Movie Reviews
Logout Movie Review: Babil Khan Shines In A Digital-Age Thriller That’s Powerful, But Patchy – News18
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Logout movie review: The film succeeds where it counts — it gets people talking. It reflects the toxic cycle of influencer culture, where self-worth is measured in numbers and genuine emotions are staged to please the algorithm.
Babil Khan in Logout.
LogoutU/A
3/5
Starring: Babil Khan, Rasika Dugal, Nimisha Nair Director: Amit GolaniPlatform: Zee5
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Logout movie review: Babil Khan takes centerstage in Logout, a taut tech thriller that unfolds over a nerve-wracking 48 hours. Directed by Amit Golani, the film dives into the dark side of influencer culture, digital dependence and the terrifying fragility of our online identities. With Babil playing a popular Instagram influencer whose life is derailed after a fan hijacks his phone and personal data, Logout delivers a timely, thought-provoking premise — and Babil carries it with striking intensity.
Babil’s character, Pratyush AKA Pratman, is on the brink of a major social media milestone: 10 million followers. But just as he’s riding high on digital fame, a seemingly harmless fan interaction spirals into a nightmare. When his phone is stolen and his passwords compromised, Pratyush is dragged into a psychological game with an anonymous stalker who begins controlling his online persona — and slowly, his life.
As Pratyush begins to unravel, Babil leans fully into the role. He’s raw, explosive and emotionally honest. From helpless outbursts of rage to quieter, more desperate moments of introspection — especially as he reflects on his family or the validation he’s addicted to — Babil breathes life into every frame. He captures the suffocating panic of being cut off from your own digital identity with heartbreaking realism.
The film’s tension builds well, with the viewer feeling increasingly claustrophobic as Pratyush tries to piece together who’s behind the attack. The stalker, played by a convincing Nimisha Nair, stays mostly in the shadows. Her voice, calm and emotionless, carries a sense of eerie control. She knows exactly what she’s doing and that calm confidence is what makes her character so disturbing. Rasika Dugal as Pratyush’s sister, makes a fleeting appearance in a blink-and-miss role.
Director Amit Golani deserves credit for creating a sharp, edge-of-the-seat thriller that taps into our shared fear of losing control in the digital world. He shows how smartphones and social media have become part of who we are — and how lost we feel without them. Logout also reminds us how social media can pull us away from our families, making us more focused on online approval than real-life connections. It raises important questions: Who are we without our phones? And have we let them define us too much?
That said, the film has a few weak spots. Some plot points feel unfinished or not fully thought through. For example, it’s hard to believe that Pratyush never tries to get a backup phone early on or ask someone for help by simply stepping out. In a world where we’re always connected, an influencer with millions of followers would likely have some kind of plan. These moments make the story feel less believable in parts, especially for a film that leans on realism.
Still, Logout succeeds where it matters — it sparks conversation. It holds up a mirror to the toxic validation loop of influencer culture, where numbers define worth and real-life emotions are curated for the algorithm.
In the end, Logout is a psychological reflection of the world we live in and Babil Khan ensures we feel every second of its unraveling. A good, one-time watch.
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Movie Reviews
1985 Movie Reviews – Bad Medicine, King Solomon’s Mines, and One Magic Christmas | The Nerdy
Welcome to an exciting year-long project here at The Nerdy. 1985 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.
We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.
Yes, we’re insane, but 1985 was that great of a year for film.
The articles will come out – in most cases – on the same day the films hit theaters in 1985 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.
This time around, it’s Nov. 22, 1985, and we’re off to see Bad Medicine, King Solomon’s Mines, and One Magic Christmas.
Bad Medicine
Steve Guttenberg really was having a moment in the 1980s. Sadly, this film was part of that moment.
Jeffrey Marx (Guttenberg), comes from a medical family, but he has been able to get into a medical school due to low scores. His father finally sets up to go to a school in Central America. Once there he makes a few new friends, and eventually discovers not only does he actually like medicine, but he’s good at it.
This film had a few ingredients to be fun, but it lost it’s way with too many sub-plots. We didn’t need the owner of the school (Alan Arkin) lusting after Liz (Julie Hagerty). It added absolutely nothing to the overall story, and only served to slow the pace of the film down in several spots.
There may have been a decent film hiding in here, just no one knew how to get to the meat of it, apparently.
King Solomon’s Mines
Kids love Indiana Jones, so lets make our own!
Jesse Huston (Sharon Stone) wants to find her father, and hires Allan Quatermain (Richard Chamberlain) to help her. Her father had been looking for the fabled King Solomon’s Mines, so naturally they end up on the path to looking for them as well, running into every obstacle imaginable along the way.
Lets make no mistake, this is not a good movie. It is an out-and-out ripoff of everything that made Indiana Jones cool and successful. But despite it not being good, Chamberlain is so blasted charming as Quatermain that it’s hard not to root for the film a bit.
What kept tearing me out of the film was the stunts. Realistically, you know Indiana Jones should be dead about 20 times a movie, but the stunts were so good that you could believe he survived it. And it’s just not the same here. The scene where Quatermain gets dragged behind the train hitting all of the boards of the track was just too far to even be believable for a moment, and that really pulled me out of the film.
I give them points for trying, but they just never quite make it over the line.
One Magic Christmas
Hey kids! Christmas is coming! Who’s ready to get depressed?
Christmas angel Gideon (Harry Dean Stanton) gets assigned to help Ginnie Grainger (Mary Steenburgen) find the Christmas spirit… and so what if she watches her husband get killed along the way and she believes at one point both her kids are dead the same day?
Merry Christmas, everyone!
The film is unflinchingly sad for the majority of its runtime, making it difficult to fathom how it was made. In the end, Ginnie does get her Christmas spirit as Santa rewinds time so that her husband never dies. Of course, he doesn’t remove her memory of watching him get shot and him dying in front of her, but, you know, it was the 80s, who cared about trauma?
Just a bleak film that is baffling how it got made.
1985 Movie Reviews will return on Nov. 29, 2025, with Rocky IV and Santa Claus: The Movie.
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