Culture
USWNT defender Tierna Davidson on 'difficult situation' created by Korbin Albert's previous posts
U.S. women’s national team defender Tierna Davidson has described anti-LGBTQ social media posts previously shared by teammate Korbin Albert as creating “a difficult situation that has obviously affected me personally given what she was speaking on.”
Davidson, who is openly queer, went on Sarah Spain’s podcast, “Good Game with Sarah Spain”, and talked about her feelings regarding Albert’s actions, which included a repost of a sermon given in a Christian worship space talking about how being gay and “feeling transgender” is wrong.
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Albert apologized for the post on her Instagram, which recirculated in March 2024. Since then USWNT head coach Emma Hayes has publicly backed Albert, saying in a June press conference, “There’s no denying there’s been a lot of work that’s been going on in the background to work with Korbin.”
On Spain’s podcast, Davidson said, “I think that it’s difficult, because as a team we have always wanted to be very welcoming to all of our fans, to all players that walk through the locker room, and so to have that in our space is very difficult.”
The USWNT has previously used its platform to support trans rights, among other topics, both individually and collectively. In 2022 during the SheBelieves Cup, players wore wrist tape bearing the message “Protect Trans Kids.” The gesture came during a game in Texas, where, at the time, Texas governor Greg Abbott referred to children transitioning as “child abuse” and directed licensed professionals who work with children to report the parents of trans children to state authorities.
“Whether or not it’s something that you grew up with, or it was instilled upon you from a young age and you might not know better, it is something that can hurt other people,” Davidson said.
“It was difficult for me when it first happened, and it’s been hard to hear how fans have been taking it because I feel like I want to be able to represent the queer community really well on this team. I want to have fans feel really welcome and feel like they can see themselves on this field in this team. I don’t want there to be any sort of feeling that they’re not welcome here.”
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Davidson also said she thought Albert had “gone through a lot of learning,” in accord with Hayes’ statements about any possible private conversations being held within the team.
“We have to learn from what we do in our lives and how people react to it, and understand the hurt that we can cause,” said Davidson. “I have always believed in the ability for people to learn and for people to change and to evolve and that sometimes requires a very difficult experience, and I think this is that moment for her…. It’s up to her. But I think she’s continuing to do that education and it’s important she expresses that as she learns. So I think the ball’s kind of in her court for that.”
Davidson also spoke to Spain about Hayes’ work with the team in the short time they’ve had to prepare for the Olympics, including trying to instill more tactical flexibility into the team and being able to adjust to various opposition tactics on the field.
Davidson said, “I really feel like we’re playing a chess match… You might notice some differences. Certainly you might notice players in different positions, but also how we’re moving the ball, the spaces we want to get into or how we get there.”
Davidson’s comment on Albert can be heard in full at the 26:44 mark in Spain’s podcast.
(Photo: Harry How, Getty Images)
Culture
Try This Quiz on Oscar-Winning Adaptations of Popular Books
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about works that have gone on to find new life as movies, television shows, theatrical productions — or even books. With the Academy Award nominations announced last week, this week’s challenge celebrates past Oscar-winning films that were based on books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the books and their filmed versions.
Culture
What Kind of Lover Are You? This William Blake Poem Might Have the Answer.
Not every poem about love is a love poem. This one, from William Blake’s “Songs of Innocence and of Experience,” first published in 1794, is more analytical than romantic. Instead of roses and violets, it offers us dirt and rocks.
William Blake (1757-1827), obscure in his own time and a hero to later generations of poets and spiritual seekers, made his living as an engraver and illustrator. He conceived and executed many of his poetic projects as works of visual as well as literary art, etching his verses and images onto copper plates and printing them in vivid color — a style designed to blur the boundary between word and picture.
“The Clod & the Pebble” is set in a rustic tableau populated by wild and domesticated animals. In the print, we can’t quite see the main characters, who are presumably somewhere beneath the hooves and the ripples. But the cows and sheep, the frogs and the duck, are nonetheless connected to the poem’s meaning.
The two sections of “Songs of Innocence and of Experience” are meant to illustrate “the contrary states of the human soul” — the purity and wonder associated with early childhood and the harder knowledge that inevitably follows.
“The Clod & the Pebble” recapitulates this fall from sweetness into disillusionment, and the plate suggests it in contrasting ways. The wild animals down below symbolize a natural condition of innocence, while the livestock above live in confinement, bound to another’s use. At the same time, though, the cows and sheep are peaceful ruminants, while the frogs and the duck are predators.
In the poem, the Clod is an avatar of innocence. As it happens, this is a recurring character in the Blakean poetic universe. In “The Book of Thel,” a fantastical meditation composed a few years before the publication of “Songs of Innocence and of Experience,” the Clod appears as a maternal figure selflessly nursing a baby worm:
The Clod of Clay heard the Worms voice, & raisd her pitying head;
She bow’d over the weeping infant, and her life exhal’d
In milky fondness
“We live not for ourselves,” she tells the poem’s heroine, a young girl named Thel. But in Blake’s system self-sacrifice can never be the last word. There is no innocence without the fall into experience, and no experience without the memory of innocence. Giving gives way to wanting.
Question 1/6
Love seeketh not Itself to please,
Nor for itself hath any care;
Tap a word above to fill in the highlighted blank.
Want to learn this poem by heart? We’ll help.
Get to know the poem better by filling in the missing words below.
First, the Clod’s perspective.
Culture
Try This Quiz on Myths and Stories That Inspired Recent Books
Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s challenge tests your memory of 21st-century books that were inspired by ancient myths, legends and folk tales. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you’d like to do further reading.
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