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John Amos, star of 'Good Times,' 'Roots' and 'Coming to America,' dies at 84

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John Amos, star of 'Good Times,' 'Roots' and 'Coming to America,' dies at 84

John Amos, the prolific actor known for his work in the sitcoms “Good Times” and “The Mary Tyler Moore Show,” the movie “Coming to America” and the miniseries “Roots,” has died. He was 84.

Amos’ publicist, Belinda Foster, confirmed the news of his death Tuesday to the Associated Press. No other details were immediately available.

For three years and three seasons, Amos was adored by audiences around the country as the tough-loving patriarch of the Evans family on the 1970s sitcom “Good Times.” Amos played James Evans, a hard-working Korean War veteran with a withering stare and sharp wit who did everything he could to provide for his family.

Like any great TV dad, Amos loved all his TV children equally — which became a point of contention behind the scenes when the scripts started focusing more and more on the comedic antics of the eldest Evans child, J.J. (Jimmie “JJ” Walker). In a 2014 interview with the Television Academy, Amos recalled expressing concerns about the show placing “too much emphasis … on J.J. and his chicken hat” while neglecting James Evans’ “other two children.”

According to Amos, his creative differences with the “Good Times” producers — including the legendary Norman Lear — led to him being labeled a “disruptive factor” and getting fired from the show. Lear personally called Amos to deliver the news.

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“I didn’t curse or anything. I just hung up the phone,” Amos told the Television Academy.

“And he didn’t call me back to see if I might have anything else to say. I never heard from him again for months and months and months.”

Amos bounced back from termination swiftly and triumphantly, landing an Emmy nomination in 1977 for his powerful portrayal of adult Kunta Kinte in “Roots,” the groundbreaking miniseries about slavery based on Alex Haley’s novel of the same name.

Before he was cast as the show’s main character (along with LeVar Burton, who played young Kunta Kinte), Amos auditioned for two other parts. When he was finally invited to read for the “once-in-a-lifetime role” of Kinte, Amos “almost fainted.”

“I couldn’t believe it,” he told the TV Academy in 2014. “It was like I’d hit the lottery.”

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Amos was well aware of the impact his performance and “Roots” had on viewers, who let him know in real time how deeply moved they were by Kinte’s revolutionary story.

“I was on the freeway and this big brother pulls up next to me in this piece of ancient Detroit steel,” Amos recalled in an interview with The Times 40 years after “Roots” premiered.

“He said, ‘Man, pull over!’ So I pulled the car over. He said, ‘Hey, man, I watched that “Roots” on TV last night, man. Man, it really affected me … I was halfway through it and I went and got my .38 and I went and shot the TV!’ That was the funniest thing that happened. I hope he wasn’t looking for me to reimburse him.”

Amos was born Dec. 27, 1939, in Newark, N.J. He attended East Orange High School, where he played football at the same time singer Dionne Warwick was a cheerleader, according to the New York Times.

For a while, Amos stayed on the athletic track. He was a running back at Colorado State before trying out unsuccessfully for the Denver Broncos and getting cut from the Kansas City Chiefs after tearing his Achilles tendon — a season-ending injury. Amos credited former Chiefs coach Hank Stram with helping him realize his true passion.

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“Young man, you are not a football player,” Stram told him. “You are a young man who happens to be playing football.”

While grieving the imminent loss of his football career, Amos wrote a poem that Stram permitted him to read aloud for his teammates. The team gave him a standing ovation.

“When [Stram] saw the team’s reaction to the poem he said, ‘I think you have another calling,’” Amos recalled in 2012.

Upon leaving the NFL, Amos pivoted to copywriting before moonlighting as a comedy writer for the small screen. He launched his entertainment career as a staff writer for the 1969 CBS musical variety series “The Leslie Uggams Show.”

By 1970, Amos booked his first major acting role as Gordy the weatherman on “The Mary Tyler Moore Show” after some writers working simultaneously on “Uggams” and “Mary Tyler Moore” determined he would be perfect for the part.

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“Quite frankly I never looked back after that,” Amos told the Los Angeles Times in 2012.

Amos went on to appear in dozens of seminal TV series, including “Good Times,” “Roots,” “The Fresh Prince of Bel-Air,” “Sanford and Son,” “Hunter” and “The West Wing,” in which he portrayed military Commander-in-Chief Percy “Fitz” Fitzwallace.

Amid the high-stakes political drama of the landmark show about a fictional president and his staff, Admiral Fitzwallace was often the voice of reason that could command a room as effectively as Amos could command the screen.

“That role of Admiral Percy Fitzwallace … is one I would have paid them to do,” Amos told the TV Academy.

“The uniform in itself was one thing, all that salad dressing — fruit salad, we’d call it — his medals. Once I put that jacket on, I became the commander in chief.”

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Once a TV writer himself, Amos never missed an opportunity to give props to the creators — even Lear, who eventually reunited with the ousted “Good Times” star for “704 Hauser.” The short-lived series starred Amos as the liberal father of a young conservative activist living in Archie Bunker’s old house in Queens.

“I matured to the point if I had creative differences, I would say ‘Norman, can I speak to you?’ instead of threatening to do bodily harm,” Amos joked in a 2012 interview with The Times.

More recently, Amos denied reports made in 2023 by his daughter, Shannon, accusing her brother Kelly “K.C.” Amos of neglect and not providing proper care for their father. The elder Amos was hospitalized in 2023 but recovered after treatment for fluid accumulation in his lower body.

“I will say this for now: This story about neglect is false and unmerited,” Amos said in a statement in March after the LAPD opened an investigation into the allegations. “The real truth will come out soon and you will hear it from me. Believe it.”

In addition to his extensive work on the small screen, Amos appeared in a number of films, such as “Coming to America.” He portrayed Cleo McDowell, restaurateur and father of Eddie Murphy’s love interest, in the classic 1988 comedy.

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Even after his acting career took off, Amos didn’t stop writing. For decades, he traveled around the United States performing a one-man show he had penned about an 87-year-old man awaiting the return of Halley’s Comet.

Amos told the Television Academy in 2014 that he wanted to be remembered as “a guy that made people laugh” and “made people think.”

“I’d just like to be remembered as someone they enjoyed watching and they enjoyed having their homes,” he said.

“That’s a good feeling, to know that some stranger sitting in some remote town somewhere laughed to the point that he forgot his ongoing miseries or problems and said to his family, ‘Hey, John Amos is on. Come in here! Let’s get a laugh.’ I mean, is there anything better than that?”

Former staff writer Susan King and the Associated Press contributed to this report.

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Movie Reviews

1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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Commentary: California made them rich. Now billionaires flee when the state asks for a little something back.

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Commentary: California made them rich. Now billionaires flee when the state asks for a little something back.

California helped make them the rich. Now a small proposed tax is spooking them out of the state.

California helped make them among the richest people in the world. Now they’re fleeing because California wants a little something back.

The proposed California Billionaire Tax Act has plutocrats saying they are considering deserting the Golden State for fear they’ll have to pay a one-time, 5% tax, on top of the other taxes they barely pay in comparison to the rest of us. Think of it as the Dust Bowl migration in reverse, with The Monied headed East to grow their fortunes.

The measure would apply to billionaires residing in California as of Jan. 1, 2026, meaning that 2025 was a big moving year month among the 200 wealthiest California households subject to the tax.

The recently departed reportedly include In-n-Out Burger owner and heiress Lynsi Snyder, PayPal co-founder and conservative donor Peter Thiel, Venture Capitalist David Sacks, co-founder of Craft Ventures, and Google co-founder Larry Page, who recently purchased $173 million worth of waterfront property in Miami’s Coconut Grove. Thank goodness he landed on his feet in these tough times.

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The principal sponsor behind the Billionaire Tax Act is the Service Employees International Union-United Healthcare Workers West (SEIU-UHW), which contends that the tax could raise a $100 billion to offset severe federal cutbacks to California’s public education, food assistance and Medicaid programs.

The initiative is designed to offset some of the tax breaks that billionaires received from the One Big Beautiful Bill Act recently passed by the Republican-dominated Congress and signed by President Trump.

According to my colleague Michael Hiltzik, the bill “will funnel as much as $1 trillion in tax benefits to the wealthy over the next decade, while blowing a hole in state and local budgets for healthcare and other needs.”

The drafters of the Billionaire Tax Act still have to gather around 875,000 signatures from registered voters by June 24 for the measure to qualify on November’s ballot. But given the public ire toward the growing wealth of the 1%, and the affordability crisis engulfing much of the rest of the nation, it has a fair chance of making it onto the ballot.

If the tax should be voted into law, what would it mean for those poor tycoons who failed to pack up the Lamborghinis in time? For Thiel, whose net worth is around $27.5 billion, it would be around $1.2 billion, should he choose to stay, and he’d have up to five years to pay it.

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Yes, it’s a lot … if you’re not a billionaire. It’s doubtful any of the potentially affected affluents would feel the pinch, but it could make a world of difference for kids depending on free school lunches, or folks who need medical care but can’t afford it because they’ve been squeezed by a system that places much of the tax burden on them.

According to the California Budget & Policy Center, the bottom fifth of California’s non-elderly families, with an average annual income of $13,900, spend an estimated 10.5% of their incomes on state and local taxes. In comparison, the wealthiest 1% of families, with an average annual income of $2.0 million, spend an estimated 8.7% of their incomes on state and local taxes.

“It’s a matter of values,” Rep. Ro Khanna (D-Fremont) posted on X. “We believe billionaires can pay a modest wealth tax so working-class Californians have Medicaid.”

Many have argued losing all that wealth to other states will hurt California in the long run.

Even Gov. Gavin Newsom has argued against the measure, citing that the wealthy can relocate anywhere else to evade the tax. During the New York Times DealBook Summit last month, Newsom said, “You can’t isolate yourself from the 49 others. We’re in a competitive environment.”

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He has a point, as do others who contend that the proposed tax may hurt California rather then help.

Sacks signaled he was leaving California by posting an image of the Texas flag on Dec. 31 on X and writing: “God bless Texas.” He followed with a post that read, “As a response to socialism, Miami will replace NYC as the finance capital and Austin will replace SF as the tech capital.”

Arguments aside, it’s disturbing to think that some of the richest people in the nation would rather pick up and move than put a small fraction of their vast California-made — or in the case of the burger chain, inherited — fortunes toward helping others who need a financial boost.

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

A still from ‘Song Sung Blue’.
| Photo Credit: Focus Features/YouTube

There is something unputdownable about Mike Sardina (Hugh Jackman) from the first moment one sees him at an Alcoholics Anonymous meeting celebrating his 20th sober birthday. He encourages the group to sing the famous Neil Diamond number, ‘Song Sung Blue,’ with him, and we are carried along on a wave of his enthusiasm.

Song Sung Blue (English)

Director: Craig Brewer

Cast: Hugh Jackman, Kate Hudson, Michael Imperioli, Ella Anderson, Mustafa Shakir, Fisher Stevens, Jim Belushi

Runtime: 132 minutes

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Storyline: Mike and Claire find and rescue each other from the slings and arrows of mediocrity when they form a Neil Diamond tribute band

We learn that Mike is a music impersonator who refuses to come on stage as anyone but himself, Lightning, at the Wisconsin State Fair. At the fair, he meets Claire (Kate Hudson), who is performing as Patsy Cline. Sparks fly between the two, and Claire suggests Mike perform a Neil Diamond tribute.

Claire and Mike start a relationship and a Neil Diamond tribute band, called Lightning and Thunder. They marry and after some initial hesitation, Claire’s children from her first marriage, Rachel (Ella Anderson) and Dayna (Hudson Hensley), and Mike’s daughter from an earlier marriage, Angelina (King Princess), become friends. 

Members from Mike’s old band join the group, including Mark Shurilla (Michael Imperioli), a Buddy Holly impersonator and Sex Machine (Mustafa Shakir), who sings as James Brown. His dentist/manager, Dave Watson (Fisher Stevens), believes in him, even fixing his tooth with a little lightning bolt!

The tribute band meets with success, including opening for Pearl Jam, with the front man for the grunge band, Eddie Vedder (John Beckwith), joining Lightning and Thunder for a rendition of ‘Forever in Blue Jeans’ at the 1995 Pearl Jam concert in Milwaukee.

There is heartbreak, anger, addiction, and the rise again before the final tragedy. Song Sung Blue, based on Greg Kohs’ eponymous documentary, is a gentle look into a musician’s life. When Mike says, “I’m not a songwriter. I’m not a sex symbol. But I am an entertainer,” he shows that dreams do not have to die. Mike and Claire reveal that even if you do not conquer the world like a rock god, you can achieve success doing what makes you happy.

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ALSO READ: ‘Run Away’ series review: Perfect pulp to kick off the New Year

Song Sung Blue is a validation for all the regular folk with modest dreams, but dreams nevertheless. As the poet said, “there’s no success like failure, and failure’s no success at all.” Hudson and Jackman power through the songs and tears like champs, leaving us laughing, tapping our feet, and wiping away the errant tears all at once.

The period detail is spot on (never mind the distracting wigs). The chance to hear a generous catalogue of Diamond’s music in arena-quality sound is not to be missed, in a movie that offers a satisfying catharsis. Music is most definitely the food of love, so may we all please have a second and third helping?

Song Sung Blue is currently running in theatres 

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