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John Amos, star of 'Good Times,' 'Roots' and 'Coming to America,' dies at 84

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John Amos, star of 'Good Times,' 'Roots' and 'Coming to America,' dies at 84

John Amos, the prolific actor known for his work in the sitcoms “Good Times” and “The Mary Tyler Moore Show,” the movie “Coming to America” and the miniseries “Roots,” has died. He was 84.

Amos’ publicist, Belinda Foster, confirmed the news of his death Tuesday to the Associated Press. No other details were immediately available.

For three years and three seasons, Amos was adored by audiences around the country as the tough-loving patriarch of the Evans family on the 1970s sitcom “Good Times.” Amos played James Evans, a hard-working Korean War veteran with a withering stare and sharp wit who did everything he could to provide for his family.

Like any great TV dad, Amos loved all his TV children equally — which became a point of contention behind the scenes when the scripts started focusing more and more on the comedic antics of the eldest Evans child, J.J. (Jimmie “JJ” Walker). In a 2014 interview with the Television Academy, Amos recalled expressing concerns about the show placing “too much emphasis … on J.J. and his chicken hat” while neglecting James Evans’ “other two children.”

According to Amos, his creative differences with the “Good Times” producers — including the legendary Norman Lear — led to him being labeled a “disruptive factor” and getting fired from the show. Lear personally called Amos to deliver the news.

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“I didn’t curse or anything. I just hung up the phone,” Amos told the Television Academy.

“And he didn’t call me back to see if I might have anything else to say. I never heard from him again for months and months and months.”

Amos bounced back from termination swiftly and triumphantly, landing an Emmy nomination in 1977 for his powerful portrayal of adult Kunta Kinte in “Roots,” the groundbreaking miniseries about slavery based on Alex Haley’s novel of the same name.

Before he was cast as the show’s main character (along with LeVar Burton, who played young Kunta Kinte), Amos auditioned for two other parts. When he was finally invited to read for the “once-in-a-lifetime role” of Kinte, Amos “almost fainted.”

“I couldn’t believe it,” he told the TV Academy in 2014. “It was like I’d hit the lottery.”

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Amos was well aware of the impact his performance and “Roots” had on viewers, who let him know in real time how deeply moved they were by Kinte’s revolutionary story.

“I was on the freeway and this big brother pulls up next to me in this piece of ancient Detroit steel,” Amos recalled in an interview with The Times 40 years after “Roots” premiered.

“He said, ‘Man, pull over!’ So I pulled the car over. He said, ‘Hey, man, I watched that “Roots” on TV last night, man. Man, it really affected me … I was halfway through it and I went and got my .38 and I went and shot the TV!’ That was the funniest thing that happened. I hope he wasn’t looking for me to reimburse him.”

Amos was born Dec. 27, 1939, in Newark, N.J. He attended East Orange High School, where he played football at the same time singer Dionne Warwick was a cheerleader, according to the New York Times.

For a while, Amos stayed on the athletic track. He was a running back at Colorado State before trying out unsuccessfully for the Denver Broncos and getting cut from the Kansas City Chiefs after tearing his Achilles tendon — a season-ending injury. Amos credited former Chiefs coach Hank Stram with helping him realize his true passion.

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“Young man, you are not a football player,” Stram told him. “You are a young man who happens to be playing football.”

While grieving the imminent loss of his football career, Amos wrote a poem that Stram permitted him to read aloud for his teammates. The team gave him a standing ovation.

“When [Stram] saw the team’s reaction to the poem he said, ‘I think you have another calling,’” Amos recalled in 2012.

Upon leaving the NFL, Amos pivoted to copywriting before moonlighting as a comedy writer for the small screen. He launched his entertainment career as a staff writer for the 1969 CBS musical variety series “The Leslie Uggams Show.”

By 1970, Amos booked his first major acting role as Gordy the weatherman on “The Mary Tyler Moore Show” after some writers working simultaneously on “Uggams” and “Mary Tyler Moore” determined he would be perfect for the part.

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“Quite frankly I never looked back after that,” Amos told the Los Angeles Times in 2012.

Amos went on to appear in dozens of seminal TV series, including “Good Times,” “Roots,” “The Fresh Prince of Bel-Air,” “Sanford and Son,” “Hunter” and “The West Wing,” in which he portrayed military Commander-in-Chief Percy “Fitz” Fitzwallace.

Amid the high-stakes political drama of the landmark show about a fictional president and his staff, Admiral Fitzwallace was often the voice of reason that could command a room as effectively as Amos could command the screen.

“That role of Admiral Percy Fitzwallace … is one I would have paid them to do,” Amos told the TV Academy.

“The uniform in itself was one thing, all that salad dressing — fruit salad, we’d call it — his medals. Once I put that jacket on, I became the commander in chief.”

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Once a TV writer himself, Amos never missed an opportunity to give props to the creators — even Lear, who eventually reunited with the ousted “Good Times” star for “704 Hauser.” The short-lived series starred Amos as the liberal father of a young conservative activist living in Archie Bunker’s old house in Queens.

“I matured to the point if I had creative differences, I would say ‘Norman, can I speak to you?’ instead of threatening to do bodily harm,” Amos joked in a 2012 interview with The Times.

More recently, Amos denied reports made in 2023 by his daughter, Shannon, accusing her brother Kelly “K.C.” Amos of neglect and not providing proper care for their father. The elder Amos was hospitalized in 2023 but recovered after treatment for fluid accumulation in his lower body.

“I will say this for now: This story about neglect is false and unmerited,” Amos said in a statement in March after the LAPD opened an investigation into the allegations. “The real truth will come out soon and you will hear it from me. Believe it.”

In addition to his extensive work on the small screen, Amos appeared in a number of films, such as “Coming to America.” He portrayed Cleo McDowell, restaurateur and father of Eddie Murphy’s love interest, in the classic 1988 comedy.

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Even after his acting career took off, Amos didn’t stop writing. For decades, he traveled around the United States performing a one-man show he had penned about an 87-year-old man awaiting the return of Halley’s Comet.

Amos told the Television Academy in 2014 that he wanted to be remembered as “a guy that made people laugh” and “made people think.”

“I’d just like to be remembered as someone they enjoyed watching and they enjoyed having their homes,” he said.

“That’s a good feeling, to know that some stranger sitting in some remote town somewhere laughed to the point that he forgot his ongoing miseries or problems and said to his family, ‘Hey, John Amos is on. Come in here! Let’s get a laugh.’ I mean, is there anything better than that?”

Former staff writer Susan King and the Associated Press contributed to this report.

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Jada Pinkett Smith asks court to make Will Smith’s former friend pay her $49,000 legal bills

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Jada Pinkett Smith asks court to make Will Smith’s former friend pay her ,000 legal bills

Jada Pinkett Smith is asking a judge to make Bilaal Salaam cover the $49,000 in legal fees she racked up fighting claims he made in a December lawsuit.

According to a motion filed April 20 and obtained by The Times, Pinkett Smith is asking that Salaam pay $49,181.23, consisting of “reasonable attorneys’ fees incurred” in connection with Pinkett Smith’s successful special motion to strike Salaam’s complaint, “plus further fees and costs associated with this motion.”

Salaam — Will Smith’s former best friend of 40 years who also goes by Brother Bilaal — filed a lawsuit against the “Bad Moms” actor in December, alleging emotional distress and seeking $3 million in damages.

Salaam claimed that in September 2021, he attended a private birthday party for Will Smith at the Regency Calabasas Commons. According to his lawsuit, he was in the lobby of the movie theater when Pinkett Smith approached him with about seven members of her entourage and threatened him. Salaam’s suit claims that Pinkett Smith told him he would “end up missing or catch a bullet” if he kept “telling her personal business.” She also allegedly pressured him to sign a non-disclosure agreement.

In November 2023, Salaam appeared on the “Unwine With Tasha K” podcast and alleged that he walked into Duane Martin’s dressing room and saw Will Smith having a sexual encounter with the “All of Us” actor. He also made claims about Pinkett Smith’s sexual habits.

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Pinkett Smith swiftly responded during an appearance on “The Breakfast Club” and said that Salaam started the rumors as part of a broader “money shakedown” and that his claims were “ridiculous and nonsense.”

“It’s not true and we’re going to take care of it,” she said. “We’re about to take legal action.”

Salaam beat Pinkett Smith to the courthouse and sued her in December, but Pinkett Smith asked the judge to toss the case in February.

According to the motion filed this week, the former “Red Table Talk” host argues Salaam should pay her hefty legal bills because she “prevailed on her anti-SLAPP motion” and the court struck all allegations relating to media statements “that formed the basis for Plaintiff’s three causes of action, as well as additional allegations regarding a cease-and-desist letter.”

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‘Michael’ Review: A Perfect Puzzle With Major Missing Pieces

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‘Michael’ Review: A Perfect Puzzle With Major Missing Pieces
Lionsgate

SPOILER NOTICE:

The following movie review does not contains direct spoilers for the film Michael, however general information in regards to the plot, characters, key climax points, biographical information and themes explored in the film will be heavily discussed. Please read at your own discretion, or after seeing the film in theaters.

There have been, so far, four films that aim to depict some portion of the beautifully tragic life of late pop music pioneer Michael Jackson, otherwise known to the world as The King Of Pop.

You’ve got The Jacksons: An American Dream, the near-perfect 1992 ABC miniseries that gave MJ, his brothers and verbally abusive father Joe Jackson equal screen time in order to make for a proper origin story. Then there’s Man in the Mirror: The Michael Jackson Story, an abysmal 2004 VH1 TV movie that acts as a spiritual sequel yet truly should’ve never been made. Almost a decade ago we got Michael Jackson: Searching for Neverland, the 2017 Lifetime Network attempt to cover his final years of life, told from the perspective of two bodyguards employed by him for merely two-and-a-half years.

Today (April 24), the world finally gets to see Michael. The 2026 true-to-form biopic boasts the biggest budget compared to the previous three projects, distribution handled by the renowned Lionsgate Films, a director’s chair occupied by Antoine Fuqua (Training Day, Brooklyn’s Finest) and MJ’s own nephew, Jaafar Jackson, starring in the titular role alongside a glowing supporting cast that includes Colman Domingo (Rustin), Nia Long (Love Jones), Miles Teller (Divergent) and Larenz Tate (Menace II Society) just to name a few. Not to mention, it’s got full backing from The Jacksons family and 100% musical clearance to assure his biggest hits are heard on the big screen.

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With all that said, you might be expecting a masterpiece that borrows the best aspects from the original and rights the wrongs of the last two. Unfortunately, that’s not the case when it comes to Michael. Thankfully though, there’s so much more to love about this film in addition to a very strong potential for more.

Yes folks, we may very well be getting the first-ever sequel to a biopic sometime in the near future.

RELATED: You, Me & Tuscany Review – Sappy, Sweet, C+ Rom-Com

Before we get ahead of ourselves by discussing a potential sequel, let’s first start off with what you get out of Michael. The film covers Joe’s formation of The Jackson 5 in 1966 and ends with MJ’s iconic 1988 Wembley Stadium stop on the Bad Tour. The filler in-between covers their Chitlin’ Circuit days, the Motown era, run-ins with Gladys Knight and The Pips, finding his voice with Off The Wall, the epic creation of Thriller, the Motown 25 NBC special and the infamous Pepsi burning incident. Each of these scenes are done with great detail and a passion from all involved to get it as close to the real-life moments. However, what’s missing stands out like a sore thumb.

Both Rebbie and Janet are nowhere to be found — they each requested their likeness not be depicted — and neither is MJ’s longtime muse, Diana Ross. It was reported that actress Kat Graham was actually casted in the part, only to later have her scenes cut completely due to legalities. Off The Wall also gets painted as his solo debut of sorts, completely ignoring the four successful solo albums that preceded it when he was just a preteen. Also, while it’s perfectly clear who the movie is about based on the title, it does feel a bit off to see the closest people in his life demoted to barely-speaking supporting characters, save for Domingo’s powerful portrayal as mean ol’ Joe, Long as the ever-caring Mrs. Katherine and longtime bodyguard Bill Bray played by KeiLyn Durrel Jones.

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On the positive side, Michael ultimately does more good than confusion. Jaafar is simply captivating when it comes to embodying his late superstar uncle, nailing everything from those easily-recognizable voice inflections to the classic dance moves. The film ends in 1988, right before MJ invests in Neverland Ranch, so don’t expect the heavy topic of his acquitted child sexual abuse allegations from 1993 and 2003 to be brought up either — well, yet anyway.

If in fact a “Jackson” sequel is in the works, we can only hope his full story is told with care, respect and most importantly the truth. Other important aspects we’d hope to see be depicted include an honest look at his vitiligo journey, the toll he suffered mentally as a result of the trials, the marriage, the kids, the dichotomy of balancing unprecedented riches against a substantial amount of debt and, yes, the prescription drug abuse that ultimately ended his life.

Overall, for everything Michael lacks there is something just as good to love about the film, and the potential for a sequel gives us hope that the best is still yet to come.

Watch the trailer for Michael below, and see for yourselves how The King Of Pop’s story began as his latest biopic hits theaters starting today:

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Stagecoach 2026: How to watch Friday’s livestream with Cody Johnson, Ella Langley, Bailey Zimmerman

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Stagecoach 2026: How to watch Friday’s livestream with Cody Johnson, Ella Langley, Bailey Zimmerman

Choosin’ to stay home instead of trekking out to Indio for this weekend’s Stagecoach festival? Don’t worry, you’ll be able to listen to all the country music your heart desires. You can get your country heartbreak on with Ella Langley, Bailey Zimmerman and Cody Johnson, and then rock out with Counting Crows. If you prefer EDM, you can catch Diplo and Dillstradamus (Dillon Francis and Flosstradamus) as Friday’s closing acts.

The festival will be livestreamed on Amazon Music, Amazon Prime Video and Twitch beginning at 3 p.m. On Sirius XM’s The Highway (channel 56), you can listen to exclusive interviews and live performances along with a special edition of the Music Row Happy Hour. The station Y’Allternative will also be covering the festival on Friday evening.

Here are updated set times for the Stagecoach livestream Friday performances (times presented are PDT):

Channel 1

3:05 p.m. Noah Rinker; 3:25 p.m.; Adrien Nunez; 4 p.m. Ole 60; 4:25 p.m. Avery Anna; 5 p.m. Chase Rice; 5:55 p.m. Nate Smith; 6:50 p.m. Ella Langeley; 7:50 p.m. Bailey Zimmerman; 8:55 p.m. the Red Clay Strays; 10 p.m. Cody Johnson; 11:30 p.m. Diplo

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Channel 2

3:05 p.m. Neon Union; 3:25 p.m. Larkin Poe; 4 p.m. Marcus King Band; 4:50 p.m. Lyle Lovett; 5:35 p.m. BigXthaPlug; 6:30 p.m. Noah Cyrus; 7 p.m. Wynonna Judd; 8 p.m. Counting Crows; 8:50 p.m. Sam Barber; 10 p.m. Dan + Shay; 10:45 p.m. Diplo featuring Juicy J; 11:05 p.m. Rebecca Black; 11:45 p.m. Dillstradamus

Sirius XM Music Row Happy Hour

1 p.m. Avery Anna; 2 p.m. Nate Smith; 2:30 p.m. Josh Ross; 3 p.m. Cody Johnson; 3:30 p.m. Gabriella Rose; 5:15 p.m. Nate Smith; 7:50 p.m. Bailey Zimmerman; 9:30 p.m. Cody Johnson; 11 p.m. Diplo

Sirius XM Y’Allternative

5 p.m. Ole 60; 6 p.m. Larkin Poe; 7 p.m. Marcus King Band; 8 p.m. Sam Barber

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