Entertainment
How Sports Illustrated is getting back in the game after scandal, layoffs
One of the hottest tickets for the events surrounding Super Bowl LX in February was a party thrown at the Cow Palace in San Francisco by Sports Illustrated, where attendees could hang with Justin Bieber, Kevin Hart and Travis Kelce.
The magazine’s logo and a team of models from its latest annual swimsuit issue were present at another pre-game bash at the Michelin three-star restaurant Quince.
Sports Illustrated journalists were getting requests from peers looking to score invites to the gatherings, which symbolized a turnaround at the 72-year-old title. Just two years earlier, many of its writers were told their jobs were being eliminated.
But Authentic Brands Group, the New York-based company that purchased Sports Illustrated in 2019 for $110 million, says the title is now thriving after reducing its reliance on advertising and circulation revenue. The privately held firm — which expects $38 billion in global retail sales this year, up from $35 billion in 2025 — does not break out the finances for its businesses but says SI is highly profitable after a rocky period. Less than half of SI’s revenue comes from its media business.
“It took us a little while and we had a couple of bumps along the way,” Daniel W. Dienst, executive vice chairman for Authentic, said in a recent interview from his New York office, where a photo of baseball legend Hank Aaron taken by acclaimed SI photographer Neil Leifer hangs on the wall behind his desk.
For decades, SI was where every sports journalist aspired to work, hoping to become the next Frank DeFord or Gary Smith, whose 32-year career at the magazine is highly revered. Cover images of Muhammad Ali, Michael Jordan and other superstars are emblazoned in the memories of fans who eagerly awaited the title to arrive in the mail each week. For athletes and sports institutions, the cover remains a coveted honor.
“You go to LeBron James’ office in Akron, it’s got his 30 covers on the walls,” Dienst said. “You go to USC, they’ve got 21 covers with their athletes and coaches all over their athletic department.”
Now a monthly magazine, the flagship business of Sports Illustrated is no longer the first stop for fans looking for game analysis or profiles of athletes, many of whom have asserted greater control over their images through social media and podcasts.
Like other print magazines, SI has seen a sharp falloff in its circulation, currently at 400,000, down from 3 million in 2010. Authentic says SI has 52 million users a month on its web site and 21 million social media followers. ESPN had 229 million digital users in November.
But the famous SI name still resonates with generations of consumers and Authentic has sought ways to capitalize on it, from selling replica covers to opening branded resort hotels in Chicago and Nashville. International editions of the magazine have been launched in Germany, China and Mexico, with plans to launch in France and the U.K.
In January, Sports Illustrated launched its own free ad-supported streaming TV channel called SITV that features live shows with its journalists and includes films and shows from an archive stocked with documentaries and swimsuit issue specials going back decades.
The channel, which along with the other SI assets is managed by New York-based Minute Media, will also carry live sports coverage including college basketball. While Minute Media did not reveal early viewership figures, the company said the audience for the channel has grown 60% since its launch.
Cincinnati Bengals quarterback Joe Burrow on the cover of Sports Illustrated.
(Clay Patrick McBride)
The streaming channel is a major media initiative for brand that has seen more activity in other sectors.
In 2023, Authentic put the SI name on Lunatix, a sputtering ticket marketplace. Now called Sports Illustrated Tickets, the business has signage deals with 13 venues around the world including a New Jersey-based stadium — the home of the New York Red Bulls soccer team. The service expects to generate $500 million in revenue this year.
Authentic also uses Sports Illustrated-sponsored events such as the ones held at the Super Bowl to entertain clients for its other businesses and makes tickets available to the public. SI will host an event for Authentic at the Masters golf tournament in Augusta this week and has a permanent high-end, track-side hospitality space at Churchill Downs in Kentucky called Club SI.
Authentic specializes in acquiring and investing in famous retail properties that have foundered. The firm has acquired such names as the outerwear retailer Eddie Bauer, Brooks Brothers and Reebok, and in January took a 51% share in the fashion brand Guess.
ABG enlists outside operators to run the brands. Those operators pay an ongoing license fee to ABG, which also takes a cut of the revenues.
That was the plan when Authentic bought Sports Illustrated from Meredith Corp., now known as People Inc.
After the purchase, Authentic entered a $15-million-a-year licensing agreement with Arena Group (at the time known as Maven) to run Sports Illustrated. A New York-based digital media company, Arena operated such well-known titles as Men’s Journal, Parade and TheStreet. But the partnership unraveled when Arena used AI for sponsored content on Sports Illustrated’s website, which sounded alarm bells at the esteemed publication.
Sports Illustrated’s 2026 Super Bowl party at the Cow Palace in San Francisco.
(Sports Illustrated)
The Arena Group acknowledged it hired an outside firm to create product reviews that used fake bylines. The scandal coincided with the termination of its chief executive, Ross Levinsohn, who once held a leadership role at the Los Angeles Times.
The relationship with Authentic worsened when Arena’s majority owner, Manoj Bhargava, took over as interim chief executive. The founder of 5-Hour Energy, Bhargava tried to fire Sports Illustrated’s unionized editorial staff and renegotiate a lower licensing fee from Authentic. He also used the magazine’s editorial pages and website to promote his energy drink business.
The SI media business was unprofitable under Bhargava and Arena missed a payment to Authentic on its licensing deal. In March 2024, Arena announced it was shutting down the print edition of SI.
Around the same time, Authentic hired Minute Media, which runs the digital sites Fansided and Players’ Tribune, to take over Sports Illustrated. Bhargava didn’t go quietly; according to legal filings, he threatened to delete Sports Illustrated’s archive of intellectual property.
Authentic sued Arena for breaching the SI licensing agreement, which was settled. Many of the title’s laid-off journalists were rehired.
The experience with Arena was a harsh lesson for Authentic, which never had owned a media property before.
“The minute I make that phone call or anybody perceives that Authentic could control the newsroom, forget it, game over,” Dienst said, referencing Bhargava. “We had to move on.”
Minute Media has gotten high marks from the SI staff for its repair work on the media side of the business.
“It’s been a long time since we felt like we had an operator and support from the very top to not just grow what we’re doing day to day, but to grow what Sports Illustrated is going to look like 10 years down the road,” said Steve Cannella, editor in chief of Sports Illustrated.
SI’s union representing editorial employees praised Minute Media when it took over, and is close to agreeing on a new contract deal with the company.
Minute Media is aiming to expand the SI brand‘s reach across other media platforms to make up for the time lost under previous regimes.
“I’ve asked, ‘guys, what are all the things you wanted to do that you haven’t been able to do?’ ” said Minute Media President Rich Routman. “If we’re not trying new stuff, we’re failing.”
Some sports media types believe SI is largely a nostalgia play in a landscape where young fans go elsewhere for game highlights and turn to provocative hosts such as Pat McAfee on YouTube. But awareness goes beyond the audience of baby boomers and Gen Xers who grew up with the brand.
Lisa Delpy Neirotti, who leads the sports management program at George Washington University, recently conducted a study with her students on their media consumption habits. She said she was surprised to see high recognition of Sports Illustrated with the Gen Z crowd, and credits SI for Kids, the spin-off publication for younger readers launched in 1989.
“They would remember getting it in the mail, and it was the first thing that got them interested in sports,” Neirotti said. “There are a lot of positive memories that keep the brand alive.”
Dienst said the audience for SI has gotten younger under Authentic’s ownership. But he doesn’t disregard the oldsters who grew up with it.
“They’re very affluent and they’re super loyal,” he said.
Movie Reviews
Why Critics Despise The Super Mario Galaxy Movie (But Audiences Love It)
The verdict is in, and critics have widely panned The Super Mario Galaxy Movie while audiences have universally praised the family-friendly sequel. This follow-up to the fan-favorite The Super Mario Bros. Movie has been in theaters for about a week since its debut on April 1, and it has already had the best box office opening in 2026, earning more than $190 million over its 5-day domestic weekend. Worldwide, it has amassed $372 million, making it the fifth largest global opening ever for an animated film. Despite the movie being a massive box office hit, however, the review scores are terribly low for the video game adaptation, and there are several reasons why.
Fans vs. critics on The Super Mario Galaxy Movie
As of April 6, The Super Mario Galaxy Movie has a mediocre 42% Tomatometer score from a total of 175 reviews on Rotten Tomatoes while holding a fantastic 89% Popcornmeter score from over 5,000 verified user ratings. That’s a stark 47-point difference between critics and users.
A similarly wide disparity can be found on Metacritic as well, where the sequel has a “generally unfavorable” Metascore of a 37 based on 45 reviews, despite it earning a “generally favorable” user score of a 7.9 (basically, a 42-point difference).
This gulf between professional reviews and user reviews for this sequel likely isn’t too surprising by fans of the original 2023 Super Mario Bros. movie. That film earned a 59% Tomatometer but a 95% Popcornmeter on Rotten Tomatoes, and it has “mixed or average” 46 Metascore but a “universal acclaim” user score of 8.1.
To be fair, the range of critic scores for the film is vast on Metacritic, with about seven reviews above a 60 and fifteen reviews below a 40. ComingSoon’s Jonathan Sim give it a “Good” 7 out of 10 rating, noting that “it doesn’t necessarily deepen the emotional or narrative complexity of the franchise, but it refines what worked before amplifies it on a grander scale.” However, many other reviews are far less kind, particularly the 0 out of 5 rating from The Times that calls the film “ugly, overbranded, lifeless digital marketing vomit” and a review from Vulture that says it’s like being “asphyxiated in a ball pit filled with candy.”
Meanwhile, multiple user reviews on Metacritic are shocked at the reviews. One called the low Metascore “absolutely ridiculous,” while another asked readers to ignore the critics altogether. A different user wrote, “It’s wild to see professional critics giving this a zero. It feels like they’ve never actually picked up a controller.” And to that person’s credit, we did find that a few critics who gave low scores admitting that the film wasn’t meant for them or that they had never played a Mario game before. Indeed, the movie is chock full of Nintendo references and easter eggs, something that Mario fans will appreciate far more than anyone who doesn’t know or care about the difference between a Super Mushroom and a Fire Flower.
More broadly speaking, The Super Mario Galaxy Movie has more than several traits that critics tend to dislike but that audiences enjoy. The first is that it’s a quick-paced, action-packed film, which features a handful of battles with Mario, Luigi, Yoshi, Princess Peach, Toad, Fox McCloud, Bowser, Bowser Jr., and Wart. Another is that it’s a comedic adventure with cartoonish gags that are age-appropriate for kids and humorous to Mario fans who are in on the joke. On top of that, the film is a family-friendly video game adaptation, a genre that doesn’t usually score well from critics. A Minecraft Movie, another box office smash that earned $960 million worldwide (and also starred Jack Black), was equally slammed by critics with a 47% Tomatometer but lauded by audiences with an 84% Popcornmeter.
Taken altogether, the movie was almost made in a lab for reviewers to despise and for audiences to praise as a nostalgic love letter to Nintendo. Regardless, despite how critics feel, they’ll need to brace themselves for more, since the Nintendo Cinematic Universe is looking like it will come sooner than later.
Entertainment
Taylor Frankie Paul is distancing herself from Mormon church amid domestic abuse allegations
Taylor Frankie Paul is breaking from the Church of Jesus Christ of Latter-day Saints.
The embattled “Secret Lives of Mormon Wives” star announced on Easter Sunday that she’s parting ways with the religion she built her brand on.
“Born and raised Mormon (lds) and I’ll always have love and respect towards it,” she wrote Sunday in an Instagram story. “I’ll even continue to go with my family at times, with that being said, it’s time to detach myself from it.”
Paul launched her career as a Mormon mom-fluencer on TikTok before she landed “The Secret Lives of Mormon Wives,” the reality television series that leveraged her #MomTok success.
The series offered a look at Mormon moms in Utah that subverted viewers’ expectations. Paul drank alcohol and scandalized her online following when she admitted that her social circle participated in “soft swinging” in which they swapped partners for hookups but “didn’t go all the way.” The series followed her through the aftermath of a divorce and an on-again, off-again relationship with Dakota Mortensen, all of which is frowned upon by the Mormon church.
“I strongly believe in Christ, God, the bible, the divine,” she continued in her post. “I believe we are loved whether we are praying in [a] church building or from a bathroom floor at home.”
Paul was set to lead Season 22 of ABC’s “The Bachelorette” until a leaked video of a 2023 domestic dispute between Paul and Mortensen made its way across the internet. Though the entire season had been taped, ABC nixed the premiere, and “Secret Lives” also paused production. Her casting was a break from “The Bachelorette” tradition in that she had not been a contestant on a previous season of “The Bachelor.”
Now police are investigating allegations of a second and third domestic violence incident involving Paul and Mortensen, and as a result of the inquiry Paul has temporarily lost custody of the son she shares with Mortensen. A hearing regarding the protective order is set for Tuesday and may determine whether a final protective order is granted by the Utah court.
“The last 40 days felt like hell on earth,” Paul wrote in a separate Instagram post on Sunday. The post stitched together photos of Bible scripture, Paul crying, pain relief patches and personal notes scrawled through notebooks.
“Through every panic attack I prayed for strength as I could feel my body breaking down and out from the distress of it all. … I’ve prayed since I was young and never strayed away because I believe he wants us to ask for help especially during our lowest points.”
Movie Reviews
I Know Exactly How You Die – Review | Indie Slasher | Heaven of Horror
Watch I Know Exactly How I Die on VOD
The director of I Know Exactly How I Die is Alexandra Spieth, who ensures a tight pace and some gorgeous shots. She previously directed Stag and created and starred in the web-series [Blank] My Life. The screenplay comes from Mike Corey, and I do really like the plot and evolution of this story.
As already mentioned, the star Rushabh Patel is the executive producer. As a result, this movie is billed as “Rushabh Patel’s I Know Exactly How I Die“, which I am not a fan of. Unless Rushabh Patel is famous in ways I am not familiar with – nor is IMDb, as this is his first and so far only credit there.
This is like people wondering if Something Very Bad Is Going to Happen is connected to Stranger Things, because the media keeps referring to it as a new show from The Duffer Brothers. Sure, they produced it, but Haley Z. Boston created the original story and wrote the screenplay. And she’s not even a newcomer.
Okay, rant over, but I just don’t understand the marketing and press decisions of it all.
Anyway, as already mentioned, the practical effects in I Know Exactly How I Die are gorgeous. Any slasher fan should enjoy the concept of the plot as well as those amazing practical effects. And yet, you will have to endure a little terrible CGI, but this is an indie production, so budget restraints come into play. Of course, so does choosing the best talent, and that did not happen for CGI here!
I Know Exactly How You Die is out on VOD from April 7, 2026. You can rent it on Digital HD from your preferred platform, including Prime Video and Fandango at Home. The film will also be available on DVD.
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