Culture
The Rangers’ Goalie Is Adjusting to the Pressures of the Playoffs
He’s additionally one of many N.H.L.’s finest gamers at any place. He was named as one of many three finalists for the Hart Trophy for most precious participant throughout the common season and is sort of assured to be awarded the Vezina Trophy as one of the best goalie. All of the proof voters wanted was his .935 save proportion and a pair of.07 targets in opposition to common, each tops within the league.
Shesterkin, 26, was drafted out of Russia by the Rangers within the fourth spherical of the 2014 draft and has match seamlessly right into a line of Rangers goalies stretching again to the early Nineties with Mike Richter, who was adopted, two years after his personal retirement, by Henrik Lundqvist in 2005.
“What a run of goaltenders we have now seen right here with the Rangers,” mentioned Eddie Olczyk, a TNT analyst and teammate of Richter’s on the final Rangers’ group to win a Stanley Cup, in 1994. “Goaltending has not been an issue for the Rangers, and when you may have it, you may have an opportunity to win each night time.”
Olczyk mentioned he spoke to Gallant months in the past about Shesterkin, and the coach raved to him in regards to the goalie’s uncanny means to learn, react and be in the precise place forward of the shot or the move.
“I don’t suppose you hear that fairly often,” Olczyk mentioned. “He appears to know what’s going to occur earlier than it does. When that occurs, you’re enjoying five-card stud with six playing cards. It’s a fairly good hand to be enjoying with.”
Lundqvist was like that, too. He was nonetheless a Ranger when Shesterkin made his debut on Jan. 7, 2020. Shesterkin spoke little or no English then, and it was troublesome for Lundqvist to speak with him in an off-the-cuff, in-depth method to get a way of who Shesterkin was. However he observed that his new teammate was fairly relaxed and chatty with the opposite Russian-speaking gamers on the Rangers, comparable to Pavel Buchnevich and Vladislav Namestnikov, each of whom are not on the group.
Now a Rangers analyst on the MSG Community, Lundqvist mentioned Shesterkin’s easygoing demeanor was crucial to the Russian goalie’s means to resist strain and failure — what little of it he has had.
Culture
Milk and murder: The tragedy that overshadows Liverpool vs Accrington Stanley
Belmont Drive runs parallel to Rocky Lane, a noisy thoroughfare in Liverpool that blurs into West Derby Road, connecting the city centre with Anfield and its famous football stadium.
Here, the peeling grandeur of brooding Victorian homes stand incongruously against steel-shuttered shops and their grilles, reflecting the different stages of Liverpool’s past as well as its present.
This was once a highly desirable area, where rich sea merchants bought mansions on Judges Drive. Now, it is synonymous with the red light district of Sheil Road and an abandoned orphanage — supposedly haunted — on the other side of Newsham Park.
Something else is notable about Belmont Drive. It is the location of a block of six flats, one of which was the scene of a murder that linked Liverpool and Accrington Stanley Football Clubs, a television milk advert and Merseyside’s violent drugs scene.
The killing occurred on July 27, 2022. According to the Crown Prosecution Service’s (CPS) account of the incident, the flat’s tenant, Mark Kelly, had left the property to top up the electricity meter. When he returned, he found Learoy Venner — who was living with Kelly temporarily — lying on his back on a camper bed in the lounge. He had suffered a brain injury so severe that the trauma was compared in a post-mortem examination to one akin to a victim of a car crash.
Venner, 53, had sustained his injuries after being punched and kicked in a frenzied attack by Kevin Spaine, a 43-year-old homeless man who was a frequent visitor to Kelly’s property as he bedhopped between flats. All three men were, according to the CPS, drug dependent. In February 2023, Spaine received a life sentence for the killing at Liverpool Crown Court and must serve a minimum of 18 years before he can be considered for release.
The incident would have been noted as shocking but, sadly, not all that unusual in a city that has grappled with drug-related crime for decades. The twist, however, emerged only during Spaine’s sentencing when it was revealed that he was one of the stars of arguably the most famous football-themed advert in British television history.
In 1989, Spaine, then aged eight or nine, had featured in a commercial for the United Kingdom’s Milk Marketing Board. In it, another young boy, dressed in a Liverpool shirt, pours himself a glass of milk after coming in from a game of football. When Spaine reacts in disgust, the boy tells him that Ian Rush — then Liverpool’s star striker — drinks it and that if he didn’t follow his example, he wouldn’t even be good enough to play for Accrington Stanley, then a non-League club.
“Accrington Stanley, who are they?” Spaine asks.
“Exactly,” replies his friend, which prompts a scrap between the two boys over the remaining milk in the glass.
It became one of English football’s most quoted exchanges, endlessly mimicked in playgrounds and pubs the length of the country, yet nobody knew Spaine had featured in it. Despite being a serial criminal offender across nearly 25 years, Spaine’s connection to the advert was never made because when local media in Liverpool had written about it, his surname had been incorrectly reported as Staine.
This weekend, in an FA Cup third-round tie at Anfield, Liverpool face Accrington, now in League Two (the fourth tier of English football), for only the second time. Ordinarily, it would be a tie suffused with romance, the epitome of a cup underdog having its day out at one of the sport’s aristocrats.
Instead, the vicious events that played out in a drug den less than two miles from Anfield on a summer’s afternoon in 2022 offer the grimmest of sub-plots.
You only get fleeting glimpses of Spaine in the milk advert: once when he enters with his friend and again towards the end when they pretend to fight over the glass. On neither occasion can you see his face.
The other boy in the advert was also born on Merseyside, although Carl Rice had already moved to Widnes in nearby Cheshire by the time he travelled to Shepperton Studios in Surrey in 1989, aged eight, where he met Spaine for the first time.
Both children were shot from different angles to try to help them relax and, when the advert was released, Rice did not know that only his face was going to be shown.
During a 2013 interview with the Liverpool Echo, Rice revealed he was paid just £90 ($110.80 at current rates) for his role, joking: “I think my dad spent it on Skol (lager)!” He recalled how eight children from the Merseyside area had been selected to travel to London, with Spaine and Rice making the final cut.
Rice compared the set to being “like a load of kids on their holidays”, but the experience had a huge bearing on his life, even if he never received royalties for it. It set him on a path to a successful acting and writing career, which included stints in famous British soap operas such as Coronation Street and Brookside, the comedy-drama Brassic, and more recently a minor role in the Disney film Cruella alongside Emma Stone.
In 2016, he even reprised his milk role in an advert for Black Cow, a UK-based vodka producer, that parodied the original, although the commercial was subsequently banned by the UK’s Advertising Standards Authority for potentially encouraging excessive drinking.
Rice has embraced the advert’s legacy. He attended Accrington’s FA Cup second-round win over Swindon in December, making a short film with Mitre, the competition’s ball manufacturers, in the process.
You might know Carl Rice from TV drama ‘Brassic’.
But did you know he was the kid in the 80’s Milk advert with the famous line “Accrington Stanley… Who are they?”
We went to @ASFCofficial 2nd Round cup tie against Swindon. It had it all – balls, milk, pens & Holloway. Enjoy! pic.twitter.com/xVrRdhjEQq
— Mitre Sports (@MitreSports) December 4, 2024
There are many reasons why the original advert became such a cultural touchstone in Britain. In 2013, Rice concluded it was because of his “broad Scouse accent, it was ludicrously strong and high-pitched”. The timing of its release also played its part: any link to Merseyside was always going to gain attention, especially in the 1980s, when Liverpool and Everton had dominated English football, sharing all but two of the league titles won that decade.
The city, too, was never far from the headlines. There had been race riots in the suburb of Toxteth in 1981, while the city’s far-left council had been taken to court by the government for passing an illegal budget four years later.
Liverpool was, in short, a city that generated strong opinions and the advert was effectively sending a powerful message: even Scouse urchins drink milk.
In 2006, Rice suggested Tottenham Hotspur was in the original script, only for the club to object, although quite why Accrington was chosen remains unclear. Perhaps it simply served as shorthand for a club which was as far removed from the elite as possible: Accrington were in the Northern Premier League Division One in 1989, English football’s eighth tier. It was another 17 years before they re-entered the Football League.
In 2012, former England cricketer and commentator David Lloyd, a non-executive director at Accrington, claimed the advert, which was still appearing on television screens six years after its release, helped boost the club’s profile, as well as providing a £10,000 cash injection. With Accrington on the verge of promotion to the Football League in 2006, its managing director, Robert Heyes, told the Manchester Evening News: “To this day it has brought us worldwide fame and thousands in merchandise sales to countries as far away as Australia, Canada and America.”
Yet next to nothing was known about Spaine, a Black boy from a family with deep connections to Liverpool’s music scene as far back as the 1970s.
When he appeared in court for the murder of Venner, it was suggested he was originally cast thanks in part due to his football talent. His defence lawyer, John Harrison KC, described him as “a very promising young footballer” but acknowledged that he had “a very long history of criminal offending”.
In his sentencing, covered in forensic detail at the time by the Liverpool Echo, it was revealed that Spaine had made around 40 court appearances for close to 100 offences over more than 20 years, with offences ranging from dealing and possession with intent to supply heroin and crack cocaine, assault, affray, wounding, threatening behaviour, theft and racially aggravated harassment.
Only three months before Venner’s murder, Spaine walked free from court having been handed an eight-week suspended prison sentence for assaulting an emergency worker before he was arrested again for another assault on an emergency worker. During his sentencing for Venner’s killing, prosecuting KC Alan Kent told the court that Spaine’s record pointed “to a man who is short-tempered, who starts fights and reacts in a violent manner”.
Belmont Drive is not exactly secluded.
The flat where Venner was killed is just a few hundred yards from Tuebrook police station, but it also sits by a busy road where the dull roar of car engines rarely subsides. If someone was fighting for their life inside one of the properties, it would be difficult to hear them.
According to the CPS, by July 27, 2022, Spaine was homeless and wanted to access the flat on Belmont Drive. Yet when he rang the doorbell, Venner ignored it, messaging Kelly, telling him that he didn’t want Spaine coming in.
When Kelly returned to the flat, Spaine was still hanging around outside. Though he convinced Kelly that he needed a shower, the electric was out and Kelly left to get a top-up. Spaine followed him out soon after, but when he bumped into Kelly, he told him that Venner had left the property as well. Instead, Kelly would find Venner badly beaten. Though paramedics worked on him for longer than an hour, he later died in hospital.
Kelly was initially arrested, but it quickly became clear he was not responsible for the murder. Spaine was banned from his mother’s home under bail conditions following a row, but he went there regardless, telling her he wanted to get changed. She refused to let him in but passed him an outfit. Venner’s blood was later found on Spaine’s discarded clothing.
He denied murder but admitted manslaughter. In court, as reported by the Echo, he claimed he was in a “scatty situation” after a decade of crack cocaine abuse and that “things went t**s up” when he battered Venner to death.
Spaine also denied an intent to rob Venner on the day he received his benefits for drug money — insisting he would have sooner “run out of the Asda (supermarket) with a bag of steak” — and had instead retaliated after punches were thrown at him, as Venner supposedly tried to usher him from the property. After responding to “two swings”, Spaine responded with a flurry of punches and kicks before stopping when “he was no longer a threat”.
“We had chaotic lives, our lives were a mess,” Spaine continued. “I wasn’t thinking straight, Learoy weren’t — we were in a bad place. It all happened so fast. I hadn’t slept for days, I hadn’t eaten for days. How can you expect me to know what I was doing? I wasn’t in control.”
In sentencing, Judge Brian Cummings KC was sure that Spaine wanted to access the flat to try to access drugs or money but concluded this was not “a murder for gain”, accepting that an “eruption of violence occurred spontaneously”, Spaine having become agitated as he waited impatiently outside.
Spaine’s first significant encounter with the law came in 2001 when, aged 22, he was arrested as part of Operation Camelia — a major drugs investigation by Merseyside Police.
He was arrested an hour’s walk south of Belmont Drive in Upper Parliament Street, the road where he was living and one which dissects the Liverpool 8 area of Toxteth, the name a nod to its postcode. On one side there is the Georgian quarter — home to some restored as well as faded townhouses — and on the other, the streets housing the city’s Black community.
“Parli”, as it is known locally, was the scene of the infamous riots of 1981, which took place when Spaine was just a baby. Those involved in the violence prefer to call it an uprising, an en-masse response to the treatment of a police force regularly accused of institutional racism.
GO DEEPER
Liverpool, L8 and the city’s complicated history with Black footballers
For a few years after the uprising, L8 became a frontline for disregarded youngsters. A freedom hung in the air, cafes played loud music and groups would stand outside shops eating food. The summers always seemed to be hot and streets like Granby thronged.
Dealers sold drugs, cannabis initially, before those with greater ambitions moved in and a heroin epidemic ripped through the city, with guns becoming a major problem in the 1990s, just as young men like Spaine and Venner were making their way in the world.
Full social consequences followed: addicts became sex workers and struggled with the stigma for years afterwards; thefts and muggings increased, forcing an older generation to feel more cut off than they already were because they were afraid to go out, especially in the dark.
Though many of the dealers are now in jail for a long time and the mood in L8 is much calmer, it took discipline to resist the pernicious environment. As Jimi Jagne, the son of Gambian and Chinese parents, who emerged as a community leader after the events of 1981, says, “Anyone else who got caught up in the wash was a victim.”
Though Liverpool 8 has increasingly become defined by a large Asian community, hardened attitudes and suspicion of outsiders remain. It is one of the reasons it is difficult to tell the full story of Spaine and Venner, whose families have strong connections to L8. The Athletic contacted several people from the community who knew Spaine but did not want to speak.
It is a fair assumption, however, that Spaine fell prey to the same issues that plagued L8 in the 1990s, a period when many locals felt like the authorities gave up on the district altogether and drug dealers, some of them who established international connections, took hold.
According to the Echo, Spaine described himself in court as being a “dependent crack addict”, saying, “I was in a mad state — erratic, paranoid, fidgeting. My mind was ticking overtime. I was dealing with a lot of things. If me and Learoy weren’t on drugs, this wouldn’t have happened.”
In mitigation, Harrison argued that his client was “ruined and dominated by the abuse of illegal drugs”, subsequently leading to his long history of criminal offending. “It’s not an unfamiliar spiral to the court, but it is a tragic one,” he suggested.
Spaine looked a much older man than he actually was when, in his mid-30s, he posted a picture of himself on Facebook in 2016 wearing tatty Liverpool training gear. By that point in his life, Venner also had a major drug problem, to the extent that for a long time before his death, he was a virtual recluse.
When Spaine appeared in the milk advert, his voice had sounded full of youthful enthusiasm and innocence. What happened after is a bleak, sad story, far removed from the feel-good atmosphere that will envelope Anfield tomorrow as Accrington attempt to pull off one of the greatest shocks in the FA Cup’s long history.
The commercial will surely get an airing in the television broadcasters’ pre-match packages and Rush has acknowledged its legacy by inviting Rice to meet him before kick-off at tomorrow’s match.
If his life had taken a different course, Spaine would probably have been joining him at Anfield, sharing his memories and maybe even recreating that famous exchange with Rice for the television cameras.
Instead, he is facing years to reflect on a life of terrible decisions that sucked him away in a destructive vortex of drugs and violence that has claimed so many like him.
(Top photos: Merseyside Police, Milk Marketing Board, Getty Images; design: Eamonn Dalton)
Culture
The Books We’re Excited About in Early 2025
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A new year means new books to look forward to, and 2025 already promises a bounty — from the first volume of Bill Gates’s memoirs to a new novel by the reigning Nobel laureate, Han Kang, to a biography of Rosemary Woodruff Leary, the wife and psychedelic collaborator of the counterculture pioneer Timothy Leary.
On this week’s episode, Gilbert Cruz and Joumana Khatib talk about some of the upcoming books they’re most anticipating over the next several months.
Books discussed:
“Stone Yard Devotional,” by Charlotte Wood
“Silence,” by Pico Iyer
“Onyx Storm,” by Rebecca Yarros
“Gliff,” by Ali Smith
“The Dream Hotel,” by Laila Lalami
“The Colony,” by Annika Norlin
“We Do Not Part,” by Han Kang
“Playworld,” by Adam Ross
“Death of the Author,” by Nnedi Okorafor
“The Acid Queen: The Psychedelic Life and Counterculture Rebellion of Rosemary Woodruff Leary,” by Susannah Cahalan
“Tilt,” by Emma Pattee
“Dream Count,” by Chimamanda Ngozi Adichie
“Hope: The Autobiography,” by Pope Francis
“Jesus Wept: Seven Popes and the Battle for the Soul of the Catholic Church,” by Philip Shenon
“The Antidote,” by Karen Russell
“Source Code,” by Bill Gates
“Great Big Beautiful Life,” by Emily Henry
“Sunrise on the Reaping,” by Suzanne Collins
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.
Culture
Grand Slam prize money is enormous. The economics of tennis tournaments is complicated
Four times a year, one of the biggest and most important tennis tournaments in the world sends out an announcement full of dollar signs and zeroes with the words “record prize money” scattered liberally.
The four Grand Slams, the first of which begins Sunday in Melbourne, are the high points of the tennis calendar. Players at the 2025 Australian Open will compete for $59million (£47m) this year — over $6.2m more than last year. In 2024, the four tournaments paid out over $250m between them, while their leaders spent the year aligning themselves with the players who make their events unmissable, whose gravity pulls in the broadcast deals and sponsorships, with their own dollar signs and zeroes.
Led by Australian Open chief Craig Tiley, the Grand Slams led the movement for a so-called premium tour which would pare down the overloaded tennis calendar and guarantee top players always being in the same events, let alone time zones. It would also lock swaths of the globe out of the worldwide spectacle that tennis represents.
The great irony is that despite the largesse and the cozy relationship, the players get a smaller cut of the money at the Grand Slams than they do in most of the rest of the rest of that hectic, endless season — and a fraction of what the best athletes in other sports collect from their events. The Australian Open’s prize pool amounts to about a 15-20 percent cut of the overall revenues of Tennis Australia, the organization that owns and stages the tournament, which accounts for nearly all of its annual revenue. The exact numbers at the French Open, Wimbledon and U.S. Open vary, but that essential split is roughly a constant. The 2023 U.S. Open had a prize pool of $65m against earned revenue from the tournament that came out at just over $514m, putting the cut at about 12 percent. The U.S. Open accounted for just under 90 percent of USTA revenues that year.
The explanations from the Grand Slams, which collectively generate over $1.5bn (£1.2bn) a year, run the gamut. They need to dedicate hundreds of millions of dollars each year to fund junior tennis development and other, less profitable tournaments in their respective nations — an obligation pro sports leagues don’t have. There is a constant need to upgrade their facilities, in the silent race for prestige and primacy of which the constant prize money one-upmanship is just one element.
That dynamic is not lost on players — least of all Novak Djokovic, the top men’s player of the modern era and a co-founder of the five-year-old Professional Tennis Players Association (PTPA).
“I’m just going to state a fact,” Djokovic said during a post-match news conference in Brisbane last week. “The pie split between the governing bodies in major sports, all major American sports, like NFL, NBA, baseball, NHL, is 50 percent. Maybe more, maybe less, but around 50 percent.
“Ours is way lower than that.”
Since 1968, the first year in which the four majors offered prize money as part of the Open Era’s embrace of professional tennis players, the purses have only grown. The 1968 French Open was the first to offer prize money, with Ken Rosewall earning just over $3,000 for beating Rod Laver in the final. The women’s singles champion, Nancy Richey, was still an amateur player, so could not claim her $1,000 prize. By 1973, lobbying from Billie Jean King helped convince the U.S. Open to make prize money equal for men and women through the draws; it took another 28 years for the Australian Open to do so year in, year out. Venus Williams’ intervention helped force the French Open and Wimbledon to follow suit in 2007.
GO DEEPER
‘I think we deserve better’: How and why tennis lets women down
Fifty years after Rosewall’s triumph in Paris, the 2018 men’s champion Rafael Nadal took home $2.35million, an increase of over 73,000 percent. The year-on-year increases at each major are more modest, usually between 10 and 12 percent, but that percentage of tournament revenue remains steadfast, if not entirely immovable.
The Grand Slams argue that there are plenty of hungry mouths at their table, many more than just the 128 players that enter each singles draw each year.
“Tennis Australia is a not-for-profit and a business model built on significant investment into delivering the event and promoting the sport to drive momentum on revenue and deliver consistently increasing prize money,” Darren Pearce, the organization’s chief spokesperson, said in a statement this week.
Money from the Australian Open also helps fund tournaments in Brisbane, Adelaide and Hobart, as well as the United Cup, the combined men’s and women’s event in Perth and Sydney. Pearce said the prize money increases outpace the revenue growth.
The Grand Slams also point to the millions of dollars they spend on player travel, housing, transportation and meals during tournaments, though team sport athletes receive those as well. Eloise Tyson, a spokesperson for the All England Lawn Tennis Club, which stages Wimbledon, noted that overall Grand Slam prize money had risen from $209million in 2022 to $254m last year, a 22 percent increase.
“Alongside increasing our player compensation year-on-year, we continue to make significant investment into the facilities and services available for players and their teams at The Championships,” Tyson wrote in an email.
Officials with France’s tennis federation, the FFT, which owns the French Open, did not respond to a request for comment.
Brendan McIntyre, a spokesman for the United States Tennis Association, which owns the U.S. Open, released a statement this week touting the USTA’s pride in its leadership on player compensation, including offering equal prize money and the largest combined purse in tennis history at the 2024 US Open. A first-round exit earned $100,000, up 72 percent from 2019. Just making the qualifying draw was good for $25,000.
“As the national governing body for tennis in the U.S, we have a broader financial obligation to the sport as a whole,” the organization said.
“The USTA’s mission is to grow tennis at all levels, both in the U.S. and globally, and to make the sport accessible to all individuals in order to inspire healthier people and communities.”
None of the organizations outlined a specific formula for determining the amount of prize money they offered each year, which is roughly the same as a percentage of their parent organizations overall revenues. That may be a coincidence, though the Grand Slams also have the benefit of not facing any threat to their primacy.
The USTA’s statement gestures at how the structure of tennis contributes to this financial irony. In soccer, countries and cities bid to host the Champions League and World Cup finals; the Olympics changes every four years and even the Super Bowl in the NFL moves around the United States, with cities and franchises trying to one-up one another.
The four Grand Slams, though, are the four Grand Slams. There are good reasons for this beyond prestige: the infrastructure, both physical and learned, required to host a two- or three-week event at the scale of a major year in, year out is available to a vanishingly small number of tennis facilities around the world. There is no opportunity for another organization or event to bid to replace one of the Grand Slams by offering a richer purse or other amenities.
GO DEEPER
A year ago, tennis was broken. It’s more broken now
This dynamic has been in place for years and has become more important in recent months. The PTPA has hired a group of antitrust lawyers to evaluate the structure of tennis. The lawyers are compiling a report on whether the the sport includes elements that are anti-competitive, preparing for a possible litigation with the potential to remake the sport.
The ATP and WTA Tours, which sanction 250-, 500- and 1000-level events as well as the end-of-season Tour Finals, give players a larger share of revenue. There is some disagreement between players and officials over how much it is and the methods of accounting; some player estimates hover around 25 percent, while tour estimates can be in the range of 40 percent. Both remain short of the team equivalents in the United States.
On the ATP Tour, the nine 1000-level tournaments have a profit-sharing agreement that, in addition to prize money, gives players 50 percent of the profits under an agreed-upon accounting formula that sets aside certain revenues and subtracts certain costs, including investments the tournaments make in their facilities. The WTA does not have such an agreement. It outlines a complex prize money formula in its rule book with pages of exceptions, not based on a guaranteed share of overall tour revenues.
The tours have argued that because media rights payments constitute a lower percentage of revenues than at the Grand Slams, and because the costs of putting on tournaments are so high, a 50-50 revenue share would simply turn some tournaments into loss-making entities and make tennis unsustainable as a sport.
James Quinn, one of the antitrust lawyers hired by the PTPA, said he saw serious problems with the model, describing a structure that prevents competition from rival tournaments.
Some events outside the 52-week program of tournaments — which see players earn ranking points as well as money — have official status (the Laver Cup is sanctioned by the ATP). But the remainder, such as the Six Kings Slam in Riyadh, which debuted this year and offered record prize money of over $6million to the winner, are not sanctioned, for now providing only a peripheral form of competition to ruling bodies’ control of the sport.
The Grand Slams, ATP and WTA insist this is for the best. They see themselves as caretakers of global sport trying to bring some order where chaos might otherwise reign.
Djokovic doesn’t totally disagree. He understands tennis is different from the NBA. He’s led the Player Council at the ATP, which represents male professionals, and he has seen how the sausage gets made and how complicated it is with so many tournaments of all shapes and sizes in so many countries. At the end of the day, he still thinks players deserve more than a 20-percent cut, especially since the Grand Slams don’t make the kinds of contributions to player pension plans or end-of-the-year bonus pools that the ATP does, nor do they provide the year-round support of the WTA.
“It’s not easy to get everybody in the same room and say, ‘OK, let’s agree on a certain percentage,’” he said of the leaders of tournaments.
“We want more money, (but) they maybe don’t want to give us as much money when we talk about the prize money. There are so many different layers of the prize money that you have to look into. It’s not that simple.”
(Photos: Kelly Delfina / Getty Images, Steven / PA via Getty Images; design: Dan Goldfarb)
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