Entertainment
Hank Bradford, head writer for Johnny Carson's 'Tonight Show,' dies at 88
Hank Bradford, who served as head writer for “The Tonight Show Starring Johnny Carson” and “The Late Show Starring Joan Rivers,” died Jan. 18 in Los Angeles, his family announced. He was 88.
Bradford’s death was confirmed by his daughter Stephanie Brenowitz, who said the cause of death was congestive heart failure.
Bradford served as Carson’s head writer between 1970 and 1975.
“As head writer on The Tonight Show, he was admired and beloved by his fellow writers for both his pitch-perfect sense of humor and his relatively-sane leadership style in a job (and profession) which tended toward the weird and chaotic,” Bradford’s family said in a prepared obituary. “Above his desk at The Tonight Show was a sign that read: ‘It left here funny.’”
He wrote material for memorable Carson shticks including Carnac the Magnificent, the family said. Bradford oversaw a staff that pored through newspapers and magazines daily for topical material to turn into dozens of potential jokes for Carson to riff on.
“After handing in monologue material at 3:30, writers have a half-hour to recuperate before the daily 4 p.m. meeting, presided over by Hank Bradford, former angry young comic, now a semi-steamed head writer,” a journalist and Carson writer, Bill Majeski, wrote in an Aug. 1, 1971, feature in the New York Times, describing a typical day in Bradford’s writing room.
“It is Bradford’s job to coax audible whimsies from these writers, who, as a group, often communicate by means of monosyllabic utterings,” Majeski wrote, describing the writers’ reaction to interview notes for a karate team that included a cue for someone named Dr. U to break a cinder block with his head.
“Bradford looks around for comment. Someone grunts, ‘Better U than me.’ Bradford nods, types it on a card, presses a buzzer,” and a secretary whisks the ad-lib away.
Bradford met his wife Patricia Bradford, a talent coordinator at “The Tonight Show,” and the pair married in 1971 in New York before moving to Los Angeles with the show in 1972, the family said.
Bradford later served as head writer for “The Late Show Starring Joan Rivers” between 1986 and 1987 and wrote episodes for “MASH” and “Three’s Company.”
Born Henry Brenowitz in Brooklyn on May 7, 1935, Bradford’s parents, Irving and Anna (Leibowitz) Brenowitz, were Jewish refugees from Russian-occupied Poland, according to Bradford’s family.
He received an advertising degree from Long Island University, was drafted into the U.S. Army in 1958, and served as an intelligence analyst and radio host in Okinawa, Japan.
Bradford returned to the U.S. and began his career as a comic who appeared at prominent nightclubs, variety shows and performed as an opening act for Simon & Garfunkel, the Temptations and Jack Jones, according to Bradford’s family.
“He used the stage name ‘Hank Bradford’ when he was touring comedy clubs in the 1960s for the same reason that performers such as Woody Allen, Jackie Mason, Milton Berle, etc. changed their names,” his daughter, Stephanie Brenowitz, said in an email. “Anti-semitism was rampant in those years, and my father performed around the country in places that would not have welcomed Jewish performers.”
In a Feb. 7, 1968, review, Variety said Bradford’s act included “excursions on the cerebral side and an innate regard for the taste and intelligence of audiences.”
Later in life, Bradford co-founded a comedy troupe in 1992 called “Yarmy’s Army” — named after a friend, Dick Yarmy, undergoing cancer treatment — that toured nationally to benefit comedians in need, his family said.
Bradford is survived by wife Patricia Bradford; daughters Stephanie Brenowitz and Sally Bradford McKenna; sons Matt Bohm and William McLaughlin; and five grandchildren.
Movie Reviews
Movie Review: ‘The SpongeBob Movie: Search for SquarePants’ – Catholic Review
NEW YORK (OSV News) – Cartoon characters can devolve into dullards over time. But some are more enduringly appealing than others, as the adventure “The SpongeBob Movie: Search for SquarePants” (Paramount) proves.
Yellow, absorbent and porous on the outside, unflaggingly upbeat SpongeBob (voice of Tom Kenny) is childlike and anxious to please within. He also displays the kind of eagerness for grown-up experiences that is often found in real-life youngsters but that gets him into trouble in this fourth big-screen outing for his character.
Initially, his yearning for maturity takes a relatively harmless form. Having learned that he is now exactly 36 clams tall, the requisite height to ride the immense roller coaster at Captain Booty Beard’s Fun Park, he determines to do so.
Predictably, perhaps, he finds the ride too scary for him. This prompts Mr. Krabs (voice of Clancy Brown), the owner of the Krusty Krab — the fast-food restaurant where SpongeBob works as a cook — to inform his chef that he is still an immature bubble-blowing boy who needs to be tested as a swashbuckling adventurer.
The opportunity for such a trial soon arises with the appearance of the ghostly green Flying Dutchman (voice of Mark Hamill), a pirate whose elaborately spooky lair, the Underworld, is adjacent to SpongeBob’s friendly neighborhood, Bikini Bottom. Subject to a curse, the Dutchman longs to lift it and return to human status.
To do so, he needs to find someone both innocent and gullible to whom he can transfer the spell. SpongeBob, of course, fits the bill.
So the buccaneer lures SpongeBob, accompanied by his naive starfish pal Patrick (voice of Bill Fagerbakke), into a series of challenges designed to prove that the lad has what it takes. Mr. Krabs, the restaurateur’s ill-tempered other employee, Squidward (voice of Rodger Bumpass), and SpongeBob’s pet snail, Gary, all follow in pursuit.
Along the way, SpongeBob and Patrick’s ingenuity and love of carefree play usually succeed in thwarting the Dutchman’s plans.
As with most episodes of the TV series, which premiered on Nickelodeon in 1999, there are sight gags intended either for adults or savvy older children. This time out, though, director Derek Drymon and screenwriters Pam Brady and Matt Lieberman produce mostly misfires.
These include an elaborate gag about Davy Jones’ legendary locker — which, after much buildup, turns out to be an ordinary gym locker. Additionally, in moments of high stress, SpongeBob expels what he calls “my lucky brick.” As euphemistic poop gags go, it’s more peculiar than naughty.
True to form, SpongeBob emerges from his latest escapades smarter, wiser, pleased with his newly acquired skills and with increased loyalty to his friends. So, although the script’s humor may often fall short, the franchise’s beguiling charm remains.
The film contains characters in cartoonish peril and occasional scatological humor. The OSV News classification is A-I – general patronage. The Motion Picture Association rating is PG — parental guidance suggested. Some material may not be suitable for children.
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Entertainment
Reiner family tragedy sheds light on pain of families grappling with addiction
When Greg heard about the deaths of Rob and Michele Reiner, and the alleged involvement of their son Nick, the news struck a painfully familiar chord.
It wasn’t the violence that resonated, but rather the heartache and desperation that comes with loving a family member who suffers from an illness that the best efforts and intentions alone can’t cure.
Greg has an adult child who, like Nick Reiner, has had a long and difficult struggle with addiction.
“It just rings close to home,” said Greg, chair of Families Anonymous, a national support program for friends and family members of people with addiction. (In keeping with the organization’s policy of anonymity for members, The Times is withholding Greg’s last name.)
“It’s just so horrible to be the parent or a loved one of somebody that struggles with [addiction], because you can’t make any sense of this,” he said. “You can’t find a way to help them.”
Every family’s experience is different, and the full picture is almost always more complicated than it appears from the outside. Public details about the Reiner family’s private struggles are relatively few.
But some parts of their story are likely recognizable to the millions of U.S. families affected by addiction.
“This is really bringing to light something that’s going on in homes across the country,” said Emily Feinstein, executive vice president of the nonprofit Partnership to End Addiction.
Over the years, Nick Reiner, 32, and his parents publicly discussed his years-long struggle with drug use, which included periods of homelessness and multiple rehab stints.
Most recently, he was living in a guesthouse on his parents’ Brentwood property. Family friends told The Times that Michele Singer Reiner had become increasingly concerned about Nick’s mental health in recent weeks.
The couple were found dead in their home Sunday afternoon. Los Angeles police officers arrested Nick hours later. On Tuesday, he was charged with their murder. He is currently being held without bail and has been placed under special supervision due to potential suicide risk, a law enforcement official told The Times.
Experts in substance use cautioned against drawing a direct line between addiction and violence.
“Addiction or mental health issues never excuse a horrific act of violence like this, and these sort of acts are not a direct result or a trait of addiction in general,” said Zac Jones, executive director of Beit T’Shuvah, a nonprofit Los Angeles-based addiction treatment center.
The circumstances around the Reiners’ highly publicized deaths are far from ordinary. The fact that addiction touched their family is not.
Nearly 1 in 5 people in the U.S. has personally experienced addiction, a 2023 poll from the Kaiser Family Foundation found.
Two-thirds of Americans have a family member with the disease, a proportion that is similar across rural, urban and suburban dwellers, and across Black, Latino and white respondents.
“Substance use disorders, addiction, do not discriminate,” Jones said. “It affects everyone from the highest of the high [socioeconomic status] to people that are experiencing homelessness on Skid Row. … There is no solution that can be bought.”
During interviews for the 2015 film “Becoming Charlie,” a semi-autobiographical film directed by Rob Reiner and co-written by Nick Reiner, the family told journalists that Nick, then in his early 20s, had been to rehab an estimated 18 times since his early teens. Nick Reiner has also spoken publicly about his use of heroin as a teenager.
Such cycles of rehab and relapse are common, experts said. One 2019 study found that it took an average of five recovery attempts to effectively stop using and maintain sobriety, though the authors noted that many respondents reported 10 or more attempts.
Many families empty their savings in search of a cure, Feinstein said. Even those with abundant resources often end up in a similarly despairing cycle.
“Unfortunately, the system that is set up to treat people is not addressing the complexity or the intensity of the illness, and in most cases, it’s very hard to find effective evidence-based treatment,” Feinstein said. “No matter how much money you have, it doesn’t guarantee a better outcome.”
Addiction is a complex disorder with intermingled roots in genetics, biology and environmental triggers.
Repeated drug use, particularly in adolescence and early adulthood when the brain is still developing, physically alters the circuitry that governs reward and motivation.
On top of that, co-occurring mental health conditions, traumas and other factors mean that no two cases of substance abuse disorders are exactly the same.
There are not enough quality rehabilitation programs to begin with, experts said, and even an effective program that one patient responds to successfully may not work at all for someone else.
“There is always the risk of relapse. That can be hard to process,” Greg said.
Families Anonymous counsels members to accept the “Three Cs” of a loved one’s addiction, Greg said: you didn’t cause it, you can’t cure it and you can’t control it.
“Good, loving families, people that care, deal with this problem just as much,” he said. “This is just so common out there, but people don’t really talk about it. Especially parents, for fear of being judged.”
After the killings, a family friend told The Times that they had “never known a family so dedicated to a child” as Rob and Michele Reiner, and that the couple “did everything for Nick. Every treatment program, therapy sessions and put aside their lives to save Nick’s repeatedly.”
But the painful fact is that devotion alone cannot cure a complex, chronic disease.
“If you could love someone into sobriety, into recovery, into remission from their psychiatric issues, then we’d have a lot fewer clients here,” Jones said. “Unfortunately, love isn’t enough. It’s certainly a part of the solution, but it isn’t enough.”
If you or someone you know is experiencing a mental health crisis, help is available. Call 988 to connect to trained mental health counselors or text “HOME” to 741741 in the U.S. and Canada to reach the Crisis Text Line.
Jake Reiner, Nick Reiner, Romy Reiner, Michele Singer Reiner and Rob Reiner attend Four Sixes Ranch Steakhouse’s pop-up grand opening at Wynn Las Vegas on Sept. 14, 2024.
(Denise Truscello / Getty Images for Wynn Las Vegas)
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