Connect with us

Movie Reviews

Catherine Breillat Is Back, Baby

Published

on

Catherine Breillat Is Back, Baby

The transgressive French filmmaker is in fine, fucked-up form with Last Summer, about a middle-age lawyer who starts sleeping with her stepson.
Photo: Janus Films

When Anne (Léa Drucker) has sex with her 17-year-old stepson, she closes and sometimes covers her eyes. It’s a pose that brings to mind what people say about the tradition of draping a napkin over your head before eating ortolan, that the idea is to prevent God from witnessing what you’re about to do. Théo (Samuel Kircher) is as fine-boned as any songbird — “You’re so slim!” Anne gasps in what sounds almost like pain during one of their encounters, as she runs her hands up his rangy torso — and just as forbidden. And despite the fact that what she’s doing could blow up her life, she can’t stay away. It wouldn’t be fair to say that desire is a form of madness in Last Summer, a family drama as masterfully propulsive as a horror movie. Anne remains upsettingly clear-eyed about what’s happening, as though to suggest otherwise would be a cop-out. But desire is powerful, enough to compel this bourgeois middle-age professional into betraying everything she stands for in a few breathtaking turns.

Last Summer is the first film in a decade from director Catherine Breillat, the taboo-loving legend behind the likes of Fat Girl and Romance. Last Summer, which Breillat and co-writer Pascal Bonitzer adapted from the 2019 Danish film Queen of Hearts, could be described as tame only in comparison to Rocco Siffredi drinking a teacup full of tampon water in Anatomy of Hell, but there is a lulling sleekness to the way it lays out its setting that turns out to be deceptive. Anne and her husband Pierre (Olivier Rabourdin) live with their two adopted daughters in a handsome house surrounded by sun-dappled countryside, a lifestyle sustained by the business dealings that frequently require Pierre to travel. Anne’s sister and closest friend Mina (Clotilde Courau) works as a manicurist in town, and conversations between the two make it clear that they didn’t grow up in the kind of ease Anne currently enjoys. It’s a luxury that allows her to pursue a career that seems more driven by idealism than by financial concerns. Anne is a lawyer who represents survivors of sexual assault, a detail that isn’t ironic, exactly, so much as it represents just how much individual actions can be divorced from broader beliefs.

Advertisement

In the opening scene, Anne dispassionately questions an underage client about her sexual history. She informs the girl that she should expect the defense to paint her as promiscuous before reassuring her that judges are accustomed to this tactic. The sequence outlines how familiar Anne is with the narratives used to discredit accusers, but also highlights a certain flintiness to her character. Drucker’s performance is impressively hard-edged even before Anne ends up in bed with her stepson. There’s a restlessness to the character behind the sleek blonde hair and businesswoman shifts, a desire to think of herself as unlike other women and as more interesting than the buttoned-up normies her husband brings by for dinner. Anne enjoys her well-coiffed life, but she also feels impatient with it, and when Théo gets dropped into her lap after being expelled from school in Geneva for punching his teacher, he triggers something in her that’s not just about lust. Théo is still very much a kid, something Breillat emphasizes by showcasing the messes he leaves around the house as much as on his sulky, half-formed beauty. But that rebelliousness speaks to Anne, who finds something invigorating in aligning herself with callow passion and impulsiveness instead of stultifying adulthood — however temporarily.

This being a Breillat film, the sex is Last Summer’s proving ground, the place where all those tensions about gender and class and age meet up with the inexorability of the flesh. The first time Anne sleeps with Théo, it’s shot from below, as though the camera’s lying in bed beside the woman as she looks up at the boy on top of her. It’s a point of view that makes the audience complicit in the scene, but that also dares you not to find its spectacle hot. Breillat is an avid button-pusher responsible for some of the more disturbing depictions of sexuality to have ever been committed to screen, but Last Summer refuses to defang its main character by portraying her simply as a predatory molester. Instead, she’s something more complicated — a woman trying to have things both ways, to dabble in the transgressive without risking her advantageous perch in the mainstream, and to wield the weapons of the victim-blaming society she otherwise battles when they are to her advantage. It’s not the sex that harms Théo; it’s the mindfuck of what he’s subjected to. After dreamily playing tourist in Théo’s youthful existence, Anne drags him into the brutal realities of the grown-up world. The results are unflinching and breathtakingly ugly. You couldn’t be blamed for wanting to look away.

See All

Movie Reviews

Movie reviews reveal 2026’s best Certified Fresh films are arriving in March – Art Threat

Published

on

Show summary Hide summary

Movie Reviews reveal 2026’s best Certified Fresh films are arriving this month with stellar critical acclaim. March 2026 brings an extraordinary lineup of top-rated releases. Critics and audiences are celebrating these exceptional films together.

🔥 Quick Facts

  • Project Hail Mary: 95% Tomatometer, 96% audience score, released March 20, 2026
  • Certified Fresh Status: 75% critic rating or higher with 5+ Top Critics reviews required
  • March Releases: Hoppers (94%), GOAT (84%), Send Help (93%) all certified fresh
  • Streaming Options: Multiple platforms including Netflix, Peacock with exclusive March releases

Project Hail Mary Dominates with 95% Critical Acclaim

Project Hail Mary opened March 20, 2026, becoming the standout theatrical certif fresh hit of the month. Ryan Gosling stars as science teacher Ryland Grace, waking up light-years from home with no memory. The sci-fi epic, directed by Phil Lord and Chris Miller, earned 95% from critics and 96% audience approval. Cinephiles praise its visual splendor and emotional depth.

According to reviews, the film balances spectacular space sequences with genuine human moments that resonate deeply. Amazon MGM Studios released this 156-minute masterpiece based on Andy Weir’s beloved novel. Early box office numbers exceed expectations significantly.

Streaming Certified Fresh Titles Light Up March

March 24, 2026 delivered major streaming victories. GOAT (Greatest of All Time) hit platforms with 84% critic score and 93% audience approval. This animated sports comedy features Caleb McLaughlin as an anthropomorphic goat chasing championship glory. Send Help arrived simultaneously, earning 93% critical praise with 87% viewer satisfaction. Both titles capture hearts through humor and heart.

Streaming platforms flooded March with 69 new movies and shows total. Critics celebrated the diverse quality spanning cult classics, acclaimed dramas, and blockbuster franchises all at once.

Beyond the Blockbusters: Other Standout Certified Fresh March Releases

Title Tomatometer Score Release Date Status
Hoppers 94% March 6, 2026 Theaters
Ready or Not 2 73% March 20, 2026 Theaters
Late Shift 96% March 20, 2026 Theaters
Two Prosecutors 97% March 20, 2026 Theaters

“Visually, it is strong and immersive, but the real strength of Project Hail Mary is not spectacle alone. It is the sense of wonder and humanity running through the entire experience. The film knows when to be exciting, when to be funny, and when to slow down and let the emotional moments land.”

IMDb Critics, Film Review Community

Advertisement

What Makes a Film Certified Fresh on Rotten Tomatoes

Certified Fresh status represents the industry’s gold standard for quality filmmaking. A movie earning this distinction must achieve at least 75% rating from professional critics. Additionally, films require 5 or more Top Critics reviews for certification. Recent updates tightened these standards to ensure only genuinely excellent films qualify.

This rigorous process explains why March’s nine certified fresh titles matter significantly. Critics spent hours analyzing each film thoroughly before adding their names. The combined critical weight behind these movies suggests spring viewing will be exceptional.

Plan Your March Movie Marathon Now – Which Film Will You Watch First?

Theater-goers should prioritize Project Hail Mary before it leaves cinemas. The 156-minute runtime demands a big screen experience. Meanwhile, streaming subscribers face delightful choices between GOAT’s comedy charm and Send Help’s heartfelt drama. Ready or Not 2 and Late Shift round out theatrical options perfectly.

New releases continue flowing through March 27, 2026, keeping entertainment options fresh. Kiki’s Delivery Service rereleased March 13, while Stand by Me returned March 27 with new appreciation. Which certified fresh film matches your mood this weekend?

Sources

  • Rotten Tomatoes – Official certification database and critical scoring system
  • Variety – Best movies streaming in March 2026 coverage
  • The Wrap – Most anticipated films arriving in March analysis

Give your feedback

Be the first to rate this post
or leave a detailed review

Advertisement
Continue Reading

Movie Reviews

MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue

Published

on

MOVIE REVIEW: “THE KINDERHOOK CREATURE” is a fantastic deep dive into one of cryptozoology’s lesser-known mysteries – Rue Morgue

By BREANNA WHIPPLE

Starring Bruce G. Hallenbeck, Martha Hallenbeck and Paul Bartholomew
Directed by Seth Breedlove
Small Town Monsters

Whether you are a skeptic or a believer, it cannot be denied that certain pockets of our planet are hotspots for unusual activity. You’d be hard-pressed to find a person unfamiliar with the mysterious disappearances in the Bermuda Triangle, for example. Furthermore, places like Skinwalker Ranch in Utah have been documented extensively after multitudes of reports of various phenomena – UFOs, ghosts, cryptids, ancient shapeshifting elemental spirits that consume human flesh… it has it all. The Pacific Northwest is another location of intrigue with phenomena ranging from UFOs and cryptids to ghosts and sea monsters. 

More often than not, all that is supernatural seems to flow collectively. It’s not at all uncommon for grey aliens to come with a side of poltergeists and shapeshifters. Evidently, where there is smoke, there is fire. And Kinderhook, New York, is one such place ablaze with the high strangeness.

Nestled in the Hudson Valley, Kinderhook is an old town with even older legends. Despite being over 100km from the village of Sleepy Hollow, Kinderhook was the inspiration for Washington Irving’s The Legend of Sleepy Hollow. (Ichabod Crane was modelled after a Kinderhook schoolmaster; plaques honour this fact in the small community.) At a glance, one can sense an otherworldly ether in this place where the veil is seemingly especially thin.

THE KINDERHOOK CREATURE is a companion piece to The Kinderhook Creature & Beyond: A Personal Reminiscence by Bruce G. Hallenbeck. Naturally, Hallenbeck guides the unfolding events chronicled in the doc. Growing up under the care of his beloved late grandmother, Martha Hallenbeck, in a home surrounded by dense woods, he has memories that read like a choose-your-own-adventure novel. An unseen, incomprehensible, supernatural threat to shock and astound lurks around every corner. Martha was once quoted as saying, “I’d love to live in a haunted house!” Bruce’s apt response was, “Grandma, I think you do.” 

Advertisement

“Haunted” feels like an inappropriate description.  What happens in Kinderhook is so fantastical that it is difficult to fit under a single umbrella. White, bloblike apparitions are only the tip of the iceberg. A sargantuan beast with red eyes, the doc’s eponymous creature, has been seen stalking nearby. Strange noises emanate from the woods, UFOs have been spotted, objects have levitated and strange dreams have been had… Something is very different in Kinderhook. 

To call THE KINDERHOOK CREATURE a wild-ride would be a gross understatement – the film is so full of so many unexpected twists, turns and encounters that it is a curious wonder why the area hasn’t been more widely acknowledged in cryptozoological circles until now. Again, director Seth Breedlove and the Small Monsters team have shone their spotlight on a tiny, strange corner of the world. On top of fantastic interview content, the documentary is chock-full of archival footage. Masterfully edited, THE KINDERHOOK CREATURE is made with love and attentive care, which is much deserved for a field of interest that isn’t always taken very seriously.

Of course, mystery is the source of the allure. As a species, we simply cannot know everything. Not every mystery can be solved, regardless of how advanced we become. Apelike humanoid sightings have been reported for as long as Indigenous people have been recording history with hide and stone. Theorists pore over speculations of time-travelling advanced beings, primitive species, protectors of the forest… It all sounds outrageous to those who have yet to open their mind to the possibility that there are forces at work that we simply cannot comprehend. One can easily write off the Patterson-Gimlin film as a hoax, but how can one explain the similarities in sightings from around the globe, again, for decades, if not centuries? One of the tales told in THE KINDERHOOK CREATURE mentions a sighting of a family of the Bigfoot-like cryptid. A similar occurrence is documented in the 1956 book The Long Walk by Sławomir Rawicz – a dramatic, first-hand account of a group of Gulag escapees in the 1940s that encountered a family of Yeti-like creatures in the Himalayas after fleeing Siberia on foot.

Even in the specific cases presented in THE KINDERHOOK CREATURE, there are curious synchronicities spanning a century. A woman speaks of an instance in 1981 when she and a friend skipped school to pick apples. While biking down a dirt road flanked by corn fields on both sides, they encountered a massive creature that towered above the stalks. Its gait was so wide that it was able to jump across the road with ease, its apelike arms swinging. What the girls likely did not know was that 100 years earlier, in 1881, livestock regularly went missing in the area. Locals eventually found a cave with piles of bones lying outside the entrance. Upon this discovery, they encountered a similar beast. They shot at it, nearly missing it. However, it left a mysterious lock of brown hair behind.

Breedlove has proved time and time again that Small Town Monsters is the reigning champion of quality cryptozoological documentaries. Aside from the obvious fun that naturally comes with investigating strange phenomena, much of the film focuses on Hallenbeck’s relationship with his grandmother. The bond they shared was beyond unique. They seemed to share an abundance of love, joy, fun and an appreciation for the mysterious. 

Advertisement

We can learn a lot from these stories, exploring history, fear and curiosity. With THE KINDERHOOK CREATURE, Small Town Monsters again proves that cryptids and the legends that surround them will never get boring.

THE KINDERHOOK CREATURE: IN THE SHADOW OF SASQUATCH is available now on digital platforms. 

Continue Reading

Movie Reviews

Ron Brown’s movie reviews: ‘Project Hail Mary’ and more

Published

on

Ron Brown’s movie reviews: ‘Project Hail Mary’ and more

Lisa Dent

Weekdays 2-6pm

A native of Rockford, Lisa Dent, heard 2 pm to 6 pm weekdays, began her radio career in Fort Atkinson, Wisconsin in 1981. She has worked at stations in Minneapolis, San Diego, Seattle, and Houston. Dent returned to Chicago in 2002. (Click for more.)

Continue Reading

Trending