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‘Clemente’ Review: A Grounded and Emotional Documentary Tribute to a Legendary Athlete

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‘Clemente’ Review: A Grounded and Emotional Documentary Tribute to a Legendary Athlete

It’s possible to define the greatness of Pittsburgh Pirates right fielder Roberto Clemente with numbers.

Precisely 3,000 hits. Twelve Gold Gloves. Two World Series titles with a franchise that hadn’t won one in the 30 years before Clemente’s arrival. One World Series MVP and one National League MVP. The first Latino player to be inducted into the Hall of Fame in Cooperstown.

Clemente

The Bottom Line

Smartly concentrates on the man beyond the numbers.

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Venue: SXSW Film Festival (Documentary Spotlight)
Director: David Altrogge

1 hour 45 minutes

The numbers for Roberto Clemente are fairly phenomenal.

But they’re inadequate.

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Roberto Clemente is in a pantheon of sports figures because of the trail he blazed for Latino and specifically Caribbean players. He’s revered because his commitment to humanitarian causes was so all-encompassing that his death, at the age of 38, came while transporting supplies to earthquake victims in Nicaragua. He’s iconic because the things he did on the field that couldn’t always be measured statistically — his throwing arm, his on-field intensity — bordered on Bunyanesque.

David Altrogge’s documentary Clemente, which features Richard Linklater and LeBron James among its A-list executive producers, gives Clemente a long-overdue solo spotlight and finds a solid middle ground between straight-up hagiography and a slightly less reverential adulation that will make younger viewers understand why such affection could be warranted.

After quickly starting with Clemente’s 3,000th and final career hit, Altrogge sticks to a basic chronology in taking Clemente from his lower-middle-class upbringing in Puerto Rico through his signing with the Dodgers and then acquisition by the Pirates under the watch of Branch Rickey (yes, that Branch Rickey). From there, it’s on to Clemente’s arrival as a star in the 1960 season and World Series and then his explosion as a superstar for the next decade, fighting layers of societal and institutional prejudice along the way.

Even with Clemente’s brother Matino offering some texture, there’s an inevitable dryness to those early personal details that generally have to be related by biographers and historians, though Rita Moreno is present to add insight on her own transition from Puerto Rico to mainland stardom. The film is generally a good complement to Mariem Pérez Riera’s very fine Moreno documentary Just a Girl Who Decided to Go For It.

With actual footage of young Clemente at a premium, Altrogge turns to watercolor-style animation from Tandem Media to fill in the blanks with bursts of whimsy. The animation still pops up later for more personal recollections, but once the story gets into Clemente’s prime, there’s game film aplenty. If you’re a baseball fan, it’s impossible to ever tire of watching Roberto Clemente’s laser-guided throws or his deceptively ungainly running style. Or, as celebrity Pirates fan Michael Keaton puts it, “Did he know he looked that cool?”

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Altrogge knows that some of those statistics for Clemente need to be discussed, but nobody’s heart is really in it. Probably the flimsiest piece of the entire 105-minute documentary is a brief discussion of Clemente’s apparent frustration at not winning the National League MVP in 1960. A few talking heads mention an out-of-context stat or two and make inferences as if it’s now obvious, through a modern lens, that Clemente finishing eighth could only be explained by voter prejudice. Through the modern lens of WAR (wins above replacement), Clemente might have actually finished too high. But numbers are inadequate! That’s the point. Don’t wallow.

What makes Clemente such a treasure for baseball fans, then, are the extensive interviews with his teammates, especially the players on the 1971 championship squad. It’s a wonderful group including Manny Sanguillen, Richie Hebner, Steve Blass, Al Oliver and more, each player sharing their respect and love for Clemente and offering this tangible proof that his “value” wasn’t related to homers or outfield assists. Several contemporary stars — Francisco Lindor, a couple of Molina brothers — add to the value-beyond-numbers debate, illustrating the trail that Clemente blazed for Latino athletes, though Altrogge could have steered even harder into his sociopolitical impact and influence.

Even better than these visitations from the Ghosts of Complete Topps Baseball Card Sets Past are the people who contextualize Clemente beyond the world of sports. Interviews with two of Clemente’s sons as well as his late wife Vera capture a man who was loving, dedicated and just a bit eccentric — a fight almost breaks out between two talking heads over whether or not Clemente was a hypochondriac — in a purely human way. And then there are several stories from ordinary Pirates fans (and the aforementioned Linklater), whose tales of seemingly casual interactions with this previously larger-than-life figure actually made me emotional.

Few documentary subgenres have been more burgeoning in the past couple of years than the sports doc, with Yogi Berra and Willie Mays getting very solid standalone films. If you’re a devotee, you can add Clemente to the ranks of the good ones.

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Full credits

Venue: SXSW Film Festival (Documentary Spotlight)
Director: David Altrogge
Executive Producers: Richard Linklater, Roberto Clemente Jr., Luis Roberto Clemente, Enrique Roberto Clemente, Laura Heberton, Duane Rieder, Jim Evans, LeBron James, Maverick Carter, Jamal Henderson, Philip Byron
Producers: Mike Blizzard, Mary Sabol, Sarah Altrogge, Jocelyn Hartnett, Stephen Turselli, Keith Ayers, Andrew Calvetti, Steve Burman, John Bennett Scanlon
Screenwriters: Elise Andert & David Altrogge
Cinematographer: Michael J. Hartnett
Editors: Chent Steinbrink, Lucas J. Harger, & Jon Lefkovitz
Music: Marcus Thorne Bagalà, Mark Baechle

1 hour 45 minutes

Movie Reviews

Wicked movie review: Cynthia Erivo and Ariana Grande waltz into our hearts in this gravity-defying extravaganza 

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Wicked movie review: Cynthia Erivo and Ariana Grande waltz into our hearts in this gravity-defying extravaganza 

Cynthia Erivo, left, and Ariana Grande in a scene from the film ‘Wicked’
| Photo Credit: UNIVERSAL PICTURES

She did not eat grass as a child nor is she seasick, insists the green-skinned Elphaba (Cynthia Erivo) in Wicked, the movie adaptation of the Broadway musical which in turn was inspired by Gregory Maguire’s 1995 novel, ‘Wicked: The Life and Times of the Wicked Witch of the West’.

After Maleficent, which looked at the Sleeping Beauty story from the antagonist’s point of view, here is another revisionist look at the famous wicked witch from the other side of L. Frank Baum’s 1900 novel ‘The Wonderful Wizard of Oz’.

For those who came in late (like in all those Phantom comics), director Jon M. Chu (Crazy Rich Asians) provides a précis of events where Dorothy liquefied the Wicked Witch of the West and went home to Kansas down the Yellow Brick Road with her dog Toto, The Cowardly Lion, The Tin Man and The Scarecrow. As the people of Oz celebrate the death of the Wicked Witch, the Good Witch, Glinda (Ariana Grande), joins in.

When one of the good people of Oz asks her about the Wicked Witch, Glinda admits to knowing her and it is time for a flashback. Elphaba was the daughter of the Governor of Munchkinland, Thropp (Andy Nyman). The colour of her skin, thanks to her naughty mum (Courtney-Mae Briggs), meant Elphaba was always rejected and made fun of by those around her.

Wicked 

Director: Jon M. Chu

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Cast: Cynthia Erivo, Ariana Grande, Jonathan Bailey, Peter Dinklage, Michelle Yeoh, Jeff Goldblum

Runtime: 160 minutes

Storyline: The story of how a misunderstood little green girl became the all-powerful Wicked Witch of the West

She feels responsible for her paraplegic younger sister, Nessarose’s (Marissa Bode) condition too. When she comes with her father to drop Nessarose at the stately Shiz University in Oz, her father insists she stay to see Nessarose is properly settled in. The Dean of Sorcery, Madame Morrible (Michelle Yeoh), sees Elphaba’s power and proposes to teach her to control her magic. Glinda or Galinda as she is known then, is pretty, pink and popular. While she wants to study sorcery under Madame Morrible, she is not prepared to have Elphaba as a roommate as suggested by Morrible.

Despite the initial hiccups, the two very different girls become friends, bonding over a wild party at the Ozdust Ballroom. Elphaba is sensitive to the undercurrents at Oz including the fact that animals are being excluded and losing their voice as the history professor, a goat named Doctor Dillamond (Peter Dinklage) reveals. The campus is in a tizzy when the handsome and determinedly shallow Winkie prince, Fiyero Tigelaar (Jonathan Bailey) joins Shiz. Though Elphaba dreams of meeting and impressing The Wonderful Wizard of Oz (Jeff Goldblum), so that she can ask him to change her skin colour when she finally does meet him, that is not what she asks for.

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Cynthia Erivo, left, and Ariana Grande in a scene from the film ‘Wicked’

Cynthia Erivo, left, and Ariana Grande in a scene from the film ‘Wicked’
| Photo Credit:
GILES KEYTE

Wicked works wonderfully well on so many levels. It is a study of what makes people do the things they do, or think the way they do. It is a look at what is considered normal and what creates a villain, all the while celebrating the joys and tears of being different.

Wicked is a musical, with gloriously choreographed songs and an action film with breathtaking stunts. The sets, physical and CGI, are eye-popping, especially the library with its books (rare and medium rare as Glinda helpfully points out) stacked in gigantic wheels — wish Fiyero did not step on books though. The girls’ room, the Ozdust Ballroom, the Emerald City, the weird and wonderful train that takes Glinda and Elphaba to Emerald City, and many more, are all glorious sonnets to the imagination.

Erivo and Grande own their roles, singing, dancing and dueling with gusto while Bailey is delightful as the callow, charming Prince. Yeoh is grandly inscrutable and there is special joy in watching Goldblum do a jig. The 160 minutes of Wicked slip by in a Technicolor flash and the fact that there is Part II, coming out in 2025 puts a jolly song in one’s heart.

Wicked is currently running in theatres

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Movie Reviews

Mechanic Rocky Movie Review – Gulte

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Mechanic Rocky Movie Review – Gulte

2.5/5


2 Hr 36 Mins   |   Action, Drama   |   22-11-2024


Cast – Vishwak Sen, Meenakshi Chaudhary, Shraddha Srinath, Sunil, Naresh, Harsha Vardhan, Hyper Aadi, Harsha Chemudu & others.

Director – Ravi Teja Mullapudi

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Producer – Ram Talluri

Banner – SRT Entertainments

Music – Jakes Bejoy

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After delivering a successful film, Gaami & not so successful film, Gangs of Godavari this year already, Vishwak Sen came up with his third film of the year, Mechanic Rocky, an action comedy film under the direction of debutant, Raviteja Mullapudi. Meenakshi Chaudhary & Shraddha Srinath did the female lead roles and Jakes Bejoy who scored a hit recently with Saripodhaa Sanivaaram, scored the music for the film. It’s a crucial film for producer Ram Talluri who delivered a disaster with Matka last Friday. Did Vishwak Sen score a hit with Mechanic Rocky? Did the debutant director deliver a memorable film? Did Ram Talluri get a sigh of relief? Let’s figure it out with a detailed analysis.

What is it about?

Nagumomu Rakesh Aka Mechanic Rocky (Vishwak Sen) works as a mechanic and driving teacher at his father’s (Naresh) garage. Ranki Reddy (Sunil), a real estate settlement goon agrees to grab Rocky’s lake-view garage and hand it over to a businessman for ₹25 lakhs. Rocky makes a deal with Ranki Reddy for ₹50 lakhs and asks him to give him ten days to adjust the money. While Rocky & Ranki Reddy making the deal, he gets a call from Maya (Shraddha Srinath) who says Rocky’s father has a two-crore insurance policy in his name and Rocky will now get the two crore as his father passed away. Will Rocky get the two crore money? Who is Maya? What is her connection with Priya (Meenakshi Chaudhary)? Forms the rest of the story.

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Performances:

Vishwak Sen as Rocky Aka Nagumomu Rakesh did a decent job with his performance but he looked odd as a student during the college episode in the first half. The film has two female leads and both of them have good character arcs.

Meenakshi Chaudhary as Priya who takes responsibility for her family after her father and brother passes away, did perform well. Shraddha Srinath got a meaty role as Maya and utilised it so well. It is safe to say that she is the best performer in the film out of all the other actors. Senior actor Naresh’s comedy worked to an extent. Sunil, Harsha Chemudu and Hyper Aadi were wasted in insignificant roles. Harsha Vardhan and Raghu Ram Ambadapudi (MTV Roadies Creator) are just decent.

Technicalities:

Jakes Bejoy’s background score is a mixed bag. It was good at a few parts and was out of sync at a few parts. His songs are forgettable. The film has a total of five songs and none of them worked. The cinematography by Manoj Reddy Katasani is adequate. There’s nothing much to talk about his work. Anwar Ali’s editing should have been much better. He should have edited at least fifteen to twenty minutes of the film, especially in the first half. SRT Entertainment’s production values are decent. Debutant director, Raviteja Mullapudi should have avoided adding unnecessary commercial elements to a plot that has a very good potential to become a good thriller.

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Thumbs Up:

Core Plot of The Film
Two Twists In The Second Half

Thumbs Down:

Routine Template-Driven Screenplay In The First Half
Boring Songs
Poorly Written Dialogues
Unnecessary Action Episodes
Climax

Analysis:

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‘Your phone number won a lottery’, ‘You have received a parcel from abroad, ‘Click on the link to check your CBIL/Credit score’, etc., almost all of us must have got calls or E-Mails or messages from fraudsters who say one of the aforementioned things to loot money from us. As mentioned in the movie, around twenty-thousand such crimes are happening in India every day.

The debutant director, Raviteja Mullapudi took a very relatable point of crime happening by targeting middle-class people in India, as the core plot and he added a couple of good twists to the plot that worked well. But, in an attempt to include commercial elements, he lost the plot completely in the first half. The first half of the film tests your patience with a routine template-driven screenplay with three songs, two fights, a beaten-to-death hero & villain track and a romantic track. Everything in the first half looks forced and dragged forever.

Even in the second half, when the core plot is unfolding interestingly, he included a celebration song between Vishwak Sen & Meenakshi Chaudhary that comes across as a speed breaker to the proceedings. After a good sixty minutes in the second half, the director chose to end the movie very routinely with an action sequence and poorly written ‘punch’ dialogues that are uttered by the hero.

The core plot of the film should have been worked as a proper thriller film with a crisp runtime and tight screenplay but the director’s attempt to make it an ‘Action & Romantic & Comedy & Thriller’ film worked against it. Just like most of Vishwak Sen’s films, Mechanic Rocky also has a lot of curse words throughout the film.

Overall, the core plot of Mechanic Rocky has a lot of potential but the overall feel of the film is spoiled by unnecessary commercial elements and runtime. Given the potential of the core plot, Mechanic Rocky will end up remaining as a missed opportunity.

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Mechanic Rocky – Lost In Commercialization

Rating – 2.5/5

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GLADIATOR II Review

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GLADIATOR II Review
GLADIATOR II is Director Ridley Scott’s long-awaited return to Ancient Rome. General Maximus and Lucilla’s son, Lucius, returns to Rome as a gladiator. He’s intent on exacting revenge against the Roman general who killed his wife in a battle in another land. However, the general is now married to his mother and is involved in a plot to overthrow the evil twin emperors now ruling Rome.

GLADIATOR II is an exciting, spectacular, sometimes inspiring adventure. It has some great dramatic twists that propel the movie’s message promoting liberty over tyranny. In the end, the hero rallies the people against the tyranny of the two emperors. The movie also has a Christian character who heals the wounds of the gladiators. He makes a reference to forgiveness and salvation in one scene. However, the movie has lots of strong action violence, including some very bloody scenes. GLADIATOR II is more historical fiction than historical drama. It’s not historically accurate. Also, a male character makes a lewd joke about sometimes having homosexual relations. Finally, there are references to Roman pagan beliefs. So, MOVIEGUIDE® advises extreme caution.

(BB, PP, ACAC, C, Pa, FR, Ho, L, VVV, S, N, A, M):

Dominant Worldview and Other Worldview Content/Elements:

Strong moral worldview supports liberty and general republican virtues against imperial tyranny, plus a Christian character is a former gladiator who has become a physician who binds up the gladiators’ wounds and befriends the hero and speaks about forgiveness and salvation in one scene, with some Roman paganism/hedonism and hero has dreams of his recently dead wife getting on the boat with the ferryman to the afterlife, and the evil twin Roman emperors dress effeminately, and another villain jokes about having been with men as well as women in one scene;

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Foul Language:

Two “d” words (one is old-fashioned);

Violence:

Some very strong such as a bloody beheading in the arena, and lots of strong violence such as lots of sword fighting, gladiators fight off a bunch of vicious baboons, Roman armada storms a walled city with lots of war violence, woman shot with an arrow and plunges off wall onto sandy and rocky beach, many people hit with arrows, gladiators fight off another gladiator riding a large charging rhinoceros, gladiators fight a sea battle in the Coliseum, bloody murder, etc.;

Sex:

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No sex scenes, but the evil twin Roman emperors dress effeminately, and another villain jokes about having been with men as well as women in one scene (these things seem to reflect the decadence that was Ancient Rome), and two scenes of marital couples kissing;

Nudity:

Some upper male nudity images in battle scenes and gladiator scenes;

Alcohol Use:

Some wine drinking;

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Smoking and/or Drug Use and Abuse:

No smoking or drugs; and,

Miscellaneous Immorality:

Revenge but it’s overcome by forgiveness and sacrifice, gambling on gladiator battles.

GLADIATOR II is Director Ridley Scott’s long-awaited return to Ancient Rome, in a story about General Maximus and Lucilla’s son, Lucius, returning to Rome as a gladiator, intent on exacting revenge against the Roman general who killed his wife in a battle in another land. GLADIATOR II is an exciting, spectacular, sometimes inspiring adventure with some great dramatic twists and a message promoting a libertarian republic over tyranny, but it has some very strong violence and doesn’t strive for total historical accuracy, so extreme caution is advised.

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The movie opens with Lucius as a young, high-ranking, married soldier in the North African kingdom of Numidia, the Roman Province which later became the home of St. Augustine. A Roman general named Acasius leads a Roman armada against the capitol city on the shore. The city is no match for the Romans. They soon overrun the city and take Lucius prisoner after Acasius orders an archer during the battle to shoot his wife who was firing arrows from atop the city’s walls.

Lucius is turned into a gladiator, who’s bought by a former gladiator named Macrinus. Macrinus is a clever man who’s ingratiated himself with the Roman elite, including the twin emperors, Geta and Caracalla. Macrinus takes Lucius to fight in the Coliseum in Rome.

Lucius swears revenge against Acasius. He’s determined to find a way to kill the man who killed his wife. His mother, Lucilla, as the daughter of a respected former emperor, is still part of Roman royalty and watches the gladiator battles from the royal box. She recognizes the mannerisms of his father in Lucius, who’s going by his adopted Numidian name. Years ago, Lucilla had sent her son away, to hide him from people in Rome who would like to kill the son of General Maximus, who’s in the line to become Emperor. Now, however, Lucilla also happens to be the wife of General Acacius, the man who Lucius wants to kill.

Lucilla meets secretly with her son. However, Lucius is angry she abandoned him and sent him away. So, he refuses to acknowledge her.

Meanwhile, her husband, General Acacius, is sick of the ruthless war mongering of the twin emperors. He’s actually consorting with other dissidents, who are intent on overthrowing the twin emperors. Lucilla and her friend, Senator Gracchus, secretly support the General’s rebellion.

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These conflicts eventually come to a head, leading to an exciting finish.

GLADIATOR II is an exciting, spectacular, sometimes inspiring adventure. It has some great dramatic twists that propel the movie’s message promoting liberty over tyranny. In the end, the hero rallies the people against the tyranny of the two emperors.

That said, some may feel that the intensity of the first movie, which centered on the conflict between Russell Crowe’s heroic general and Joaquin Phoenix’s ruthless Emperor, is lacking. The sequel transfers that intensity to Paul Mescal as the young hero, Pedro Pascal as the General, and Denzel Washington as the ambitious and devious businessman.

Some of GLADIATOR II is historically accurate. However, the movie condenses the history of the twin emperors, including the dates of their deaths, which happened years apart. Also, Lucilla actually died in 182 AD, well before the timeframe of this movie. So, GLADIATOR II is more historical fiction than historical drama.

GLADIATOR II has lots of strong action violence involving battles between armies and gladiators. For example, there’s the big battle in the beginning and gladiator contests involving vicious baboons, a gladiator riding a large rhinoceros, and gladiators on two ships engaged in a sea battle inside the Coliseum. Some of the violence is very strong and bloody, and some of it is tragic when favorite characters die.

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Finally, one character in the movie makes a lewd joke about having intimate relations with women and occasionally a man.

So, MOVIEGUIDE® advises extreme caution.

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