Movie Reviews
Film Review: The Baltimorons – SLUG Magazine
Film
The Baltimorons
Director: Jay Duplass
Duplass Brothers Productions
In Theaters: 9.12.2025
I’m the kind of guy who starts getting the Christmas decorations primed and ready in late October, but even I must admit that September is jumping the gun to start ringing in the holiday movie season. However, for that reason, it’s a good thing that The Baltimorons isn’t necessarily selling itself as a holiday film, and it’s more a festival film than a festive one. Nevertheless, this indie comedy romance has the makings of a minor new Christmas classic.
On Christmas Eve, Cliff Cashin (Michael Strassner, Young Rock), a once-suicidal recovering alcoholic and former improv comic, is headed to dinner with the family of his fiancée, Brittany (Olilvia Luccardi, Money Monster, Orange is the New Black), when he chips a tooth. In a desperate search for a dentist who is willing to work on Christmas Eve, Cliff finds Dr. Didi Daw (Liz Larsen, Madoff, Mr. Robot), a brassy, no-nonsense woman in her early 60s whose own holiday has been upended by her ex-husband’s remarriage. What should have been a quick fix unravels into a night of comic misadventures: a towed car, a run-in with Cliff’s old comedy circle and an uncomfortable detour to Didi’s family gathering. Along the way, Cliff’s quick wit and raw honesty clash with, and eventually soften, Didi’s guarded exterior. As the two navigate Baltimore’s chaos together, these two lonely misfits find themselves finding an unexpected and welcome gift they didn’t even know they needed: a kindred spirit.
The Baltimorons, which takes its title from an improv sketch that Cliff used to perform back in his heyday, is a quirky two-hander character comedy and May-December romance that plays a bit like a mashup between Planes, Trains and Automobiles and Before Sunset. It’s neither as broadly laugh-out-loud funny as the former or as traditionally romantic as the latter (Strassner and Larsen aren’t exactly Ethan Hawke and Julie Delpy circa 1995), but it’s the simplicity and real-world, blue collar reliability of it all that makes it so infectiously charming. The screenplay by Strassner and director Jay Duplass (Jeff, Who Lives At Home) is well-structured, lively and sensitive and it puts the character into situations that make for a memorable whirlwind night without feeling contrived or ridiculous.
The centerpiece of the evening comes when the emerging duo decide to stop at an improv performance that Cliff’s friend is involved in. When Cliff gets pulled on stage, it’s the first time he has tried to perform improv in front of an audience since the event that caused him to attempt suicide. Now, it’s a longstanding pet peeve of mine that when it comes to movies about standup comedians, the routines we witness are rarely actually funny, and it would be easy enough to make that complaint here, especially if you’ve never done improv before. While we don’t get nearly as strong a sense of whether or not Cliff is particularly funny on stage as we do off, that’s not the point of the scene. It’s about returning to the scene of a traumatic event, and saying, “Yes, and” to life with a scene partner who is willing to stick it out even if they bomb.
The Baltimorons is an actor’s movie all the way, and it’s the unconventionally captivating presence of the leads that makes it special. Strassner brings a great deal of heart and vulnerability to Cliff, but it’s Larsen who had me repeatedly checking IMDb, certain that I must have heard of her before, because she most certainly had to be a recognized star at some point (she wasn’t). While it’s hard to say whether the vehicle she’s been given will lead to that stardom at this point in her life and career, it gives her one film where she gets to be a leading lady with whom I couldn’t help but fall in love.
The Baltimorons is a pleasant and likeable little film that provides a refreshing alternative to a lot of the dark and heavy fare that tends to hit theaters in the fall. It’s definitely too early for Christmas, but it’s a nice and hopeful gift nonetheless. —Patrick Gibbs
Read more film reviews by Patrick Gibbs:
Film Review: Spinal Tap II: The End Continues
Film Review: Downton Abbey: The Grand Finale
Movie Reviews
Sisu: Road to Revenge
The lethal and tenacious Aatami Korpi returns in this sequel to 2022’s Sisu. Like its predecessor, Sisu: Road to Revenge offers up nonstop, gory hyper-violence as the old soldier shoots and stabs his way through the Soviet Union’s Red Army to avenge his family’s murder. Paired with all the bloodshed is a handful of f-words and some drinking, as well.
Movie Reviews
Movie Review: “Sisu: Road to Revenge” takes a Wrong Turn or Three

I am an audience of one at a late afternoon “preview” matinee of “Sisu 2,” aka “Sisu: Road to Revenge,” the sequel to the savage sleeper hit by Finnish carnage Jalmari Helander.
Do the locals know something I don’t? Or are the good folks in “The Last Capital of the Confederacy” showing their red ball cap displeasure at a movie about mowing down Russians by staying home?
I’m guessing it’s the fact that Screen Gems’ marketing didn’t spend enough to move the needle even a centimeter that dampened enthusiasm, as nobody knows about it.
That’s no big deal, because this sequel is inferior in pretty much every way to the original “Sisu,” which came out of nowhere back in 2023 and which takes its title from a Finnish word that more of less means unfettered rage. It’s not on a par with Helander’s “Rare Exports” Santa-horror splatter film either. He’s due for a misstep. Here it is.
“Road to Revenge” brings back our non-speaking, unstoppable and unkillable Finnish commando Korpi (Jorma Tommila), this time out to haul the pieces to his house across the Russian border after the end of World War II.
When your anti-hero is “unstoppable” and “unkillable,” that lowers the stakes. A lot.
Throw in feeble pacing and thus no urgency to its story of driving, shooting, stabbing and missle-launching his way through legions of belligerant Russians, fresh from their triumph in “The Great Patriotic War,” and you’ve got a thriller whose only creative bits are random moments of Russian-mutilating and murdering.
Remember, the vodka/borscht-folk and their dictator sided with the Nazis at the beginning of WWII, only to F-around and find out you can never trust a Nazi. And the Russians further earned their history’s bad-guys status by invading Finland at the start of the war, and paying dearly for their miscalculation, at least for a time.
The Soviet Russians annexed Finnish territory at war’s end, and that’s where Korpi lived. So he’s got his passport and his battered, oversized military truck and he’s aiming to move the logs of his old homestead, where his family was slaughtered, to a new location across the new border.
Ivan doesn’t want him to get away with it.
The stages of his quest are broken into superfluous “chapters” like “Old Enemies,” “Motor Mayhem:” and “Incoming.” The dialogue, almost all of it by a Russian tormentor (Stephen Lang) who commanded the troops who failed to finish off the Finn in the first film, is every bit as pointless.
“Unleash Hell,” like they haven’t already. “Keep your eyes open,” the most worthless command cliche of them all. And “Look at me,” served up as if he isn’t looking at you.
Duels against armored commandos on motorcycles (!?), airborne fighter bombers and the like ensue. Our hero takes another licking and keeps on ticking. The Russians? Let the body count commence, Comrades!
I laughed at a few of the more audacious butcherings, but that was early on. The narrative settles into a slog in the middle acts and no pull-out-the-stops train ride finale could drag it out of the mud.
Rating: R, graphic violence, pretty much start to finish, profanity
Cast: Jorma Tommila, Richard Brake and Stephen Lang.
Credits: Scripted and directed by Jalmari Helander. A Screen Gems release.
Running time: 1:29
Movie Reviews
Wicked: For Good Movie Review: Ariana Grande Shines In A Solid But Weaker-Than-The-Original Finale!
Star Cast: Ariana Grande, Cynthia Erivo, Jeff Goldblum, Jonathan Bailey, and Michelle Yeoh.
Director: Jon M. Chu
What’s Good: Wicked: For Good is definitely a showpiece when it comes to production values, and so, every single frame is beautiful to look at and the ultimate Wizard of Oz experience when it comes to visuals.
What’s Bad: The film is slower than the first, and it feels, especially when the new songs don’t hit like the ones in the previous instalment ,and dialogue feels like a lot of filler.
Loo Break: Anywhere in the first act, as the film moves so slowly that you can probably go and come back and not miss anything.
Watch or Not?: If you loved the first one, then yes, you need to see this and close the cycle.
Language: English (with subtitles).
Available On: Theaters
Runtime: 137 Minutes
User Rating:
Opening:
Wicked: For Good Movie Review: Script Analysis
Wicked: For Good is a solid film, there is no doubt about that, you just have to look at the powerful visuals, and the entire production value, but the script might be the weakest aspect of the film, especially when it comes to structure and dialogue, which affects the pacing, making the first two acts of this musical epic feel like it could do with a couple more drafts to make the story tighter, and the flow a lot more natural.
As it is, the first two acts move a snail’s pace, and the songs simply don’t match the quality and catchiness of the songs in the first two acts of the first film, here, the songs feel like they are there just to make the film longer, and it is hard to remember one that is simply memorable enough to sing along. Fans of the original musical will probably have a lot more fun with this aspect of the film, but as a newcomer, I did feel a drop in quality on the musical side.
The dialogue also does a lot of damage to the film, as it feels like everything is delivered in two or three lines that are too long, when it could have been conveyed in a simpler and more efficient way. It just doesn’t work, and while the actors do their best, the material doesn’t hold up. Nevertheless, some jokes here and there truly land, and the film does tell a compelling, complete story, which is a lot more than many other films do today.
The third act also feels quite rushed, and the connections to the original Wizard of Oz film, and the characters from that story deserved a lot more, because they are so legendary and iconic, that for some reason this movie feels like it should just move away from them as fast as it can, hurting the overall impact of the story, and the character growth.
Wicked: For Good Movie Review: Star Performance
Cynthia Erivo is quite solid in here, and she is plotwise, the main character, but let’s be real, this is the Ariana Grande show, who basically steals the show in every single scenes she is in, not only with her powerful voice but also with her solid acting abilities, she just has it, when it comes to presence, delivery and charisma.
The rest of the cast is quite good. Bailey does some terrifying things in the film and effectively creates all the darkness it needs, while Goldblum’s Oz is just right – nothing to talk about, but definitely his performance, along with the rest from all the other actors, doesn’t hurt the film; it elevates it.
Wicked: For Good Movie Review: Direction, Music
Jon M. Chu started as a relatively standard director. Still, he has definitely graduated to the big leagues with these two films, as the scale of everything just goes out of the window when it comes to the visuals and the camera’s placement, which is always in the perfect spot to show it. Really, the world-building that Chu and his team have created here is outstanding.
The music, as we said before isn’t as good or memorable as the first film which really hurts the experience because this is a musical and I thought the best was being safe for last in the song department, of course, it will be a matter of taste, as it is everything but this is definitely one of the biggest negative points for the film. Nevertheless, the performers are truly going out of their way to create something extraordinary, so there is really nothing to criticize regarding the actors, dancers and singers themselves.
Wicked: For Good Movie Review: The Last Word
Wicked: For Good closes this adventure in a solid manner, although the overall package feels weaker than the first film, which is disappointing. However, Jon. M. Chu, his team, and his cast demonstrate that they truly care about the project, and it shows on the screen as the film finally delivers on being entertaining, grandiose, and visually stunning. It could have been better, but what is there is truly remarkable.
Wicked: For Good Trailer
Wicked: For Good releases on 21 November, 2025.
Share with us your experience of watching Wicked: For Good.
Must Read: Now You See Me: Now You Don’t Movie Review: The Strange Case Of A Sequel That Nobody Wanted & Many Had Already Forgotten!
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