Culture
Why the new Steve McNair Netflix documentary, while informative, feels incomplete
Steve McNair’s football story has been told plenty. Fans know how he emerged from being a star quarterback at HBCU Alcorn State to becoming a Heisman Trophy finalist and, eventually, the No. 3 pick in the 1995 NFL Draft by the Houston Oilers.
He led the Tennessee Titans to Super Bowl XXXIV. He was the 2003 NFL co-MVP with Peyton Manning and was regarded as one of the toughest quarterbacks to play because of his physical style over 13 seasons with the Oilers/Titans and Baltimore Ravens. His No. 9 was retired by the Titans in 2019, and he was inducted into the Black College Football Hall of Fame (2012) and the College Football Hall of Fame (2020).
But the questions surrounding McNair’s death have persisted for more than 15 years.
“Untold: The Murder of Air McNair” is the new Netflix documentary that seeks to tell the story of how he became an NFL star and fan favorite while delving into the circumstances surrounding his murder on July 4, 2009, in Nashville.
The documentary, however, doesn’t offer much aside from what’s already been told.
A 1998 photo of Steve McNair as a member of the Tennessee Oilers. (Larry McCormack / The Tennessean via Imagn)
There is the official story from authorities: McNair was shot and killed by his mistress, 20-year-old Sahel “Jenni” Kazemi, who took her own life next to him, allegedly amid financial concerns and a realization that the 36-year-old McNair was having more than one extramarital affair.
There are mentions of other theories, namely those from private investigator Vincent Hill, a former Nashville police officer who wrote a book noting problems he saw in the investigation. Also addressed in the documentary are questions about Adrian Gilliam, the convicted felon who was found to have sold Kazemi the gun used in the crime.
McNair’s friend, Wayne Neely, discovered the bodies and is shown in the film offering detectives cash while being interviewed, but there’s no explanation as to why a man who was a person of interest is offering police money.
McNair’s good friend and Alcorn State teammate, Robert Gaddy, discussed a $13,000 dispute involving a business venture with McNair that had them on shaky terms, but he expressed regret as to whether that kept him from being in position to help McNair. Neely called Gaddy from the crime scene, and it was Gaddy who called the police.
One of the film’s more gripping moments is Gaddy discussing the weight of living amid conspiracies that suggested he had something to do with McNair’s death and not wanting to say more out of respect for McNair’s family, which includes his widow, Mechelle, and his four children.
Mechelle is not interviewed in the film.
In the documentary, McNair’s coach in Tennessee, Jeff Fisher, expressed that some things about McNair’s death don’t add up, but he didn’t want to speculate about what might have led to his death.
The film is less than an hour and there was an opportunity to delve more into McNair’s post-football story. But hearing so much about McNair the football player felt out of place at times. You can’t tell his story without discussing his NFL career, but what Fisher said to McNair after losing the Super Bowl seemed less important than the conversations they might have had after his career.
What was McNair’s mindset about life after football? Are there lessons to be learned?
Kazemi was believed to have found out about another woman, Leah Ignagni, who McNair also saw in the days before his death. A tape of Ignagni’s interview with police was played during the film where she states she’d only been seeing McNair for a short time and was just having fun with him. Learning more about this, however, doesn’t tell us about McNair and his life after football.
Mechelle has spoken candidly in the past, saying she knew about other people involved with her husband but did not know Kazemi.
It’s obvious McNair was beloved. Even Kazemi’s ex-boyfriend, Keith Norfleet, admitted in the documentary McNair was his favorite player growing up. He discussed the awkwardness of breaking up with Kazemi only to see her in a relationship with his favorite football player.
But there isn’t more as to why McNair was beloved beyond the field, which might have helped to explain why he stayed connected to Nashville after retiring following the 2007 season. I learned more about Norfleet than I did about McNair or Kazemi.
Perhaps it was best to let McNair’s football legacy stand on its own rather than rehash how he died.
(Top photo: Doug Pensinger / Getty Images)
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
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