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Why are so many NFL safeties being cut? Will their market vanish like it did for RBs?

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Why are so many NFL safeties being cut? Will their market vanish like it did for RBs?

The Denver Broncos’ decision to release star safety Justin Simmons could easily be written off as collateral damage and a regrettable but necessary step toward recalibrating their salary cap.

But digging deeper, a trend seems to be forming at Simmons’ position, as a group of safeties have flooded the free-agent market with teams seemingly prioritizing other areas of the roster. Kevin Byard, Jordan Poyer, Jamal Adams, Eddie Jackson, Quandre Diggs, Rayshawn Jenkins and Marcus Maye were all cut (or designated a post-June 1 cut in Maye’s case) while Antoine Winfield Jr. was franchise tagged by the Tampa Bay Buccaneers, Kyle Dugger was transition tagged by the New England Patriots and Xavier McKinney wasn’t tagged in any capacity by the New York Giants.

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There was a brief moment Tuesday when McKinney seemed to be in a prime position to monopolize the top tier of the safety market in free agency. But within 48 hours, he was shoulder to shoulder with more peers than he likely expected.

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The supply is in line to outweigh the demand, which could drive down the value of the position. It’s unlikely to be as dramatic as the running backs’ sinking market, but seven personnel executives and coaches around the NFL told The Athletic something has been developing, even if it only becomes a short-term trend.

“(It’s part of a) larger financial trend,” an executive said. “The market got too high for the position’s impact overall.”

To be fair, it’s impossible to separate Simmons’ release from quarterback Russell Wilson, whose release will result in $85 million in dead cap space against the Broncos. Simmons, 30, may not be at the top of his game any longer, but rival teams still viewed him as one of the game’s best safeties, and his leadership is beyond reproach. But the $14.5 million in cap savings is significant for a team in severe financial disarray in the wake of Wilson’s release. The Broncos will have a series of difficult contractual decisions to make until Wilson’s money comes off the cap.

“(Simmons) is too expensive considering everything else they need to do,” a coach said. “Russell Wilson is an expensive divorce.”

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In that respect, Simmons’ release is unique.

But that’s not the whole story. For all of Simmons’ positive attributes, a few of the executives recognized why he wasn’t necessarily worth the cap hit, and the argument was geared more toward the position as a whole.

As the league has become more pass-happy, teams are far more inclined to overspend at quarterback, wide receiver, offensive tackle, edge rusher, cornerback and defensive tackle.

They’ve had to cut back on other positions as a result, whether it’s running back, inside linebacker or safety. Of course, there are always exceptions, but that’s become the general model. As of Thursday morning, more than $100 million in 2024 cash salary had been shed at the safety position, according to Over The Cap’s Nick Korte. That was the most of any position by nearly $40 million.

As one executive pointed out, there was a thin group of safeties in free agency in 2023, and Jessie Bates (four years, $64 million with Atlanta) was the only player who earned a massive contract. Carolina’s Vonn Bell, Cleveland’s Juan Thornhill and Dallas’ Donovan Wilson were the only others who signed deals worth at least $20 million in total money. Those four were among nine safeties who signed for at least $6 million annually.

“While the market wasn’t nearly as strong (in 2023), you saw teams weren’t willing to pay,” an executive said. “I think we’re going to see a trend of teams not willing to overpay for this position.”

Philosophically, what’s happening may be more similar to what’s happened to linebackers than to running backs. Within a certain extent, smart defensive coordinators have schemed up ways to make safeties and linebackers interchangeable commodities in specific packages. And some of the better slot cornerbacks have taken on safety responsibilities, either in a game-plan role or on a full-time basis.

Meanwhile, running backs have become easier to find in the draft, and younger players with less mileage become valuable commodities at a position where injuries take their toll, especially when there’s typically just one on the field at a time.

This actually yielded a counterpoint. It’s relatively rare for a rookie safety to make an impact, so the veteran market should be more appealing in that sense. It may not feel tangible, but it’s usually not hard to figure out which cornerbacks are impacted by the safety play around them, for better or worse.

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“You’re often looking for defensive coordinators who can convert (players) to safety because there aren’t enough,” an executive said. “Which you would think would make the NFL (veteran) have more value, but that’s not what’s happening.”

Some of what’s happened this week may be largely a coincidence — or at least not indicative of a larger trend about the position. Of the eight aforementioned safeties who were recently released, seven are on the wrong side of 30. Adams, the exception, has an extensive injury history and has played only 10 games over the last two seasons.

Meanwhile, of the 10 safeties on multiyear deals worth at least $10 million annually, Minnesota’s Harrison Smith is the only player older than 30. Like any other position, teams are more willing to dish out market-setting contracts for their younger players. Winfield and Dugger are near certainties to further skew those numbers in the youth’s favor when they turn their tags into extensions. McKinney is a candidate to join the $10 million club as well.

So while there definitely seems to be a trend developing, there are various reasons to explain why so many safeties have flooded the market lately. Teams are prioritizing more impactful positions, but age and cap casualties don’t discriminate anywhere on the depth chart.

“Because so many (safeties) will be released, teams don’t feel the need to overpay,” a coach said. “But I don’t see any safety trend long term to pay less like what’s happened to the running back market.”

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(Photo of Justin Simmons: Grant Halverson / Getty Images)

Culture

I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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Culture

Can You Identify Where the Winter Scenes in These Novels Took Place?

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Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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Culture

From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

Inge Morath/Magnum Photos

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When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.

This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.

There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.

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Their first impressions fill a nearly page-long paragraph. Here’s how it begins.

Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.

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But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.

It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.

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See the full list of the 10 Best Books of 2025 here.

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