Connect with us

Movie Reviews

Shaitaan movie review: Ajay Devgn the saviour meets Ajay Devgn the family man in this mildly scary hostage thriller

Published

on

Shaitaan movie review: Ajay Devgn the saviour meets Ajay Devgn the family man in this mildly scary hostage thriller

Shaitaan movie review: I often find myself marvelling at Ajay Devgn’s unending appetite for stories and treatments that showcase him as the inevitable liberator. He plays a specific kind of ultra-masculine, unfaltering hero — someone overly preoccupied with ideals and a supposedly endearing naivete that’s supposed to be compensated for with brawn, a cultivated smoothness and a fiery temper. Cases in point include Gangaajal (2003), the Singham franchise and Raid (2018). (Also Read – Maidaan trailer: Ajay Devgn plays a tough coach in Chak De! India for football. Watch)

Shaitaan movie review: R Madhavan invades Ajay Devgn’s house

What I marvel more at is the other half of his recent filmography, where he plays the goofy, rough-around-the-edges dad type who has everything going for him in life, including a loving family that are at the centre of his world. He’s done it in the Drishyam films and Shivaay (2016). In Vikas Bahl’s Shaitaan, the saviour in Ajay Devgn meets the father in him. Why I go on so much about his filmography is because there’s much in this torture porno that hinges on Ajay’s set character mould as Kabir Rishi, yet another compromised father fighting for the life and honour of his daughter.

Hindustan Times – your fastest source for breaking news! Read now.

Hostage drama tropes galore

The chills and flinching that come with Shaitaan are not because the film and the situations its screenplay conjures up are actually, genuinely, organically horrifying. They come as a product of the situational response template that twisted psychological thrillers and hostage dramas always deliver. Vikas’ film takes both of those sub-genres and tosses it in an overdone gravy of the supernatural. That is what makes the final product so vapid.

An uninvited guest (R Madhavan) at a family’s remote farmhouse in the hills isn’t unnerving enough — he needs to be a “vashikaran” specialist whose methods are beyond the grasp of science (are we really still saying that?) and whose ends have something to do with, well, with hypnotising and abducting teenage girls and rounding them up for a jauhar-style sacrifice so that the reins of the netherworld could be his.

Advertisement

Many Indian children grow up being told not to accept candy or treats from strangers, which is how this diabolical sadist gains control of Janhvi (Janki Bodiwala), Ajay’s daughter. For his portrayal of this unhinged interloper, Madhavan taps into his proclivity for mischief-monger characters. His insinuating himself into the family’s interpersonal dynamics and soon after into their house might begin to seem some kind of masterful, but this too has been done countless number of times on screen (my favourites being The Killing of a Sacred Deer and Funny Games in the West, and Kaun? and Road closer home).

What’s also become boring and rather icky in a lot of movies starring Ajay Devgn is the reliance on brutality, torture and the sexual vulnerability of young women. Everybody, including the psychotic intruder, is beaten up and should you flinch and close your eyes to escape the unnecessary heft of it, the movie makes sure the volume reaches your ears. The antagonist commands his subject to clobber her eight-year-old brother’s head against a sharp-edged bannister before casually asking her to slap her face hard enough for her parents standing on the porch to hear it, with their heads hanging low and their eyes bloodshot Additionally, some elements are not only off-putting but rather dated – the gaze on young women, particularly Janhvi, because she gets more screen time, and the closeted transphobia coming to light in the wee hours when Ajay, stabbed through his palm, grapples with two characters that seem like transwomen.

Anyway, all that is only the tip of the iceberg when it comes to this film. Honestly, I had stepped in hoping to come out unsettled even if at the cost of the right messaging. The jumpscares, such as the one when Kabir and Jyoti (Jyotika) find Janhvi transfixed even after Vanraj’s fake departure, and the viewers see him standing with his hands folded in front of the bag of cash and jewellery that he has set ablaze, is terrifying on its own. But when he opens his mouth, all that writer Aamil Keeyan Khan (who has worked with Ajay in Runway 34 and Drishyam 2 earlier) can muster is, “Tumhein laga tum mujhe paison se khareed loge?” and then Vanraj reveals his grand plan to procure their daughter for his horrifying sacrifice (basically some old-school Bollywood-style mumbo-jumbo).

The climax is predictable and even if you want to look past its flimsiness, the excruciatingly stretched sacrifice sequence and Madhavan’s tantrik makeup don’t let you. The final sequence, which the film’s self-aggrandising self-awareness ties in with the opening shot of a rotting rat in a forest, ultimately loosens the knot that you ought to feel in your stomach after a film like this. Also, can I request the CBFC to allow makers to avoid disclaimers like ‘this film does not promote black magic’ for films that clearly demand faith in backward, superstitious beliefs.

Advertisement

The performances

Jyotika, who starred in the highly acclaimed Kaathal – The Core last year, is restrained and convincing as Janhvi’s mother. Devgn, of course, has had solid practice playing the cookie-cutter dad who will rip to shreds anyone who lays an eye, let alone cast a spell, on his family. So his performance is in the same ballpark as Vijay Salgaonkar (only, more urban) from Drishyam. R Madhavan gets the most meat to chew on and chew it well he does, extracting humour and cold comfort in a very grim plot. You just have to forget the hamming he has to resort to when he’s supposed to yell and appear evil.

It’s still a tricky period for the big-screen film, and what Shaitan seems to be hoping will work in its favour is shock value. If a raucous and mildly unsettling hostage drama with a more than mildly entertaining R Madhavan is enough for you, go watch it.

Entertainment! Entertainment! Entertainment! 🎞️🍿💃 Click to follow our Whatsapp Channel 📲 Your daily dose of gossip, films, shows, celebrities updates all in one place.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Movie Reviews

Sisu: Road to Revenge

Published

on

Sisu: Road to Revenge

The lethal and tenacious Aatami Korpi returns in this sequel to 2022’s Sisu. Like its predecessor, Sisu: Road to Revenge offers up nonstop, gory hyper-violence as the old soldier shoots and stabs his way through the Soviet Union’s Red Army to avenge his family’s murder. Paired with all the bloodshed is a handful of f-words and some drinking, as well.

Continue Reading

Movie Reviews

Movie Review: “Sisu: Road to Revenge” takes a Wrong Turn or Three

Published

on

Movie Review: “Sisu: Road to Revenge” takes a Wrong Turn or Three

I am an audience of one at a late afternoon “preview” matinee of “Sisu 2,” aka “Sisu: Road to Revenge,” the sequel to the savage sleeper hit by Finnish carnage Jalmari Helander.

Do the locals know something I don’t? Or are the good folks in “The Last Capital of the Confederacy” showing their red ball cap displeasure at a movie about mowing down Russians by staying home?

I’m guessing it’s the fact that Screen Gems’ marketing didn’t spend enough to move the needle even a centimeter that dampened enthusiasm, as nobody knows about it.

That’s no big deal, because this sequel is inferior in pretty much every way to the original “Sisu,” which came out of nowhere back in 2023 and which takes its title from a Finnish word that more of less means unfettered rage. It’s not on a par with Helander’s “Rare Exports” Santa-horror splatter film either. He’s due for a misstep. Here it is.

“Road to Revenge” brings back our non-speaking, unstoppable and unkillable Finnish commando Korpi (Jorma Tommila), this time out to haul the pieces to his house across the Russian border after the end of World War II.

When your anti-hero is “unstoppable” and “unkillable,” that lowers the stakes. A lot.

Advertisement

Throw in feeble pacing and thus no urgency to its story of driving, shooting, stabbing and missle-launching his way through legions of belligerant Russians, fresh from their triumph in “The Great Patriotic War,” and you’ve got a thriller whose only creative bits are random moments of Russian-mutilating and murdering.

Remember, the vodka/borscht-folk and their dictator sided with the Nazis at the beginning of WWII, only to F-around and find out you can never trust a Nazi. And the Russians further earned their history’s bad-guys status by invading Finland at the start of the war, and paying dearly for their miscalculation, at least for a time.

The Soviet Russians annexed Finnish territory at war’s end, and that’s where Korpi lived. So he’s got his passport and his battered, oversized military truck and he’s aiming to move the logs of his old homestead, where his family was slaughtered, to a new location across the new border.

Ivan doesn’t want him to get away with it.

The stages of his quest are broken into superfluous “chapters” like “Old Enemies,” “Motor Mayhem:” and “Incoming.” The dialogue, almost all of it by a Russian tormentor (Stephen Lang) who commanded the troops who failed to finish off the Finn in the first film, is every bit as pointless.

Advertisement

“Unleash Hell,” like they haven’t already. “Keep your eyes open,” the most worthless command cliche of them all. And “Look at me,” served up as if he isn’t looking at you.

Duels against armored commandos on motorcycles (!?), airborne fighter bombers and the like ensue. Our hero takes another licking and keeps on ticking. The Russians? Let the body count commence, Comrades!

I laughed at a few of the more audacious butcherings, but that was early on. The narrative settles into a slog in the middle acts and no pull-out-the-stops train ride finale could drag it out of the mud.

Rating: R, graphic violence, pretty much start to finish, profanity

Cast: Jorma Tommila, Richard Brake and Stephen Lang.

Credits: Scripted and directed by Jalmari Helander. A Screen Gems release.

Advertisement

Running time: 1:29

Unknown's avatar

About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Continue Reading

Movie Reviews

Wicked: For Good Movie Review: Ariana Grande Shines In A Solid But Weaker-Than-The-Original Finale!

Published

on

Wicked: For Good Movie Review: Ariana Grande Shines In A Solid But Weaker-Than-The-Original Finale!

Wicked: For Good Movie Review Rating:

Star Cast: Ariana Grande, Cynthia Erivo, Jeff Goldblum, Jonathan Bailey, and Michelle Yeoh.

Director: Jon M. Chu

Wicked: For Good Movie Review Out: Solid Performances But Underwhelming Conclusion (Photo Credit – Instagram)

What’s Good: Wicked: For Good is definitely a showpiece when it comes to production values, and so, every single frame is beautiful to look at and the ultimate Wizard of Oz experience when it comes to visuals.

What’s Bad: The film is slower than the first, and it feels, especially when the new songs don’t hit like the ones in the previous instalment ,and dialogue feels like a lot of filler.

Advertisement

Loo Break: Anywhere in the first act, as the film moves so slowly that you can probably go and come back and not miss anything.

Watch or Not?: If you loved the first one, then yes, you need to see this and close the cycle.

Language: English (with subtitles).

Available On: Theaters

Runtime: 137 Minutes

Advertisement

User Rating:

Opening:

Wicked: For Good Movie Review: Ariana Grande Shines (Photo Credit – YouTube)

Wicked: For Good Movie Review: Script Analysis

Wicked: For Good is a solid film, there is no doubt about that, you just have to look at the powerful visuals, and the entire production value, but the script might be the weakest aspect of the film, especially when it comes to structure and dialogue, which affects the pacing, making the first two acts of this musical epic feel like it could do with a couple more drafts to make the story tighter, and the flow a lot more natural.

As it is, the first two acts move a snail’s pace, and the songs simply don’t match the quality and catchiness of the songs in the first two acts of the first film, here, the songs feel like they are there just to make the film longer, and it is hard to remember one that is simply memorable enough to sing along. Fans of the original musical will probably have a lot more fun with this aspect of the film, but as a newcomer, I did feel a drop in quality on the musical side.

The dialogue also does a lot of damage to the film, as it feels like everything is delivered in two or three lines that are too long, when it could have been conveyed in a simpler and more efficient way. It just doesn’t work, and while the actors do their best, the material doesn’t hold up. Nevertheless, some jokes here and there truly land, and the film does tell a compelling, complete story, which is a lot more than many other films do today.

The third act also feels quite rushed, and the connections to the original Wizard of Oz film, and the characters from that story deserved a lot more, because they are so legendary and iconic, that for some reason this movie feels like it should just move away from them as fast as it can, hurting the overall impact of the story, and the character growth.

Advertisement

Wicked: For Good Movie Review: Star Performance

Cynthia Erivo is quite solid in here, and she is plotwise, the main character, but let’s be real, this is the Ariana Grande show, who basically steals the show in every single scenes she is in, not only with her powerful voice but also with her solid acting abilities, she just has it, when it comes to presence, delivery and charisma.

The rest of the cast is quite good. Bailey does some terrifying things in the film and effectively creates all the darkness it needs, while Goldblum’s Oz is just right – nothing to talk about, but definitely his performance, along with the rest from all the other actors, doesn’t hurt the film; it elevates it.

Wicked: For Good Movie Review: Movie Lacks Crisp Editing At Places (Photo Credit – YouTube)

Wicked: For Good Movie Review: Direction, Music

Jon M. Chu started as a relatively standard director. Still, he has definitely graduated to the big leagues with these two films, as the scale of everything just goes out of the window when it comes to the visuals and the camera’s placement, which is always in the perfect spot to show it. Really, the world-building that Chu and his team have created here is outstanding.

The music, as we said before isn’t as good or memorable as the first film which really hurts the experience because this is a musical and I thought the best was being safe for last in the song department, of course, it will be a matter of taste, as it is everything but this is definitely one of the biggest negative points for the film. Nevertheless, the performers are truly going out of their way to create something extraordinary, so there is really nothing to criticize regarding the actors, dancers and singers themselves.

Wicked: For Good Movie Review: Takes Viewers On An Atmospheric Ride (Photo Credit – YouTube)

Wicked: For Good Movie Review: The Last Word

Wicked: For Good closes this adventure in a solid manner, although the overall package feels weaker than the first film, which is disappointing. However, Jon. M. Chu, his team, and his cast demonstrate that they truly care about the project, and it shows on the screen as the film finally delivers on being entertaining, grandiose, and visually stunning. It could have been better, but what is there is truly remarkable.

Wicked: For Good Trailer

Wicked: For Good releases on 21 November, 2025.

Advertisement

Share with us your experience of watching Wicked: For Good.

Must Read: Now You See Me: Now You Don’t Movie Review: The Strange Case Of A Sequel That Nobody Wanted & Many Had Already Forgotten!

Follow Us: Facebook | Instagram | Twitter | YouTube | Google News

Advertisement
Continue Reading

Trending