Documentary producer and director Ken Burns came to prominence 35 years ago with The Civil War, a massively popular multi-part nonfiction series on PBS. His latest effort is a six-part series called The American Revolution.

By focusing on the Revolutionary War, Burns is revisiting some very familiar territory. His long and impressive filmography includes a history of Congress, and biographies of Thomas Jefferson and Benjamin Franklin. He’s done deep dives into American military conflicts, including World War II and the Vietnam War.

Throughout his career, Burns has developed and perfected the tricks of his particular trade: the evocative use of music and quotations from speeches and correspondence; the use of actors to read the words of historical participants; the zooming in and out to reveal key details in period photos; and the painstaking attention to sound effects, from birds to bullets, to help bring those images to life.

All of that knowledge, and all of those gimmicks, are utilized in The American Revolution, an exceptional work about the founding of our country. It’s written by Geoffrey C. Ward, who wrote The Civil War and many other Burns documentaries, including the ones on Congress and Thomas Jefferson. And it’s co-directed by Sarah Botstein and David Schmidt, both of whom have worked with Burns for years.

But The American Revolution presents a challenge that even The Civil War did not. No photographs, period. To compensate, Burns and company use war re-enactors and place them in the actual historical locations.

On many — let’s say most — documentaries using a similar technique, the effect can be cheesy. But in The American Revolution, the directors avoid showing the faces of the actors re-enacting battle movements. Instead, parts of their bodies are shown in intense close-up: a bandaged hand here, a muddy boot there. Elsewhere, in an approach that borders on pure art, the directors use drones to capture the action from high, high above. It’s unusual — and beautiful.

Battles are the surprisingly dominant ingredient of this series. The American Revolution goes into more detail about individual battles than I ever learned in my own American history classes — but new and vintage maps, animated to show troop positions and movements, make it all very clear, and very vibrant. The actors quoting from the historical participants, and the historians interviewed to comment on the action, do the rest. Peter Coyote, the actor who has narrated many Burns documentaries, does so again here. He’s got a great voice for it, and leans into all the difficult place names, and people’s names, with confident authority.

In their various war documentaries, Burns and his team always have focused as much on the ground troops as on the generals — often much more so, telling their story from the bottom up, rather than the top down. The American Revolution does both: We hear important observations from George Washington and Benjamin Franklin, but also from Native Americans, revolutionary women, enslaved people and others not always given voice in such narratives.

In addition, the program’s historians make us think differently about the history we’re witnessing. In the colonies, those who were faithful to the crown were called Loyalists, and those against them called themselves Patriots. This series humanizes both sides, and also explains why some Native tribes, including the Shawnees, sided with the British in hopes of protecting their own lands.

The sheer number of the battles, and the details about them, attest to how hard our ancestors fought for the notion of a Federalist society. At the end, The American Revolution reminds us that the quest to maintain that society, and to strive to achieve a more perfect union, is far from over.