Culture
USWNT defender Tierna Davidson on 'difficult situation' created by Korbin Albert's previous posts
U.S. women’s national team defender Tierna Davidson has described anti-LGBTQ social media posts previously shared by teammate Korbin Albert as creating “a difficult situation that has obviously affected me personally given what she was speaking on.”
Davidson, who is openly queer, went on Sarah Spain’s podcast, “Good Game with Sarah Spain”, and talked about her feelings regarding Albert’s actions, which included a repost of a sermon given in a Christian worship space talking about how being gay and “feeling transgender” is wrong.
GO DEEPER
USWNT’s Korbin Albert apologizes for social media posts after Megan Rapinoe’s criticism
Albert apologized for the post on her Instagram, which recirculated in March 2024. Since then USWNT head coach Emma Hayes has publicly backed Albert, saying in a June press conference, “There’s no denying there’s been a lot of work that’s been going on in the background to work with Korbin.”
On Spain’s podcast, Davidson said, “I think that it’s difficult, because as a team we have always wanted to be very welcoming to all of our fans, to all players that walk through the locker room, and so to have that in our space is very difficult.”
The USWNT has previously used its platform to support trans rights, among other topics, both individually and collectively. In 2022 during the SheBelieves Cup, players wore wrist tape bearing the message “Protect Trans Kids.” The gesture came during a game in Texas, where, at the time, Texas governor Greg Abbott referred to children transitioning as “child abuse” and directed licensed professionals who work with children to report the parents of trans children to state authorities.
“Whether or not it’s something that you grew up with, or it was instilled upon you from a young age and you might not know better, it is something that can hurt other people,” Davidson said.
“It was difficult for me when it first happened, and it’s been hard to hear how fans have been taking it because I feel like I want to be able to represent the queer community really well on this team. I want to have fans feel really welcome and feel like they can see themselves on this field in this team. I don’t want there to be any sort of feeling that they’re not welcome here.”
GO DEEPER
USWNT’s Tierna Davidson on being a quiet leader: ‘I take the role very seriously’
Davidson also said she thought Albert had “gone through a lot of learning,” in accord with Hayes’ statements about any possible private conversations being held within the team.
“We have to learn from what we do in our lives and how people react to it, and understand the hurt that we can cause,” said Davidson. “I have always believed in the ability for people to learn and for people to change and to evolve and that sometimes requires a very difficult experience, and I think this is that moment for her…. It’s up to her. But I think she’s continuing to do that education and it’s important she expresses that as she learns. So I think the ball’s kind of in her court for that.”
Davidson also spoke to Spain about Hayes’ work with the team in the short time they’ve had to prepare for the Olympics, including trying to instill more tactical flexibility into the team and being able to adjust to various opposition tactics on the field.
Davidson said, “I really feel like we’re playing a chess match… You might notice some differences. Certainly you might notice players in different positions, but also how we’re moving the ball, the spaces we want to get into or how we get there.”
Davidson’s comment on Albert can be heard in full at the 26:44 mark in Spain’s podcast.
(Photo: Harry How, Getty Images)
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
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