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Movie Review: The sweep of history courses through Jia Zhangke’s ‘Caught By the Tides’

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Movie Review: The sweep of history courses through Jia Zhangke’s ‘Caught By the Tides’

Jia Zhangke’s “Caught by the Tides” is less than two hours long and yet contains nearly a quarter-century of time’s relentless march forward.

Movie Review: The sweep of history courses through Jia Zhangke’s ‘Caught By the Tides’

Few films course with history the way it does in the Chinese master’s latest, an epic collage that spans 21 years. Jia undertook the film during the pandemic, assembling a mix of fiction and documentary, including images from his earlier films as well as newly shot scenes.

That might sound like a mishmash kind of moviemaking. But for Jia, the preeminent cinematic chronicler of 21st century China, it’s a remarkably cohesive, even profound vessel for capturing what has most interested him as a filmmaker: the tidal wave-sized currents of technological progress and social transmutation that wash over a lifetime.

The high-speed upheavals of modern China are, of course, a fitting setting for such interests. Jia’s films are often most expressed in their surroundings — in vistas of infrastructure that dwarf his protagonists. Fans of Jia will recognize some from his previous films. For me, there’s never been a more moving backdrop from him than the rubble and mass displacement of the Three Gorges Dam project .

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“Caught by the Tides” is ostensibly about Qiaoqiao and her lover Bin , whom she searches for years after a row sent them in different directions. But in “Caught by the Tides,” these characters are more like life rafts bobbing in expansive waters, making their way aimlessly.

The poetry of “Caught by the Tides” comes from a grander arc. In one of the film’s opening scenes, shot on grainy digital film, women in a Datong city room laugh together, singing old, half-remembered songs. The film’s final scenes, set more than two decades later in the southern city of Zhuhai, are more crisply photographed and depict a more impersonal world of smartphones, robots and QR codes. For a moment, Jia even adopts the perspective of a surveillance camera.

Another moment: a shot, from pre-digital times, drifting down a street with men looking back at us, smoking and mildly curious. Cut then to what might be the same street years later, where a woman parades as a model in front of a sprawling shopping mall.

In “Caught by the Tides,” these changes go unexplained and unspoken. But the evolutions they chart are deeply familiar to anyone who has lived through even some of these years, in China or elsewhere. We see how people once moved differently, spoke differently and sang differently. Progress and loss exist together as one. Zhao and Li age through the film, leaving them weathered, too, by time. A song late in the film goes: “I can’t grasp the warmth we once shared.”

“Caught by the Tides,” a Sideshow and Janus Films release, is unrated by the Motion Picture Association. In Mandarin. Running time: 116 minutes. Three and a half stars out of four.

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Movie Reviews

Super Duperr Movie Review: A wild ride filled with laughter and emotion

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Super Duperr Movie Review: A wild ride filled with laughter and emotion

The Times of India

Apr 07, 2026, 3:24 PM IST

3.0

Super Duperr is a riot in all senses of the word. A wild ride filled with laughter and emotion it presents an unusual matchup of traditional and modern values.Rohit (Lalit Prabhakar) and Isha (Vidula Chougule) are a young couple trying to make their mark in the entertainment industry. They take their relationship to the next level and purchase a flat in Mumbai with their savings. It is here that they realise that they have fallen for a scam when the same house is sold to and currently occupied by a rural family. What follows is a series of clashes and learning moments that test the morality of both parties. The story is a fun take on a series of real world scams and as such has a very interesting premise. The Sameer Asha Patil film however chooses to take a detour in favour of certain stretched out gags and slow motion shots. What could have been a deep exploration of the two worlds colliding, ends up being a formulaic checklist of a wedding song, an action sequence and a few slapstick gags. These are passable of course, but the ho-hum nature of the story’s progression feels under utilized. Super Duperr does offer impactful emotional sequences, notably the equation between the parents (Shashank Shende and Nirmiti Sawant) and his eldest son (Hrishikesh Joshi). The music and cinematography are well executed and add abundantly to the viewing experience. Super Duperr set a rich tapestry only to ultimately doodle in a corner. While it could have benefitted from adding more inter-family interactions, it remains a good watch for this weekend.

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Why Critics Despise The Super Mario Galaxy Movie (But Audiences Love It)

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Why Critics Despise The Super Mario Galaxy Movie (But Audiences Love It)

The verdict is in, and critics have widely panned The Super Mario Galaxy Movie while audiences have universally praised the family-friendly sequel. This follow-up to the fan-favorite The Super Mario Bros. Movie has been in theaters for about a week since its debut on April 1, and it has already had the best box office opening in 2026, earning more than $190 million over its 5-day domestic weekend. Worldwide, it has amassed $372 million, making it the fifth largest global opening ever for an animated film. Despite the movie being a massive box office hit, however, the review scores are terribly low for the video game adaptation, and there are several reasons why.

Fans vs. critics on The Super Mario Galaxy Movie

As of April 6, The Super Mario Galaxy Movie has a mediocre 42% Tomatometer score from a total of 175 reviews on Rotten Tomatoes while holding a fantastic 89% Popcornmeter score from over 5,000 verified user ratings. That’s a stark 47-point difference between critics and users.

A similarly wide disparity can be found on Metacritic as well, where the sequel has a “generally unfavorable” Metascore of a 37 based on 45 reviews, despite it earning a “generally favorable” user score of a 7.9 (basically, a 42-point difference).

This gulf between professional reviews and user reviews for this sequel likely isn’t too surprising by fans of the original 2023 Super Mario Bros. movie. That film earned a 59% Tomatometer but a 95% Popcornmeter on Rotten Tomatoes, and it has “mixed or average” 46 Metascore but a “universal acclaim” user score of 8.1.

To be fair, the range of critic scores for the film is vast on Metacritic, with about seven reviews above a 60 and fifteen reviews below a 40. ComingSoon’s Jonathan Sim give it a “Good” 7 out of 10 rating, noting that “it doesn’t necessarily deepen the emotional or narrative complexity of the franchise, but it refines what worked before amplifies it on a grander scale.” However, many other reviews are far less kind, particularly the 0 out of 5 rating from The Times that calls the film “ugly, overbranded, lifeless digital marketing vomit” and a review from Vulture that says it’s like being “asphyxiated in a ball pit filled with candy.”

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Meanwhile, multiple user reviews on Metacritic are shocked at the reviews. One called the low Metascore “absolutely ridiculous,” while another asked readers to ignore the critics altogether. A different user wrote, “It’s wild to see professional critics giving this a zero. It feels like they’ve never actually picked up a controller.” And to that person’s credit, we did find that a few critics who gave low scores admitting that the film wasn’t meant for them or that they had never played a Mario game before. Indeed, the movie is chock full of Nintendo references and easter eggs, something that Mario fans will appreciate far more than anyone who doesn’t know or care about the difference between a Super Mushroom and a Fire Flower.

More broadly speaking, The Super Mario Galaxy Movie has more than several traits that critics tend to dislike but that audiences enjoy. The first is that it’s a quick-paced, action-packed film, which features a handful of battles with Mario, Luigi, Yoshi, Princess Peach, Toad, Fox McCloud, Bowser, Bowser Jr., and Wart. Another is that it’s a comedic adventure with cartoonish gags that are age-appropriate for kids and humorous to Mario fans who are in on the joke. On top of that, the film is a family-friendly video game adaptation, a genre that doesn’t usually score well from critics. A Minecraft Movie, another box office smash that earned $960 million worldwide (and also starred Jack Black), was equally slammed by critics with a 47% Tomatometer but lauded by audiences with an 84% Popcornmeter.

Taken altogether, the movie was almost made in a lab for reviewers to despise and for audiences to praise as a nostalgic love letter to Nintendo. Regardless, despite how critics feel, they’ll need to brace themselves for more, since the Nintendo Cinematic Universe is looking like it will come sooner than later.

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I Know Exactly How You Die – Review | Indie Slasher | Heaven of Horror

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I Know Exactly How You Die – Review | Indie Slasher | Heaven of Horror

Watch I Know Exactly How I Die on VOD

The director of I Know Exactly How I Die is Alexandra Spieth, who ensures a tight pace and some gorgeous shots. She previously directed Stag and created and starred in the web-series [Blank] My Life. The screenplay comes from Mike Corey, and I do really like the plot and evolution of this story.

As already mentioned, the star Rushabh Patel is the executive producer. As a result, this movie is billed as “Rushabh Patel’s I Know Exactly How I Die“, which I am not a fan of. Unless Rushabh Patel is famous in ways I am not familiar with – nor is IMDb, as this is his first and so far only credit there.

This is like people wondering if Something Very Bad Is Going to Happen is connected to Stranger Things, because the media keeps referring to it as a new show from The Duffer Brothers. Sure, they produced it, but Haley Z. Boston created the original story and wrote the screenplay. And she’s not even a newcomer.

Okay, rant over, but I just don’t understand the marketing and press decisions of it all.

Anyway, as already mentioned, the practical effects in I Know Exactly How I Die are gorgeous. Any slasher fan should enjoy the concept of the plot as well as those amazing practical effects. And yet, you will have to endure a little terrible CGI, but this is an indie production, so budget restraints come into play. Of course, so does choosing the best talent, and that did not happen for CGI here!

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I Know Exactly How You Die is out on VOD from April 7, 2026. You can rent it on Digital HD from your preferred platform, including Prime Video and Fandango at Home. The film will also be available on DVD.

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