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Why UNC star RJ Davis couldn’t resist returning for his fifth season — and one more shot

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Why UNC star RJ Davis couldn’t resist returning for his fifth season — and one more shot

Welcome to the heartbeat. Take a seat.

The Davis family living room in their White Plains, N.Y., home is, in many ways, ordinary. Two well-worn, cream-colored sofas directly across from each other. A circular coffee table between them. Floor-to-ceiling bay windows, with decorative candles on the ledge. And the soundtrack to it all? Usually, barking, courtesy of the family Yorkshire terrier, Diggy.

“Any life decisions we make,” RJ Davis said, “yep, in that living room.”

About five years ago, there was something else in that space, too: a poster board. On it, Davis, then a high school senior, had written the names of each of his four college finalists, the schools the four-star guard was considering attending. To make his choice, Davis used one of his mother Venessa’s favorite practices. “Pros and cons,” she said. “As a psychologist, it’s something you use a lot.” With Venessa and the rest of his family — father Rob, younger brother Bryce and, of course, Diggy — gathered in the living room, Davis worked through his options.

When he’d finished writing, the decision was obvious: North Carolina.

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If he only knew then what the next four years would hold.

An up-and-down freshman season that ended with Roy Williams’ shocking retirement. Then a slog of a sophomore year — until the Tar Heels turned into a rocket ship and manufactured one of the most miraculous Final Four runs in March Madness history. That led to hype entering Davis’ junior year, all of which promptly went up in flames as UNC became the first preseason No. 1 team in the modern era to miss the NCAA Tournament. And, finally, Davis’ senior season, when he sprouted into a full-blown star, posting one of the best individual campaigns in the baby blue blood’s storied history.

This spring, at the end of April, the Davis family once again gathered in their operations center. Another decision needed to be made: Would Davis — a first-team All-American last season and one of college basketball’s most recognizable figures — return to college for a fifth season, available because of the COVID-19 pandemic, or go pro?

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Because Davis is only 6 feet, the feedback he received from the NBA Draft advisory committee suggested he’d go late in the second round or undrafted entirely. But coming off his best season, what more could he prove to scouts?

“I’ve always had dreams and aspirations of playing at the next level, of playing in the NBA,” he said, “and it’s like, why not right now?”

Davis settled into one of the sofas. Time to talk.


The first weekend of April, Davis was exactly where he’d dreamed of being: Phoenix, the site of the Final Four.

Just not for the reason he’d hoped.

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That’s because the past two seasons, Davis had a singular motivation: a redo. Ever since North Carolina magically stormed through the NCAA Tournament in Hubert Davis’ debut season, advancing all the way to the 2022 national title game, he wanted another crack at college hoops immortality. He was 20 minutes and a 15-point halftime lead versus Kansas away from hanging a seventh NCAA championship banner in the Dean Smith Center, and then, whoosh, everything evaporated. He’s one of five active players left from that team but the only one still wearing Carolina blue.

Last season, Davis unequivocally became “the guy” for the first time in his college career, especially after his three-year backcourt mate, Caleb Love, transferred to Arizona. And he did everything in his power to will the Tar Heels back to that stage while rewriting UNC’s record books. Davis went from averaging 12 points and three assists per game during his first three seasons in Chapel Hill to setting career highs in points (21.2 per game), 3-point percentage (39.8), assist-to-turnover ratio (better than 2-1) and steals (1.2). But most importantly, he led UNC to its first ACC regular-season title and No. 1 seed in the NCAA Tournament since 2019.

A redo, suddenly, seemed like a very realistic possibility.

Then came the Sweet 16. Red-hot Alabama. And Davis, for the first time all season, went cold. He’d made at least one 3-pointer in all 36 games to that point but went 0-for-9 from deep in a 2-point loss to the Crimson Tide.

“Shots I normally make,” Davis said. “Had I made one 3 …”

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His voice trailed off.

“I kind of felt like it was my fault, just because we were so close to reaching … everything.”

A week later, Davis was there in the desert as a finalist for the Naismith College Player of the Year Award, presented annually at the Final Four. Even brushing elbows with the biggest names in the sport, being recognized for his on-court excellence, Davis couldn’t shake one underlying thought: I’d rather be playing.

He couldn’t bring himself to turn on any of that weekend’s Final Four games.

On one hand, Davis’ jam-packed trophy case spoke for itself, including ACC Player of the Year and the Jerry West Award (given annually to the nation’s top shooting guard). He etched himself into North Carolina lore, in the same stratosphere of excellence as some of the school’s best guards, names such as Phil Ford, Ty Lawson and, yes, even Michael Jordan. By virtue of his accomplishments, his jersey is going the same place theirs did: the Smith Center rafters.

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But at the same time, he couldn’t stop ruminating. On the loss to Alabama. The what-ifs. Every minute detail that added up to defeat.

By the time he landed back in Chapel Hill, offseason roster-building was already in full swing. Hubert Davis was holding end-of-season meetings with all his players. And Davis knew what his head coach was going to ask, whenever they sat down:

So, RJ, what are you going to do?


Tyler Hansbrough doesn’t play much basketball these days.

“My knees,” the now-39-year-old joked. “If I’m on the court, my knees are gonna have some issues.”

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But Hansbrough still works out regularly, even sneaking over to the Smith Center for a lift when he can. One day in April, he was finishing a session when a familiar face approached.

“Rarely do I try to give anybody advice,” Hansbrough said, “but he actually asked me.”

It makes sense why Davis sought Hansbrough out. The star guard spoke to plenty of people in his circle about what he should do: Armando Bacot, his four-year teammate and close friend; Cam Johnson, arguably UNC’s top active NBA player; Theo Pinson, who won the program’s last championship in 2017; and even Marcus Paige, now on North Carolina’s coaching staff. But nobody could offer the perspective Hansbrough could.

That’s because about 15 years ago, Hansbrough was in the same bind. After his standout junior season, when the 6-foot-9 forward was the unanimous national player of the year, averaging a career-best 22.6 points and 10.2 rebounds, he, too, had a pro decision to make. Had he declared, based on feedback that then-coach Williams had gathered, Hansbrough learned he likely would’ve been a late lottery pick.


Tyler Hansbrough didn’t regret his decision to return to UNC for another run. (Rich Clarkson / NCAA Photos via Getty Images)

But like Davis, he couldn’t get his mind off a recent NCAA Tournament heartbreak. UNC had just lost to Kansas in the 2008 Final Four, only its third defeat all season, and Hansbrough hadn’t been at his best.

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“Everyone thinks that whenever you get a chance to go to the NBA, you have to go. But if you believe in yourself and you think you can be a pro, one more year in college, that’s not going to derail your pro chances,” Hansbrough said. “One more year wasn’t going to change anything for me, and I felt like I could improve.”

And?

“And we had a chance to win a national championship.”

The rest is history. Hansbrough came back, and his decision was validated when UNC did win the national title his senior season. Hansbrough was right about his pro prospects, too; the Indiana Pacers selected him 13th in the 2009 NBA Draft, the same late-lottery range that was forecast for him a year prior.

The other consideration Hansbrough mentioned to Davis? Name, image and likeness, which didn’t exist in his heyday. Davis knew NIL wouldn’t be the primary factor in his decision — “If money wasn’t involved, I’d still be playing basketball,” he said. But by virtue of his record-setting senior season, he’d earned a bevy of endorsement deals: Crocs, Verizon and one of his favorites, JBL. (Although it probably wasn’t his neighbors’ favorite; Davis’ JBL speaker may or may not have earned him a noise complaint at his apartment complex. “There’s a bass boost, so I always press that,” Davis said with a wry smile, “and the next thing you know, it’s boom.”)

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Hansbrough explained his thought process to Davis in UNC’s weight room and left him with one final thought.

“You can listen to all the most important people in your life,” Hansbrough said, “and you can take their advice — which you should value — but you’re the only one that has to live your life.”


Not long after his talk with Hansbrough, Davis returned to White Plains.

“I like to go home and get grounded,” he said, “because that’s where I feel safe, and that’s where my heart lives.”

Still unsure of what he’d do, the guard continued training. Most days, he met with his skills trainer, Ross Burns, at the local Life Time Fitness, and he regularly drove to Connecticut to meet with a strength and conditioning specialist. And between those sessions, it wasn’t uncommon for Davis to swing by his old high school, Archbishop Stepinac, for an early morning or late-night shooting session.

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“My good companions here in the building are our maintenance guys,” said Patrick Massaroni, Davis’ high school coach at Stepinac. “We make it work.”

Other schools poked around Davis, his parents said, seeing if he’d consider entering the transfer portal, but UNC and the NBA were the only options he considered. Whenever he thought he’d made up his mind, that lingering memory of not winning a championship reared its head.

“My mind,” he said, “was changing every day.”

go-deeper

GO DEEPER

Men’s college basketball preseason All-Americans: Sears, Flagg, Davis lead the way

With the May 1 deadline for Davis to decide rapidly approaching, he had to stop waffling. So, back to the living room for final deliberations.

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Bryce — now a freshman at Albany — wasn’t in town, so Davis FaceTimed his younger brother and put the phone in his lap. Rob and Venessa sat across from him on the opposite sofa. Diggy scurried across the hardwood floor.

Rob and Venessa reiterated what Hansbrough said: It’s your life, and you have to live with your choice.

With his mind racing, Davis stepped outside to gather his thoughts. He sat down on the family’s front porch steps and made a phone call.

To Williams, the coach who recruited him to UNC in the first place.

He walked around the block on the phone, and then came back to the family living room. “Whatever they talked about, he didn’t share,” Venessa said, “but it seemed to settle him, for sure.”

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Davis didn’t make up his mind right then, but a few days later, Davis came downstairs from his bedroom and announced he’d made his decision.


Davis kept his decision close to the vest. He told his parents, obviously. Hubert Davis. But he didn’t even text his teammates.

“I wanted,” he said, flashing a toothy grin, “to keep people on their toes a little bit.”

So on the night of April 30, Davis set a timer on his phone for 3 a.m. and went to sleep. When the alarm went off, he woke up and posted a highlight video to Instagram with a simple two-word caption: “I’m back.” And then … Davis put his phone on “Do Not Disturb” and went back to bed.

The ultimate mic drop, letting the college basketball world stir while he slept.

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“It wasn’t like I was saying no to my dreams (of playing in the NBA); it’s more so, I’m putting them on pause,” Davis said. “Besides the year I had this past year, there was no greater feeling than playing in that Final Four and playing in that national championship my sophomore year. I just remember watching the ball go up, and the buzzer sound hit, and we were on the losing side. … I want to be on that winning side.”

His decision finally behind him, Davis drilled down on his shooting the rest of the summer, motivated by that 0-for-9 showing against Alabama.

How much of his training was done through an NBA lens, knowing he’ll likely have to play point guard because of his size? Not much.

“That’s where guys get in trouble: They start listening to critics or scouts and start thinking they’ve got to change something,” Burns said. “No. Really, just keep being the dominant, elite shooter and scorer you are — and because you’re going to have more eyeballs on you, be a facilitator.”

So far, so good on that front: Through three games, Davis has 14 assists against just three turnovers. No. 10 UNC plays Hawaii on Friday and begins play Monday in the Maui Invitational.

There is so much still on the table for Davis this season, but three things stand above the rest.

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A December rematch with Alabama as part of the ACC-SEC Challenge. The chance for Davis, if he scores the same number of points he did last season, to tie Hansbrough atop UNC’s, and the ACC’s, all-time scoring list (albeit with an extra season). “That’s hard to put into perspective,” he said. “Once I graduate and officially leave, then it’ll hit me. Like, wow, I really accomplished a lot of great things here.” And finally?

Hang a banner. Complete the redo.

“I’m just going to fulfill this moment,” Davis said, “and make the best of it.”

(Top photo of Elon’s Nick Dorn and UNC’s RJ Davis: Grant Halverson / Getty Images)

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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Whatever you do, don’t think of a bird.

Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?

Before you answer, read this poem, which is quite literally about not thinking of a bird.

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Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.

Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.

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Wallace Stevens in 1950.

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Walter Sanders/The LIFE Picture Collection, via Shutterstock

As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.

Are those worlds real?

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Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.

Until then, we find consolation in fangles.

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.

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Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.

Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.

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“I like there to be a freshness, a discovery and an immediacy to my narration,” Wheaton said. He recorded “The Body” in his home studio in California. Alex Welsh for The New York Times

A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.

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But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”

The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.

Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.

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This interview has been edited and condensed.

“I felt really close to him, and my memory of him.”

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Wheaton on channeling a co-star’s performance.

There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”

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It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.

That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.

“The Body” Read by Wil Wheaton

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“You’re just a kid,

Gordie–”

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“I wish to fuck

I was your father!”

he said angrily.

“You wouldn’t go around

talking about takin those stupid shop courses

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if I was!

It’s like

God gave you something,

all those stories

you can make up,

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and He said:

This is what we got for you, kid.

Try not to lose it.

But kids lose everything

unless somebody looks out for them

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and if your folks

are too fucked up to do it

then maybe I ought to.”

I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?

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So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.

I could hear and feel it. It was the weirdest thing. It’s like I was right back there.

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I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.

“Rob gave me a gift. Rob gave me a career.”

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Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.

Rob really encouraged us to be kids.

Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.

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We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”

The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”

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Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”

Rob Reiner in 1985, directing the child actors of “Stand By Me,” including Wil Wheaton, at left. Columbia/Kobal, via Shutterstock

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The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.

“The Body” Read by Wil Wheaton

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They chanted together:

“I don’t shut up,

I grow up.

And when I look at you

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I throw up.”

“Then your mother goes around the corner

and licks it up,”

I said,

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and hauled ass out of there,

giving them the finger over my shoulder as I went.

I never had any friends later on

like the ones I had when I was twelve.

Jesus,

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did you?

When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”

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Jerry O’Connell and Wheaton joined more than a dozen actors from Reiner’s films to honor the slain director at the Academy Awards on March 15, 2026. Kevin Winter/Getty Images

And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.

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“I was really really really excited — like jumping up and down.”

The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.

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I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.

I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity. ​​

That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.

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“The Body” Read by Wil Wheaton

“Will you shut up

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and let him tell it?”

Teddy hollered.

Vern blinked.

“Sure.

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Yeah.

Okay.”

“Go on, Gordie,”

Chris said.

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“It’s not really much—”

“Naw,

we don’t expect much

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from a wet end like you,”

Teddy said,

“but tell it anyway.”

I cleared my throat.

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“So anyway.

It’s Pioneer Days,

and on the last night

they have these three big events.

There’s an egg-roll for the little kids

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and a sack-race for kids that are like eight or nine,

and then there’s the pie-eating contest.

And the main guy of the story

is this fat kid nobody likes

named Davie Hogan.”

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When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.

I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.

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“I feel the loss.”

Wheaton remembers River Phoenix.

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The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.

I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.

What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.

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And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.

“The Body” Read by Wil Wheaton

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Near the end

of 1971,

Chris

went into a Chicken Delight

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in Portland

to get a three-piece Snack Bucket.

Just ahead of him,

two men started arguing

about which one had been first in line.

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One of them pulled a knife.

Chris,

who had always been the best of us

at making peace,

stepped between them

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and was stabbed in the throat.

The man with the knife had spent time in four different institutions;

he had been released from Shawshank State Prison

only the week before.

Chris died almost instantly.

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It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.

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Do You Know the Comics That Inspired These TV Adventures?

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Do You Know the Comics That Inspired These TV Adventures?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.

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