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Sydney Sweeney’s new movie picked up by HBO Films after rave reviews

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Sydney Sweeney’s new movie picked up by HBO Films after rave reviews

Sydney Sweeney’s new film Actuality is picked up by HBO Movies after rave evaluations at Berlin Movie Pageant… in time to ‘qualify for Emmy consideration’

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The rights to the Sydney Sweeney-starring film Actuality have been acquired by HBO Movies.

In accordance with Deadline, the drama function acquired ‘rave evaluations’ from critics throughout its premiere on the 73rd Berlinale Worldwide Movie Pageant.

The 25-year-old Euphoria star – who attended the film’s premiere this week – was singled out for her performing efficiency.

Although a launch date has not been introduced, the outlet hinted that Actuality shall be accessible ‘within the close to future’ and simply ‘in time to qualify for Emmy consideration.’

Actuality relies on Tina Satter’s play This Is A Room, which initially debuted Off-Broadway in 2019.

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Going broad: The rights to the Sydney Sweeney-starring film Actuality have been acquired by HBO Movies

Satter went on to function the movie’s director and co-wrote its script alongside James Paul Dallas. 

The film is centered on whistleblower Actuality Winner, who was arrested after she leaked details about Russian interference within the 2016 United States election season to The Intercept.

The movie is centered on the interrogation by the hands of FBI brokers that Winner went by means of following her arrest.

The previous US Air Pressure member was ultimately sentenced to over 5 years in jail in 2018, however she in the end entered a transitional facility in 2021.

Improvement on Actuality was revealed to the general public final June, and Marchant Davis and Josh Hamilton starred alongside Sweeney within the challenge.

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Bodily manufacturing on the function had already commenced the earlier month and concluded after simply 16 days of filming. 

Actuality ultimately premiered on February 18 and it presently holds a 100% score on Rotten Tomatoes.

Sweeney spoke about engaged on the challenge throughout an interview with The Hollywood Reporter, the place she revealed that she frequently contacted Winner in the course of the film’s manufacturing. 

Rave reviews: According to Deadline, the drama feature received 'rave reviews' from critics during its premiere at the 73rd Berlinale International Film Festival; Sydney seen on February 18

Rave evaluations: In accordance with Deadline, the drama function acquired ‘rave evaluations’ from critics throughout its premiere on the 73rd Berlinale Worldwide Movie Pageant; Sydney seen on February 18

The 25-year-old Euphoria star - who attended the movie's premiere this week - was singled out for her acting performance; Sweeney is seen with director Tina Satter and costars Josh Hamilton and Marchant Davis earlier this month

The 25-year-old Euphoria star – who attended the film’s premiere this week – was singled out for her performing efficiency; Sweeney is seen with director Tina Satter and costars Josh Hamilton and Marchant Davis earlier this month

Focus: The movie is centered on whistleblower Reality Winner, who was arrested after she leaked information about Russian interference in the 2016 United States election season to The Intercept; Sweeney, Davis and Hamilton are seen earlier this month

Focus: The film is centered on whistleblower Actuality Winner, who was arrested after she leaked details about Russian interference within the 2016 United States election season to The Intercept; Sweeney, Davis and Hamilton are seen earlier this month

‘I talked to her in regards to the incident, but additionally about her life, the folks she knew, her residence, nearly every thing I might find out about her that I might draw from as an actor,’ she mentioned.

The performer went on to precise that engaged on the film, which largely adopted the verbatim recording of Winner’s interrogation, left her with a long-lasting impression.

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‘I positively felt the burden of the significance of each phrase and each second that was shared between these characters,’ she said.

Sweeney then spoke about what she hoped to attain for Winner with the discharge of the film. 

‘I hope that as a substitute of lowering her to only a headline, or decoding the case by means of a partisan lens, that this film can supply a window into what this lady went by means of on that day,’ she said.

Just in time: Though a release date has not been announced, the outlet hinted that Reality will be available 'in the near future' and just 'in time to qualify for Emmy consideration'

Simply in time: Although a launch date has not been introduced, the outlet hinted that Actuality shall be accessible ‘within the close to future’ and simply ‘in time to qualify for Emmy consideration’ 

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Karan Johar, Guneet Monga’s Kill Movie Review: The ‘kill’ never slows down

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Karan Johar, Guneet Monga’s Kill Movie Review: The ‘kill’ never slows down

Nikhil Nagesh Bhat’s high energy action film Kill is not for the faint hearted.
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Language: Hindi

Director: Nikhil Nagesh Bhat

Cast: Lakshya, Raghav Juyal, Tanya Maniktala, Abhishek Chauhan, Ashish Vidyarthi, Adrija Sinha, Harsh Chhaya

 It’s true that we don’t really need stars to make a successful film. Nikhil Nagesh Bhat’s Kill has totally killed it with all its energy.  It is fresh, bold and a unique story that not many have thought about and that’s what makes it different. Violent no doubt, but don’t most movies have an element of violence?

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I believe Kill is a path breaking Indian action film, but definitely not for the faint heart. It is true that I am not too fond of extreme bloodshed, murder and also not to forget the smashing of head scenes. But keeping my choices aside, I would say Kill is a well-made film and the action sequences are simply mind-blowing. Having watched the movie at the
Red Sea International Film Festival
last year for the first time, I wonder, why did it take so long for the film to be released in India?

It’s insanely violent. What works for Kill is the simple storyline and no beating around the bush. Not much twist and turns and most importantly hitting the hammer right on the nail and sometimes on the people too. The action takes place inside the train with no unnecessary drama, dancing and singing. The concept is daring and fresh for the Indian audience and that makes 
Kill
 stand out. No flying cars, choppers and superman stunts and most importantly actors like Lakshya, Raghav Juyal and the battalion of dacoits are relatable to the Indian audience. They look like ordinary guys and that’s what makes them special. Lakshya plays the role of an army man, Amrit who is a great boyfriend to Tulika played by Tanya Maniktala.

Lakshya has done a brilliant job, but the actor to look out for is Raghav Juyal. He has a promising career ahead of him. He is one evil character you can’t stop hating. Raghav’s performance is intense and the dialogue delivery, expressions, and every action is absolutely compelling. I must say that this man truly knows his craft. The best thing that the movie brings out is that murderers too have emotions.

If you are looking for a high energy action film 
Kill
 is one such must watch. Nikhil Nagesh Bhat’ has no doubt done a brilliant job as a director, but without cinematographer Rafey Mehmood probably this film wouldn’t have been such a hit. The best part about the film Kill is that not even once will you get bored. No matter how much at times I hated the gory action scenes and tried closing my eyes, the more I got interested in what’s happening next. The discomfort of the blood splatter, the punching, kicking, stabbing and smashing of head all in a train will surely make you think twice before booking a train ticket next time!

Rating: 4 out of 5

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WATCH the trailer of Kill here: 

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Movie Review: ‘A Quiet Place: Day One’ | Recent News

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Movie Review: ‘A Quiet Place: Day One’ | Recent News

“A Quiet Place: Day One” made a grave miscalculation with its advertising. Scenes were filmed with the intention of putting them in the trailers, but not the movie. This way, when people saw the movie, they wouldn’t be able to properly anticipate the surprises and story progression. To that end, the advertising succeeded, I was indeed thrown off while watching the movie. But here’s where they didn’t succeed: the scenes shot just for the trailers were terrible, with clumsy dialogue and careless pacing. I was so mad at Hollywood for continuing this series without the creative vision of director John Krasinski, especially when the movie looked like garbage without his input. I only saw this movie out of obligation for the column, and I wouldn’t be surprised if fans of the series stayed away entirely because of those awful trailers. But it turns out that not only is this movie better than the trailers, it’s better than the two installments that Krasinski directed.

“Day One” casts aside the familiar Abbott family in favor of new protagonist Sam (Lupita Nyong’o). Sam is a cancer patient taking a trip from her hospice to Manhattan along with her nurse Reuben (Alex Wolff) and service cat Frodo. Sam only agrees to the trip on the condition that the group stop for pizza at her favorite place in Harlem. The sudden invasion of echolocating aliens means a delay in pizza. Honestly, Sam is only interested in self-preservation to the end that it means eventual pizza.

Sam shelters in place for a bit with Reuben, who has a great scene where he stares down an alien like he’s staring down death itself. Also in the shelter is familiar character Henri (Djimon Hounsou) from “Part II” of the series, here forced to make an unthinkable decision. She moves on to helping some children in Central Park before finding a companion in anxious wreck Eric (Joseph Quinn). Can the two survive in alien-infested New York long enough to get a slice of pizza? If so, what happens after that?

“Day One” has the most suspense yet for a “Quiet Place” movie. It was scary enough that characters had to keep quiet to save their lives on a family farm or in small town. But in New York, the noises are as big as the pizzas. Speaking of food, I wonder if the characters’ best bet for survival would be to let the aliens fill up on noisy people and then hope they’re too stuffed to give chase. Maybe that’s why the film’s biggest flaw is that the main characters get away with making as much noise as they do.

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The film does an excellent job of wringing scares out of not only the slightest sounds, but loud-looking images. Even with everybody promising to be quiet, a crowd of people is going to make noise eventually, that’s just how crowds are. So if the characters find themselves as part of a crowd, the clock is already ticking. And that’s with a reasonable amount of effort being made. Some people just aren’t cut out for quiet, and associating with those people in this environment could prove fatal.

“A Quiet Place: Day One” had me afraid to breathe loudly in the theater, a testament to the film’s immersiveness. And yet, the suspenseful atmosphere is only the second-best thing about the movie. The real star here is, well, the star: Lupita Nyong’o. This movie doesn’t have returning players John Krasinski, Emily Blunt, or even recent Oscar-winner Cillian Murphy, and Nyong’o makes up for all of them. One way or another, Sam doesn’t have much time left on this Earth, but you’ll want to be there for every moment. It took until nearly the exact halfway point of the year, but I think we have our first serious contender for an acting Oscar. Not bad for a movie whose advertising had me thinking it would be one of the worst films of the year.

Grade: B

“A Quiet Place: Day One” is rated PG-13 for terror and violent content/bloody images. Its running time is 100 minutes.


Robert R. Garver is a graduate of the Cinema Studies program at New York University. His weekly movie reviews have been published since 2006.

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Movie review: 'Despicable Me 4' fun for kids, nightmare for adults

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Movie review: 'Despicable Me 4' fun for kids, nightmare for adults
The experience of watching “Despicable Me 4” is a Kafkaesque nightmare, and not only because one of the main characters turns himself into a roach. The film is an interminable 95 minutes of circular, intertwining, seemingly never-ending storylines rendered with such audio-visual cacophony that it dissolves into an indiscernible din. This fourth (or is it sixth?) installment of the inexplicably …
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