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Movie review: A Quiet Place, quivering since Day One

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Movie review: A Quiet Place, quivering since Day One

It’s a silent nightmare in New York when monsters appear and ravage the world – but it’s an exciting ride when it’s back on the big screen. 

White knuckle thrills abound in A Quiet Place: Day One, the new horror adventure from Paramount that’s infinitely stronger than a franchise spin-off movie has any business being.

That’s thanks to two luminous, dedicated talents: the first is writer and director Sarnoski, taking over from A Quiet Place franchise creator John Krasinski (who, in a funny contrast, made the family film IF this year instead), and the other is Oscar winner Lupita Nyong’o as Sam, the woman on a quest for pizza and a happy memory.

Instead of following the main cast from the popular 2018 and 2021 films, Nyong’o leads a smaller scale quest looking at Sam, a dying cancer patient, who unluckily gets trapped in Manhattan on the titular “Day One” when the auditory alien monsters arrive and begin an apocalyptic takeover of Earth.

(For those unfamiliar: the monsters from the films are an unknown species of predators who eat humans, but they’re blind and can only detect prey if they make sound.)

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Audiences saw a small taste of that day in the prologue for 2021’s Part II, but that was in a small, midwest town. But this time it’s the millions of people in New York all being threatened at once, and some of the chases and crowd-crashing scenes are scarily tight.

Sarnoski’s eye for terrorizing vignettes and setting up smart, scary obstacles for Sam throughout the city is endlessly creative and exciting. Crashed subways, abandoned buildings, power outages and some wild weather all pose scary, sound-like obstacles that’s more gripping than the last.

The real standout is Nyong’o, who almost never leaves the screen throughout the 90-minute film. Her conviction and fear are so palpable and engaging that audiences can’t help but get invested in Sam’s survival. 

A premise of Sam wanting one last moment of peace before either the aliens or her cancer gets her may sound like too simple a premise. Under the careful nuance of Sarnoski’s direction, the team has made both a bright and bleak thriller that’s great summer entertainment.

What’s most compelling in the script are the moments when, despite the disaster, Sam (and her scene-stealing cat Frodo) is appreciating the small signs of life in the desolate city. Even though things literally couldn’t be worse, somehow Sam still has some small hope left.

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Audiences will gasp and jump at this latest silent screamer, and if the quality control is this good, there will likely be more quiet places to find even after three movies. I’m certainly excited for what this world brings next.

A Quiet Place: Day One

8 out of 10

Rated PG, 1 hour, 36 minutes. Horror Adventure Thriller.

Written and directed by Michael Sarnoski.

Starring Lupita Nyong’o, Jospeh Quinn, Alex Wolff, Djimon Hounsou and Frodo the cat.

Now Playing at Cineplex theatres.

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Movie Reviews

‘Hoppers’ review: Who can argue with hilarious talking animals?

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‘Hoppers’ review: Who can argue with hilarious talking animals?

Just when you think Pixar’s petting-zoo cute new movie “Hoppers” is flagrantly ripping off James Cameron, the characters come clean.


movie review

HOPPERS

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Running time: 105 minutes. Rated PG (action/peril, some scary images and mild language). In theaters March 6.

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“You guys, this is like ‘Avatar’!,” squeals 19-year-old Mabel (Piper Curda), the studio’s rare college-age heroine. 

Shoots back her nutty professor, Dr. Fairfax (Kathy Kajimy): “This is nothing like ‘Avatar!’”

Sorry, Doc, it definitely is. And that’s fine. Placing the smart sci-fi story atop an animated family film feels right for Pixar, which has long fused the technological, the fantastical and the natural into a warm signature blend. Also, come on, “Avatar” is “Dances With Wolves” via “E.T.”

What separates “Hoppers” from the pack of recent Pix flix, which have been wholesome as a church bake sale, is its comic irreverence. 

Director Daniel Chong’s original movie is terribly funny, and often in an unfamiliar, warped way for the cerebral and mushy studio. For example, I’ve never witnessed so many speaking characters be killed off in a Pixar movie — and laughed heartily at their offings to boot.

What’s the parallel to Pandora? Mabel, a budding environmental activist, has stumbled on a secret laboratory where her kooky teachers can beam their minds into realistic robot animals in order to study them. They call the devices “hoppers.”  

In Pixar’s “Hoppers,” a teen girl discovers a secret device that can turn her into a talking beaver. AP

Bold and fiery Mabel — PETA, but palatable — sees an opportunity. 

The mayor of Beaverton, Jerry (Jon Hamm), plans to destroy her beloved local pond that’s teeming with wildlife to build an expressway. And the only thing stopping the egomaniacal pol — a more upbeat version of President Business from “The Lego Movie” — is the water’s critters, who have all mysteriously disappeared. 

So, Mabel avatars into beaver-bot, and sets off in search of the lost creatures to discover why they’ve left.

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From there, the movie written by Jesse Andrews (“Luca”) toys with “Toy Story.” Here’s what mischief fuzzy mammals, birds, reptiles and insects get up to when humans aren’t snooping around. Dance aerobics, it turns out. 

Mabel (Piper Curda) meets King George (Bobby Moynihan). AP

Per the usual, “Hoppers” goes deep inside their intricate society. The beasts have a formal political system of antagonistic “Game of Thrones”-like royal houses. The most menacing are the Insect Queen (Meryl Streep — I’d call her a chameleon, but she’s playing a bug), a staunch monarch butterfly and her conniving caterpillar kid (Dave Franco). They’re scheming for power. 

Perfectly content with his station is Mabel’s new best furry friend King George (Bobby Moynihan), a gullible beaver who ascended to the throne unexpectedly. He happily enforces “pond rules,” such as, “When you gotta eat, eat.”   

That means predators have free rein to nosh on prey, and everybody’s cool with it. Because of bone-dry deliveries, like exhausted office drones, the four-legged cast members are hilarious as they go about their Animal Planet activities. 

Mayor Jerry (Jon Hamm) plans to destroy a local pond to build an expressway. AP

No surprise — talking lizards, sharks, bears, geese and frogs are the real stars here. They far outshine Mabel, even when she dons beaver attire. Much like a 19-year-old in a job interview, she doesn’t leave much of an impression. 

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Yes, the teen has a heartfelt motivation: The embattled pond was her late grandma’s favorite place. Mabel promised her that she’d protect it. 

But in personality she doesn’t rank as one of Pixar’s most engaging leads, perhaps because she’s past voting age. Mabel is nestled in a nebulous phase between teenage rebellion and adulthood that’s pretty blasé, even if a touch of tension comes from her hiding her Homo sapien identity from her new diminutive pals. When animated, kids make better adventurers, plain and simple.

AP

“Hoppers” continues Pixar’s run of humble, charming originals (“Luca,” “Elio”) in between billion-dollar-grossing, idea-starved sequels (“Inside Out 2,” probably “Toy Story 5”). The Disney-owned studio’s days of irrepressible innovation and unmatched imagination are well behind it. No one’s awed by anything anymore. “Coco,” almost 10 years ago, was their last new property to wow on the scale of peak Pixar.

Look, the new movie is likable and has a brain, heart and ample laughs. That’s more than I can say for most family fare. “A Minecraft Movie” made me wanna hop right out of the theater.

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Review | Hoppers: Pixar’s new animation is a hilarious, heartfelt animal Avatar

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Review | Hoppers: Pixar’s new animation is a hilarious, heartfelt animal Avatar

4/5 stars

Bounding into cinemas just in time for spring, the latest Pixar animation is a pleasingly charming tale of man vs nature, with a bit of crazy robot tech thrown in.

The star of Hoppers is Mabel Tanaka (voiced by Piper Curda), a young animal-lover leading a one-girl protest over a freeway being built through the tranquil countryside near her hometown of Beaverton.

Because the freeway is the pet project of the town’s popular mayor, Jerry (Jon Hamm), who is vying for re-election, Mabel’s protests fall on deaf ears.

Everything changes when she stumbles upon top-secret research by her biology professor, Dr Sam Fairfax (Kathy Najimy), that allows for the human consciousness to be linked to robotic animals. This lets users get up close and personal with other species.

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“This is like Avatar,” Mabel coos, and, in truth, it is. Plugged into a headset, Mabel is reborn inside a robotic beaver. She plans to recruit a real beaver to help populate the glade, which is set to be destroyed by Jerry’s proposed road.
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Movie Reviews

Film reviews: ‘How to Make a Killing,’ ‘Pillion,’ and ‘Midwinter Break’

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Film reviews: ‘How to Make a Killing,’ ‘Pillion,’ and ‘Midwinter Break’

‘How to Make a Killing’

Directed by John Patton Ford (R)

★★

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