Connect with us

Movie Reviews

'Afire' movie review: The flame of love

Published

on

'Afire' movie review: The flame of love

Express News Service

It is likely that a lot of writers would see their own reflection, however unflattering, in Leon (Thomas Schubert), the protagonist of Christian Petzold’s Afire. I did. At times, I can be like him—living inside one’s own head, shunning human company, preoccupied with thoughts, agonizing for not being able to put them on paper, being self-obsessed yet wound up about one’s own creativity and creation.

Equally real is the oft-held perception by people around us, something that the film also shows, that writing is not “work”, as though it emerges magically, without an effort, from thin air.

However, despite there being a lot to empathise with Leon, he ends up inviting our scorn. On a visit to his friend Felix’s (Langston Uibel) holiday home by the Baltic Sea, he is in search of some peace, quiet, and isolation to dive deep into work and wrap up his second book. While fussing about it, he gets distracted by another occupier of the house, Nadja (Paula Beer), and her nightly dalliances with her lovers. Dissatisfied at his lack of productivity and mindful of his growing attraction for her, he is abrasive and annoying to others for their holiday fun and cheer, something he can’t afford. Meanwhile, the oppressive heat, lack of rain, and forest fires ensure that nature is also in an agitated state, like him.

Afire is as French as a German film can get. It is an eloquent reflection on relationships, friendships, and love navigated, formed and unformed amid creative enterprise with Wallners’ hypnotic and melodious assertion of freedom, the song “In My Mind”, playing oftentimes in the background. The film won the Silver Bear Grand Jury Prize at Berlinale last year and was recently showcased at the Singapore International Film Festival.

Advertisement

In Afire, Petzold turns the typical holiday narrative (he wrote the film when down with COVID and watching Eric Rohmer movies) into an amusing and caustic character study of Leon—egotistical, self-absorbed, and self-centred, resentful, and jealous—with Schubert in great form, living the role from within. Beer is luminous as Nadja, and extremely likeable, unlike Schubert’s annoying Leon. Uibel is charming as Felix, working on his art portfolio on photos of people staring at the sea and, in the process, getting more than friendly with Nadja’s lifeguard lover Devid (Enno Trebbs). The film pivots on and moves along the interactions of the foursome. It is as much about the irritants that define Leon, as the reactions they elicit from the three.

As the forest fires get more intense, so does the mood of the film and of Leon as well. The turning point comes with his disparagement of Nadja (without quite realising who she is for real) for working at an ice cream cart, later allowing her to read his manuscript and then getting upset at her dismissal of it. It gets worse with his publisher Helmut (Matthias Brandt) rejecting it as well.

Petzold gradually replaces the fluid tone with a more uneven narrative, driving the funny towards the steadily darker, unsettling, and harrowing. A bear burnt to death, an emergency visit to the hospital, and tragic loss, is what it takes for Leon to start looking at, acknowledging, and understanding the world around him and find true creativity beyond the confines of his selfish persona. Too heavy a price to pay, perhaps, to get a life amid mortality, appreciate the bioluminescence at the sea in the throes of darkness, learn to smile in melancholy, and embrace life when a lot of time has regrettably slipped by. It’s eventually about Leon rising, metaphorically, from the ashes falling from the sky.

What was my takeaway from Afire? WH Davies’ poem Leisure: “What is this life, if full of care; We have no time to stand and stare.” A good film to end or begin a year with, one that reminds us to hit the pause button every now and then between the play modes and never say no to anything because “work won’t allow it”. 

Cinema Without Borders

Advertisement

In this weekly column, the writer introduces  you to powerful cinema from across the world

Film:  Afire

Follow The New Indian Express channel on WhatsApp

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Movie Reviews

Sisu: Road to Revenge

Published

on

Sisu: Road to Revenge

The lethal and tenacious Aatami Korpi returns in this sequel to 2022’s Sisu. Like its predecessor, Sisu: Road to Revenge offers up nonstop, gory hyper-violence as the old soldier shoots and stabs his way through the Soviet Union’s Red Army to avenge his family’s murder. Paired with all the bloodshed is a handful of f-words and some drinking, as well.

Continue Reading

Movie Reviews

Movie Review: “Sisu: Road to Revenge” takes a Wrong Turn or Three

Published

on

Movie Review: “Sisu: Road to Revenge” takes a Wrong Turn or Three

I am an audience of one at a late afternoon “preview” matinee of “Sisu 2,” aka “Sisu: Road to Revenge,” the sequel to the savage sleeper hit by Finnish carnage Jalmari Helander.

Do the locals know something I don’t? Or are the good folks in “The Last Capital of the Confederacy” showing their red ball cap displeasure at a movie about mowing down Russians by staying home?

I’m guessing it’s the fact that Screen Gems’ marketing didn’t spend enough to move the needle even a centimeter that dampened enthusiasm, as nobody knows about it.

That’s no big deal, because this sequel is inferior in pretty much every way to the original “Sisu,” which came out of nowhere back in 2023 and which takes its title from a Finnish word that more of less means unfettered rage. It’s not on a par with Helander’s “Rare Exports” Santa-horror splatter film either. He’s due for a misstep. Here it is.

“Road to Revenge” brings back our non-speaking, unstoppable and unkillable Finnish commando Korpi (Jorma Tommila), this time out to haul the pieces to his house across the Russian border after the end of World War II.

When your anti-hero is “unstoppable” and “unkillable,” that lowers the stakes. A lot.

Advertisement

Throw in feeble pacing and thus no urgency to its story of driving, shooting, stabbing and missle-launching his way through legions of belligerant Russians, fresh from their triumph in “The Great Patriotic War,” and you’ve got a thriller whose only creative bits are random moments of Russian-mutilating and murdering.

Remember, the vodka/borscht-folk and their dictator sided with the Nazis at the beginning of WWII, only to F-around and find out you can never trust a Nazi. And the Russians further earned their history’s bad-guys status by invading Finland at the start of the war, and paying dearly for their miscalculation, at least for a time.

The Soviet Russians annexed Finnish territory at war’s end, and that’s where Korpi lived. So he’s got his passport and his battered, oversized military truck and he’s aiming to move the logs of his old homestead, where his family was slaughtered, to a new location across the new border.

Ivan doesn’t want him to get away with it.

The stages of his quest are broken into superfluous “chapters” like “Old Enemies,” “Motor Mayhem:” and “Incoming.” The dialogue, almost all of it by a Russian tormentor (Stephen Lang) who commanded the troops who failed to finish off the Finn in the first film, is every bit as pointless.

Advertisement

“Unleash Hell,” like they haven’t already. “Keep your eyes open,” the most worthless command cliche of them all. And “Look at me,” served up as if he isn’t looking at you.

Duels against armored commandos on motorcycles (!?), airborne fighter bombers and the like ensue. Our hero takes another licking and keeps on ticking. The Russians? Let the body count commence, Comrades!

I laughed at a few of the more audacious butcherings, but that was early on. The narrative settles into a slog in the middle acts and no pull-out-the-stops train ride finale could drag it out of the mud.

Rating: R, graphic violence, pretty much start to finish, profanity

Cast: Jorma Tommila, Richard Brake and Stephen Lang.

Credits: Scripted and directed by Jalmari Helander. A Screen Gems release.

Advertisement

Running time: 1:29

Unknown's avatar

About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Continue Reading

Movie Reviews

Wicked: For Good Movie Review: Ariana Grande Shines In A Solid But Weaker-Than-The-Original Finale!

Published

on

Wicked: For Good Movie Review: Ariana Grande Shines In A Solid But Weaker-Than-The-Original Finale!

Wicked: For Good Movie Review Rating:

Star Cast: Ariana Grande, Cynthia Erivo, Jeff Goldblum, Jonathan Bailey, and Michelle Yeoh.

Director: Jon M. Chu

Wicked: For Good Movie Review Out: Solid Performances But Underwhelming Conclusion (Photo Credit – Instagram)

What’s Good: Wicked: For Good is definitely a showpiece when it comes to production values, and so, every single frame is beautiful to look at and the ultimate Wizard of Oz experience when it comes to visuals.

What’s Bad: The film is slower than the first, and it feels, especially when the new songs don’t hit like the ones in the previous instalment ,and dialogue feels like a lot of filler.

Advertisement

Loo Break: Anywhere in the first act, as the film moves so slowly that you can probably go and come back and not miss anything.

Watch or Not?: If you loved the first one, then yes, you need to see this and close the cycle.

Language: English (with subtitles).

Available On: Theaters

Runtime: 137 Minutes

Advertisement

User Rating:

Opening:

Wicked: For Good Movie Review: Ariana Grande Shines (Photo Credit – YouTube)

Wicked: For Good Movie Review: Script Analysis

Wicked: For Good is a solid film, there is no doubt about that, you just have to look at the powerful visuals, and the entire production value, but the script might be the weakest aspect of the film, especially when it comes to structure and dialogue, which affects the pacing, making the first two acts of this musical epic feel like it could do with a couple more drafts to make the story tighter, and the flow a lot more natural.

As it is, the first two acts move a snail’s pace, and the songs simply don’t match the quality and catchiness of the songs in the first two acts of the first film, here, the songs feel like they are there just to make the film longer, and it is hard to remember one that is simply memorable enough to sing along. Fans of the original musical will probably have a lot more fun with this aspect of the film, but as a newcomer, I did feel a drop in quality on the musical side.

The dialogue also does a lot of damage to the film, as it feels like everything is delivered in two or three lines that are too long, when it could have been conveyed in a simpler and more efficient way. It just doesn’t work, and while the actors do their best, the material doesn’t hold up. Nevertheless, some jokes here and there truly land, and the film does tell a compelling, complete story, which is a lot more than many other films do today.

The third act also feels quite rushed, and the connections to the original Wizard of Oz film, and the characters from that story deserved a lot more, because they are so legendary and iconic, that for some reason this movie feels like it should just move away from them as fast as it can, hurting the overall impact of the story, and the character growth.

Advertisement

Wicked: For Good Movie Review: Star Performance

Cynthia Erivo is quite solid in here, and she is plotwise, the main character, but let’s be real, this is the Ariana Grande show, who basically steals the show in every single scenes she is in, not only with her powerful voice but also with her solid acting abilities, she just has it, when it comes to presence, delivery and charisma.

The rest of the cast is quite good. Bailey does some terrifying things in the film and effectively creates all the darkness it needs, while Goldblum’s Oz is just right – nothing to talk about, but definitely his performance, along with the rest from all the other actors, doesn’t hurt the film; it elevates it.

Wicked: For Good Movie Review: Movie Lacks Crisp Editing At Places (Photo Credit – YouTube)

Wicked: For Good Movie Review: Direction, Music

Jon M. Chu started as a relatively standard director. Still, he has definitely graduated to the big leagues with these two films, as the scale of everything just goes out of the window when it comes to the visuals and the camera’s placement, which is always in the perfect spot to show it. Really, the world-building that Chu and his team have created here is outstanding.

The music, as we said before isn’t as good or memorable as the first film which really hurts the experience because this is a musical and I thought the best was being safe for last in the song department, of course, it will be a matter of taste, as it is everything but this is definitely one of the biggest negative points for the film. Nevertheless, the performers are truly going out of their way to create something extraordinary, so there is really nothing to criticize regarding the actors, dancers and singers themselves.

Wicked: For Good Movie Review: Takes Viewers On An Atmospheric Ride (Photo Credit – YouTube)

Wicked: For Good Movie Review: The Last Word

Wicked: For Good closes this adventure in a solid manner, although the overall package feels weaker than the first film, which is disappointing. However, Jon. M. Chu, his team, and his cast demonstrate that they truly care about the project, and it shows on the screen as the film finally delivers on being entertaining, grandiose, and visually stunning. It could have been better, but what is there is truly remarkable.

Wicked: For Good Trailer

Wicked: For Good releases on 21 November, 2025.

Advertisement

Share with us your experience of watching Wicked: For Good.

Must Read: Now You See Me: Now You Don’t Movie Review: The Strange Case Of A Sequel That Nobody Wanted & Many Had Already Forgotten!

Follow Us: Facebook | Instagram | Twitter | YouTube | Google News

Advertisement
Continue Reading
Advertisement

Trending