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Movie review: Furiosa shifts into first gear

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Movie review: Furiosa shifts into first gear

Furiosa is a madcap summer blockbuster, with soul, intelligence, and a gnarly production design that together make for a white-knuckle night at the movies

Buckle up, road warriors: there’s a new sheriff in the wild, wild wasteland. Her name is Furiosa, and her cinematic epic is now blazing on screen with a blistering ferocity.

Furiosa: A Mad Max Saga comes nearly a decade after the Australian apocalypse series returned with the Oscar-winning mega-hit Fury Road in 2015. What (obviously) makes this instalment unique is that this is the first time someone other than Max gets the spotlight – true to the name, he isn’t even in the film except for a two-second cameo.

Instead, Fury Road’s deuteragonist Furiosa is in the driver’s seat, and she proves to be just as compelling and driven a lead character. After being originated by Charlize Theron nine years ago, her younger versions are now played by Anya Taylor-Joy and Aylya Brown.

The main plot sees a young Furiosa (Brown) kidnapped from her family in a desert oasis, sometime in the future when the world is nearly covered in sand, gas and grime. The rest of the film follows the growing Furiosa determined to exact revenge on her kidnapper – the warlord Dementus (Chris Hemsworth) – and return home.

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When the title promises this will be a “saga”, writer/director George Miller isn’t kidding. Just as Fury Road was about a man (Max) finding his quest and purpose in a woman’s odyssey, the inverse is realized in Furiosa, which is about a woman finding her pursuit within the male-dominated wasteland. 

Taylor-Joy and Brown get nearly equal screen time following Furiosa from childhood to grown woman, and they each dominate scene after scene showing their tactics, efforts, fears and discoveries through stunt after remarkable stunt in mountains, storms, and through every sort of dune buggy and truck you can imagine.

But because they split the film’s (maybe overlong) run time, the actor who we spend the most time with is Hemsworth’s Dementus, who shifts from graceful and brutal to giddy and manic. The degradation of the two main characters are fascinating: like their surrounding world, it’s like watching two warriors fighting the threat of literally wasting away.

George Miller has become famous for the meticulously evolving Mad Max series just as he has for family films like Babe and Happy Feet (yes, really!), but his regular detailed world building are in full force for Furiosa, with excellent production design, cinematography and editing sharper than the on screen spikes. It’s brutally beautiful.

The only real downgrade from Fury Road, which draws several easy comparisons, is that the first two chapters of the film are a bit slow, with the story’s engine only really revving once Taylor-Joy begins her scenes. But this is a small critique.

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Furiosa is a madcap summer blockbuster, with soul, intelligence, and a gnarly artistry that all builds to several white-knuckle scenes. It’s well worth the ride.

Furiosa: A Mad Max Saga

9 out of 10

14A, 2hrs 28mins. Action Adventure Epic.

Co-written and directed by George Miller.

Starring Anya Taylor-Joy, Chris Hemsworth, Tom Burke and Lacey Hulme.

Now Playing at SilverCity Burlington Cinemas and Film.Ca Cinemas, 5 Drive-In.

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Primate

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Primate
Every horror fan deserves the occasional (decent) fix, andin the midst of one of the bleakest movie months of the year, Primatedelivers. There’s nothing terribly original about Johannes Roberts’ rabidchimpanzee tale, but that’s kind of the …
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1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

A still from ‘Song Sung Blue’.
| Photo Credit: Focus Features/YouTube

There is something unputdownable about Mike Sardina (Hugh Jackman) from the first moment one sees him at an Alcoholics Anonymous meeting celebrating his 20th sober birthday. He encourages the group to sing the famous Neil Diamond number, ‘Song Sung Blue,’ with him, and we are carried along on a wave of his enthusiasm.

Song Sung Blue (English)

Director: Craig Brewer

Cast: Hugh Jackman, Kate Hudson, Michael Imperioli, Ella Anderson, Mustafa Shakir, Fisher Stevens, Jim Belushi

Runtime: 132 minutes

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Storyline: Mike and Claire find and rescue each other from the slings and arrows of mediocrity when they form a Neil Diamond tribute band

We learn that Mike is a music impersonator who refuses to come on stage as anyone but himself, Lightning, at the Wisconsin State Fair. At the fair, he meets Claire (Kate Hudson), who is performing as Patsy Cline. Sparks fly between the two, and Claire suggests Mike perform a Neil Diamond tribute.

Claire and Mike start a relationship and a Neil Diamond tribute band, called Lightning and Thunder. They marry and after some initial hesitation, Claire’s children from her first marriage, Rachel (Ella Anderson) and Dayna (Hudson Hensley), and Mike’s daughter from an earlier marriage, Angelina (King Princess), become friends. 

Members from Mike’s old band join the group, including Mark Shurilla (Michael Imperioli), a Buddy Holly impersonator and Sex Machine (Mustafa Shakir), who sings as James Brown. His dentist/manager, Dave Watson (Fisher Stevens), believes in him, even fixing his tooth with a little lightning bolt!

The tribute band meets with success, including opening for Pearl Jam, with the front man for the grunge band, Eddie Vedder (John Beckwith), joining Lightning and Thunder for a rendition of ‘Forever in Blue Jeans’ at the 1995 Pearl Jam concert in Milwaukee.

There is heartbreak, anger, addiction, and the rise again before the final tragedy. Song Sung Blue, based on Greg Kohs’ eponymous documentary, is a gentle look into a musician’s life. When Mike says, “I’m not a songwriter. I’m not a sex symbol. But I am an entertainer,” he shows that dreams do not have to die. Mike and Claire reveal that even if you do not conquer the world like a rock god, you can achieve success doing what makes you happy.

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ALSO READ: ‘Run Away’ series review: Perfect pulp to kick off the New Year

Song Sung Blue is a validation for all the regular folk with modest dreams, but dreams nevertheless. As the poet said, “there’s no success like failure, and failure’s no success at all.” Hudson and Jackman power through the songs and tears like champs, leaving us laughing, tapping our feet, and wiping away the errant tears all at once.

The period detail is spot on (never mind the distracting wigs). The chance to hear a generous catalogue of Diamond’s music in arena-quality sound is not to be missed, in a movie that offers a satisfying catharsis. Music is most definitely the food of love, so may we all please have a second and third helping?

Song Sung Blue is currently running in theatres 

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