (Dodani) and Josh (Flynn) as they plan a perfect weekend getaway in the country to introduce their parents for the first time. As tensions begin to flare between the more traditional Sharon (Edie Falco) and Frank (Cox) and the laid-back Liddy (Lisa Kudrow) and Cliff (Dean Norris), the families soon realize that their rental, managed by the eccentric Brenda (Parker Posey), is haunted by the presence of a 400-year-old poltergeist. However, when one of the parents becomes possessed, it’s up to the families to come together and stop the evil entity once and for all before its too late. Essentially Meet the Parents as a horror comedy set in a haunted house, it is an absolutely brilliant idea on paper and a perfect sell to audiences. That being said, the final product unfortunately squanders that potential, making for a disappointing film as a whole.

While not without issues, there is a lot to like about the film, and the best part is easily the cast. They are clearly having a blast together and that shows in the great chemistry they have with one another. Dodani and Flynn make for solid leads, playing characters worth caring about, in spite of their flaws. Meanwhile, the more seasoned cast are also great, including the likes of Cox and Falco who get the best moments, and Dean Norris and Lisa Kudrow who provide the biggest laughs. Never meant to have a major role, the film desperately needed more Posey, who is great and definitely understood the assignment better than the rest. In the end, the cast hold it together and are the sole reason to check this one out. Setting them up through a strong opening act, it establishes a connection with the characters as they found themselves in the middle of a haunted house mystery.

But from that point on, everything that followed simply falls flat, losing steam with each passing minute. A big reason as to why that is the case is the fact that it’s just not funny, as its humor mostly lands with a thud. Going for the most silly, juvenile, and obvious jokes, that choice would have been fine if this was a film targeting kids and families. Being an R-rated comedy, it is clearly targeting adult audiences, however, it is hard to imagine any who would consider any of the humor funny. On the other hand, the horror elements are as disappointing, as if they were handled by a director without a horror background. Though the film, never really tries to be overly scary, its horror elements aren’t effective and also play it incredibly safe. While there is technically a mystery to solve at the center of it all, there is little reason to truly care about it or its eventual outcome, but for those who do, the closure the film does provide is not only derivative, it is also predictable, and as a result, unsatisfying.

At the end of the day, The Parenting isn’t an awful film by any stretch of the imagination and might make for a good gateway film for audiences wanting to get more into horror but for a horror comedy, the film is not all that funny, scary, or remotely intense. Despite its many flaws, the cast help to elevate it considerably, to the point of watchability, but it’s not a surprise that this sat on the shelf after being filmed nearly a full 3-years ago, sitting in a sort of theatrical/streaming limbo.

still courtesy of Max

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Movie Reviews

It’s Not My Film review – relationship-crisis movie takes the long road through the Baltics

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It’s Not My Film review – relationship-crisis movie takes the long road through the Baltics

The endgame of a relationship – or maybe the crisis from which the relationship will emerge reinvigorated – is the subject of this likable, low-key two-hander from Polish film-maker Maria Zbaska. A couple is in crisis; one half is musician Zofia Chabiera who is making her confident acting debut as Wanda, bored and aimless, feeling those first intimations of mortality as people in their late 30s tend to; her unused and thwarted passion is beginning to curdle within her.

Wanda is in a stagnant relationship with Jan, played by Marcin Sztabinski, a heavy-set guy who maybe wasn’t quite as heavy-set when they first got together; he runs a bike repair shop, a situation to which he has dwindled having once dreamed of biking around the world. Wanda is irritated beyond endurance at the way Jan does nothing but doom scroll. (Rather shrewdly, she points out that people who spend their time knitting at least have a scarf to show for it.)

But it is Jan who has had the imagination to dream up a plan to challenge them both: they will hike along the remote and icy Baltic coastline, sleeping in a tent and generally braving the terrible cold. If they stay the course, they will stay together – but if either loses heart and leaves the sandy shore, then they are finished as a couple.

Well, perhaps there are no prizes for guessing whether they have cathartic rows and revelations and quirky serendipitous encounters with unusual people along the way. But the relationship between Jan and Wanda looks very real as they trudge along the vast and freezing seascape, like an ice-cold version of David Lean’s desert. And what does it all add up to? Perhaps not all that much: but it’s a charming and plausible relationship drama featuring people who look as if they might actually be in a relationship.

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It’s Not My Film is at Hull Independent Cinema on 20 March, then tours, as part of the Kinoteka Polish film festival, and on Klassiki from 21 March

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Ponman Movie Telugu Review And Rating, OTT Movie Review

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Ponman Movie Telugu Review And Rating, OTT Movie Review
Movie Name : Ponman

Release Date : 14 March, 2025
123telugu.com Rating : 3/5
Starring : Basil Joseph, Sajin Gopu, Lijomol Jose ,Deepak Parambol, Anand Manmadhan, Sandhya Rajendran, Rajesh Sharma, Kiran Peethambaran, Reju Sivadas, Jaya Kurupp, Midhun Venugopal, Thankam Mohan, Shylaja P Ambu
Director : Jothish Shankar
Producer : Vinayaka Ajith
Music Director : Justin Varghese
Cinematographer : Sanu John Varghese
Editor : Nidhin Raj Arol
Related Links : Trailer

Ponman, the latest Malayalam film starring Basil Joseph, has made its way to OTT and is now available in Telugu as well. Here’s our take on this dark comedy-drama.

Story:

PP Ajesh (Basil Joseph) has an unusual profession – he lends gold to families in need during weddings, helping them meet societal expectations. When he lends 25 sovereigns of gold to Steffi (Lijomol Jose), he expects an equivalent amount of money to be paid the day after the wedding. However, she refuses and moves to Kollam, her ruthless husband Mariyano’s (Sajin Gopu) hometown. Determined to reclaim what is rightfully his, Ajesh embarks on a risky journey. What challenges does he face? Why did he choose such a precarious profession? Was Mariyano aware of the deal? How does Steffi respond? The film unravels these answers intriguingly.

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Plus Points:

Basil Joseph once again proves his knack for picking unique roles. Venturing into dark comedy with a socially relevant backdrop adds an interesting dimension to the film. His performance is compelling, effortlessly balancing humour and emotion.

Sajin Gopu delivers a powerful act as Mariyano, embodying an unpredictable and ruthless character. After making an impression in Aavesham, he surprises with a completely different persona, keeping the audience engaged.

Lijomol Jose makes a mark despite her limited screen presence, portraying Steffi with conviction. The supporting cast, including Anand Manmadhan and Sandhya Rajendran, adds depth to the narrative. The comedy woven into serious moments is a strong highlight of the film.

Minus Points:

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While the first half lays a strong foundation, the second half falters in pacing, making the film feel sluggish. The writing loses its grip, leading to sequences that lack the intended impact.

Basil Joseph delivers a solid act, but given his track record in comedic roles, audiences might find it difficult to accept him in a serious setting. The character could have been better suited to an actor with a more intense screen presence.

Certain characters, especially Anand Manmadhan’s, start off well but eventually fade into the background. A more defined character arc would have enhanced their impact on the story.

The climax, which should have been a high point, instead feels abrupt and underwhelming. The final confrontation lacks intensity, and the resolution could have been more gripping.

Technical Aspects:

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Director Jothish Shankar presents a decent effort, but a more refined screenplay and stronger character development could have elevated the film. Justin Varghese’s music is functional but doesn’t leave a lasting impression. Sanu John Varghese’s cinematography effectively captures the film’s setting, while Nidhin Raj Arol’s editing could have been sharper to maintain a tighter narrative. The production values are decent.

Verdict:

On the whole, Ponman presents a decent premise with a mix of dark comedy and social commentary. While Basil Joseph delivers a commendable performance, the film is weighed down by a slow second half, underdeveloped characters, and an abrupt climax. Despite its flaws, it offers a few engaging moments, making it a passable one-time watch for those who enjoy offbeat dramas.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team 

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Be Happy movie review: Abhishek is ‘extraordinary’, says Amitabh Bachchan; check what others are saying | Mint

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Be Happy movie review: Abhishek is ‘extraordinary’, says Amitabh Bachchan; check what others are saying | Mint

Amitabh Bachchan calls Be Happy, Abhishek Bachchan’s latest movie, “extraordinary”. The dance-drama, directed by Remo D’Souza, premiered on Amazon Prime Video on March 14.

“…what an honour for you Abhishek .. proud of you .. and today saw BE HAPPY .. such an extraordinary performance .. love you,” Big B wrote on Twitter (now X).

As a father, Amitabh Bachchan loved his son’s performance in the movie. But, what about others? Let’s find out.

“BE HAPPY is truly an amazing film! I watched it today with my Maa, and it was such a heart-touching experience. Incredible performances—more power to Jr. Bachchan!” wrote one social media user.

“it’s a gripping movie, Brilliant performance by Abhishek,” wrote another user.

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“Just watched ‘Be Happy’ and I’m still reeling from Abhishek Sir’s incredible performance.. Abhishek Sir! You’re one of the most talented actors of our time. Your acting is always top-notch, but this performance was something special. Keep shining, AB!” came from another user.

“A tender, heartwarming portrayal of a father-daughter bond. His quiet, nuanced, and emotionally guarded role as a single parent really suited him,” reacted one user.

Be Happy movie reviews

“The script gets something right in the father-daughter bond but doesn’t excavate the depth and complexities of single parenting, grief and trauma. In focusing on the drama, D’Souza takes his eye off his core competence—dance,” Udita Jhunjhunwala wrote on Livemint.

“A direct-to-OTT release is a smart choice, freeing it from box office pressures and allowing viewers to discover it on their own time. Despite its flaws, Be Happy leaves you with a smile,” Rishabh Suri wrote on Hindustan Times.

“Abhishek Bachchan literally shines as the struggling single father…But even his honest and sincere effort cannot save this ship that starts sinking in the second half!” wrote Trisha Gaur on Koimoi while calling actress Inayat Verma a “show-stealer”.

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“Verma is a sparkler, lighting up the screen. And Bachchan, who did such a solid job being a dad-to-a-daughter in ‘I Want To Talk’, comes off more stolid here,” commented Shubhra Gupta on Indian Express.

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