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‘Napoleon’ movie review: Joaquin Phoenix leads the charge in Ridley Scott’s erratic epic

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‘Napoleon’ movie review: Joaquin Phoenix leads the charge in Ridley Scott’s erratic epic
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The life and times of Napoleon Bonaparte do not seem like a laughing matter. Watching director Ridley Scott’s new historical epic about the infamous Frenchman, though, frequent snickering or the occasional chortle is not only allowed but actively encouraged.

Satirical comedy, battlefield brutality and personal tragedy mix yet never completely gel in “Napoleon” (★★½ out of four; rated R; in theaters Wednesday), a biopic starring Joaquin Phoenix as the mercurial title character. From watching Marie Antoinette’s head fall off to finding himself exiled after a bitter defeat, the film chronicles Bonaparte’s political and military victories at the same time as his volatile and somewhat toxic relationship with his wife Josephine (Vanessa Kirby).

Plenty sprawling and often funny (purposely or not), “Napoleon” labors through the big moments though pops occasionally thanks to its standout leads and a feisty supporting turn from Rupert Everett as British naval commander the Duke of Wellington.

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In 1789, Napoleon is introduced as a gunnery officer in the midst of a revolution. An ambitious sort, he wants to be seen as more than a Corsican “brute” and his status rises exponentially when he hatches a bold gambit at the 1793 Siege of Toulon, which deals a heavy blow to the hated British. At a party, he stares at and then meets Josephine, a former aristocrat and widowed mother recently freed from prison after the Reign of Terror. 

These two survivors form a relationship that grows as Napoleon’s star rises to military commander and ultimately emperor. But the king is also a jealous man-child when it comes to his bride: Napoleon writes Josephine love letters that at first go unanswered – turns out, she’s taken a lover. When Napoleon’s army is on the march in Egypt, he hears that Josephine is cheating on him and decides to go back home, deserting his troops. His petulant response to the poor sap having to deliver the bad news: “No dessert for you.” 

‘Napoleon’ first look: Joaquin Phoenix plays a ‘mercurial’ military genius

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At 85, Scott can still craft a brutally hellacious battle with the best of them. In the Battle of Austerlitz, Napoleon traps his Austrian and Russian foes and sends them to their deaths in a cold-blooded scene of cannonballs, corpses and massive bloodshed careening into icy waters. There’s gamesmanship, too, like with the later Battle of Waterloo, which (208-year-old spoiler alert) doesn’t go nearly as well for Napoleon and allows Wellington to giddily outmaneuver his audacious enemy.

However, the war scenes aren’t as intriguing – or as bitterly nasty – as the intimately testy fights between Napoleon and Josephine. At dinner, she calls him “fat” and he coolly parries with “I enjoy my meals. Destiny has brought me this lamb chop.” When confronting Josephine about her adulterous actions, Napoleon orders her to say, “I am nothing without you,” before Josephine turns it around and makes him do the same. 

‘This character came from my guts’: Joaquin Phoenix talks ‘Beau is Afraid’

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While not a transformative or innovative role for Phoenix, he’s able to nimbly move from a puffed-up public figure to a vulnerable husband and back and nails the clumsier elements of Napoleon. There is hardly much grace in anything he does, unconfidently charging into a violent tussle, scampering wildly to escape capture, or even trying to make a baby with Josephine. Kirby is excellent early on as Josephine matches wits with her husband, but her real skill is seen as the co-dependent couple’s love story turns sad, with Josephine unable to give the country an heir to the throne and being left behind in the aftermath.

“Napoleon” is certainly better than other depictions of the famed personality. (If you’ll recall, the one in “Bill and Ted’s Excellent Adventure” preferred ice cream rather than lamb chops.) It’s a movie that could have put a sharper focus on the core characters’ fascinatingly tumultuous home life, or a historical character study that went all in on a darkly comic edge a la “The Favorite.”

Instead, Scott’s saga takes after its namesake and opts for something inconsistent and idiosyncratic.

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Movie Reviews

Movie review: “The Watchers”

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Movie review: “The Watchers”
“The Watchers” is a horror/thriller movie that is Isha Night Shyamalan’s directorial debut, released in 2024. It is based on the book The Watchers by A.M. Shine. There is a hint of fantastical elements throughout the movie and lore that would have made for a great overall story, but unfortunately,…
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Movie Reviews

Movie Review: ‘Summer Camp’ is an entertaining disappointment

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Movie Review: ‘Summer Camp’ is an entertaining disappointment

Nothing forges a friendship like treating an arrow wound. For Ginny, Mary and Nora, an ill-fated archery lesson and an injured classmate are just the beginning of the lifetime of trouble they’re about to start.

Ginny is a year above the other two, more experienced in both summer camp and girlhood, and takes it upon herself to somewhat forcefully guide her younger friends. Mary cowers in the bathroom away from her bunkmates, spouting medical facts, while Nora hangs back, out of place. When their camp counselor plucks them out of their cabin groups to place them in the new “Sassafras” cabin, they feel like they fit in somewhere for the first time.

50 years later, “Summer Camp” sees the three girls, now women, reunite for the anniversary reunion of the very same camp at which they met. Although they’ve been in touch on-and-off in the preceding decades, this will be the first time the women have seen each other in 15 years.

Between old camp crushes, childhood nemeses and the newer trials of adulthood, the three learn to understand each other, and themselves, in a way that has eluded them the entirety of their friendship.

I really wanted to like “Summer Camp.”

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The opening scene, a glimpse at the girls’ first year together at Camp Pinnacle, does a good job at establishing Ginny, Mary and Nora’s dynamic. It’s sweet, funny and feels true to the experience of many adolescent girls’ friendships.

On top of that, this movie’s star-studded cast and heartwarming concept endeared me to it the moment I saw the trailer. Unfortunately, an enticing trailer is about the most “Summer Camp” has to offer.

As soon as we meet our trio as adults, things start to fall apart. It really feels like the whole movie was made to be cut into a trailer — the music is generic, shots cut abruptly between poses, places and scenes, and at one point two of the three separate shots of each woman exiting Ginny’s tour bus are repeated.

The main character and sometimes narrator, Ginny Moon, is a self-help writer who uses “therapy speak” liberally and preaches a tough-love approach to self improvement. This sometimes works perfectly for the movie’s themes but is often used to thwop the viewer over the head with a mallet labeled “WHAT THE CHARACTERS ARE THINKING” rather than letting us figure it out for ourselves.

There are glimpses of a better script — like when Mary’s husband asks her whether she was actually having fun or just being bullied, presumably by Ginny. This added some depth to her relationship with him, implying he actually does listen to her sometimes, and acknowledged the nagging feeling I’d been getting in the back of my head: “Hey, isn’t Ginny kind of mean?”

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Despite all my annoyance with “Summer Camp,” there were a few things I really liked about it. I’m a lot younger than the main characters of this movie, but there were multiple points where I found myself thinking, “Hey, my aunt talks like that!” or, “Wow, he sounds just like my dad.”

The dynamic of the three main characters felt very true to life, I’ve known and been each of them at one point or another. It felt especially accurate to the relationships of girls and women, and seeing our protagonists reconcile at the end was, for me, genuinely heartwarming.

“Summer Camp” is not a movie I can recommend for quality, but if you’re looking for a lighthearted, somewhat silly romp to help you get into the summer spirit, this one will do just fine.

Other stories by Caroline

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Caroline Julstrom, intern, may be reached at 218-855-5851 or cjulstrom@brainerddispatch.com.

Caroline Julstrom finished her second year at the University of Minnesota in May 2024, and started working as a summer intern for the Brainerd Dispatch in June.

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The Garfield Movie

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The Garfield Movie

⭐️ ⭐️ ⭐️ ( out of 5)

He looks pretty good for being 45 years old and having a solid diet of the four basic food groups: lasagna, lasagna, lasagna, and lasagna. Garfield (Chris Pratt) has graced newspapers, cinemas, toy stores and has been a window ornament in cars worldwide. As one of the world’s most recognised cats, it is no wonder that he would get a new animated franchise to honour his four decades of lounging around in our lives.

This unlikely adventure takes audiences back to the origins of his life with Odie the beagle and their owner, Jon Arbuckle (Nicholas Hoult). As he does all he can to avoid Mondays and any form of exercise and finds new levels of leisure, the orange cat is suddenly confronted by his past as he is reintroduced to his long-lost father, Vic (Samuel L. Jackson). Their sudden family reunion is tainted by the unexpected need for his father to rectify a wrong with one of his former feline friends, the Persian cat – Vinx (Hannah Waddingham). The two cats and a friendly beagle must reacquaint themselves with one another as they work with Odie to fulfil the order from the criminal kitty who needs them to deliver a milk order that would rub any cat the wrong way. Along the way, they must befriend a wise bull named Otto (Ving Rhames) to stay ahead of dairy security officer Marge (Cecily Strong) as they hope to achieve their mission and get home to their life of lasagna and leisure.

When reviewing a film about a lazy, pasta-eating cat, one must manage expectations. To expect this to be groundbreaking cinema might be a bit of a stretch. Also, considering that there is little for families to enjoy in cinemas, The Garfield Movie might be the best snack food option for parents for the season. The tone goes from ridiculous to sentimental and back to farcical as if the source material is based on a classic cartoon, which, of course, it is. A consideration as you continue with this review and realise that the film will do exactly what it is meant to do, entertain families with the fun, ridiculous actions of the cat with little motivation to do much with his life except eat his favourite Italian food and spend time with his owner. Chris Pratt and the rest of the cast come along for the ride to complement this tale of friendship, family and food.

What should parents know about The Garfield Movie? Suppose your children loved the antics of the Super Mario Brothers or liked the humour delivered by the Minions. In that case, this film will provide laughs and a hankering for Italian food afterwards. Most of the laughs for parents will fly over the heads of the little ones and will provide something for the adults in the audience. There is little to object to outside the gluttonous tendencies of this legendary cat. The discussion opportunities after the film include the three Fs of family, friendship and forgiveness.

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