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IF (2024) – Movie Review

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IF (2024) – Movie Review

IF, 2024. 

Directed by John Krasinski.
Starring Ryan Reynolds, John Krasinski, Cailey Fleming, Fiona Shaw, Phoebe Waller-Bridge, Louis Gossett Jr., Emily Blunt, Matt Damon, Maya Rudolph, Jon Stewart, Bobby Moynihan, Sam Rockwell, Sebastian Maniscalco, Christopher Meloni, Richard Jenkins, Awkwafina, and Steve Carell.

SYNOPSIS

After discovering she can see everyone’s imaginary friends, a girl embarks on a magical adventure to reconnect forgotten IFs with their kids.

John Krasinski’s masterful A Quiet Place was horror built on the foundation of a strong, believable family dynamic. Here he skews towards a younger audience for a similar tale of a fractured family surrounded by fantastical creatures, but instead of striking terror in the hearts of viewers, with IF he has crafted a film that will fill them with joy and wonder. 

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Not wanting to shy away from issues that have permeated some of the best children’s movies of days-gone-by, from the off Krasinski grounds his fable in grief and loss. It’s a brave opening gambit on which to build a story of colourful characters and magical events, but you can leave the complaints to the professional cynics, because the emotion is delicately handled, and narratively it pays off in spades.

That it achieves this fine balancing act is largely down to the superb cast. You might turn up for the purple thingies, a farting gummy bear, or a glass of water voiced by Bradley Cooper, but IF‘s driving force is the performance of Cailey Fleming. Brilliant in the final few seasons of The Walking Dead, here she runs the full gamut as Bea. Carrying the dramatic moments with aplomb, and thoroughly convincing during her interactions with the imaginary creations, Fleming brings a weight to her character which makes you invest in the story, one which from the outside might seem like a gimmicky summer family-flick, but which turns out to be so much more as the movie unfolds. 

Taking a back seat to her is Ryan Reynolds, who is restrained and charming as the Imaginary Friends’ human liaison. As Bea’s guide through this secret world full of manifested menagerie, he shares countless interactions with the film’s starry-voiced creations, of which Phoebe Waller-Bridge and Steve Carell’s characters leave the most indelible impressions. 

Waller-Bridge’s Blossom, an anthropomorphic butterfly with a penchant for tea, goes on a character arc which culminates in one of the most beautiful scenes of the year. It’s a sequence which sums up Krasinski’s film in microcosm, one which constantly catches you off guard with moments of heart-swelling happiness. 

Sharing more than a few positive similarities with Robert Zemeckis’ classic Who Framed Roger Rabbit?, spending time in the world of IF is also some of the most fun you’ll have this side of Toon Town. There is a bonkers tour through an Imaginary Friends retirement home which feels like an experimental night at Glastonbury, and ends with a smile-inducing song and dance number, and you’ll be hard-pressed to choose who your favourite IF is from the likes of Sam Rockwell’s ‘Guardian Dog’ or Christoper Meloni’s scene-stealing private-investigator ‘Cosmo’.

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Ordinarily this kind of creative overload could result in hyperactive chaos, but held together by Michael Giacchino’s beautiful, comforting and immediately affecting score, Krasinski ensures that the focus never shifts from the relationships that join the dots between the characters, both real and imaginary, or the very human story at its core. 

Another one in the win column for Krasinski the director, IF is one of the first big surprises of the year. Go for the unicorns, dragons, and A-list cameos, but stay for the big beating heart and Cailey Fleming’s star-making performance. It will leave you glowing. 

Flickering Myth Rating – Film ★ ★ ★ ★/ Movie ★ ★ ★ ★

Matt Rodgers – Follow me on Twitter

https://www.youtube.com/watch?v=embed/playlist

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Primate

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Primate
Every horror fan deserves the occasional (decent) fix, andin the midst of one of the bleakest movie months of the year, Primatedelivers. There’s nothing terribly original about Johannes Roberts’ rabidchimpanzee tale, but that’s kind of the …
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1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

A still from ‘Song Sung Blue’.
| Photo Credit: Focus Features/YouTube

There is something unputdownable about Mike Sardina (Hugh Jackman) from the first moment one sees him at an Alcoholics Anonymous meeting celebrating his 20th sober birthday. He encourages the group to sing the famous Neil Diamond number, ‘Song Sung Blue,’ with him, and we are carried along on a wave of his enthusiasm.

Song Sung Blue (English)

Director: Craig Brewer

Cast: Hugh Jackman, Kate Hudson, Michael Imperioli, Ella Anderson, Mustafa Shakir, Fisher Stevens, Jim Belushi

Runtime: 132 minutes

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Storyline: Mike and Claire find and rescue each other from the slings and arrows of mediocrity when they form a Neil Diamond tribute band

We learn that Mike is a music impersonator who refuses to come on stage as anyone but himself, Lightning, at the Wisconsin State Fair. At the fair, he meets Claire (Kate Hudson), who is performing as Patsy Cline. Sparks fly between the two, and Claire suggests Mike perform a Neil Diamond tribute.

Claire and Mike start a relationship and a Neil Diamond tribute band, called Lightning and Thunder. They marry and after some initial hesitation, Claire’s children from her first marriage, Rachel (Ella Anderson) and Dayna (Hudson Hensley), and Mike’s daughter from an earlier marriage, Angelina (King Princess), become friends. 

Members from Mike’s old band join the group, including Mark Shurilla (Michael Imperioli), a Buddy Holly impersonator and Sex Machine (Mustafa Shakir), who sings as James Brown. His dentist/manager, Dave Watson (Fisher Stevens), believes in him, even fixing his tooth with a little lightning bolt!

The tribute band meets with success, including opening for Pearl Jam, with the front man for the grunge band, Eddie Vedder (John Beckwith), joining Lightning and Thunder for a rendition of ‘Forever in Blue Jeans’ at the 1995 Pearl Jam concert in Milwaukee.

There is heartbreak, anger, addiction, and the rise again before the final tragedy. Song Sung Blue, based on Greg Kohs’ eponymous documentary, is a gentle look into a musician’s life. When Mike says, “I’m not a songwriter. I’m not a sex symbol. But I am an entertainer,” he shows that dreams do not have to die. Mike and Claire reveal that even if you do not conquer the world like a rock god, you can achieve success doing what makes you happy.

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ALSO READ: ‘Run Away’ series review: Perfect pulp to kick off the New Year

Song Sung Blue is a validation for all the regular folk with modest dreams, but dreams nevertheless. As the poet said, “there’s no success like failure, and failure’s no success at all.” Hudson and Jackman power through the songs and tears like champs, leaving us laughing, tapping our feet, and wiping away the errant tears all at once.

The period detail is spot on (never mind the distracting wigs). The chance to hear a generous catalogue of Diamond’s music in arena-quality sound is not to be missed, in a movie that offers a satisfying catharsis. Music is most definitely the food of love, so may we all please have a second and third helping?

Song Sung Blue is currently running in theatres 

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