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Live updates on the future of Marvel, ‘Star Wars’ and more from D23 Expo

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Live updates on the future of Marvel, ‘Star Wars’ and more from D23 Expo

Unique footage, main bulletins and shock company are a number of the methods Marvel Studios, Lucasfilm and twentieth Century Studios are anticipated to excite followers about the way forward for their respective franchises throughout Walt Disney Studios’ second panel presentation at D23 Expo.

Among the many marquee shows of Disney’s personal celebration of all the things Disney, the studio showcase Saturday morning on the Anaheim Conference Middle will see the present creatives behind the Marvel Cinematic Universe, “Star Wars” and extra take heart stage to tease upcoming movie and sequence initiatives — and maybe verify or refute a couple of rumors alongside the way in which.

Disney already kicked the fan conference off in model Friday with its first studio showcase. In a presentation that opened with a efficiency of “When You Want Upon A Star” by “Pinocchio’s” Cynthia Erivo, Disney live-action, Pixar and Disney Animation shared information and photographs from movies together with “Hocus Pocus 2,” “Disenchanted,” “Mufasa: The Lion King,” “The Haunted Mansion,” “Snow White,” “The Little Mermaid,” “Elemental” and “Unusual World.” Amongst Pixar’s bulletins have been its subsequent function, “Elio,” an extra-terrestrial journey a couple of younger boy who makes first contact with aliens, in addition to the return of Riley and her feelings in “Inside Out 2.” To not be outdone, Disney Animation introduced that it’ll have a good time the corporate’s one hundredth anniversary with a brand new animated musical impressed by the studio’s signature wishing star. Then Ariana DeBose, who will voice the lead Asha in “Want,” closed out the presentation with a efficiency of a music from the upcoming movie, which can hit theaters in 2023.

Saturday, the eye will flip to Marvel’s portion of the presentation, which can seemingly hype the remaining initiatives of Part 4 of the MCU: “Black Panther: Wakanda Ceaselessly,” in addition to an untitled Halloween particular and “The Guardians of the Galaxy Vacation Particular.” For the reason that studio laid out its plans for Part 5 and 6 throughout its panel at San Diego Comedian-Con in July, its D23 Expo presentation might embrace information of initiatives that weren’t talked about in Corridor H, such because the beforehand introduced “Armor Wars,” or information round sequels for “Shang-Chi” and “Eternals.”

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With the premiere of “Andor” set for later this month, it’s seemingly the “Star Wars” sequence will likely be amongst these promoted in the course of the Lucasfilm portion. Whereas new footage of much-anticipated initiatives equivalent to “The Mandalorian” Season 3 and “Ahsoka” have been proven at Star Wars Celebration in Could, official trailers for the 2 exhibits have but to be launched so that they might be on the way in which. And past “Star Wars”-related teasers, the studio might additionally share information about its upcoming “Willow” sequence or the fifth “Indiana Jones” movie.

As for twentieth Century Studios, anticipation is excessive for something “Avatar 2.”

Observe alongside right here for dwell updates from the Marvel, Lucasfilm and twentieth Century shows at D23 Expo.

10:36 a.m. Grasp “Star Wars” storyteller Dave Filoni is launched, in all his cowboy-hatted glory. The franchise’s animated choices are first up, together with Season 2 of “The Dangerous Batch” (premiering Jan. 4, 2023) and “Tales of the Jedi,” a set of six shorts — three about Ahsoka, three about Dooku — out Oct. 26. (Filoni goes out of approach to categorical his love of Ahsoka.)

Charles Murray, who labored with Filoni on “Clone Wars,” was a contributing author on “Tales of the Jedi,” and Kennedy compares the standard of animation within the sequence to that of famed Japanese artist Hayao Miyazaki.

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10:25 a.m. Kennedy calls “Willow,” the forthcoming TV adaptation of Ron Howard’s 1988 fantasy movie an “superb, magical journey,” earlier than introducing actor Warwick Davis, who performs the title character. “The pressure is powerful in right here,” quips Davis, who brings out the “Willow” solid. “Sorry, that’s certainly one of my different franchises.” The solid, together with Ruby Cruz, Erin Kellyman and Ellie Bamber, guarantees an abundance of sword fights and emphasizes the aggressive pluckiness of their characters. Cruz, for example, describes her character Package as “defiant, angsty” and “attempting to determine it out.”

Christian Slater, who additionally seems within the sequence, comes out on stage and calls Davis a “legend.” “I really like the fantasy, the sci-fi, simply attending to be part of this present was an absolute dream come true,” Slater says. He provides that “we got here up with stuff on the spot,” noting he was allowed to improvise fairly a bit in his position. He and Davis joke that the phrases of the writers weren’t all the time handled as sacred.

The trailer teases magix, swordfighting, and the group journey.

10:13 a.m. Lucasfilm is first up. President Kathleen Kennedy has taken the stage to “share what’s forward for ‘Star Wars’ and past” — beginning with “Andor,” certainly one of our most anticipated TV exhibits of the autumn, premiering Sept. 21 on Disney+.

After a recap of what the riot was up in opposition to earlier than hope was discovered (a spotlight reel of “Rogue One”), “Andor” solid members Diego Luna, Genevieve O’Reilly, Kyle Solle and Adria Arjona hit the stage. “It’s in regards to the awakening of a revolutionary. … It’s about bringing change,” Luna says. Soller says it’s nice to affix the road of “Star Wars” villains you like to hate, and Arjona teases Andor and her character Bix’s “sophisticated” previous. Luna then introduces the ultimate trailer for “Andor” — it’s the primary time even the solid is seeing it.

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10:08 a.m. After blasting “Hooked on a Feeling” — an indication of “Guardians of the Galaxy” information to return? Or Ally McBeal’s entry into the MCU? — the morning’s panel kicks off with a Disney 100 sizzle reel and opening remarks by Alan Bergman, chairman of Disney Studios Content material: “The largest movies ever launched have come from these three studios right here right this moment.”

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Movie Reviews: ‘Challengers’

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Movie Reviews: ‘Challengers’

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WFMJ | 101 W. Boardman Street | Youngstown, OH 44503

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Willow Smith, Will and Jada's daughter, says nepo baby 'insecurity has driven me harder'

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Willow Smith, Will and Jada's daughter, says nepo baby 'insecurity has driven me harder'

Willow Smith has such big feelings about her music career — and perceptions that she’s a nepo baby riding on her Oscar- and Daytime Emmy-winning parents’ coattails.

The 23-year-old singer, whose parents are “King Richard” star Will Smith and “Red Table Talk” host Jada Pinkett Smith, revealed in a recent interview that the “nepo baby” label — used to describe kids of famous people who pursue similar careers — continues to motivate her to create her own path with music.

“I definitely think that a little bit of insecurity has driven me harder because people do think that the only reason I’m successful is because of my parents,” she told Allure in a cover story published Thursday.

She added: “That has driven me to work really hard to try to prove them wrong. But nowadays, I don’t need to prove s— to anybody.’”

The “Wait a Minute!” and “Meet Me at Our Spot” musician — who performs under the moniker Willow — spoke to the magazine about the evolution of her looks and music before the release of her newest album. “Empathogen” was released Friday, 14 years after Willow broke into music with her hit “Whip My Hair.”

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The 2010 pop song further thrust Willow, then 9-years-old, into a world of celebrity and publicity. Years later, Willow experienced a period of negativity and self-doubt, some rooted in her high-profile family, she told the magazine.

After sharing how she came to terms with her hangups and “negativity from the outside,” Willow said she has several reasons why she doesn’t feel she is the typical “nepo baby.” She believes she would “still be a weird and a crazy thinker” if her parents weren’t celebrities.

Willow added that, despite her parents’ fame, she still faces hurdles and gatekeepers in the creative space.

“Being Black in America, even with privilege, which I’m never going to deny that I have, you’re still Black,” she said.

Since “Whip My Hair,” several of Willow’s other hits, including “Emo Girl” and “Meet Me at Our Spot,” have cracked Billboard’s Hot 100 chart. She also has received several MTV Video Music Awards nominations. Earlier this week, Willow appeared on NPR’s “Tiny Desk Concert” series, offering funky, stripped-down performance of songs “symptom of life,” Wait a Minute!” and “big feelings.”

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Whether critics and fans deem her a nepo baby, Willow told Allure that she wants “to be a servant of love even if that means fighting for things to change so that love can bloom more in the world.”

She added: “I want it to change how [people] think, and I want it to make them love themselves more.”

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Exhuma Movie Review: An effective horror film steeped in myth, legends, and realism

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Exhuma Movie Review: An effective horror film steeped in myth, legends, and realism

The first half of Exhuma is only a slight cut above your standard horror film. However, Jae-Hyun’s world-building instantly draws you into the mystical world with a blend of silence and atmospherics, as well as minimal use of horror tropes such as jump scares and “It’s all just a dream” moments. Gradually, the film immerses us in its world steeped in Korea’s tumultuous past, especially its once-simmering tensions with Japan, and culture. It is only when the second half begins that we even realise the depth of Jae-hyun’s screenplay. Take one of the central characters of Exhuma, for instance. He is the spirit of a soldier with haunting ties to the Japanese invasions of Korea. The constant weariness that the Korean characters show towards any reference to Japan, including the spirit, mirrors the complicated relationship between these two neighbouring nations. Ardent horror fans are sure to celebrate and treasure the constant juxtaposition between the Imjin War imagery and the horror sequences in the film. It seamlessly weaves in a brief history of greedy grave robbers in Korea, even amidst the shamanic rituals aimed at appeasing the vengeful spirit. Amazingly, it does not digress from the main plot, despite the multifaceted storytelling. Watching Exhuma often means flipping through pages of an ancient chapter of history steeped in folklore, myth, and realism.

It is fascinating how the film works both as a cultural and socio-political allegory and as a horror feature, even as it retains a subtle sense of humour. A horror film rarely offers such a balanced mix of emotions. A nerve-racking cinematic experience rooted in ancient culture and history that does not shy away from humour is a rarity. While the pre-interval portions hint at its world of fantasy with an element of gore, the second half also shows how grounded it is in realism. For example, the use of a real Buddhist tattoo at a pivotal plot point brings out the biggest laughs you will have from any horror film.

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