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Why the new Steve McNair Netflix documentary, while informative, feels incomplete

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Why the new Steve McNair Netflix documentary, while informative, feels incomplete

Steve McNair’s football story has been told plenty. Fans know how he emerged from being a star quarterback at HBCU Alcorn State to becoming a Heisman Trophy finalist and, eventually, the No. 3 pick in the 1995 NFL Draft by the Houston Oilers.

He led the Tennessee Titans to Super Bowl XXXIV. He was the 2003 NFL co-MVP with Peyton Manning and was regarded as one of the toughest quarterbacks to play because of his physical style over 13 seasons with the Oilers/Titans and Baltimore Ravens. His No. 9 was retired by the Titans in 2019, and he was inducted into the Black College Football Hall of Fame (2012) and the College Football Hall of Fame (2020).

But the questions surrounding McNair’s death have persisted for more than 15 years.

“Untold: The Murder of Air McNair” is the new Netflix documentary that seeks to tell the story of how he became an NFL star and fan favorite while delving into the circumstances surrounding his murder on July 4, 2009, in Nashville.

The documentary, however, doesn’t offer much aside from what’s already been told.

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A 1998 photo of Steve McNair as a member of the Tennessee Oilers. (Larry McCormack / The Tennessean via Imagn)

There is the official story from authorities: McNair was shot and killed by his mistress, 20-year-old Sahel “Jenni” Kazemi, who took her own life next to him, allegedly amid financial concerns and a realization that the 36-year-old McNair was having more than one extramarital affair.

There are mentions of other theories, namely those from private investigator Vincent Hill, a former Nashville police officer who wrote a book noting problems he saw in the investigation. Also addressed in the documentary are questions about Adrian Gilliam, the convicted felon who was found to have sold Kazemi the gun used in the crime.

McNair’s friend, Wayne Neely, discovered the bodies and is shown in the film offering detectives cash while being interviewed, but there’s no explanation as to why a man who was a person of interest is offering police money.

McNair’s good friend and Alcorn State teammate, Robert Gaddy, discussed a $13,000 dispute involving a business venture with McNair that had them on shaky terms, but he expressed regret as to whether that kept him from being in position to help McNair. Neely called Gaddy from the crime scene, and it was Gaddy who called the police.

One of the film’s more gripping moments is Gaddy discussing the weight of living amid conspiracies that suggested he had something to do with McNair’s death and not wanting to say more out of respect for McNair’s family, which includes his widow, Mechelle, and his four children.

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Mechelle is not interviewed in the film.

In the documentary, McNair’s coach in Tennessee, Jeff Fisher, expressed that some things about McNair’s death don’t add up, but he didn’t want to speculate about what might have led to his death.

The film is less than an hour and there was an opportunity to delve more into McNair’s post-football story. But hearing so much about McNair the football player felt out of place at times. You can’t tell his story without discussing his NFL career, but what Fisher said to McNair after losing the Super Bowl seemed less important than the conversations they might have had after his career.

What was McNair’s mindset about life after football? Are there lessons to be learned?

Kazemi was believed to have found out about another woman, Leah Ignagni, who McNair also saw in the days before his death. A tape of Ignagni’s interview with police was played during the film where she states she’d only been seeing McNair for a short time and was just having fun with him. Learning more about this, however, doesn’t tell us about McNair and his life after football.

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Mechelle has spoken candidly in the past, saying she knew about other people involved with her husband but did not know Kazemi.

It’s obvious McNair was beloved. Even Kazemi’s ex-boyfriend, Keith Norfleet, admitted in the documentary McNair was his favorite player growing up. He discussed the awkwardness of breaking up with Kazemi only to see her in a relationship with his favorite football player.

But there isn’t more as to why McNair was beloved beyond the field, which might have helped to explain why he stayed connected to Nashville after retiring following the 2007 season. I learned more about Norfleet than I did about McNair or Kazemi.

Perhaps it was best to let McNair’s football legacy stand on its own rather than rehash how he died.

(Top photo: Doug Pensinger / Getty Images)

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Video: ‘Flesh’ by David Szalay Wins 2025 Booker Prize

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Video: ‘Flesh’ by David Szalay Wins 2025 Booker Prize

new video loaded: ‘Flesh’ by David Szalay Wins 2025 Booker Prize

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‘Flesh’ by David Szalay Wins 2025 Booker Prize

David Szalay became the first British Hungarian to win the prestigious Booker Prize for his novel “Flesh.”

“I think fiction can take risks. I think it’s one of the things that it can do. It can take aesthetic risks, formal risks, perhaps even moral risks, which many other forms, narrative forms, can’t quite do to the same extent.” “I think all six of the books in the short list really, you know, not — it’s not saying this is the headline theme, but there is that theme of reaching out, wanting a connection.”

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David Szalay became the first British Hungarian to win the prestigious Booker Prize for his novel “Flesh.”

By Shawn Paik

November 11, 2025

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Test Yourself on the Settings Mentioned in These Novels About Road Trips

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Test Yourself on the Settings Mentioned in These Novels About Road Trips

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights the starting points or destinations of five novels about road trips. (Even if you aren’t familiar with the book, most questions offer an additional hint about the location.) To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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This Poem About Monet’s “Water Lilies” Reflects on the Powers and Limits of Art

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This Poem About Monet’s “Water Lilies” Reflects on the Powers and Limits of Art

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In the midst of the world’s unrelenting horribleness, it’s important to make room for beauty. True! But also something of a truism, an idea that comes to hand a little too easily to be trusted. The proclamation that art matters — that, in difficult times, it helps — can sound like a shopworn self-care mantra.

So instead of musing on generalities, maybe we should focus our attention on a particular aesthetic experience. Instead of declaring the importance of art, we could look at a painting. Or we could read a poem.

A poem, as it happens, about looking at a painting.

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Hayden did not take the act of seeing for granted. His eyesight was so poor that he described himself as “purblind”; as a child he was teased for his thick-framed glasses. Monet’s Giverny paintings, whose blurriness is sometimes ascribed to the painter’s cataracts, may have revealed to the poet not so much a new way of looking as one that he already knew.

Read in isolation, this short poem might seem to celebrate — and to exemplify — an art divorced from politics. Monet’s depiction of his garden, like the garden itself, offers a refuge from the world.

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Claude Monet in his garden in 1915.

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“Ceux de Chez Nous,” by Sacha Guitry, via Museum of Fine Arts, Boston

But “Selma” and “Saigon” don’t just represent headlines to be pushed aside on the way to the museum. They point toward the turmoil that preoccupied the poetry of Hayden and many of his contemporaries.

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“Monet’s ‘Waterlilies’” was published in a 1970 collection called “Words in the Mourning Time.” The title poem is an anguished response to the assassinations of Robert F. Kennedy and the Rev. Dr. Martin Luther King Jr., and to the deepening quagmire in Vietnam. Another poem in the volume is a long elegy for Malcolm X. Throughout his career (he died in 1980, at 66), Hayden returned frequently to the struggles and tragedies of Black Americans, including his own family.

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Robert Hayden in 1971.

Jack Stubbs/The Ann Arbor News, via MLive

Born in Detroit in 1913, Hayden, the first Black American to hold the office now known as poet laureate of the United States, was part of a generation of poets — Gwendolyn Brooks, Dudley Randall, Margaret Danner and others — who came of age between the Harlem Renaissance of the 1920s and the Black Arts movement of the ’60s.

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A poet of modernist sensibilities and moderate temperament, he didn’t adopt the revolutionary rhetoric of the times, and was criticized by some of his more radical peers for the quietness of his voice and the formality of his diction.

But his contemplative style makes room for passion.

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