Movie Reviews
The Fall Guy – Extended Cut (Movie Review) | Why So Blu?
May 24th, 2024 by Brian White
The Fall Guy was one of my favorite television shows growing up in the 1980’s. I would watch it each week with my dad. I secretly had a crush on Heather Thomas at a very young age. That bikini she wore in the opening credit sequence each week…ooh la la. The Fall Guy is also special to me because it’s the very first TV show I ever recorded on a VHS tape. We were poor growing up so one day my grandfather gave my dad a brand new VHS deck. I was over the moon. I couldn’t believe it. We went home later that evening and I recorded that night’s episode of The Fall Guy. I was so in awe of the fact that I could record something and watch it back any time that I think I viewed that episode three more times that same evening. Therefore, one can kind of come to the conclusion that The Fall Guy was responsible for my love of home media products and technology. That sounds good to me!

So when a feature film adaptation of the original Fall Guy show was announced I was already onboard with no questions asked. It helps that Ryan Gosling and the beautiful Emily Blunt are in it, but who am I kidding? I would have even seen this if Nic Cage and Melissa McCarthy were the main billed actors. That’s how much I love The Fall Guy. However, I don’t think you can really call this an adaptation of the original show. How about this movie was inspired by? Yeah. That sounds a lot better to me. So really the only sure tie in here is that Ryan Gosling’s character is named Colt Seavers. That’s the character Lee Majors portrayed in the 80’s show. Everything else is brand new here and just icing on the cake so let’s get started!
In addition to Ryan and Emily the film also stars another actor I love watching, Aaron Taylor-Johnson. He’s always so good! Rounding up the rest of The Fall Guy main cast includes Hannah Waddingham, Winston Duke and Stephanie Hsu. And if you seen the film already and wonder why it’s so silly, then look no further the words it’s penned by the screenwriter of Hobbs & Shaw, Drew Pearce. Also, it’s made by the same director of the aforementioned movie, David Leitch. And it’s billed as one of the best date movies of the year. So what more can you ask for? That was a rhetorical question. However, if your answer to that was KISS, then you’re in luck. “I Was Made For Lovin’ You” is prominently featured throughout. No joke either! I lost track of how many time you hear the KISS version, an instrumental take or even YUNGBLUD’s version.

The Fall Guy is billed as a love letter to action movies and the hard-working stunt crew who make them. I can definitely get behind that tagline. The film is about a stunt man after all. His name is Colt Seavers (Gosling). When we first meet him he’s Tom Ryder’s (Taylor-Johnson) stunt double. But when a career ending stunt goes wrong what gets Colt back in the action? And why doesn’t everyone want to kill him all the sudden? I won’t tell you any of that here, but I will say this. Emily Blunt play’s Gosling’s love interest in this one and that’s why it’s billed as the ultimate date movie. You got two of the best looking actors in Hollywood today in an over-the-top action comedy (not like the original TV show at all) with a good looking romance thrown in. It has all the makings of a big box office popcorn movie with a heavy side serving of KISS. I know right. How can you not “fall” in love this one?
Now you’re probably wondering why am I writing a movie review about this a month late? Well, it’s because The Fall Guy is now (as of May 21st) officially out on home digital platforms. Pick one a digital retailer of your choice and buy it today (you no longer have to “bring” it home). Furthermore, The Fall Guy has been officially released as an Extended Cut with an additional 20 minutes of never-before-seen footage featuring more action, more laughs and more stunts. Check out the video down below for more information and to check out our two good looking main stars or do they call those box office draws in movie talk? Also, IF you’re curious as to what all makes up that extra 20 minutes of footage check out this article HERE.
Available NOW from Universal Pictures!
Purchase The Fall Guy – Extended Cut
at Movies Anywhere HERE

Movie Reviews
‘Hoppers’ review: Pixar’s best original movie in years
“So it’s like Avatar?” one character quips in Disney and Pixar’s “Hoppers,” bluntly translating the film’s high-concept premise for the sugar-fueled kids in the audience. And yes, the comparison is apt. The story follows a nature-obsessed teenage girl who manages to quite literally “hop” her consciousness into the body of a robotic beaver in order to spark an animal rebellion against a greedy mayor determined to bulldoze their forest for a freeway.
It’s a clever hook. The kind of big, elastic idea Pixar used to make look effortless. “Hoppers” does not reach the rarified air of “Up,” “Wall-E,” or “Inside Out,” but after a stretch of uneven originals like “Turning Red” and “Luca,” and outright misfires such as “Elemental” and “Elio,” this feels like a genuine course correction. The environmental messaging is clear without being preachy, the animals are irresistibly anthropomorphized, and the studio’s once-signature emotional sincerity is back in sturdy form.
Pixar can afford to gamble on originals when it has a guaranteed cash cow like this summer’s “Toy Story 5” waiting in the wings, but “Hoppers” earns its place in the catalogue. Director Daniel Chong crafts a warm, heartfelt film that occasionally strains under the weight of its own ambition, yet remains grounded by character and theme. Its meditation on conservation and animal displacement feels timely in a way that never tips into after-school-special territory.
We meet Mabel, voiced with bright conviction by Piper Curda, as a child liberating her classroom pets and returning them to the wild. Her moral compass is shaped by her grandmother, voiced by Karen Huie, who imparts wisdom about nature’s sanctity. True to both Pixar tradition and the broader Disney playbook, this beacon of guidance does not survive past the opening act. Loss, after all, is Pixar’s favorite inciting incident.
Years later, Mabel is still fighting the good fight, squaring off against the smarmy Mayor Jerry, voiced with slick menace by Jon Hamm. He plans to flatten the glade where Mabel and her grandmother once found solace. Mabel’s resistance feels noble but futile. The animals have already mysteriously vanished, the machinery is coming, and her last-ditch plan involves luring a beaver back to the abandoned forest in hopes of jumpstarting the ecosystem.
That’s when the film gleefully pivots into mad-scientist territory. At Beaverton University, Mabel discovers her professor, voiced by Kathy Najimy, has developed a device that can project human consciousness into synthetic animals. The process, dubbed “hopping,” allows Mabel to inhabit a robotic beaver and infiltrate the forest from within. It’s an inspired escalation that keeps the film buoyant even when the plotting grows predictable.
Her new posse includes King George, a lovably beaver voiced by Bobby Moynihan with distinct Bing Bong energy; a sharp-tongued bear voiced by Melissa Villaseñor; a regal bird king voiced by the late Isiah Whitlock Jr.; and a fish queen voiced by Ego Nwodim. As is often the case with Pixar, even in its lesser efforts, the world-building is meticulous. The animal hierarchy, complete with titles like “paw of the king,” is layered with jokes that play for kids while slyly winking at adults.
The plot ultimately follows a familiar template. Scrappy underdog rallies community. Corporate villain twirls metaphorical mustache. Emotional third-act sacrifice looms. At times, you can feel the machinery working a little too cleanly. Pixar, and Disney at large, has grown increasingly reliant on sequels and established IP, and “Hoppers” does not radically reinvent the wheel. In an animated landscape where films like “K-Pop: Demon Hunters,” “Across the Spider-Verse,” and “Goat” are pushing stylistic and narrative boundaries, being safe and sturdy may not always be enough.
And yet, there is something refreshing about a Pixar original that remembers how to tug at the heart without squeezing it dry. “Hoppers” is playful, peppered with cheeky needle drops, and builds to a sweet emotional catharsis that may or may not have left this critic a little misty-eyed. It feels earnest and engaged.
“Hoppers” may not be top-tier Pixar. But it is a welcome return to form, a reminder that the studio still knows how to marry big ideas with a bigger heart.
HOPPERS opens in theaters Friday, March 6th.
Movie Reviews
‘Hoppers’ review: Who can argue with hilarious talking animals?
Just when you think Pixar’s petting-zoo cute new movie “Hoppers” is flagrantly ripping off James Cameron, the characters come clean.
movie review
HOPPERS
Running time: 105 minutes. Rated PG (action/peril, some scary images and mild language). In theaters March 6.
“You guys, this is like ‘Avatar’!,” squeals 19-year-old Mabel (Piper Curda), the studio’s rare college-age heroine.
Shoots back her nutty professor, Dr. Fairfax (Kathy Kajimy): “This is nothing like ‘Avatar!’”
Sorry, Doc, it definitely is. And that’s fine. Placing the smart sci-fi story atop an animated family film feels right for Pixar, which has long fused the technological, the fantastical and the natural into a warm signature blend. Also, come on, “Avatar” is “Dances With Wolves” via “E.T.”
What separates “Hoppers” from the pack of recent Pix flix, which have been wholesome as a church bake sale, is its comic irreverence.
Director Daniel Chong’s original movie is terribly funny, and often in an unfamiliar, warped way for the cerebral and mushy studio. For example, I’ve never witnessed so many speaking characters be killed off in a Pixar movie — and laughed heartily at their offings to boot.
What’s the parallel to Pandora? Mabel, a budding environmental activist, has stumbled on a secret laboratory where her kooky teachers can beam their minds into realistic robot animals in order to study them. They call the devices “hoppers.”
Bold and fiery Mabel — PETA, but palatable — sees an opportunity.
The mayor of Beaverton, Jerry (Jon Hamm), plans to destroy her beloved local pond that’s teeming with wildlife to build an expressway. And the only thing stopping the egomaniacal pol — a more upbeat version of President Business from “The Lego Movie” — is the water’s critters, who have all mysteriously disappeared.
So, Mabel avatars into beaver-bot, and sets off in search of the lost creatures to discover why they’ve left.
From there, the movie written by Jesse Andrews (“Luca”) toys with “Toy Story.” Here’s what mischief fuzzy mammals, birds, reptiles and insects get up to when humans aren’t snooping around. Dance aerobics, it turns out.
Per the usual, “Hoppers” goes deep inside their intricate society. The beasts have a formal political system of antagonistic “Game of Thrones”-like royal houses. The most menacing are the Insect Queen (Meryl Streep — I’d call her a chameleon, but she’s playing a bug), a staunch monarch butterfly and her conniving caterpillar kid (Dave Franco). They’re scheming for power.
Perfectly content with his station is Mabel’s new best furry friend King George (Bobby Moynihan), a gullible beaver who ascended to the throne unexpectedly. He happily enforces “pond rules,” such as, “When you gotta eat, eat.”
That means predators have free rein to nosh on prey, and everybody’s cool with it. Because of bone-dry deliveries, like exhausted office drones, the four-legged cast members are hilarious as they go about their Animal Planet activities.
No surprise — talking lizards, sharks, bears, geese and frogs are the real stars here. They far outshine Mabel, even when she dons beaver attire. Much like a 19-year-old in a job interview, she doesn’t leave much of an impression.
Yes, the teen has a heartfelt motivation: The embattled pond was her late grandma’s favorite place. Mabel promised her that she’d protect it.
But in personality she doesn’t rank as one of Pixar’s most engaging leads, perhaps because she’s past voting age. Mabel is nestled in a nebulous phase between teenage rebellion and adulthood that’s pretty blasé, even if a touch of tension comes from her hiding her Homo sapien identity from her new diminutive pals. When animated, kids make better adventurers, plain and simple.
“Hoppers” continues Pixar’s run of humble, charming originals (“Luca,” “Elio”) in between billion-dollar-grossing, idea-starved sequels (“Inside Out 2,” probably “Toy Story 5”). The Disney-owned studio’s days of irrepressible innovation and unmatched imagination are well behind it. No one’s awed by anything anymore. “Coco,” almost 10 years ago, was their last new property to wow on the scale of peak Pixar.
Look, the new movie is likable and has a brain, heart and ample laughs. That’s more than I can say for most family fare. “A Minecraft Movie” made me wanna hop right out of the theater.
Movie Reviews
Review | Hoppers: Pixar’s new animation is a hilarious, heartfelt animal Avatar
4/5 stars
Bounding into cinemas just in time for spring, the latest Pixar animation is a pleasingly charming tale of man vs nature, with a bit of crazy robot tech thrown in.
The star of Hoppers is Mabel Tanaka (voiced by Piper Curda), a young animal-lover leading a one-girl protest over a freeway being built through the tranquil countryside near her hometown of Beaverton.
Because the freeway is the pet project of the town’s popular mayor, Jerry (Jon Hamm), who is vying for re-election, Mabel’s protests fall on deaf ears.
Everything changes when she stumbles upon top-secret research by her biology professor, Dr Sam Fairfax (Kathy Najimy), that allows for the human consciousness to be linked to robotic animals. This lets users get up close and personal with other species.
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