Culture
Victor Wembanyama at the halfway point: The good, the bad and the unbelievable
It’s only been half a season. He’s only played 35 games. Yet, San Antonio Spurs phenom Victor Wembanyama has already shown himself to be one of the most versatile players in NBA annals. Here’s the scary part: He’s still improving by leaps and bounds.
The player once described by LeBron James as not a unicorn, but “more like an alien,” came into this season as one of the most highly anticipated rookies in NBA history. Considered by most to be the best prospect to enter the league since James in 2004, Wembanyama was the top pick in the 2023 NBA Draft after a breakout season as a teenager in France, and he was the prize when the San Antonio Spurs won the draft lottery in May.
After a promising early start, including a 38-point eruption in his fifth NBA game, Wembanyama and the Spurs both had some hiccups. Teams scouted him more seriously; bigger, heavier opponents played him more physically and forced him into off-balance jumpers; and an unready Spurs roster offered him little help. San Antonio lost 18 consecutive games — a feat quickly buried when the Detroit Pistons lost a record-setting 28 straight soon after, but awful nonetheless. Meanwhile, Wembanyama put together a series of rough shooting nights, hitting only 43.3 percent in November.
Of late, however, we’ve seen more consistent flashes of his dominating potential and relatively fewer stretches of wayward shooting. Even as the Spurs have continued to struggle — the team is just 7-32 on the season — Wembanyama’s performances have steadily improved, including a dominant start to his January.
“I think you can see how he plays, and what an unbelievable talent he is,” Dallas Mavericks star Luka Dončić said earlier this season. “I really enjoy watching him.”
As we reach the halfway point of Wembanyama’s first season, now is a good time to take stock of the heralded rookie’s first season and some of the positives and negatives thus far.
Let’s start with the eye candy. No player in the league produces more highlights per minute than Wembanyama. In just half a season, he’s already generated a mind-blowing YouTube catalog, using his unprecedented combination of length and skill to perform feats we just haven’t seen before on a basketball court.
Take one random play from Monday’s game in Atlanta. Wembanyama catches the ball on the move at the 3-point line and then does something we aren’t accustomed to seeing from a 7-foot-4 player — a lefty drive into a behind-the-back-dribble into a dunk.
Watch it below. The Hawks’ Jalen Johnson played good defense that seemingly was going to force Wembanyama into a tough, contested hook shot. He stopped the rookie giant on his initial thrust left, but Wembanyama had the body control to hit the brakes, avoid a charge and change his attack angle. Johnson then slid his feet when Wembanyama effortlessly went behind the back to change direction and was on his hip as he started to leap from well outside the charge circle. Johnson looks like he’s loading up to challenge a jumper or hook shot and then … boom.
For 99 percent of players, that’s a tough, contested jumper, floater or hook shot in the lane. Except for Wembanyama, who — with his right foot planted well inside the jump ball circle — just reached up his Inspector Gadget arms toward the rim and kept extending and extending until he dunked it right over Johnson. That was one of nine dunks he had just in the second half of the Spurs’ loss. In a related stat, only nine of Wembanyama’s 557 shot attempts this season have been blocked.
Now that we have everyone excited, let me be Debbie Downer and take things down a notch. For starters, his team stinks and Wembanyama hasn’t been good enough to overcome that. While the Spurs’ recent results have been moderately better, there is no question that they’ve been a disappointment. They’re young and lack other players of Wembanyama’s caliber, but the expectation was that they’d be more competitive.
Wembanyama and point guard Tre Jones are turning into a formidable combination. (Michael Gonzales / NBAE via Getty Images)
Partly, that’s a result of lineup constructions that at times have seemed like they were designed strictly to sabotage Wembanyama’s development. The Spurs began the season by attempting to play second-year pro Jeremy Sochan at point guard, despite his showing no real qualifications or aptitude for playing the position.
They also lined up another center, Zach Collins, next to Wembanyama in the frontcourt, pushing Wembanyama further to the perimeter at both ends. The Collins-Wembanyama pairing was outscored by 11.8 points per 100 possessions in its 25-game run. Hopefully, we’ll never see it again.
Meanwhile, the Spurs seemed almost defiantly resistant to playing their one real point guard, Tre Jones, together with Wembanyama. Lineups with Jones and Wembanyama together have outscored opponents by 3.9 points per 100 possessions this season, no mean feat on a team that otherwise is bludgeoned by 9.1 per 100, yet only recently have they shared the court with any frequency.
Additionally, a series of turned ankles in December has the Spurs pulling back the throttle on Wembanyama’s court time. He reportedly will sit out in Charlotte on the front end of a back-to-back on Friday night. He hasn’t played a back-to-back since Nov. 18 and has been capped at a maximum of 27 minutes since Dec. 17.
Nonetheless, even since opening day, Wembanyama’s progress has been evident. It helps that he’s in more situations to succeed now. Slowly but surely, the Spurs have groped and stumbled their way into a more workable lineup. After a disastrous first quarter of the season, the Spurs finally moved Sochan off the ball, moved Collins out of the starting lineup and shifted Wembanyama to center. Lo and behold, keeping the 7-4 guy closer to the basket seemed to pay some dividends.
Meanwhile, it took an injury to basically every other guard on the team to make it happen, but Jones is finally starting at point guard.
Since Christmas, Wembanyama has gone to another level. In 10 games he’s scored nearly a point a minute — 232 in 242 minutes — while shooting 62.6 percent inside the arc and upping his free-throw rate, including his first two double-figure free-throw games. Defensively, he’s blocked a ridiculous 5.2 shots per 36 minutes in this stretch, and some of them have been absurd physical feats. Watch here as he swipes down at the ball as Atlanta’s Trae Young gathers it … and then magically blocks Young’s floater attempt with the same hand.
Trae had zero chance, Wemby ate him up pic.twitter.com/YgS0KpDHNK
— CJ Fogler account may or may not be notable (@cjzero) January 15, 2024
At the offensive end, the low-percentage, off-the-dribble long 2s that characterized much of his early-season output have steadily diminished. In its place are hard rim runs. Jones keeps looking for him in the air, and other Spurs have caught on to the fact that it’s impossible to overthrow Wembanyama.
Who’s up for a SLOB Lob?
Wemby catches the inbound lob for 16 PTS in the 4Q 💪
📺 Hawks-Spurs is LIVE on TNT pic.twitter.com/gnNe43K8RO
— NBA (@NBA) January 15, 2024
When I asked where Wembanyama had improved the most, San Antonio coach Gregg Popovich offered this assessment of his progress after Monday’s game in Atlanta,
“Probably in aggressiveness,” Popovich said. “Running to the bucket and not being so concentrated on 3-point shots. Running the floor, being that target. Of course, the team has learned that they need to throw those passes, it’s not something we were used to. He’s learned how to do that and understands that it sets a tone for everybody.
Wembanyama could become the third player in Spurs history to lead the league in blocked shots as a rookie, joining David Robinson and Tim Duncan. (Brian Babineau / NBAE via Getty Images)
“Defensively he’s becoming a really good rim protector, and obviously he’s tall. And long and he should be, but he’s figuring out how to make that a definite priority. And everyone else is learning how to handle that, playing around him.”
You can see the numerical evidence for Popovich’s statement all over the place, including in some of the numbers referenced above. While Popovich focused on the 3-pointers, that quantity has changed less than Wembanyama’s overall reliance on jumpers off the dribble.
Additionally, the visual evidence for Wembanyama’s rim runs is hard to miss. He got the Hawks on a quick alley-oop following made baskets three times on Monday, again, having Jones serving as a catalyst. Watch here as Wembanyama is jostling with Atlanta’s Clint Capela under the basket at the beginning of the clip, then magically materializes at the rim at the end of it.
Popovich also credits Wembanyama’s basketball know-how for helping him progress so quickly.
“Really high IQ, understands the game intuitively,” Popovich said. “You explain something to him and he understands it. He’s just a remarkable 20-year-old.”
Wembanyama has indeed displayed a maturity beyond his years in his news conferences, even on nights when things haven’t gone well, and his response to tough coaching from Popovich also has been notable. For instance, with the Spurs struggling in Atlanta on Monday and trailing by 35 at halftime, an unhappy Popovich benched three starters — including Wembanyama — to start the third quarter. Wembanyama understood.
“The message was strong and obvious,” Wembanyama said. “He said we were being embarrassed, that we had probably the worst half we’ve had so far.”
Did Popovich say it that nicely, though?
“Aw, hell no.”
However, Wembanyama responded with a 26-point eruption after halftime that included the aforementioned dunk fest, nearly bringing the Spurs back from a gigantic deficit.
“I like to be coached, I like to be threatened and sent to the G League if I don’t play the right way. I don’t care, I like when there are consequences to my mistakes,” he said.
It doesn’t seem like a trip to Austin to play for the Spurs’ G League team will be necessary — Wembanyama will be San Antonio’s starting center for the foreseeable future — but there are still a few areas where Popovich might read him the riot act for motivation.
Wembanyama’s midrange shooting has been quite poor — just 31 percent on 2s from beyond 10 feet, according to Basketball Reference — and his 29.3 percent mark from 3 lends support to Popovich’s thoughts on his 3-point frequency. While he’s shown the touch to make those shots, it’s still a developing skill for him, not a go-to option. Even last year in France, Wembanyama would fall in love with this shot a bit too much.
If we’re nitpicking, we can point to some other things. His turnover rate has also been too high (5.5 per 100 possessions) as some of his ballhandling adventures have gotten him into tough spots. He needs to be more crafty in drawing fouls and add some lower-body strength for battles under the basket (although his Rebound Rate of 19.1 percent is very good, even among centers).
In the big picture, however, Wembanyama’s recent run of dominance, and steady improvement since opening day, points to a stratospheric endpoint when you extrapolate the graph out a few years.
“He’s going to change the game, 100 percent,” Denver Nuggets star and NBA MVP Nikola Jokić told reporters after facing him earlier this season. “He’s already on that path, so just enjoy and watch the show and let the guy change the game.”
After falling behind Oklahoma City’s Chet Holmgren early in the NBA Rookie of the Year race, Wembanyama is again asserting himself as a worthy rival in a two-horse race. And at just 20 with enviable tools, there is little question he has more long-term upside than any other player in the league.
So enjoy the ride, everyone. The back-to-back and minutes restrictions may be a momentary nuisance for fans who want to see more, but Wembanyama remains must-see TV as one of the most talented players to ever enter the league. The exciting part, now, is where the Spurs’ French prodigy continues to take his game in the second half of the season and beyond.
(Illustration: Eamonn Dalton / The Athletic; photos: Dylan Buell / Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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