Connect with us

Movie Reviews

Stream It Or Skip It: ‘Heretic’ on VOD, an idea-driven horror-thriller in which Hugh Grant shows his dark side

Published

on

Stream It Or Skip It: ‘Heretic’ on VOD, an idea-driven horror-thriller in which Hugh Grant shows his dark side

Heretic (now streaming on VOD services like Amazon Prime Video) shows us a side of Hugh Grant we’ve never seen before: The horror-movie antagonist. Now, he’s played a villain before, but Paddington 2 isn’t quite the prelude to his turn in A24‘s Heretic, where he plays a psycho-manipulator who draws a pair of young and naive Mormon women into his web. The film is written and directed by Scott Beck and Bryan Woods, who wrote A Quiet Place and directed Adam Driver dinosaur movie 65 – and now take a step forward with a nice, juicy horror-thriller.

HERETIC: STREAM IT OR SKIP IT?

The Gist: Sister Paxton (Chloe East) vehemently denies watching porn. But that one time she got a glimpse of one of those videos, she saw in the woman’s eyes “divine confirmation.” Interesting! This tells us what we need to know about this Mormon missionary who, along with Sister Barnes (Sophie Thatcher), pedals a bicycle around town in her maxi skirt, hoping to convert whoever will listen to their spiel. It’s a rough go. They’re subject to bullies’ taunts about “magic underwear,” and “That South Park musical kinda makes fun of us,” Sister Paxton sighs. She’s more naive than Sister Barnes, but out in the cynical-slash-realist secular world, with their wide eyes and tryhard pasted-on cheery smiles and very youthful looks (they’re 20ish, maybe 23, 24), they’re both like lambs among the wolves.

Yet there’s always hope, even if you have to peer into a wolf’s den in hopes of finding it. Of course, at first they don’t realize they’re knocking on the door of a wolf’s den, but soon enough they get That Sinking Sensation. Let’s not get ahead of things, though. There’s a “Mr. Reed” on their list of interested candidates for Mormonism, so they find his house, lock their bikes to the gate and ring the doorbell. Above them, a storm gets increasingly drenchy. He finally answers and lets them in and promises them pie and the pending arrival of his wife who he says is baking the pie, and can’t you smell the blueberries? Mmm mmm good! He’s so very cheerful, this Mr. Reed. But his wife needs to be present in the room lest the Mormon rules be broken, our Sisters insist, and he promises she’s coming, she’s coming. 

So continue without her, they must. Mr. Reed is so very receptive and welcoming and we know he’s baiting these women – this is the benefit of being the movie watcher instead of the movie character – but do they? Not sure. Perhaps it’s not That Sinking Sensation but rather the awkwardness of complete strangers discussing religion so earnestly, and our Sisters just have to push through it. Well, this Mr. Reed, with the upbeat demeanor and bright, wide smile, he starts a rather deep discussion about the nature of belief, then whips out his Book of Mormon, which is tabbed and post-it-noted like someone who’s studied the living dook out of it. And then he starts carving up Mormonism like it’s a roast turkey. “How do you feel about polygamy?” he asks pointedly, but with a giant grin. And then, “What’s your favorite fast food?” Methinks Mr. Reed is f—ing with them. F—ing with them real hard.

HERETIC, Hugh Grant, 2024.
Photo: Courtesy Everett Collection

What Movies Will It Remind You Of?: Heretic is part-conversation movie, part-horror movie, so it’s very roughly a mix of Barbarian or Don’t Breathe-type what’s-in-the-house-what’s-in-the-houuuuuuuussssssse movies and, I dunno, My Dinner With Andre? Hey, I said “roughly.”

Performance Worth Watching: Watching Grant go from the stammering charmer of all the best rom-coms (except Did You Hear About the Morgans? of course) to living deliciously as an evil manipulative creep with a rotten core? Delightful.

Advertisement

Memorable Dialogue: My two fave lines:

Mr. Reed: “My wife is shy – but the pie? The pie is nigh!”

Sister Barnes: “If I say ‘magic underwear,’ that means STAB.”

Sex and Skin: None.

Where to watch Heretic 2024

Our Take: Things do not go well for Sister Barnes and Sister Paxton, and I’ll say no more. That’s no surprise, mind you – one doesn’t sit down to watch a film called Heretic with its sinister one-sheet and expect it to be nothing but spirited debates about divinity and religion. But that’s essentially what it is for roughly the first half, with Mr. Reed pulling out a Monopoly board and playing Radiohead (!) to illustrate his cogent points. Of course, he does all this in a manner calculated to escalate tension, and grow the feeling of unease within his wary subjects. 

The second half becomes more like a typical psycho-horror movie, with bursts of violence, an exploration of the grimiest nooks in Mr. Reed’s house and the implementation of the crackity-bones (crackity crackity bones bones bones!) sound effect. I worry that Beck and Woods shift into ludicrous speed out of obligation, to reward the gorehounds and specterfiends out there who just sat through 45 minutes of slow-burn talky debates about religion and really need some liquid to spill lest they log on and trash the film in the forums. 

But the ideas – all deeply unsettling, about why we believe what we believe, and the things we’re told and that we tell ourselves in order to make sense of the world – remain present even as the filmmakers put their characters in ominous basements with pointy letter openers in their pockets, and unknown who-knows-what lurking behind creaky old doors. And the performances are consistently scary, funny and thoughtful, with Thatcher and East showing more guile and spunk than you might expect, especially across from Grant’s savagely entertaining scenery-chewing. Take from Heretic what you will, be it the shocks and twists or its ruminations on the slippery-slope dangers of belief, or the lack thereof. I took it as a reminder that no matter the intensity of your passionate views, convincing someone that your way is the way is a fool’s errand. You might as well be teaching algebra to your cat.

Advertisement

Our Call: Heretic is fresh, amusing and freaky all at once. And Mr. Reed has the stuff of a minor-classic horror character. Believe it and STREAM IT.

John Serba is a freelance writer and film critic based in Grand Rapids, Michigan.

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Movie Reviews

Sankranthiki Vasthunnam Review – Gulte

Published

on

Sankranthiki Vasthunnam Review – Gulte

2.75/5


2 Hr 24 Mins   |   Family   |   14-01-2025


Cast – Venkatesh, Meenakshi Chaudhary, Aishwarya Rajesh, Srinivasa Reddy, Naresh, Sai Kumar, Upendra Limaye, VTV Ganesh, Srinivas Avasarala and others

Director – Anil Ravipudi

Advertisement

Producer – Dil Raju

Banner – Sri Venkateswara Creations

Music – Bheems Ceciroleo

Advertisement

After delivering a blockbuster with ‘F2’ and a hit with ‘F3’, Victory Venkatesh and Anil Ravipudi teamed for the third time with, Sankranthiki Vasthunnam, to score a hat-trick of successful films in their combination. With a chartbuster song ‘Godari Gattu Meeda’ and a huge round of promotions including reels, etc., the team managed to generate very good buzz around the film. Did Venkatesh & Anil Ravipudi score a hat-trick in their combination? Did Dil Raju manage to score a hit at the box office after a series of disappointing films? Did Venkatesh get back onto the success track after a forgettable film, Saindhav, which was released in theatres during the last Sankranthi? Let’s find out with a detailed analysis.

What is it about?

Y D Raju(Venkatesh), an Ex-Cop and an encounter specialist leads a happy life with his wife(Aishwarya Rajesh), four kids and a joint family in a village near Rajahmundry. His Ex-Girlfriend(Meenakshi Chaudhary), a Cop, reaches out to him one fine day and requests him to help the police department perform a secret rescue operation. Who is that Y D Raju and the team have to rescue? Why did Y D Raju’s wife want to be part of the rescue mission? Forms the rest of the story.

Advertisement

Performances:

Victory Venkatesh played a tailor-made role in the film. Y D Raju’s role is a cakewalk for him as he has done many similar roles in the past. He is as usual very good with his comedy timing. His dialogues in the form of a ‘Message’ to men during a fight sequence in the second half, his act as a loveable husband and his act as a husband who gets sandwiched between wife and ex-girlfriend are sure to bring the roofs down in theatres.

Aishwarya Rajesh as an innocent and possessive wife delivered a very good performance. Her performance as an innocent wife in the first half deserves a special mention. Meenakshi Chaudhary as ex-girlfriend and a COP delivered a good performance. Seems like the appreciation she got for her role in ‘Lucky Baskhar’ instilled a lot of confidence in her and that confidence is evident in the way she carried her role beside a senior hero like Venkatesh & a seasoned performer like Aishwarya Rajesh.

The little kid who played the role of Bulliraju is a show stealer. The sequences involving him in the first half are one of the major highlights of the film. Animal Actor, Upendra Limaye, got a meaty role as Jailer but his performance is over-the-top and patience-testing at times. Srinivasa Reddy & Sai Kumar generated a few laughs in the second half and made their presence felt. Naresh & VTV Ganesh have good screen space but not much fun was generated from their roles. Srinivas Avasarala in a crucial role made his presence felt and looked believable in the role of a CEO.

Technicalities:

Advertisement

Songs by Bheems Ceciroleo are the biggest highlight of the film. It is refreshing to hear good old melody songs after a long time in a Telugu film and equally refreshing to hear Ramana Gogula’s vocals after a very long time. The ‘Godari Gattu Meeda’ song is sure to turn theatres into concerts this festive season. Bheems Ceciroleo’s background score is also good.

The cinematography by Sameer Reddy is pretty ordinary. The film is made on a shoestring budget looking at the ordinary visuals at most of the places. Editing by Tammiraju should have been better in the second half and also during the pre-interval. The drama during the pre-interval is good but it should have been better with some crisp editing.

Production values by Sri Venkateswara Creations are adequate. It seems the team made a deliberate decision to make the film on a limited budget and it is evident with the production quality.

Positives:

  1. Two Sequences Involving Bulliraju In The First Half
  2. Songs
  3. Venkatesh Comedy Timing
  4. Aishwarya Rajesh’s Innocent Performance
  5. Pre-Climax Sequence on Venkatesh
  6. Bheems Ceciroleo’s Background Score

Negatives:

  1. Over The Top Sequences In Second Half
  2. Upendra Limaye’s Forced Comedy
  3. Lack of Proper Story
  4. Logicless Writing

Analysis:

Anil Ravipudi is one of the very few directors in Telugu who scored seven back-to-back successful films. Selecting a simple story and mixing it with enough fun moments at regular intervals is his success formula. He followed a similar approach even for ‘Sankranthiki Vasthunnam’.

Advertisement

The first half of the film passes without any major complaints. The film started slowly and the pace of the film picked once the setup shifts to Y D Raju and family. A couple of comedy sequences and a couple of songs worked very well in the first half and it gives a good satisfactory feeling to the audience. The editing during the pre-interval block should have been crisp though. This entire block is dragged for at least two to three minutes.

The good thing about Anil Ravipudi is that he knows the pulse of his target audience very well. The dialogues he wrote for the wife’s character and the innocent sequences he conceived involving husband and wife characters are sure to work out very well among his target audience, that is the families. Especially, the married women are sure to relate with Aishwarya Rajesh’s character and are likely to like her character immensely.

The real problem with the film is the lack of a proper story and over-the-top forced comedy in the second half. There are a few laughs generated in the second half but on the whole, the writing in the second half looked rushed, forced, half-baked and loud. Upendra Limaye’s character in the second half did not work as expected due to poor writing and the loud performance. It seems like the deadline to release the film for ‘Sankranthi’ was not given to the team enough time for writing. Also, the sudden inclusion of ‘Social Message’ related to teachers out of nowhere during the climax of the film seems unnecessary and doesn’t sync well with the rest of the film. Ravipudi and the team should have written and conceived at least one hilarious block on Bulliraju’s character in the second half just like how they used his character in the first half.

You may have to stop using your thinking brain throughout the film and excuse the over-the-top loud comedy in the second half to get entertained. Overall, Sankranthiki Vasthunnam is a decent passable entertainer to watch in theatres with family.

Sankranthiki Vasthunnam – Passable Entertainer

Advertisement

Rating: 2.75/5

-->

Continue Reading

Movie Reviews

Sankranthiki Vasthunam Review: USA Premiere Report

Published

on

Sankranthiki Vasthunam Review: USA Premiere Report

Final Report:

Sankranthiki Vasthunam has a passably entertaining first half and a true-blue, over-the-top second half. It remains to be seen how both the target audience and general viewers will respond to it. Stay tuned for the full review.

First Half Report:

Sankranthiki Vasthunam’s first half is passable, with a few over-the-top fun moments that work for those who enjoy that style. Venkatesh as YD Raju runs the show as expected. The second half needs to deliver some genuinely laugh-out-loud moments, as the setup for drama is light.

Sankranthiki Vasthunnam begins with a kidnap drama involving Akella (Srinivas Avasarala), stay tuned for the report.

Advertisement

Stay tuned for Sankranthiki Vasthunam review, USA Premiere report.

Sankranthiki Vasthunam marks the blockbuster combination of Venkatesh Daggubati and Anil Ravipudi, targeting the family genre, with Meenakshi Chaudhary and Aishwarya Rajesh set to tickle the funny bones of audiences. We need to see how solid the fun will be.

Cast:Venkatesh Daggubati, Meenakshi Chaudhary, Aishwarya Rajesh, Upendra Limaye, Sai Kumar, Naresh, VT Ganesh, Prithviraj, Srinivas Avasarala, Muralidhar Goud, Anand Rama Raju, Pammi Sai, Sai Srinivas, Mahesh Balaraj, Pradeep Kabra, and Chitti etc.,

Writer, Director: Anil Ravipudi
Presents: Dil Raju
Banner: Sri Venkateswara Creations
Producer: Shirish
Music: Bheems Ceciroleo
Choreography : Bhanu Master
DOP: Sameer Reddy
Editor: Tammiraju

U.S. Distributor: Shloka Entertainments

Advertisement

This Week Releases on OTT – Check ‘Rating’ Filter
Continue Reading

Movie Reviews

Wish You Were Here (2025) – Movie Review

Published

on

Wish You Were Here (2025) – Movie Review

Wish You Were Here, 2025.

Written and Directed by Julia Stiles.
Starring Isabelle Fuhrman, Mena Massoud, Jimmie Fails, Gabby Kono, Jennifer Grey, Kelsey Grammer, Jordan Gavaris, Josh Caras, Antonique Smith, Jane Stiles, and Mike Carlsen.

SYNOPSIS:

A woman searching for a spark finds a whirlwind night of romance with a man only to discover he is terminally ill and commits to helping him spend his last days living life to the fullest.

Advertisement

Something is drastically off throughout the meet-cute/spontaneous first night spent between directionless restaurant server Charlie (Isabelle Fuhrman) and mural artist Adam. Unfortunately for Julia Stiles’ directorial debut Wish You Were Here (also penning the screenplay, adapting the book by Renée Carlino), it’s more a case of contrived screenwriting that forces one character to dance around an important topic because if these adults communicated like, well, adults, there wouldn’t be a movie.

There is a mutual attraction between Charlie and Adam, but the latter continuously speaks in something resembling riddles and mysteries about love. For some perspective, I was getting the impression that it would be one of those traveling-through-time rom-coms and that Adam is a reincarnated soul who had known Charlie in a previous life. When all is revealed, what’s actually happening here is so unbearably mawkish that all the genuine charm from Isabelle Fuhrman that the film was passably coasting on evaporates into this cloying trash pile.

After a successful first date that encompasses everything from personal conversations to connecting personalities to creating a mural together to capping the night off with sex, in the morning, Adam’s mixed messaging swings into full-on pushing Charlie away, insisting that this was a one-night stand and she knows it. Devastated, Charlie receives support from her longtime best friend/co-worker (Gabby Kono) and kooky parents (Jennifer Gray and Kelsey Grammar), with her mom and well-meaning jokester brother (Jordan Gavaris) teaming to sign her up for a dating service under the impression that some of her problems in life would be solved by finding the right man (a regressive mindset, for sure, but also the least of the film’s issues.)

To the film’s credit, Charlie does resist that notion but quickly gives in to the prospect of meeting up with an observant, handsome man (Jimmie Fails) who turns out to be a combination of a sensitive soul and a playfully passionate college football mascot costumer. It’s a crime that I don’t remember seeing Jimmie Fails since his tremendously evocative breakout work in The Last Black Man in San Francisco, something that this film cements; he’s the only one who consistently feels like a real, believable person here. That’s also helped because he has the least screen time of the three principal characters. Someone put him in a romance that’s actually good, ASAP.

That’s also not to say Isabelle Fuhrman is bad. As stated, she is charming and easy to get behind, working a job she hates (surrounded by obnoxious customers), hounded by her family to do something productive in life, having bad luck with relationships, and possessing a sweet spark. Adam comes back into the film for reasons that won’t be spoiled, and Wish You Were Here spirals, letting Isabelle Fuhrman down in the process and giving her nothing to do but weepy, aggressively emotionally manipulative nonsense. Also playing out in the background is a ridiculous subplot that sees her best friend also find love, move out of the room they share, and get engaged, all within what feels like less than a month.

Advertisement

It’s also made clear that Wish You Were Here is striving to say something resonant regarding ghosting (and how maybe we don’t always owe someone an explanation for doing so) and how a critical component of love comes down to timing. How Julia Stiles (presumably the book) tackles that message is nothing short of insufferable melodrama that forces two of its characters to service those themes rather than exist as people who feel human. The kindest thing that can be said is that, at the very least, the story doesn’t morph into a tasteless, ludicrous love triangle.

Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★

Robert Kojder is a member of the Chicago Film Critics Association, Critics Choice Association, and Online Film Critics Society. He is also the Flickering Myth Reviews Editor. Check here for new reviews and follow my BlueSky or Letterboxd 

https://www.youtube.com/watch?v=embed/playlist

 

Advertisement
Continue Reading
Advertisement

Trending