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With latest Super Bowl run, Chiefs' would-be dynasty echoes 'Patriot Way'

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With latest Super Bowl run, Chiefs' would-be dynasty echoes 'Patriot Way'

LAS VEGAS — Amid the alcohol and elation, Tedy Bruschi sat there and let it soak in. It was too soon to look ahead, so he went back, spending the three-hour flight replaying the season in his mind.

It was February 2004, the day after the Super Bowl. The plane was a party. The Patriots were flying back from Houston after their second title, a 32-29 win over the Panthers in Super Bowl XXXVIII. An embarrassing 31-0 Week 1 loss preceded an improbable run of dominance: just one defeat over the next four months. New England had shown its stunning run two winters prior wasn’t a fluke: this championship, after a 14-2 regular season, cemented the Patriots as the top team of the new century.

Bruschi, a middle linebacker and team captain, hadn’t had a chance to think about the next day, let alone the next season. Then Roman Phifer walked up and left him no choice.

“If we go back-to-back, that’s three of four,” the fellow linebacker told him. “That means they gotta call us a dynasty.”

Bruschi laughs, reliving the moment two decades later. For him, that’s when the Patriots’ pursuit became about more than mere championships. This was about becoming one of the greatest teams that ever played. “Not even a full day had passed since we walked off the field in Houston and we’re talking about the next one,” Bruschi said. “Already, it’s, ‘What does it mean if we do it again? Where does that put us?’

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“Right now, that’s exactly what the Chiefs are playing for.”

The personalities are different. The schemes. The style. But the similarities — above all, sustained success in a league designed to promote parity — are becoming more striking with each year, impossible to ignore as the Chiefs vie for their third title in five seasons Sunday against the 49ers in Super Bowl LVIII. New England reigned over the league for the better part of two decades. Kansas City has since assumed the mantle, and with it, the icy feel of inevitability once the playoffs begin.

The great teams — the iconic teams — simply refuse to go away. And with every title, the target becomes more pronounced.

“You hear people say we’re everybody’s Super Bowl,” defensive coordinator Steve Spagnuolo said. “Everybody wants to knock off the top dog. We understand that.”

“That’s what makes it that much sweeter when you beat them,” Bruschi said.

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Five years ago, Tom Brady strolled out of Kansas City’s Arrowhead Stadium alongside tight end Rob Gronkowski after beating the Chiefs in the AFC Championship. It was a dying dynasty’s last great run. The Patriots would win their sixth and last Super Bowl 14 days later. Brady posted a video on Instagram showing him and Gronkowski shrugging and smiling, Diddy’s lyrics bumping in the background. It was a message for anyone hoping the Patriots were finished.

We ain’t … goin nowhere …

Two weeks ago, during the most unlikely playoff run of his career — a fourth Super Bowl berth clinched after a sloppy regular season and a pair of gutsy playoff wins on the road as the betting underdog — Patrick Mahomes posted four photos from the Chiefs’ AFC title game win in Baltimore. The song playing in the background was familiar.


Among Travis Kelce’s favorite podcasts — aside from his own chart-topping show — is Julian Edelman’s “Games with Names.” The Chiefs tight end listens for what he calls “golden nuggets” from the former Patriots receiver and three-time Super Bowl champ, the stories and scenes that defined New England’s second run of titles in the 2010s.

Kelce wants to know about the moments that built the Patriots’ championship DNA, the ones few hear about and even fewer were there to witness. Some are reassuring, others invigorating, not merely windows into greatness but reminders of the cost of sustaining it. “I’m still learning stuff from those Patriots days,” Kelce said. “It’s awesome to hear it from their point of view.”

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He’s not ready for the comparisons — “(that) was the best football that we’ve ever really seen in the NFL” — but he knows what it’s like when every team wants to dethrone you, when every season ends with either a championship or a flurry of questions about why you came up short.

“The years we haven’t won it since we first won it have felt like the biggest losses of my life,” Kelce says.

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It came up recently in a conversation between Kelce and his quarterback. The more the Chiefs win, Mahomes said, the more he’s grown to appreciate what the Patriots did before them. “To come back, be in this many Super Bowls, and to continue to get every team’s best shot and continue to get better and better and win more, it’s tough,” Mahomes said. “It’s hard.”

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Which is why Kelce, 11 years into his career, Hall of Fame gold jacket assured, has decided a win Sunday would mean more than the previous two. It’s the same reason Roman Phifer pointed out to Bruschi on the Patriots’ plane 20 years ago. This championship would move the Chiefs into a different conversation.

He knows it’s been two full decades since a Super Bowl champ successfully defended its title. He also knows who that team was.

“I want this one more than I’ve ever wanted a Super Bowl in my life,” Kelce admitted this week. “Because that tier of teams that have done it twice (in a row) have gone down in history as some of the greats.”


“Sometimes, I have to pinch myself,” Joe Thuney said.

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The offensive lineman spent the first five years of his career with Brady in New England, winning two Super Bowl rings. He signed with the Chiefs in free agency after the 2020 season and added another ring last winter.

Just as the Patriots’ run ended, the Chiefs’ began. Thuney says players in New England could feel it, especially after an epic conference championship game in 2019. Kansas City was coming, and once they arrived, the Chiefs weren’t likely to stumble back to mediocrity. Not with Mahomes at quarterback and Andy Reid at head coach.

“It starts at the top, with great leadership like Coach Reid and players like Patrick who are truly about the team,” Thuney said. “There’s no magic drills or practices. It’s the boring details we pay attention to.”


Under Andy Reid and Patrick Mahomes, the Chiefs’ championship run began just as the Patriots’ dominance waned. (Kevin Sabitus / Getty Images)

Both teams came to define the eras in which they dominated. At their best, the Patriots were a reflection of inscrutable head coach Bill Belichick — rigid, unrelenting and stunningly consistent. Their success almost became boring. For 20 years, they were the AFC’s immovable object. So many promising seasons in Indianapolis, Baltimore and Pittsburgh died in Foxboro.

Really, there were two separate Patriots dynasties linked by Belichick’s brilliance and Brady’s dependability, Bruschi said, each netting three titles within a five-year window. The run in the early 2000s was anchored by an all-time defense, a unit that allowed Brady time to grow into one of the game’s greats for the second spate of championships.

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“Tom was responsible for one touchdown with his arm in the 2001 playoffs,” Bruschi notes. “We were sort of bringing him along. He had to take care of the football and manage the game. The moment I noticed something special in him was the second half of the Panthers Super Bowl (two years later). From that point, we were off and running.

“Mahomes is sort of going backward. It’s the reverse of what we did. He won the MVP his first year as the starter. He’s been carrying that team on his back like Tom did later in his career in New England.”

Bruschi’s right. The Chiefs were sparked by their franchise QB’s immediate ascent. In the age of wildly gifted, mobile passers, no one does it better than Mahomes. Paired with Reid, among the most innovative play-callers in league history, they’ve formed a tandem the rest of the NFL has come to envy.

Brady’s Patriots vs. Mahomes’ Chiefs

Patriots Chiefs

Seasons

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18*

6

Regular-season record (win percentage)

221-70 (76%)

65-24 (73%)

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Playoff record (win percentage)

30-11 (73%)

14-3 (82%)

AFC Championship Game appearances

13

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6

Super Bowl appearances

9

4

Super Bowl wins

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6

2

*Brady played in just one game during his rookie season in 2000 and missed the 2008 season due to injury.

Both franchises fought the forces that derail potential dynasties: injuries, ego, the weight of increased expectations, the pillaging of talented assistants, the mental toll of advancing deep in the playoffs year after year, plus a salary cap constructed to limit great teams from continuing to pay all their great players.

Both had to make cold, calculated decisions along the way. Belichick famously cut starting safety Lawyer Milloy after training camp in 2003, a surprise move that foreshadowed a flurry of high-profile exits during his tenure — defensive lineman Richard Seymour, linebacker Willie McGinest and receiver Wes Welker among them. Two years ago, the Chiefs traded away the best receiver in football, Tyreek Hill, and used the capital they received in return to build up what’s become a punishing defense.

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“There’s a tendency to have a letdown after you’ve won a championship, after you’ve chased something for a long time,” Chiefs owner Clark Hunt said after Kansas City’s first Super Bowl win in 2020. “That will be our challenge.”

They’ve met it, reaching the game three times in the four years since and adding another Lombardi Trophy to their collection last winter. And in one major difference from the Patriots, the Chiefs have done so unstained by on-field scandals. Spygate cost New England a first-round pick and a $250,000 fine (Belichick was also personally fined a league-maximum $500,000). Less than a decade later, Deflategate cost Brady a four-game suspension to start the 2016 season.

The Patriots grew into the NFL’s leading villains, loathed by fans across the league. Belichick’s biting news conferences and ominous sideline presence — signature grey hoodie pulled tight, never a smile in sight — didn’t help. The Chiefs have been a departure, buoyed by Mahomes’ childlike energy, Kelce’s frat bro likability and Reid’s amiable leadership.

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As the spotlight expanded, headlines have come off the field, too. Brady and Gisele Bundchen dated and married during the Patriots’ dynasty; New England kept winning.

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This season, the Chiefs have experienced an entirely different crush of attention. Asked this week about the added scrutiny that comes with dating the most famous woman in the world, Kelce smiled.

“I feel like it’s only given me more energy,” he said.


Bruschi said his Patriots teams never wore down late in the season because that’s all they knew. The payoff came in the little moments under the bright lights.

He saw the same thing in last month’s AFC Championship Game.

The Ravens were the conference’s top seed, 4.5-point favorites and playing at home, anxious to unseat the champs. Then they melted down.

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“One team looked like it had been there before,” Bruschi said. “That was the Chiefs.”

By game’s end, Baltimore committed eight penalties to Kansas City’s three. In one telling moment, Ravens linebacker Kyle Van Noy — a former Patriot no less — headbutted Kelce, who’d been yapping all game. A flag flew. Kelce laughed.

“That’s when I was like, ‘This is done,’” Bruschi said. “These (Ravens) guys, these veterans, were acting out of their minds. Sometimes teams just lose it in big games.”

Standing on the sideline that day, Blaine Gabbert, Mahomes’ backup, saw the Chiefs take a page out of Brady’s old playbook. Gabbert sat behind Brady in Tampa Bay late in Brady’s career and remembers his message to the Bucs before playoff games: “If you take it to them, the inexperienced teams will break.”

“You saw that very clearly last week in Baltimore, not only in the way they played but the way the fans reacted,” Gabbert said. “It was a hostile environment and we just smiled as we walked off. We took it to them in their own house. They asked for something, they got it, and that’s the way it goes.”

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Bruschi, like so many others, had his doubts about the Chiefs as their lackluster regular season came to a close. Then their playoff run reminded him of something.

“Here’s the secret: When winning championships is in your blood, you just don’t panic, no matter what’s going on,” he said. “If your character’s being questioned, if your teammates are struggling, if somebody’s not getting it right, if Travis Kelce’s dropping the football — nothing makes you panic.

“You just let the other teams do that.”


In February 2005, a year after they won that Super Bowl in Houston, the Patriots defended their title, beating the Eagles 24-21. They remain the last group to go back-to-back. After the celebration, a handful of players, including Brady and Bruschi, flew to Hawaii for the Pro Bowl.

Before the game, the AFC spaced out player introductions by team. Those who didn’t make the playoffs went first, then came those bounced in the wild-card round. Then the divisional round. Then the conference championship. Finally, it was the Patriots’ turn. The players looked around. The locker room was almost empty. Six of them remained. Brady huddled the group together.

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“You know what guys?” he told them. “No one’s ever won three in a row.”

“I still had confetti on the bottom of my cleats from the Super Bowl, but that’s how that team thought,” Bruschi said. “And I guarantee you if the Chiefs get this one on Sunday, they’ll start thinking about the exact same thing.”

(Illustration: Sean Reilly / The Athletic; photos: Katelyn Mulcahy, Tom Pennington, Cooper Neill, Ronald Martinez, Jamie Squire / Getty Images)

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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Whatever you do, don’t think of a bird.

Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?

Before you answer, read this poem, which is quite literally about not thinking of a bird.

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Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.

Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.

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Wallace Stevens in 1950.

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Walter Sanders/The LIFE Picture Collection, via Shutterstock

As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.

Are those worlds real?

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Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.

Until then, we find consolation in fangles.

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.

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Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.

Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.

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“I like there to be a freshness, a discovery and an immediacy to my narration,” Wheaton said. He recorded “The Body” in his home studio in California. Alex Welsh for The New York Times

A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.

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But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”

The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.

Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.

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This interview has been edited and condensed.

“I felt really close to him, and my memory of him.”

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Wheaton on channeling a co-star’s performance.

There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”

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It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.

That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.

“The Body” Read by Wil Wheaton

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“You’re just a kid,

Gordie–”

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“I wish to fuck

I was your father!”

he said angrily.

“You wouldn’t go around

talking about takin those stupid shop courses

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if I was!

It’s like

God gave you something,

all those stories

you can make up,

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and He said:

This is what we got for you, kid.

Try not to lose it.

But kids lose everything

unless somebody looks out for them

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and if your folks

are too fucked up to do it

then maybe I ought to.”

I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?

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So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.

I could hear and feel it. It was the weirdest thing. It’s like I was right back there.

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I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.

“Rob gave me a gift. Rob gave me a career.”

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Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.

Rob really encouraged us to be kids.

Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.

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We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”

The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”

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Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”

Rob Reiner in 1985, directing the child actors of “Stand By Me,” including Wil Wheaton, at left. Columbia/Kobal, via Shutterstock

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The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.

“The Body” Read by Wil Wheaton

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They chanted together:

“I don’t shut up,

I grow up.

And when I look at you

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I throw up.”

“Then your mother goes around the corner

and licks it up,”

I said,

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and hauled ass out of there,

giving them the finger over my shoulder as I went.

I never had any friends later on

like the ones I had when I was twelve.

Jesus,

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did you?

When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”

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Jerry O’Connell and Wheaton joined more than a dozen actors from Reiner’s films to honor the slain director at the Academy Awards on March 15, 2026. Kevin Winter/Getty Images

And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.

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“I was really really really excited — like jumping up and down.”

The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.

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I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.

I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity. ​​

That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.

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“The Body” Read by Wil Wheaton

“Will you shut up

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and let him tell it?”

Teddy hollered.

Vern blinked.

“Sure.

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Yeah.

Okay.”

“Go on, Gordie,”

Chris said.

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“It’s not really much—”

“Naw,

we don’t expect much

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from a wet end like you,”

Teddy said,

“but tell it anyway.”

I cleared my throat.

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“So anyway.

It’s Pioneer Days,

and on the last night

they have these three big events.

There’s an egg-roll for the little kids

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and a sack-race for kids that are like eight or nine,

and then there’s the pie-eating contest.

And the main guy of the story

is this fat kid nobody likes

named Davie Hogan.”

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When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.

I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.

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“I feel the loss.”

Wheaton remembers River Phoenix.

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The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.

I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.

What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.

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And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.

“The Body” Read by Wil Wheaton

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Near the end

of 1971,

Chris

went into a Chicken Delight

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in Portland

to get a three-piece Snack Bucket.

Just ahead of him,

two men started arguing

about which one had been first in line.

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One of them pulled a knife.

Chris,

who had always been the best of us

at making peace,

stepped between them

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and was stabbed in the throat.

The man with the knife had spent time in four different institutions;

he had been released from Shawshank State Prison

only the week before.

Chris died almost instantly.

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It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.

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Do You Know the Comics That Inspired These TV Adventures?

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Do You Know the Comics That Inspired These TV Adventures?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.

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