In the fun, entertaining new film, The End of Oak Street, Anne Hathaway and Ewan McGregor star as a married couple in the early 1980s. One night, their entire suburban neighborhood is transported to a time filled with a variety of large and dangerous dinosaurs. Written and directed by David Robert Mitchell (It Follows), it’s part action-adventure, part monster movie, part dark comedy. But after so many dino-packed blockbusters, does this movie offer a fresh take to the prehistoric creature feature?

If you need a few more creature features, check out these episodes:

‘Minions & Monsters’ is, oddly enough, a love letter to Old Hollywood

Only Guillermo del Toro could’ve made this ‘Frankenstein’

‘Jaws’ is still stuck in our teeth, 50 years later

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When I was 20 years old studying abroad in Paris, I had a French teacher who took issue with my sense of style. During one class, she managed to transform my yellow wool dress into a language lesson: People who wear bright colors call attention to themselves, she said in French while looking at me and making some point about grammar that quickly went over my head. More than offended, I was confused. I had not considered, or particularly cared, what my yellow wool dress might ignite in others. My quickly growing love for yellow had been more of an internal journey. I had gravitated to the color like a moth to light, seeking the dopamine hit of its glow, as if by osmosis I could absorb and become it.

Sitting with the stories in this issue, I am struck by a consistent and gentle contradiction: that many of us adorn ourselves in loud, expressive or peculiar accessories and clothes not to show off or be seen, but to hide, find comfort, turn inward. Chainlink necklaces, lace headpieces and even fringe bangs become a form of armor. As fashion designer Bryan Hearns says, “it’s kind of like you’re protecting yourself” — words that echo in Julissa James’ essay on hardware, in which her studs “communicate to predators” that she does “not identify as prey.”

In observing the Los Angeles Ballet at rehearsal, Claire Salinda distills the appeal of ballet core: How slippers and satin can make you feel more confident, secure and ordered in a chaotic world. In the studio, she marvels at the intimacy of ballerinas pulling up their leg warmers and doing their hair in the mirror as they wear their own YMCA T-shirts, crochet ponchos and charm necklaces. They show up not as characters, but themselves.

How we adorn ourselves is extremely personal, even a little superstitious. It is a secret code that cannot be fully understood by outsiders.

On Thursday, the Kennedy Center board voted for a second time to shut down most of the arts complex for two years of renovations. The project is estimated to cost $250 million and if it gets approval from a federal judge, it could have a sizable impact on audiences and artists alike. The board is also trying to add Trump’s name back on the building for a second time, after a federal judge ordered its removal.

Instead of naming the complex after Trump, according to the latest plan, the signage would instead say that the center was “restored and renovated by President Donald J. Trump.”

NPR has requested a copy of the proposal from the Kennedy Center, but did not receive a response. An individual who was briefed on the board meeting and renovation plans confirmed the details and the vote to NPR, but is anonymous because they are not authorized to speak to the media. The proposal and the potential name change were first reported by The New York Times.

“Today’s sham meeting makes clear the Trump-appointed Board of the Kennedy Center believes it is above the law. What happened today was nothing more than a rubber stamp on a decision the President made months ago that the Board already tried to effectuate without doing proper due diligence,” Sen. Sheldon Whitehouse, a Democrat and ex officio member of the Kennedy Center board said in an emailed statement after the vote.

Already, the Kennedy Center’s public profile has shifted. Last December, when the board tried to rename the complex the “Trump Kennedy Center” and Trump’s name was added to the front entry as well as the center’s public-facing materials (including its web site, signage, program booklets and merchandise), many marquee artists canceled, including the composer Philip Glass and the Martha Graham Dance Company. Many performers said that the arts center had become politicized.

What does the new proposal include, and who’s overseeing it?

The proposed project includes structural repairs, new marble floors, nearly $12 million in “acoustical improvements” and a plan to temporarily move the famed, eight-foot bronze bust of Kennedy that sits in the center’s main foyer. None of the current board members have any known expertise in acoustics, performing or presenting the kind of performing arts — including classical music, dance and jazz – that have been staple programming at the Kennedy Center for decades. The only artist on the board is a close Trump ally, country music singer Lee Greenwood.