Movie Reviews
‘Magellan’ Review: Gael Garcia Bernal Plays the Famous Explorer in Lav Diaz’s Exquisitely Shot Challenge of an Arthouse Epic
If “Gael Garcia Bernal as Magellan” sounds to you like a pretty cool Netflix series, you have never seen a film by Filipino auteur and slow-cinema master Lav Diaz. Known on the international festival circuit for his epically minimalist features with bladder-busting running times, his movies are challenging, high-art dramas made for a very select few — the opposite of the flashy, ADHD-friendly content found on streamers.
Premiering in Cannes, where Diaz’s most awarded film, Norte, the End of History, played in Un Certain Regard back in 2013, Magellan (Magalhães) is not for the impatient viewer who likes their explorer stories action-packed and easy to digest.
Magellan
The Bottom Line A stunning time capsule that’s easier to admire than watch.
Venue: Cannes Film Festival (Cannes Premiere)
Cast: Gael García Bernal, Ângela Azevedo, Amado Arjay Babon, Ronnie Lazaro
Director, screenwriter: Lav Diaz
2 hours 40 minutes
And yet this exquisitely crafted feature may be one of the director’s most accessible works to date. It clocks in at only 160 minutes (Diaz’s films often run twice that long, if not more), but, more importantly, provides an honest glimpse at a figure who famously opened the world up for exploration, while furthering the mass destruction wreaked by colonialism.
“I saw a white man!” an indigenous woman screams in the movie’s opening scene, which shows her working calmly by a river in a picturesque rain forest. Like the snake appearing in the Garden of Eden — a Biblical reference that will soon be forced upon tribes with their own religious culture — the arrival of Europeans on the shores of unexplored lands will carry evil into an innocent place, changing it for the worse.
That first sequence takes place during the Conquest of Malacca in 1511, which saw Magellan fighting under Portuguese conquistador Afonso de Albuquerque. If you’re not familiar with this dark period, Diaz doesn’t necessarily make things clear enough to grasp. He’s less interested in historical facts and figures than in visually capturing what the start of colonial decimation looked like on both sides. Magellan never appears in his movie as a hero or antihero, but as a bold profiteer reaping what he can out of a global race to secure land through war and plunder. Guns, germs and steel indeed.
The narrative, which stretches from the bloody clashes on Malacca to Magellan’s death at the Battle of Mactan (Philippines) ten years later, portrays this decade of conquest and ruination with elegantly composed tableaux shot from a fixed position. Diaz is known for using black-and-white, but here he teams with Artur Tort (credited as both co-cinematographer and co-editor) to shoot with a rich color palette of green, brown and blue, finding beautifully detailed textures in locations on both sea and land. The villages recreated by production designers Isabel Garcia and Allen Alzola seem so authentic that you would think they had always been there, nestled in the jungle.
Certain images look like they were torn right out of 16th-century paintings, which is why Magellan is a movie you tend to gaze at rather than watch with full attention. Diaz often shows us the aftermath of battles, where dozens of bodies are artfully splayed on the ground, instead of the battles themselves. Lots of other drama happens off-screen, even if we do witness certain key moments from Magellan’s last years — whether it’s his decision to work under the Spanish crown after the Portuguese refused to back his last voyage, or his discovery of a passage to the South Pacific that became known as the Magellan Strait.
But the drama can be very stolid, borderline dull at times. Not that Garcia Bernal isn’t perfect for the part: Costumed in lots of fluffy shirts, he plays a fearless man with an immense ego who suffered for his success, making the whole profession of being a conquistador look less like a valiant enterprise than a major drag. But Diaz’s observant style (he never cuts within a scene; there’s no music to induce emotion) can keep us at arm’s length from events. Perhaps the most dramatic part of the film is the one that’s the most painfully stretched out, depicting Magellan’s long, relentless voyage (1519-1521) from Spain to the Spice Islands, which saw many crew members die along the way.
But whatever the Spaniards or Portuguese went through pales in comparison to all the tribespeople whom we see imprisoned, converted, enslaved or just plain murdered by Magellan and his men. The other main character in the film is Enrique (Amado Arjay Babon), an indigenous man whom Magellan captures on Malacca and takes with him on all his subsequent journeys. He gradually becomes “civilized” (to use a colonialist term) as the narrative progresses, until the tides turn in the Philippines and we see him returning back to his initial state, freed from the shackles of European domination.
As much as Magellan is a film that will play to a highly select audience, it makes a subtle but loud political statement about the colonial mindset both then and now. When the conquistadors claim they are fighting so that “Islam shall finally disappear,” hoping to beat the Moors in securing more territory, it sounds a lot like speeches you hear from far-right pundits and politicians in Europe today. Diaz’s movie may resemble a magnificent time capsule — and one that we watch with a certain distance — but there are moments when its stark realism reminds us how easily history can repeat itself.
Movie Reviews
Review | 96 Minutes: train bomb thriller forgoes excitement for life lessons
2/5 stars
Guilt proves to be a powerful trigger for a retired bomb disposal expert in the Taiwanese action thriller 96 Minutes, when his past mistakes prove every bit as deadly as a bomb planted on board a cross-country express train.
Austin Lin Po-hung stars as Kang-ren, still haunted by his failure to prevent a deadly department store bomb attack three years earlier, whose past catches up with him at high speed after attending a memorial service for the victims.
Travelling back to the capital with the other attendees, Captain Li (Lee Lee-zen), who was Kang-ren’s boss, receives an anonymous message warning that there is a bomb on board set to detonate in exactly 96 minutes, or if any attempt is made to stop the vehicle or unload its passengers.
Clues point to the bomber being on either their train or the one that left a few minutes prior. Both are filled with grieving relatives, scarred survivors, as well as Kang-ren’s own mother (Lu Hsueh-feng) and fiancée (Vivian Sung Yun-hua).
With the clock ticking, the police must find the device, identify the bomber and save the day before either train hurtles into Taipei station.
Movie Reviews
Review | Another World: macabre human fable is a new milestone for Hong Kong animation
4/5 stars
Hong Kong filmmakers rarely get as philosophical about the human condition as they do in the animated feature Another World, which contemplates the limits of goodness in the face of great evil, set against a vibrant action fantasy backdrop.
Although the film’s focus on reincarnation appears to align it with Eastern religions, Another World’s belief in kindness renders it a universally engaging watch. Young children should stay away, however, as they might be scarred by some of the shockingly grisly moments in this macabre tale.
Leading us into the afterlife is one of its spirit guides, Gudo (voiced by Chung Suet-ying), who is tasked with helping deceased souls let go of their memories and escorting them past a magical waterfall into the next life – all the while making sure the “seed of evil” inside each of them, if any, does not sprout out of resentment.
His latest charge is a girl named Yuri (Christy Choi Hiu-tung), whose pure and lively character fascinates Gudo. Yuri is initially not aware that she has died and is instead persistent in her search for her younger brother, whose fate remains unknown for much of the runtime.
Movie Reviews
Now You See Me: Now You Don’t Movie Reviews Are In – And There’s One Clear Critics’ Consensus
The first critics’ reactions to Now You See Me: Now You Don’t are finally here, and they largely agree that the Lionsgate threequel is another major hit. After being stuck in development, the highly anticipated Now You See Me Sequel will finally arrive in theaters on November 14, 2025, continuing the story of the iconic Four Horsemen, illusionists and street magicians who are experts in orchestrating elaborate heists.
In Now You See Me‘s third installment, the Four Horsemen recruit three skilled illusionists for another heist involving the world’s largest queen diamond before finding it belongs to a powerful crime syndicate. The hype surrounding the movie is poised to rise after the first wave of reactions had high praise for the project.
Critics who saw an early screening of Now You See Me: Now You Don’t in New York shared their first reactions on X. The threequel received largely positive reactions, with nearly all critics saying that it is thoroughly entertaining and fun.
Film critic Andre Saint-Albin described the film as “a sleight-of-hand masterpiece,” noting that Now You See Me 3 has an “entertaining story” and a “phenomenal diamond heist.” He also teased that the film has an “epic” third act while also praising the new casting additions:
“‘Now You See Me: Now You Don’t’ is a sleight-of-hand masterpiece! The Four Horsemen (Eisenberg, Harrelson, Franco, Fisher) return for their next trick with an entertaining story & a phenomenal diamond heist. Smith, Sessa & Greenblatt plant the seeds as Gen-Z firebrands, clashing with old-school magic. New seeds, old tricks, epic third act! Fleischer’s directs a ride so good fun you’d swear it was sorcery!”
Entertainment reporter Jonathan Sim boldly claimed that Now You See Me: Now You Don’t is a “funny, thrilling heist movie” and teased that it was “filled with surprises:”
“#NowYouSeeMe: Now You Don’t gives us the magic we’ve been waiting for. A funny, thrilling heist movie. The Horsemen are back in action with non-stop fun, tricks, and joy. The new characters are an A+ addition. Filled with surprises and just as dazzling and astonishing as ever.”
While Critics Choice’s Tony Mosello admitted that it’s more of the same, he said that fans will love Now You See Me: Now You Don’t due to its fun “twists and surprises, with elevated stakes:”
“NOW YOU SEE ME: NOW YOU DON’T proves the original Horsemen still have “it”, injecting the show with youthful energy via the newcomers and a fun, campy, and villainous Rosamund Pike. Full of twists and surprises, with elevated stakes; it’s more of the same, but fans will LOVE it.”
CinemaBlend’s Riley Utley shared that the threequel made her “smile from ear to ear,” and the movie reminded her why the first movie made her fall in love with films in the first place:
“‘Now You See Me: Now You Don’t’ reiterates with exclamation points why the first ‘Now You See’ movie was one of the projects that made me fall in love with movies. There’s nothing better than projects that make me smile from ear to ear, blow my mind and make it clear why movies are magic.”
That Hashtag Show’s Manny Gomez praised how the latest Now You See entry allowed the original cast to “set the stage for the new magicians to shine:”
“#NowYouSeeMe is a fun addition to the franchise that allows the beloved cast to set the stage for the new magicians to shine. Loved the magic… misdirection… and twists and turns that make going to the movies fun.”
The Direct’s David Thompson was proud to declare that the “magic is back” in the Now You See Me franchise after seeing that the third installment was filled with “some satisfying twists and turns:”
“Happy to report the magic is BACK in the #NowYouSeeMe franchise — loved the new cast, a bunch of fun sequences, & some satisfying twists and turns.”
Film critic and The Film Blerds host Brandon Norwood said that fans of the series will definitely “love” Now You See Me: Now You Don’t because it is “thoroughly entertaining:”
“NOW YOU SEE ME: NOW YOU DON’T: Thoroughly entertaining! The younger cast mixes in well with the OGs. Fans of the series, you’ll love this. Really miss mid-budget studio popcorn fare like this.”
Popternative’s Christopher Gallardo enjoyed the latest Now You See Me entry and described it as a “new-gen rivals old-gen story” that has a special flair:
“NOW YOU SEE ME: NOW YOU DON’T is an exciting thrill-ride with all the tricks and dazzle you’d want. It’s a ‘new-gen rivals old-gen’ story with a special flair that shines with it’s fun cast chemistry. Sessa, Greenblatt, and Smith especially rock all throughout!”
FandomWire’s PossesSEAN gave high praise to the movie’s “impressively staged set pieces,” calling the threequel a “great popcorn movie:”
“#NowYouSeeMe: NOW YOU DON’T was catnip for me — another exhilarating, funny caper with some of the most impressively staged set pieces of the year. A great blend of old and new that effectively ups the stakes and scale. What a great popcorn movie!”
Ethan Simmie of The Movie Draft Podcast admitted that Now You See Me: Now You Don’t went “full Mission: Impossible mode,” with him celebrating the fact that it was “some of the most fun” he’s had at the movies this year:
“NOW YOU SEE ME: NOW YOU DON’T is some of the most fun I’ve had at the movies all year! This entry goes full Mission: Impossible mode and is hilarious, entertaining, and perfectly meta. I could watch one of these every single year forever. We really do come to the movies for magic.”
Directed by Ruben Fleischer, Now You See Me: Now You Don’t is one of the 12 biggest sequels in 2025. The movie has a stacked cast, including Jesse Eisenberg, Woody Harrelson, Isla Fisher, and Dave Franco. They are joined by newcomers Justice Smith, Ariana Greenblatt, Dominic Sessa, and Rosamund Pike. Now You See Me: Now You Don’t will premiere in theaters on November 14, 2025.
Now You See Me 3’s Success Could Lead to Franchise’s Promising Future
Based on the first wave of reactions, Now You See Me: Now You Don’t seems poised for success, which is good for the franchise’s future. Moreover, widespread critical praise could boost the movie’s box office returns.
The long wait for Now You See Me: Now You Don’t could be seen as an advantage because it offers a sense of nostalgia to original fans. The nine-year gap also allowed the movie’s writers to strike an ideal balance, crafting intricate heists while establishing seamless chemistry between the returning cast and new additions.
If successful, Now You See Me: Now You Don’t could lead to future installments or potential spin-offs. With prequel entries to many recognizable franchises like Alien: Earth (read more about Season 2 here) and It: Welcome to Derry finding success in streaming, the threequel’s triumph at the box office could push Lionsgate to explore a spin-off focusing on the younger versions of the Horsemen.
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